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Dance To The Music - Multiple Bass Drums
Sheetmusic to print
138 sheet music found
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PAPA'S FAMOUS DANCES PART 2
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Tenor Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Joe Procopio
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the vocalist/bassist I
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PAPA'S FAMOUS DANCES PART 2
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JoeCopio Music LLC
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.876455 Compo...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.876455 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 82 pages. JoeCopio Music LLC #53355. Published by JoeCopio Music LLC (A0.876455). PAPA’S FAMOUS DANCES - PART 2 Back to School 2015 From A Collection Of Six Dances As Combo Music EMMA’S BLUES JOEY’S READY WILSON’S BOOGIE WOOGIE PAPA’S FAMOUS DANCES PART 2 is a collection of 3 Dances as combo music composed and arranged by Joe Procopio for a small ensemble, band, stage band or combo with flexible instrumentation. These works may be performed with only two Saxes (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of the dances makes them unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, each dance has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. These works have been performed by College and High School students in many major concert events along the East Coast with great success. They are published separately and in sets PAPA’S FAMOUS DANCES Part 1 and PAPA’S FAMOUS DANCES Part 2 with each Part containing 3 Dances. I have adapted the audio here for synthesizer so that they may be previewed. The works are named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Department Cazenovia Central School NY Director Of Instrumental Music Chapel Hill/Carrboro City Schools NC Adjunct Professor Applied Music Cazenovia College, NY.
$9.99
LILLY'S DANCE (THE TUMBLER)
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Tenor Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Joe Procopio
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the vocalist/bassist I
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LILLY'S DANCE
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JoeCopio Music LLC
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.876447 Compo...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.876447 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 24 pages. JoeCopio Music LLC #53323. Published by JoeCopio Music LLC (A0.876447). LILLY’S DANCE (THE TUMBLER) Back to School 2015 From PAPA’S FAMOUS DANCES by Joe Procopio LILLY’S DANCE (THE TUMBLER) is a delightful Latin flavored dance that was inspired by Little Miss Lilly who could tumble on command all by her big self when she was only 15 months old. When I first saw her dance and tumble at such a young age, I was so moved that I wrote this piece to celebrate her ability to amaze everyone with her dancing and tumbling. LILLY’S DANCE (THE TUMBLER) was originally written and arranged for a small ensemble, band, stage band or combo with flexible instrumentation so that it may be performed with only two Saxophones (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of LILLY’S DANCE (THE TUMBLER) makes it unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, LILLY’S DANCE (THE TUMBLER) has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. This piece is composed in the same style of the other dances in the set - all of which have been performed by College and High School students in many major concert events along the East Coast with great success. It is published separately and in a set entitled PAPA’S FAMOUS DANCES PART 1 from the sets PAPA’S FAMOUS DANCES Part I and Part II. Each Part contains 3 Dances. I have adapted the audio here for synthesizer so that it may be previewed. It is one of 6 works named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. Instrumentation for LILLY’S DANCE (THE TUMBLER) includes SCORE and parts for: ALTO SAX I ALTO SAX II TENOR SAX BARITONE SAX FLUTE CLARINET PIANO/KEYBOARD - GUITAR - BASS - DRUMS VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Depart.
$4.99
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
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Choral SATB
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INTERMEDIATE
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Stuart Brown
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An Omani Dance Suite - COMPLET
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Stuart Brown Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brow...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
$30.00
Dance to the Music (24-Piece Digital Pack)
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Jazz Ensemble
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EASY
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Contemporary
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Sly and the Family Stone and S
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Paul Murtha
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Dance to the Music
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Hal Leonard - Digital
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SheetMusicPlus
Level 2 - Digital Download SKU: HX.407997 By Sly and the Family Stone and Sylvester Stewart. Arranged by Paul Murtha. This edition: scorch. Disco,Funk,Po...
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Level 2 - Digital Download SKU: HX.407997 By Sly and the Family Stone and Sylvester Stewart. Arranged by Paul Murtha. This edition: scorch. Disco,Funk,Pop,Rock,Soul. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.407997).
Digital Pack includes
:
Dance to the Music - Conductor Score (Full Score)
Dance to the Music - Alto Sax 1
Dance to the Music - Alto Sax 2
Dance to the Music - Tenor Sax 1
Dance to the Music - Tenor Sax 2
Dance to the Music - Trumpet 1
Dance to the Music - Baritone Sax
Dance to the Music - Trumpet 3
Dance to the Music - Trumpet 4
Dance to the Music - Trumpet 2
Dance to the Music - Trombone 3
Dance to the Music - Trombone 1
Dance to the Music - Trombone 2
Dance to the Music - Piano
Dance to the Music - Trombone 4
Dance to the Music - Guitar
Dance to the Music - Bass
Dance to the Music - Flute
Dance to the Music - Aux Percussion
Dance to the Music - Clarinet 2
Dance to the Music - Drums
Dance to the Music - Clarinet 1
Dance to the Music - F Horn
Dance to the Music - Tuba
$40.00
Tribal War Chant: B-flat Bass Clarinet
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Concert band
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Michael Story
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Tribal War Chant: B-flat Bass
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0017533_BC B-flat Bass Clarinet. Composed by Michael Story. Multicultural. Part. 1 pages. Alfred Mus...
