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Double Concerto for clarinet, 'cello
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Double Concerto for clarinet, 'cello & piano
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - Digital …
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1099948 Composed by Antonio Salieri. Arranged by Franklin Stover. Chamber,Classical. 81 pages. Edition Hohenstaufen #703824. Published by Edition Hohenstaufen (A0.1099948). Originally for piano and orchestra, completely restructured for a trio that includes clarinet, 'cello & piano. All three movements with new cadenzas. The choice of using either Bb or C clarinet is given with the additional nontransposed part in C. Includes a Forward in the piano score. Duration: 18 minutes.
$15.00
13.44 €
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Antonio Salieri
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Double Concerto for clarinet, 'cello & piano
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Edition Hohenstaufen
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SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
21.5 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Mini Concerto For Alex (Cello and Piano Arrangement)
Cello, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.1298011 Composed by Geraldine (Den…
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Cello,Piano - Level 4 - Digital Download SKU: A0.1298011 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and part. 14 pages. Geraldine (Denny) Green at Oakmountmusic #887912. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1298011). ALL PURCHASES COME WITH SCORE AND PARTS1992 – The Mini Concerto For Alex, for solo cello (about grade 6 or 7) and school orchestra was commissioned in 1992 by Ibstock Place School for a talented young cellist, Alex Hunt, who was a student at the school at the time.  The Head of the school’s music department was Chris Artley, who was a marvelous support to me, throwing my way many wonderful opportunities or orchestrate for the Ibstock Place orchestra. The Mini Concerto For Alex is just one example. Chris is now a very successful composer living and working in New Zealand!Duration: approx. 10 minutes.In one movement, this piece is light in character and great fun for a school orchestra with a young, aspiring cellist.There are two Arrangements;No.1 – For Solo Cello and School Orchestra.Instrumentation as follows: 1st Flute2nd Flute1st Bflat Clarinet2nd Bflat Clarinet3rd Bflat Clarinet1st Alto Saxophone2nd Alto Saxophone1 Trumpet in Bflat2 TimpaniSide Drum(brushes and sticks)Sleigh BellsTambourineMaraccasCymbals(crash and suspended)TriangleWind ChimesGlockenspeilPianoKeyboard(strings and celesta sounds)*Solo CelloViolin 1Violin 2Violin 3ViolasCellosDoubles BassesNo.2 – For Solo Cello and PianoThere is a choice of 2 cadenzas: The first one is fairly easy and the second one is for the more advanced soloist. The one you hear below is the second, more advanced one. Both Cadenzas come with all arrangements.
$9.00
8.07 €
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Cello, Piano
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Geraldine
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Mini Concerto For Alex
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Geraldine
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SheetMusicPlus
Basically Baroque for String Trio - Violin, Viola, and Cello #10200
String Trio: violin, viola, cello
String Ensemble,String Trio Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.530…
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String Ensemble,String Trio Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.530745 Composed by Various. Arranged by Joel Lish. Baroque,Standards,Wedding. Score and parts. 205 pages. Last Resort Music Publishing #5335547. Published by Last Resort Music Publishing (A0.530745). 34 Arrangements of Baroque Favorites including works by Albinoni, Bach, Charpentier, Corelli, Handel, Marcello, Pegolesi, Vivaldi and more! Set of parts - includes 3 parts for Violin, Viola and CelloPart 2 for Clarinet in Bb is available separatelyTable of ContentsConcerto in G, Op. 5, No. 4, 1st Mvt. (Albinoni) Brandenburg Concerto No. 5, 1st Mvt (Bach) Brandenburg Concerto No. 5, 2nd Mvt (Bach) Brandenburg Concerto No. 5, 3rd Mvt (Bach) Brandenburg Concerto No. 6, 1st Mvt (Bach) Concerto in D Minor (Double), 1st Mvt (Bach) Concerto in D Minor (Double), 2nd Mvt (Bach) Concerto in D Minor (Double), 3rd Mvt (Bach) Te Deum (Charpentier) Trio Sonata No. 7 in C, 1st Mvt (Corelli) Trio Sonata No. 7 in C, 2nd Mvt (Corelli) Entrance of the Queen of Sheba (Handel) March from St. Cecilia (Handel) Piangi Pur, from