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Bass Clarinet, Piano
Sheetmusic to print
7 sheet music found
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1
(Everything I Do) I Do It For You
Bass Clarinet, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.548299 By Bryan Adams. By …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.548299 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by James M. Guthrie, ASCAP. Contemporary,Pop. Score and part. 13 pages. Jmsgu3 #3233899. Published by jmsgu3 (A0.548299). Duration: 4:28, Score: 8 pages, solo part: 2 pages, piano part: 3 pages. Tempo: quarter = 60, Meter: common time, measures: 51. Suitable for recital, church or combo performance.
$57.95
54.29 €
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Bass Clarinet, Piano
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Bryan Adams
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(Everything I Do) I Do It For You
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jmsgu3
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SheetMusicPlus
Epistemology
Bass Clarinet, Piano
Bass Clarinet,Piano - Level 5 - Interactive Download SKU: A0.1369463 Composed by Ty…
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Bass Clarinet,Piano - Level 5 - Interactive Download SKU: A0.1369463 Composed by Tyler James Cook (ASCAP). This edition: Interactive Download. Christian,Classical. 18 pages. Duration 301. Tyler James Cook #6X1OeWrIuRMPUxF5PmFma9. Published by Tyler James Cook (A0.1369463). Key: Bb major.Epistemology is a suite for piano, clarinet, and bass clarinet. It explores several philosophical theories of epistemology--how do we know what we know?--through music.
$4.99
4.67 €
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Bass Clarinet, Piano
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Tyler James Cook
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Epistemology
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Tyler James Cook
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SheetMusicPlus
The Wily Weasel
Bass Clarinet, Piano
Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.1303119 By Fiona Alice Hic…
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Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.1303119 By Fiona Alice Hickie. By Fiona Alice Hickie. Arranged by Fiona Alice Hickie. Children,Classical,Halloween. Score and part. 17 pages. Fiona Alice Hickie #892710. Published by Fiona Alice Hickie (A0.1303119). A piece for bass clarinet and piano about a sneaky weasel. Notes about weasels: 1. Known to be sneaky - 2. Rather cute to look at 3. Can be rather fierce carnivores 4. They do war dances in front of their prey(and for fun).
$5.99
5.61 €
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Bass Clarinet, Piano
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Fiona Alice Hickie
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The Wily Weasel
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Fiona Alice Hickie
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SheetMusicPlus
Burnin' Couches
Bass Clarinet, Piano
Bass Clarinet,Instrumental Solo,Piano - Digital Download SKU: A0.1024235 Composed b…
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Bass Clarinet,Instrumental Solo,Piano - Digital Download SKU: A0.1024235 Composed by Adam Phoenix White. 20th Century,Concert,Contemporary. Score and individual part. 13 pages. Adam Phoenix White #2918177. Published by Adam Phoenix White (A0.1024235). A recital piece for collegiate or professional level Bass Clarinetists. Written for the Senior recital of Becky Belk at Colorado State University. The piece was inspired by an event that the newspapers called a riot and made a big to-do about, which dominated the local news cycle for several weeks. In reality, it was simply a handful of students who lit a couple couches on fire in the middle of the street, and other people came to watch.
$7.99
7.49 €
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Bass Clarinet, Piano
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Adam Phoenix White
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Burnin' Couches
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Adam Phoenix White
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
Bass Clarinet, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexand…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.69 €
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Bass Clarinet, Piano
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Alexander Scriabin
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Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
16 Favourite Hymns Vol.1 for Bass Clarinet and Piano
Bass Clarinet, Piano
Composed by Various. Arranged by David McKeown. Praise & Worship, Sacred. Score an…
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Composed by Various. Arranged by David McKeown. Praise & Worship, Sacred. Score and part. 28 pages. David McKeown #6203785. Published by David McKeown
16 Favourite Hymns Vol.1 for solo Bass Clarinet is a collection of popular traditional hymns. They are simply arranged in easy keys for Bass Clarinet with separate piano accompaniment and chord symbols provided in the same file.
The hymns are in alphabetical order and are as follows
· Abide with Me, (Eventide)
· All People that on Earth do Dwell, (Old 100th)
· All Things Bright and Beautiful, (Bright and Beautiful)
· Amazing Grace, (Old Britain)
· Be Thou MY Vision, (Slane)
· Christ the Lord is Risen Today, (Crosby)
· The Church?s One Foundation, (Aurelia)
· City of God, (Richmond)
· Crown Him with Many Crowns, (Diademata)
· The Day Thou Gavest, (St Clement)
· Dear Lord and Father of Mankind, (Repton)
· Eternal Father Strong to Save, (Melita)
· The God of Love My Shepherd Is, (University)
· Oh God, Our Help in Ages Past, (St Anne)
· Guide Me O Thou Great Jehovah, (Cwm Rhondda)
· Praise My Soul the King of Heaven (Laude Anima)
$7.60
7.12 €
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Bass Clarinet, Piano
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Various
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Worship, Sacred
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16 Favourite Hymns Vol.1 for Bass Clarinet and Piano
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David McKeown
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SheetMusicPlus
Tico Tico (tico Tico No Fuba) for Bb and Bb Bass Clarinet and Piano
Bass Clarinet, Piano
Clarinet, Woodwind Duet - Advanced Intermediate - Digital Download By The Andrews Sister…
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Clarinet, Woodwind Duet - Advanced Intermediate - Digital Download By The Andrews Sisters. Arranged by Keith Terrett. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Arranged for Bb Clarinet, Bb Bass Clarinet and Piano, "Tico-Tico no fub?" ("sparrow in the cornmeal", or, literally, "rufous-collared sparrow in the cornmeal") is a Brazilian choro song written by Zequinha de Abreu in 1917. A great duet for your next performance, sure to be a big hit with your audience!
Its original title was "Tico-Tico no farelo" ("sparrow in the bran"), but since Brazilian guitarist Am?rico Jacomino "Canhoto" (1889?1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics.
Eros Volusia and her dancers dance to "Tico-Tico" in 1942 Rio Rita. Ethel Smith performed "Tico-Tico" onscreen in Bathing Beauty (1944). Carmen Miranda performed "Tico-Tico" onscreen in Copacabana (1947); It was also featured in the "Aquarela do Brasil" segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987).
In Quebec the song has been used for several decades in commercials for Sico paint.
In season three of Mama's Family episode "An Ill Wind," an intoxicated Iola briefly sings the song's chorus before passing out onto a bed.
This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon.
In season one of Narcos: Mexico, episode 3 ("El Padrino?), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fub? was produced in 1952 by the Brazilian film studio Companhia Cinematogr?fica Vera Cruz, starring Anselmo Duarte as Abreu.
The title phrase also features in the lyrics to the song "O Pato" made famous by Jo?o Gilberto.
Choro (Portuguese pronunciation: [and#712;and#643;oand#638;u], "cry" or "lament"), also popularly called chorinho ("little cry" or "little lament"), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chor?es.
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