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Concert Band - Digital Download SKU: AX.00-PC-0017533_BC B-flat Bass Clarinet. Composed by Michael Story. Multicultural. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017533_BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017533_BC). UPC: 654979188735.Tribal War Chant is based on authentic Native American war dances. These culturally symbolic dances consisted of human voices accompanied by drums, bells, and rattles. The thematic material is meaningfully staged over driving traditional rhythms with intense stylistic variations. Before a war, men danced to attain spirit and power; after a war, they danced to celebrate a victory. This exciting composition is a must on your next program. (4:00).
$3.00
Dance to the Music (10-Piece Digital Pack)
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Choral Instrumental Pak
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Sly and the Family Stone
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Dance to the Music
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Hal Leonard - Digital
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SheetMusicPlus
Digital Download SKU: HX.254846 By Sly and the Family Stone. Disco,Funk,Pop. Choral Instrumental Pak. 1 pages. Hal Leonard - Digital #178730. Published b...
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Digital Download SKU: HX.254846 By Sly and the Family Stone. Disco,Funk,Pop. Choral Instrumental Pak. 1 pages. Hal Leonard - Digital #178730. Published by Hal Leonard - Digital (HX.254846).
Digital Pack includes
:
Dance To The Music - Tenor Saxophone
Dance To The Music - Trombone
Dance To The Music - Baritone Sax
Dance To The Music - Synthesizer
Dance To The Music - Guitar
Dance To The Music - Bass
Dance To The Music - Drums
Dance To The Music - Tambourine
Dance To The Music - Bb Trumpet 1
Dance To The Music - Bb Trumpet 2
$30.00
Tribal War Chant: Bassoon
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Concert band
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Michael Story
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Tribal War Chant: Bassoon
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0017533_B1 Bassoon. Composed by Michael Story. Multicultural. Part. 1 pages. Alfred Music - Digital ...
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Concert Band - Digital Download SKU: AX.00-PC-0017533_B1 Bassoon. Composed by Michael Story. Multicultural. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017533_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017533_B1). UPC: 654979188735.Tribal War Chant is based on authentic Native American war dances. These culturally symbolic dances consisted of human voices accompanied by drums, bells, and rattles. The thematic material is meaningfully staged over driving traditional rhythms with intense stylistic variations. Before a war, men danced to attain spirit and power; after a war, they danced to celebrate a victory. This exciting composition is a must on your next program. (4:00).
$3.00
Dance of the Lunatics
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Concert band
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INTERMEDIATE
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Thomas S
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Cheryl Woldseth – Bronz
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Dance of the Lunatics
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Bronze:FX
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1261595 Composed by Thomas S. Allen. Arranged by Cheryl Woldseth – Bronze:FX. 20th Century,Comed...
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Concert Band - Level 3 - Digital Download SKU: A0.1261595 Composed by Thomas S. Allen. Arranged by Cheryl Woldseth – Bronze:FX. 20th Century,Comedy,Halloween,March,Ragtime. Score and Parts. 94 pages. Bronze:FX #854669. Published by Bronze:FX (A0.1261595). Ragtime tunes are catchy, and this one is no exception.  Originally written for piano in 1912, Thomas S. Allen’s exciting yet relentless syncopation promises to give your feet a tapping life all their own.  An idiotic rave, they called it – and the kids loved it!  This song’s melody sneaks up on you, like a child’s game of hide and seek – but in the dark.  And it has a great bass line to appease those low instruments.  This arrangement is perfect for themed concerts like silent movies or Halloween, as well as just musical fun.Time length: 5 minutes 20 secondsFull scoreC and Db PiccoloFlute 1, 2OboeBassoonBb Clarinet 1, 2, 3Bb Bass ClarinetEb Alto Saxophone 1, 2Bb Tenor SaxophoneEb Baritone SaxophoneBb Cornets Solo, 1, 2, 3Horn in Eb and F 1, 2, 3, 4Trombone 1, 2, 3Bb Baritone Horn (treble clef)Baritone Horn (bass clef)TubaString BassMallet 1 bellsMallet 2 xylophoneTimpani (4) or alternate Timpani (2)DrumsAuxiliary Percussion (crash cymbals, sandpaper blocks).
$60.00
There's Gotta Be Something Better Than This
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Piano, Voice
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ADVANCED
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Contemporary
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Cy Coleman
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W
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There's Gotta Be Something Bet
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Diamond S Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.790050 Composed by Cy Coleman. Arranged by W. Brent Sawyer. Contemporary. Score. 14 pages. Diamond...