Tolomeo (Handel) Arm Ye The Brave, from Judas Maccabeus (Handel) Hornpipe, from Water Music (Handel) Concerto Grosso, Op. 6, No. 2, 1st Mvt (Handel) Oboe Concerto in C Minor, 1st Mvt (Marcello) Largo from Violin Concerto in G Minor (Pergolesi) Trio in F for Recorder, Violin & Continuo, 1st Mvt (Telemann) Trio in F for Recorder, Violin & Continuo, 2nd Mvt (Telemann) Trio in F for Recorder, Violin & Continuo, 3rd Mvt (Telemann) Concerto for Viola in G, 1st Mvt (Telemann) Concerto for Viola in G, 2nd Mvt (Telemann) Violin Concerto in G Major, 1st Mvt (Vivaldi) Violin Concerto in G Major, 2nd Mvt (Vivaldi) Concerto in A Minor, Op. 3, No. 8, 1st Mvt (Vivaldi) Concerto in A Minor, Op. 3, No. 8, 2nd Mvt (Vivaldi) Concerto in A Minor, Op. 3, No. 8, 3rd Mvt (Vivaldi) Laudamus Te, from Gloria (Vivaldi) Domine Deus, from Gloria (Vivaldi) Largo, from Winter (Vivaldi)Published by Middle Fiddle MusicDistributed by Last Resort Music Publishing Inc. www.lastresortmusic.com
$55.00
49.29 €
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String Trio: violin, viola, cello
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Various
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Basically Baroque for String Trio - Violin, Viola, and Cello #10200
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Last Resort Music Publishing
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SheetMusicPlus
Basically Baroque - Part 2 for Clarinet in Bb #10223
Small Ensemble Cello,Clarinet,Viola,Violin - Level 5 - Digital Download SKU: A0.530811
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Small Ensemble Cello,Clarinet,Viola,Violin - Level 5 - Digital Download SKU: A0.530811 Composed by Various. Arranged by Joel Lish. Baroque,Standards,Wedding. Score and parts. 72 pages. Last Resort Music Publishing #6496563. Published by Last Resort Music Publishing (A0.530811). Part 2 for Clarinet in Bb34 Arrangements of Baroque Favorites including works by Albinoni, Bach, Charpentier, Corelli, Handel, Marcello, Pergolesi, Vivaldi and more!Set of parts - includes 3 parts for Violin, Viola and Cello - SOLD SEPARATELYTable of ContentsConcerto in G, Op. 5, No. 4, 1st Mvt. (Albinoni)Brandenburg Concerto No. 5, 1st Mvt (Bach)Brandenburg Concerto No. 5, 2nd Mvt (Bach)Brandenburg Concerto No. 5, 3rd Mvt (Bach)Brandenburg Concerto No. 6, 1st Mvt (Bach)Concerto in D Minor (Double), 1st Mvt (Bach)Concerto in D Minor (Double), 2nd Mvt (Bach)Concerto in D Minor (Double), 3rd Mvt (Bach)Te Deum (Charpentier)Trio Sonata No. 7 in C, 1st Mvt (Corelli)Trio Sonata No. 7 in C, 2nd Mvt (Corelli)Entrance of the Queen of Sheba (Handel)March from St. Cecilia (Handel)Piangi Pur, from Tolomeo (Handel)Arm Ye The Brave, from Judas Maccabeus (Handel)Hornpipe, from Water Music (Handel)Concerto Grosso, Op. 6, No. 2, 1st Mvt (Handel)Oboe Concerto in C Minor, 1st Mvt (Marcello)Largo from Violin Concerto in G Minor (Pergolesi)Trio in F for Recorder, Violin & Continuo, 1st Mvt (Telemann)Trio in F for Recorder, Violin & Continuo, 2nd Mvt (Telemann)Trio in F for Recorder, Violin & Continuo, 3rd Mvt (Telemann)Concerto for Viola in G, 1st Mvt (Telemann)Concerto for Viola in G, 2nd Mvt (Telemann)Violin Concerto in G Major, 1st Mvt (Vivaldi)Violin Concerto in G Major, 2nd Mvt (Vivaldi)Concerto in A Minor, Op. 3, No. 8, 1st Mvt (Vivaldi)Concerto in A Minor, Op. 3, No. 8, 2nd Mvt (Vivaldi)Concerto in A Minor, Op. 3, No. 8, 3rd Mvt (Vivaldi)Laudamus Te, from Gloria (Vivaldi)Domine Deus, from Gloria (Vivaldi)Largo, from Winter (Vivaldi)Published by Middle Fiddle Music/Distributed by Last Resort Music Publishing Inc. www.lastresortmusic.com
$18.50
16.58 €
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Various
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Basically Baroque - Part 2 for Clarinet in Bb #10223
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Last Resort Music Publishing
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SheetMusicPlus
Double Concerto in e minor, Op 88, for clarinet (or violin), viola and string quartet
String Quartet: 2 violins, viola, cello
String Ensemble - Level 5 - Digital Download SKU: A0.1095763 Composed by Max Bruch.…
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String Ensemble - Level 5 - Digital Download SKU: A0.1095763 Composed by Max Bruch. Arranged by David Banney. 19th Century,Romantic Period. 116 pages. David Banney #699730. Published by David Banney (A0.1095763). In this arrangement of Bruch's beautiful Double Concerto, originally scored for clarinet (or violin), viola and orchestra, the orchestra part is arranged for strings, either as quartet, quintet (with bass) or string orchestra. This edition includes the score and string parts. Solo parts can be purchased elsewhere.