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.790050 Composed by Cy Coleman. Arranged by W. Brent Sawyer. Contemporary. Score. 14 pages. Diamond S Music #3554307. Published by Diamond S Music (A0.790050). THERE’S GOTTA BE SOMETHING BETTER THAN THIS from the musical SWEET CHARITY. VOCAL TRIO with 9 Part Band accompaniment in KEY of A (original show key) - THIS IS THE PIANO/VOCAL PART ONLY. This exuberantly energetic song from the hit musical SWEET CHARITY by Cy Coleman and Dorothy Fields is arranged in a style that is true to the original Broadway version of the song. Even the dialogue that happens within the song is in the music. All the Dance breaks have been omitted, although there is a few instrumental transitions to show of your musicians. This will be an audience pleaser. The 9 Piece accompaniment is scored for: REED 1 (Flute, Piccolo, Bb Clarinet, Alto Sax), REED 2 (Clarinet, Flute, Tenor Sax), Bb Trumpet, Trombone, Violin, Piano, Bass, Drums, Percussion. Sweet Charity opened on Broadway in 1966 starring Gwen Verdon. The 1969 film starred Shirley MacLaine. The 1986 Broadway revival starred Debbie Allen and the 2005 Broadway revival starred Christina Applegate. There’s Gotta Be Something Better is a trio for three girls. The song is about 3 girls that yearn for a better job and a better than life and decide to go in search for their dreams, Other similar arrangements from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$9.99
There's Gotta Be Something Better Than This
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Contemporary
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Cy Coleman
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W
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There's Gotta Be Something Bet
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Diamond S Music
#
SheetMusicPlus
Large Ensemble - Level 5 - Digital Download SKU: A0.790049 Composed by Cy Coleman. Arranged by W. Brent Sawyer. Contemporary. Score and parts. 89 pages. ...
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Large Ensemble - Level 5 - Digital Download SKU: A0.790049 Composed by Cy Coleman. Arranged by W. Brent Sawyer. Contemporary. Score and parts. 89 pages. Diamond S Music #3554303. Published by Diamond S Music (A0.790049). THERE’S GOTTA BE SOMETHING BETTER THAN THIS from the musical SWEET CHARITY. VOCAL TRIO with 9 Part Band accompaniment in KEY of A (original show key) - FULL SCORE & PARTS. This exuberantly energetic song from the hit musical SWEET CHARITY by Cy Coleman and Dorothy Fields is arranged in a style that is true to the original Broadway version of the song. Even the dialogue that happens within the song is in the music. All the Dance breaks have been omitted, although there is a few instrumental transitions to show of your musicians. This will be an audience pleaser. The 9 Piece accompaniment is scored for: REED 1 (Flute, Piccolo, Bb Clarinet, Alto Sax), REED 2 (Clarinet, Flute, Tenor Sax), Bb Trumpet, Trombone, Violin, Piano, Bass, Drums, Percussion. Sweet Charity opened on Broadway in 1966 starring Gwen Verdon. The 1969 film starred Shirley MacLaine. The 1986 Broadway revival starred Debbie Allen and the 2005 Broadway revival starred Christina Applegate. There’s Gotta Be Something Better is a trio for three girls. The song is about 3 girls that yearn for a better job and a better than life and decide to go in search for their dreams, Other similar arrangements from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$43.99
MY SWEET LYDIA
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Tenor Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Joe Procopio
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the vocalist/bassist I
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MY SWEET LYDIA
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JoeCopio Music LLC
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.876449 Compo...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.876449 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 33 pages. JoeCopio Music LLC #53329. Published by JoeCopio Music LLC (A0.876449). MY SWEET LYDIA Back to School 2015 From PAPA’S FAMOUS DANCES by Joe Procopio MY SWEET LYDIA is a dance written and arranged by Joe Procopio for a small ensemble, band, stage band or combo. It was originally composed for a small band with flexible instrumentation. It may be performed with only two Saxophones (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of MY SWEET LYDIA makes it unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, MY SWEET LYDIA has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. This piece has been performed by College and High School students in many major concert events all along the East Coast with great success. It is published separately and in a set entitled PAPA’S FAMOUS DANCES PART 1 from the sets PAPA’S FAMOUS DANCES Part I and Part II. Each Part contains 3 Dances. I have adapted the audio here for synthesizer so that it may be previewed. It is one of 6 works named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. Instrumentation for MY SWEET LYDIA includes SCORE and parts for: ALTO SAX I ALTO SAX II TENOR SAX BARITONE SAX FLUTE CLARINET PIANO/KEYBOARD - GUITAR - BASS - DRUMS VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Department Cazenovia Central School NY Director Of Instrumental Music Chapel Hill/Carrboro City Schools NC Adjunct Professor Applied Music Cazenovia College, NY.
$4.99
MARY ~ ELAINE
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Tenor Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Joe Procopio
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the vocalist/bassist I
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MARY ~ ELAINE
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JoeCopio Music LLC
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.876448 Compo...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.876448 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 23 pages. JoeCopio Music LLC #53327. Published by JoeCopio Music LLC (A0.876448). MARY ~ ELAINE Back to School 2015 From PAPA’S FAMOUS DANCES by Joe Procopio MARY ~ ELAINE is a dance written and arranged by Joe Procopio for a small ensemble, band, stage band or combo. It was originally composed for a small band with flexible instrumentation. It may be performed with only two Saxophones (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of MARY ~ ELAINE makes it unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, MARY ~ ELAINE has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. This piece has been performed by College and High School students in many major concert events all along the East Coast with great success. It is published separately and in a set entitled PAPA’S FAMOUS DANCES PART 1 from the sets PAPA’S FAMOUS DANCES Part I and Part II. Each Part contains 3 Dances. I have adapted the audio here for synthesizer so that it may be previewed. It is one of 6 works named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. Instrumentation for MARY ~ ELAINE includes SCORE and parts for: ALTO SAX I ALTO SAX II TENOR SAX BARITONE SAX FLUTE CLARINET PIANO/KEYBOARD - GUITAR - BASS - DRUMS VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Department Cazenovia Central School NY Director Of Instrumental Music Chapel Hill/Carrboro City Schools NC Adjunct Professor Applied Music Cazenovia College, NY.
$4.99
JOEY'S READY
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Tenor Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Joe Procopio
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the vocalist/bassist I
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JOEY'S READY
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JoeCopio Music LLC
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.876451 Compo...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.876451 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 28 pages. JoeCopio Music LLC #53333. Published by JoeCopio Music LLC (A0.876451). JOEY’S READY Back to School 2015 From PAPA’S FAMOUS DANCES by Joe Procopio JOEY’S READY is a dance written and arranged by Joe Procopio for a small ensemble, stage band or combo. It was originally composed for a small band with flexible instrumentation. It may be performed with only two Saxophones (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of JOEY’S READY makes it unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, JOEY’S READY has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. This piece has been performed by College and High School students in many major concert events along the East Coast with great success. It is published separately and in a set entitled PAPA’S FAMOUS DANCES PART 2 from the sets PAPA’S FAMOUS DANCES Part I and Part II. Each Part contains 3 Dances. I have adapted the audio here for synthesizer so that it may be previewed. It is one of 6 works named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. Instrumentation for JOEY’S READY includes SCORE and parts for: ALTO SAX I ALTO SAX II TENOR SAX BARITONE SAX FLUTE CLARINET PIANO/KEYBOARD - GUITAR - BASS - DRUMS VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Department Cazenovia Central School NY Director Of Instrumental Music Chapel Hill/Carrboro City Schools NC Adjunct Professor Applied Music Cazenovia College, NY.
$4.99
Jackie Orlando's Dance
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Milly, Molly
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Amphibia Cultural Legacy
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Jackie Orlando's Dance
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Amphibia Cultural Legacy
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SheetMusicPlus
Mixed Percussion,Strings Banjo,Bass Drum,Bass Voice,Digital Keyboard,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electronic Keyboard,English Horn,Flute,Gloc...
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Mixed Percussion,Strings Banjo,Bass Drum,Bass Voice,Digital Keyboard,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electronic Keyboard,English Horn,Flute,Glockenspiel,Harp,Melodica,Percussion,Piano and Keyboard,Rhythm Instrument,Synthesizer,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1248186 By Milly, Molly. By Amphibia Cultural Legacy. Arranged by Amphibia Cultural Legacy. Broadway,Comedy,Contemporary,Film/TV,Musical/Show,New Age. 3 pages. Amphibia Cultural Legacy #842748. Published by Amphibia Cultural Legacy (A0.1248186). Jackie Orlando's Dance is a beautiful instrumental cover based on the renowned Milly, Molly Theme. This refreshing remix infuses orchestral music to create a highly energized and epic sound. The unique blend of contemporary and classical music highlights Jackie's incredible talent and ability to reinvent traditional music. The track's fast-paced beats and vivid instruments make it a perfect dance song.Jackie Orlando's Dance is widely acclaimed and featured on the soundtrack of the Jackie Orlando franchise. The exhilarating song adds a touch of lively energy, bringing excitement and thrills to the show's viewers. With its captivating sound and impressive cinematic effect, Jackie Orlando's Dance is a must-listen for music lovers and fans.
$40.00
Damerons Dance
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Jazz
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Horace Silver
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George Kaplan
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Damerons Dance
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George Kaplan
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SheetMusicPlus
Small Ensemble Bass Clarinet - Level 3 - Interactive Download SKU: A0.1081005 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interac...
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Small Ensemble Bass Clarinet - Level 3 - Interactive Download SKU: A0.1081005 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interactive Download. Jazz. Score and parts. 4 pages. Duration 63. George Kaplan #7Iri8FTj5liweYDJZtdWVT. Published by George Kaplan (A0.1081005). Key: B major.Horace Silver had not seen the insides of a recording studio for 750 days before laying down Silver 'n Brass. His previous record, In Pursuit of the 27th Man, was unusual in its instrumentation (vibes) and for including a number of non-Silver tunes. (But the cover of Liberated Brother, from that record, did go on to become the backbone of his late 70s live shows.) So, as a prolific composer, Horace had a large backlog of tunes at his disposal as he entered the studio in January, 1975 and the 6 cuts on Silver 'n Brass are among his best. Horace broke the sessions into two: a straight-ahead post-bop session with Ron Carter (whose chubby bass spews artifacts all over the place, in his best late-70s style) and Al Foster on drums and another, more commercial session featuring Bob Cranshaw and Bernard Purdie. Wade Marcus later added horn overdubs employing an absolute who's-who of LA session players. (Word quickly got out among the cognoscenti, and Silver 'n Brass became hugely popular among fellow musicians, much to Horace's delight.) Highlights of the disc include: the composer's propulsive piano solo on Dameron's Dance, young Bob Berg's paint-peeling tenor solos (especially riveting on Kissin' Cousins) and the driving flat 9th chords of Adjustment. The tune Barbara, a gorgeous waltz dedicated to Horace's then-wife, has become a latter-day standard of sorts (Amazon's MP3 store lists a whole bunch of covers). Sophisticated Hippie, a tribute to Duke Ellington, features quite a rhythm-section workout in its closing vamp: this session would be the only time that Horace and Bernard's paths would intersect. There are no vocals this time out, just fully arresting post-bop of a high order.