$35.99
32.25 €
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String Quartet: 2 violins, viola, cello
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Max Bruch
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Double Concerto in e minor, Op 88, for clarinet
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David Banney
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SheetMusicPlus
Haydn: Concerto No. 2 in G major (Classical Wind Ensemble)
Woodwind Ensemble - Level 4 - Digital Download SKU: A0.768500 Composed by Franz Jos…
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Woodwind Ensemble - Level 4 - Digital Download SKU: A0.768500 Composed by Franz Joseph Haydn. Arranged by Roar Kvam. Classical,Concert. 114 pages. KVAMusic Edition #3454071. Published by KVAMusic Edition (A0.768500). About 1785, Haydn received a commission to write a series of concertos for Ferdinand IV, King of Naples and the Twin Sicilies. It was a very curious commission; for these concertos were to be written for a pair of strange instruments, the so-called Lira organizzata. The lira was a favourite instrument of the lazzaroni, the common people of Neaples: the Bourbon King, though often a rough and uncouth monarch, had a deep affection for his people. and for all their peculiar customs, and it is characteristic that his favourite musical instrument should have been that so beloved by his people. In a letter from the King of Neaples there are two points which explain much of the peculiar character of Haydn’s concertos for the King: the first is the restricted tonal range of all the works, C, F and G major are the only principal keys allowed. The second is the range of the lira itself which is about that of an oboe. Bearing these limitations in mind, Haydn did not attempt to write complicated double concertos, but rather ensemble music for two lire, two violins, two violas, cello and two horns, in other words, 9 solo instruments. (This edition: Flute, oboe, two clarinets, two basset horns, bassoon, contrabass and two horns). Moreover, he neatly combined the concerto form with that of the divertimento: there is often no strict division into solo and tutti, but constant intermingling of both. Wonderful music by Haydn, originally written for a mixed ensemble of 2 liras, 2 Horns and strings, but this is a transcription for a classical wind ensemble, a great companion for a concert together with i.e. Mozart’s Gran Partita, since it has almost the same instrumentation.
$33.00
29.58 €
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Franz Joseph Haydn
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Haydn: Concerto No. 2 in G major
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KVAMusic Edition
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SheetMusicPlus
Carson Cooman: Concerto for Bass Trombone and Six Players (2006), score only
Large Ensemble Cello,Clarinet,Double Bass,Flute,Multi-Percussion,Trombone,Viola - Level 5 …
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Large Ensemble Cello,Clarinet,Double Bass,Flute,Multi-Percussion,Trombone,Viola - Level 5 - Digital Download SKU: A0.533688 Composed by Musik Fabrik Music Publishing. Concert,Contemporary,Standards. Score and parts. 26 pages. Musik Fabrik Music Publishing #3038603. Published by Musik Fabrik Music Publishing (A0.533688). Concerto for Bass Trombone and Six Players (2006) was commissioned by the CarnegieMellon School of Music for the Carnegie Mellon Contemporary Ensemble, Walter Morales,director. The work is dedicated to trombonist Jim Siders, for whom the solo part was written.The work is scored for solo bass trombone with an ensemble of primarily “dark†instruments– alto flute, clarinet, viola, cello, contrabass, and percussion. The solo bass trombone is thefocal point of the musical discourse, acting throughout largely as a protagonist – with muchmaterial best described as bitterly lyrical. The work maintains a generally dark, obsessive,and bitter tone throughout.Unlike some concerti, however, the work is not about an aggression between soloist and therest of the ensemble. Rather the bass trombone is “first†among a collection of like mindedindividuals – all expressing the same sentiments and aggressions.The opening section is marked “spasmodic.†Quiet nervous twitches serve as a backdrop to amelodic unfolding of the basic material and interval content. The end of this part “breaksapart†to reveal a section marked “slow, otherworldly.†The harmonic material starts modal,open, and “distant†in feeling (perhaps a recollection of a distant past) before becominggradually gnarled again.The trombone leads towards the next section: an ever-building athletic “moto perpetuo.†Thisreaches its peak in an aggressive and horribly angry climax – with a wide-ranging trombonepart marked “wildly raving; insane, uglyâ€, obliterated by bass drum hits and shriekinghammer blows from the other instruments.A nervous and timid interlude returns to the nervous twitching of the opening – thougheverything is slightly slower and more hushed than before, finally breaking off into anenigmatic coda.Alto FluteClarinet in BbPercussion (1 player):bass drum, marimba, crotales(Percussionist needs one rosined bow for crotales.)ViolaCelloContrabassThis is the score only. The score and parts are sold as another item
$19.95
17.88 €
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Musik Fabrik Music Publishing
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Carson Cooman: Concerto for Bass Trombone and Six Players
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Musik Fabrik Music Publishing
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SheetMusicPlus
Mini Concerto For Alex (School Orchestra Arrangement)
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1297997 Composed by Geraldine (…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1297997 Composed by Geraldine (Denny) Green. 21st Century,Children,Classical. Score and Parts. 71 pages. Geraldine (Denny) Green at Oakmountmusic #887901. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1297997). ALL PURCHASES COME WITH SCORE AND PARTS1992 – The Mini Concerto For Alex, for solo cello (about grade 6 or 7) and school orchestra was commissioned in 1992 by Ibstock Place School for a talented young cellist, Alex Hunt, who was a student at the school at the time.  The Head of the school’s music department was Chris Artley, who was a marvelous support to me, throwing my way many wonderful opportunities or orchestrate for the Ibstock Place orchestra. The Mini Concerto For Alex is just one example. Chris is now a very successful composer living and working in New Zealand!Duration: approx. 10 minutes.In one movement, this piece is light in character and great fun for a school orchestra with a young, aspiring cellist.There are two Arrangements;No.1 – For Solo Cello and School Orchestra. Instrumentation as follows: 1st Flute2nd Flute1st Bflat Clarinet2nd Bflat Clarinet3rd Bflat Clarinet1st Alto Saxophone2nd Alto Saxophone1 Trumpet in Bflat2 TimpaniSide Drum(brushes and sticks)Sleigh BellsTambourineMaraccasCymbals(crash and suspended)TriangleWind ChimesGlockenspeilPianoKeyboard(strings and celesta sounds)*Solo CelloViolin 1Violin 2Violin 3ViolasCellosDoubles BassesNo.2 – For Solo Cello and PianoThere is a choice of 2 cadenzas: The first one is fairly easy and the second one is for the more advanced soloist. The one you hear below is the second, more advanced one. Both Cadenzas come with all arrangements.