$9.99
Permission To Dance
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Pop music
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BTS
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Jeremy Landig
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Permission To Dance
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Landig Music Productions
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Double Bass,Drums,Guitar,Percussion,Piano,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU:...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Double Bass,Drums,Guitar,Percussion,Piano,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.883006 By BTS. By Ed Sheeran, Jenna Andrews, Johnny McDaid, and Steve Mac. Arranged by Jeremy Landig. Pop. Score and parts. 59 pages. Landig Music Productions #6684319. Published by Landig Music Productions (A0.883006). Show band / combo parts for my pops choir arrangement of Permission to Dance.2 trumpets, 3 saxes (alto, tenor, bass), 1 trombone, piano, 2 synths, bass, drum set, auxiliary percussion.Doesn't quite match your band roster? Contact the arranger at jeremy@landigmusic.com for information on having an alternative instrumentation added to Sheet Music Plus!
$40.00
The Sophisticated Hippy
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Jazz
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Horace Silver
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George Kaplan
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The Sophisticated Hippy
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George Kaplan
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SheetMusicPlus
Small Ensemble Bass Clarinet - Level 3 - Interactive Download SKU: A0.1081039 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interac...
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Small Ensemble Bass Clarinet - Level 3 - Interactive Download SKU: A0.1081039 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interactive Download. Jazz. Score and parts. 9 pages. Duration 111. George Kaplan #6aVbzZBJPv37joDoKxM0BR. Published by George Kaplan (A0.1081039). Key: Eb minor.Horace Silver had not seen the insides of a recording studio for 750 days before laying down Silver 'n Brass. His previous record, In Pursuit of the 27th Man, was unusual in its instrumentation (vibes) and for including a number of non-Silver tunes. (But the cover of Liberated Brother, from that record, did go on to become the backbone of his late 70s live shows.) So, as a prolific composer, Horace had a large backlog of tunes at his disposal as he entered the studio in January, 1975 and the 6 cuts on Silver 'n Brass are among his best. Horace broke the sessions into two: a straight-ahead post-bop session with Ron Carter (whose chubby bass spews artifacts all over the place, in his best late-70s style) and Al Foster on drums and another, more commercial session featuring Bob Cranshaw and Bernard Purdie. Wade Marcus later added horn overdubs employing an absolute who's-who of LA session players. (Word quickly got out among the cognoscenti, and Silver 'n Brass became hugely popular among fellow musicians, much to Horace's delight.) Highlights of the disc include: the composer's propulsive piano solo on Dameron's Dance, young Bob Berg's paint-peeling tenor solos (especially riveting on Kissin' Cousins) and the driving flat 9th chords of Adjustment. The tune Barbara, a gorgeous waltz dedicated to Horace's then-wife, has become a latter-day standard of sorts (Amazon's MP3 store lists a whole bunch of covers). Sophisticated Hippie, a tribute to Duke Ellington, features quite a rhythm-section workout in its closing vamp: this session would be the only time that Horace and Bernard's paths would intersect. There are no vocals this time out, just fully arresting post-bop of a high order.
$9.99
Dance Of The Floreadores
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Concert band
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ADVANCED
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Billy Strayhorn and Duke Ellin
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John Ivor Holland
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Dance Of The Floreadores
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.1496584 Composed by Billy Strayhorn and Duke Ellington. Arranged by John Ivor Holland. 19th Century,20t...
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Concert Band - Level 5 - Digital Download SKU: A0.1496584 Composed by Billy Strayhorn and Duke Ellington. Arranged by John Ivor Holland. 19th Century,20th Century,Classical,Jazz,Standards. 89 pages. John Ivor Holland #1073105. Published by John Ivor Holland (A0.1496584). Dance of the Floreadores (Waltz of the Flowers) is from Duke Ellington and Billy Strayhorn's album 'The Nutcracker Suite' (1960), reinterpreting the music of Tchaikovsky's classic Christmas ballet from 1892 and giving it a jazz twist. This arrangement for concert band is faithful to the original recording and score as much as possible and is suitable for more advanced bands, with important solos from key members of the ensemble. Bass and drums are key to give this the authentic style and audiences you and old are sure to love it, getting in the mood for the holidays!Also available separately:Complete Suite:https://www.sheetmusicdirect.com/en-US/se/ID_No/1602555/Product.aspxPeanut Brittle Brigade:https://www.sheetmusicdirect.com/en-US/se/ID_No/1602903/Product.aspxSugar Rum Cherry:https://www.sheetmusicdirect.com/en-US/se/ID_No/1602888/Product.aspx.
$49.99
The Nutcracker Suite
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Concert band
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ADVANCED
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Billy Strayhorn and Duke Ellin
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John Ivor Holland
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The Nutcracker Suite
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.1496270 Composed by Billy Strayhorn and Duke Ellington. Arranged by John Ivor Holland. 20th Century,Cla...
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Concert Band - Level 5 - Digital Download SKU: A0.1496270 Composed by Billy Strayhorn and Duke Ellington. Arranged by John Ivor Holland. 20th Century,Classical,Jazz,Standards. 532 pages. John Ivor Holland #1072809. Published by John Ivor Holland (A0.1496270). The Nutcracker Suite is an interpretation of the music from Tchaikovsky's 1892 ballet by American pianist, composer and bandleader Duke Ellington and his long-time collaborator and orchestrator, Billy Strayhorn. Recorded for Columbia Records in 1960, it features jazz interpretations of nine movements from the original work in various styles and in a slightly different order, including more exotic instruments than would normally be found in the jazz ensemble:Overture Toot Toot Tootie Toot (Dance of the Reed-Pipes)Peanut Brittle Brigade (March)Sugar Rum Cherry (Dance of the Sugar-Plum Fairy)Entr'acteVolga Vouty (Russian Dance)Chinoiserie (Chinese Dance)Dance of the Floreadores (Waltz of the Flowers)Arabesque Cookie (Arabian Dance)Now fully arranged for concert band, without piano (as Ellington didn't actually play very much on the original recording) this is a difficult work, but players and audiences will love it - starring roles are given to most of the band at various points and the original solos played by the Ellington orchestra have been included for authenticity but chords added as well, should your players wish to make their own music. The Oboe part doubles Cor Anglais in a few movements, but this is cued if not available and important moments are also sensitively cross-cued throughout should the ensemble not be complete - absolutely essential, however, are the drums and bass, who are ever-present throughout and provide the beating heart of the work. An excellent choice for Christmas, of course, but could come out at any time of year.Also available separately:Peanut Brittle Brigade:https://www.sheetmusicdirect.com/en-US/se/ID_No/1602903/Product.aspxSugar Rum Cherry:https://www.sheetmusicdirect.com/en-US/se/ID_No/1602888/Product.aspxDance of the Floreadores:https://www.sheetmusicdirect.com/en-US/se/ID_No/1602867/Product.aspx.
$199.99
Russian Dance from the Nutcracker - in F for flexible ensemble
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Classical
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Peter Ilyich Tchaikovsky
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David Woodcock
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Russian Dance from the Nutcrac
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David Woodcock
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SheetMusicPlus
Acoustic Guitar,Bass Clef Instrument,Bass Guitar,Drums,Electric Guitar,Keyboard,Treble Clef Instrument - Level 4 - Digital Download SKU: A0.1394044 Compo...
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Acoustic Guitar,Bass Clef Instrument,Bass Guitar,Drums,Electric Guitar,Keyboard,Treble Clef Instrument - Level 4 - Digital Download SKU: A0.1394044 Composed by Peter Ilyich Tchaikovsky. Arranged by David Woodcock. 19th Century,Classical,Instructional. 71 pages. David Woodcock #977500. Published by David Woodcock (A0.1394044). This is an arrangement of the famous work from the Nutcracker ballet by Tchaikovsky, scored for flexible ensemble in F. It is also available in B flat. This series has been specifically designed to meet the requirements of the ever-changing ensemble combinations that primary and secondary schools and other instrumental ensembles face. Because certain instruments are more comfortable in playing in certain keys, each work will be offered in two keys. This should allow for the music director to choose the key most suitable for the instrumental combination. Each piece consists of five core instrumental parts: 2 treble, 1 alto, tenor and bass. All parts will have a number of transpositions suitable for the instruments that are capable of playing those parts, eg, Part 2 will have parts for violin, B flat clarinet and trumpet, and E flat alto sax.  This will save music directors' time in having to write out additional parts. Optional parts are included for tuned and untuned percussion, guitar (chords) and bass guitar (notation and TAB), a keyboard part appropriate to the difficulty level, and a rehearsal piano part which is a fuller realisation of the piece and could be played by a more advanced student or the music director. If the numbers of players on each part allows, the music director can feel free to 'solo' instruments and vary the orchestration, especially on repeats, to create variety in instrumental colour.
$25.00
Russian Dance from the Nutcracker - in B flat for flexible ensemble
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Classical
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Peter Ilyich Tchaikovsky
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David Woodcock
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Russian Dance from the Nutcrac
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David Woodcock
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SheetMusicPlus
Acoustic Guitar,Bass Clef Instrument,Bass Guitar,Drums,Electric Guitar,Keyboard,Treble Clef Instrument - Level 4 - Digital Download SKU: A0.1394040 Compo...
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Acoustic Guitar,Bass Clef Instrument,Bass Guitar,Drums,Electric Guitar,Keyboard,Treble Clef Instrument - Level 4 - Digital Download SKU: A0.1394040 Composed by Peter Ilyich Tchaikovsky. Arranged by David Woodcock. 19th Century,Classical,Instructional. 71 pages. David Woodcock #977496. Published by David Woodcock (A0.1394040). This is an arrangement of the famous work from the Nutcracker ballet by Tchaikovsky, scored for flexible ensemble in B flat. It is also available in F. This series has been specifically designed to meet the requirements of the ever-changing ensemble combinations that primary and secondary schools and other instrumental ensembles face. Because certain instruments are more comfortable in playing in certain keys, each work will be offered in two keys. This should allow for the music director to choose the key most suitable for the instrumental combination. Each piece consists of five core instrumental parts: 2 treble, 1 alto, tenor and bass. All parts will have a number of transpositions suitable for the instruments that are capable of playing those parts, eg, Part 2 will have parts for violin, B flat clarinet and trumpet, and E flat alto sax.  This will save music directors' time in having to write out additional parts. Optional parts are included for tuned and untuned percussion, guitar (chords) and bass guitar (notation and TAB), a keyboard part appropriate to the difficulty level, and a rehearsal piano part which is a fuller realisation of the piece and could be played by a more advanced student or the music director. If the numbers of players on each part allows, the music director can feel free to 'solo' instruments and vary the orchestration, especially on repeats, to create variety in instrumental colour.
$25.00
Hungarian Dance No. 5 - in C for flexible ensemble
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Classical
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Johannes Brahms
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David Woodcock
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Hungarian Dance No. 5 - in C f
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David Woodcock
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SheetMusicPlus
Acoustic Guitar,Bass Clef Instrument,Bass Guitar,Drums,Electric Guitar,Keyboard,Treble Clef Instrument - Level 4 - Digital Download SKU: A0.1394035 Compo...
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Acoustic Guitar,Bass Clef Instrument,Bass Guitar,Drums,Electric Guitar,Keyboard,Treble Clef Instrument - Level 4 - Digital Download SKU: A0.1394035 Composed by Johannes Brahms. Arranged by David Woodcock. 19th Century,Classical,Instructional. 68 pages. David Woodcock #977491. Published by David Woodcock (A0.1394035). This is an arrangement of the famous work, scored for flexible ensemble in C. It is also available in A. This series has been specifically designed to meet the requirements of the ever-changing ensemble combinations that primary and secondary schools and other instrumental ensembles face. Because certain instruments are more comfortable in playing in certain keys, each work will be offered in two keys. This should allow for the music director to choose the key most suitable for the instrumental combination. Each piece consists of five core instrumental parts: 2 treble, 1 alto, tenor and bass. All parts will have a number of transpositions suitable for the instruments that are capable of playing those parts, eg, Part 2 will have parts for violin, B flat clarinet and trumpet, and E flat alto sax.  This will save music directors' time in having to write out additional parts. Optional parts are included for tuned and untuned percussion, guitar (chords) and bass guitar (notation and TAB), a keyboard part appropriate to the difficulty level, and a rehearsal piano part which is a fuller realisation of the piece and could be played by a more advanced student or the music director. If the numbers of players on each part allows, the music director can feel free to 'solo' instruments and vary the orchestration, especially on repeats, to create variety in instrumental colour.
$25.00
Hungarian Dance No. 5 - in A for flexible ensemble
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Classical
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Johannes Brahms
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David Woodcock
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Hungarian Dance No. 5 - in A f
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David Woodcock
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SheetMusicPlus
Acoustic Guitar,Bass Clef Instrument,Bass Guitar,Drums,Electric Guitar,Keyboard,Treble Clef Instrument - Level 4 - Digital Download SKU: A0.1394034 Compo...
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Acoustic Guitar,Bass Clef Instrument,Bass Guitar,Drums,Electric Guitar,Keyboard,Treble Clef Instrument - Level 4 - Digital Download SKU: A0.1394034 Composed by Johannes Brahms. Arranged by David Woodcock. 19th Century,Classical,Instructional. 66 pages. David Woodcock #977490. Published by David Woodcock (A0.1394034). This is an arrangement of the famous work, scored for flexible ensemble in A. It is also available in C. This series has been specifically designed to meet the requirements of the ever-changing ensemble combinations that primary and secondary schools and other instrumental ensembles face. Because certain instruments are more comfortable in playing in certain keys, each work will be offered in two keys. This should allow for the music director to choose the key most suitable for the instrumental combination. Each piece consists of five core instrumental parts: 2 treble, 1 alto, tenor and bass. All parts will have a number of transpositions suitable for the instruments that are capable of playing those parts, eg, Part 2 will have parts for violin, B flat clarinet and trumpet, and E flat alto sax.  This will save music directors' time in having to write out additional parts. Optional parts are included for tuned and untuned percussion, guitar (chords) and bass guitar (notation and TAB), a keyboard part appropriate to the difficulty level, and a rehearsal piano part which is a fuller realisation of the piece and could be played by a more advanced student or the music director. If the numbers of players on each part allows, the music director can feel free to 'solo' instruments and vary the orchestration, especially on repeats, to create variety in instrumental colour.
$25.00
Wir bauen eine Stadt
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Paul Hindemith
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Wir bauen eine Stadt
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Schott Music - Digital
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SheetMusicPlus
Hohe Stimmen (Fl. · Ob. · Vl. 1) - mittlere Stimmen in C oder B (Klar. · Trp. · Vl. 2) - tiefe Stimmen in Violin- und Bassschlüssel (Fg. · Vl....
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Hohe Stimmen (Fl. · Ob. · Vl. 1) - mittlere Stimmen in C oder B (Klar. · Trp. · Vl. 2) - tiefe Stimmen in Violin- und Bassschlüssel (Fg. · Vl. 3 · Vc.) - Sopran-, Alt- und Tenor-Blockflöten - S. (Trgl. oder Tamb. · Trommel) - Klav. children's choir (SMez), melody instruments and percussion - very easy - Digital Download SKU: S9.Q22789 Spiel für Kinder nach einem Text von Robert Seitz. Composed by Paul Hindemith. This edition: score. Downloadable, Score. Duration 30 minutes. Schott Music - Digital #Q22789. Published by Schott Music - Digital (S9.Q22789). German.CONTENT How does a town intended for children evolve, who lives in it, what forms of transport can be used to get around and how it is also possible that unpleasant moments occur in an urban community? These are all questions which Wir bauen eine Stadt answers in a playful and child-oriented mode. COMMENTARY Since 1926, Hindemith had been pursuing the objective of attracting children and amateur musicians to contemporary music through the composition of especially suitable musical works. In 1927, his musical-educational ambitions led among other projects to the involvement of the youth music movement in his plans for the Baden- Baden chamber music festival in which he was deeply involved in his capacity as member of the programme committee. Neue Musik Berlin 1930, a supplementary event following the Baden-Baden music festival, was to be devoted not only to radio plays, amateur choirs and electric music, but also to the field of ‘plays and songs for children’. The play for children Wir bauen eine Stadt was created in collaboration with the Berlin author Robert Seitz who provided the text and was premièred on 21 June 1930 by children aged between eight and twelve years old providing the final work in the concert Neue Musik Berlin 1930. The work swiftly achieved widespread dissemination and was available in a number of different languages within two years of its completion. Hindemith explained his pedagogical concept behind Wir bauen eine Stadt in a preface to the score as follows: ‘A play for children: this means that this work was more intended as a lesson and exercise for children themselves rather than for the entertainment of adult audiences. The form of the work can be altered according to the appropriate needs of the group of children involved: songs can be omitted and other musical pieces, dances or scenes inserted. An infinite number of children can participate in this work; apart from the minimum of three players for the “orchestraâ€, no specific instrumentation is specified. If numerous musicians are available (perhaps also those with instruments which are played in other registers than the pitches indicated in this work), these can be employed doubling at the octave of the two outer parts to achieve a more interesting texture. The music can additionally be livened up by tambourines, drums and other easily playable percussion. […]’ Alongside three instrumental movements, Hindemith’s play for children primarily consists of choral songs in verse form for one- and two-voice choir with a few simple individual solo parts. This classic children’s theatre composition has up to the present day retained its prominent place within the (school) theatre repertoire. Six pieces from this work were issued in a piano version for children in 1931 under the title: Wir bauen eine Stadt. Klavierstücke für Kinder. (S. Sch.-G.) EDITOR’S NOTE A documentation of national premieres is not possible with Wir bauen eine Stadt. The performance material is on sale at music dealers and performance right is included by purchasing the material, without further involvement of the publisher.
$15.99
Daughter Zion, rejoice from Judas Maccabaeus - Choral & Shuffle - Brass Quintet
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Flute, Oboe, Clarinet, Bassoon
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INTERMEDIATE
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Christmas
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G
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Thomas Graf
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Daughter Zion, rejoice from Ju
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.504110 Composed by G.F. Haendel. Arranged by Thomas Graf. Christ...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.504110 Composed by G.F. Haendel. Arranged by Thomas Graf. Christmas,Jazz. Score and parts. 49 pages. Thomas Graf - the-hit-factory.com #116037. Published by Thomas Graf - the-hit-factory.com (A0.504110). This concert piece starts with a classic choral auf Händel’s masterpiece, then comes the big surprise: A funky Back Beat with jazzy chords starts and will make your whole audience clap and dance. All parts are feature and even a solo for the bass part is included. It ends up in a cool finale. Drums are optional and may be substituted by a Cachon or even only clapping. A must for your upcoming concerts during holiday season! Instrumentation: Tpt 1/2 in Bb/C, Horn in F/Eb, Trombone C/Bb, Tuba/Bass in Bb/Eb Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Important note: All our arrangements, esp. Big Band and Concert Band arrangements are played and prooved with our own ensembles with great fun and success. Please let us know if you have any request, question or if you need transposed parts. Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 - E-Mail: info@the-hit-factory.com. - www.the-hit-factory.com - facebook: https://www.facebook.com/hitfactorymusic.
$20.00
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