$40.00
35.85 €
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Orchestra
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Geraldine
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Mini Concerto For Alex
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Geraldine
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SheetMusicPlus
Carson Cooman: Concerto for Bass Trombone and Six Players (2006), score and parts
Large Ensemble Cello,Double Bass,Flute,Multi-Percussion,Oboe,Trombone,Viola - Level 5 - Di…
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Large Ensemble Cello,Double Bass,Flute,Multi-Percussion,Oboe,Trombone,Viola - Level 5 - Digital Download SKU: A0.533689 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and parts. 64 pages. Musik Fabrik Music Publishing #3038607. Published by Musik Fabrik Music Publishing (A0.533689). Concerto for Bass Trombone and Six Players (2006) was commissioned by the CarnegieMellon School of Music for the Carnegie Mellon Contemporary Ensemble, Walter Morales,director. The work is dedicated to trombonist Jim Siders, for whom the solo part was written.The work is scored for solo bass trombone with an ensemble of primarily “dark†instruments– alto flute, clarinet, viola, cello, contrabass, and percussion. The solo bass trombone is thefocal point of the musical discourse, acting throughout largely as a protagonist – with muchmaterial best described as bitterly lyrical. The work maintains a generally dark, obsessive,and bitter tone throughout.Unlike some concerti, however, the work is not about an aggression between soloist and therest of the ensemble. Rather the bass trombone is “first†among a collection of like mindedindividuals – all expressing the same sentiments and aggressions.The opening section is marked “spasmodic.†Quiet nervous twitches serve as a backdrop to amelodic unfolding of the basic material and interval content. The end of this part “breaksapart†to reveal a section marked “slow, otherworldly.†The harmonic material starts modal,open, and “distant†in feeling (perhaps a recollection of a distant past) before becominggradually gnarled again.The trombone leads towards the next section: an ever-building athletic “moto perpetuo.†Thisreaches its peak in an aggressive and horribly angry climax – with a wide-ranging trombonepart marked “wildly raving; insane, uglyâ€, obliterated by bass drum hits and shriekinghammer blows from the other instruments.A nervous and timid interlude returns to the nervous twitching of the opening – thougheverything is slightly slower and more hushed than before, finally breaking off into anenigmatic coda.Alto FluteClarinet in BbPercussion (1 player):bass drum, marimba, crotales(Percussionist needs one rosined bow for crotales.)ViolaCelloContrabassThis is the score and parts. The score is also available for sale as a seperate item.
$32.95
29.53 €
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Carson Cooman
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Carson Cooman: Concerto for Bass Trombone and Six Players
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Musik Fabrik Music Publishing
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SheetMusicPlus
Concertino - for clarinet, mandolin and symphony orchestra
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Con…
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Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029. Published by The Composer's Own Press (A0.944032). CONCERTINO, for Clarinet, Mandolin, and Orchestra CONCERTINO was officially commissioned in 2011 by the Geneva Chamber Orchestra. The composition explores the sound combination of two, seemingly opposing, instruments and sound characters: the clarinet and the mandolin. Thus, the three-movement work is a short double-concerto for clarinet and mandolin, accompanied by a chamber orchestra. The first movement, titled Psalm 148 and is a mixture of a coronation fanfare and a wild improvisatory-like dance. The music is based on the structure and ideas expressed in the 148th Psalm. For the transformation of this Psalmodic text into music I was concerned with two elements: first, the linguistic pulse of the ancient Biblical Hebrew gives the music its ever-changing meters and vibrant rhythms. The second element was the poetic concept presented in the text: Heaven vs. Earth, Universe vs. Planet, or Heights vs. Depths. The contrasting nature of these elements is described in the following verses: Hallelujah, Praise ye the LORD from the heavens; praise Him in the heights. (Psalm 148, verse 1) Praise the LORD from the earth, ye sea-monsters, and all deeps. (Psalm 148, verse 7) Finally, both Heaven and Earth join in praise together: Let them praise the name of the LORD, for His name alone is exalted; His glory is above the earth and heaven. (Psalm 148, verse 13) The musical expression of these contraries is reflected and the use of high-range and soprano instruments (flutes, clarinet, trumpets, violins) versus low-range instruments (trombone, bassoons, cellos and basses.) The second movement, Romacero Viejo (and old love song) is a slow, lyrical dirge-like melody in a Sephardic Judeo-spanish style. In this movement the mandolin plays in the manner of an Oud – a traditional pear-shaped Arabic lute. The harmony sits mostly on a single pedal note while the clarinet imitates the chant with rhythmically free ornatmental patterns. The third and final movement, Allegro con brio, is a festive klezmer dance with a traditional Bulgar (or Freylech) rhythm, where the regular 8/8 meter is constantly divided into the irregular count of: 3+3+2. In the middle of this movement the two soloists play a cadenza, which allows them to present their contrasting yet complementary instrumental characters. The movement is titled The Geneva Bulgar in honor of the City of Geneva and the wonderful memories I have been carrying with me ever since my time there as a young student at the Conservatoire de Musique. Total duration: ca. 23 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
48.4 €
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Chamber Orchestra
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Ofer Ben-Amots
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praise Him in the heights
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Concertino - for clarinet, mandolin and symphony orchestra
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The Composer's Own Press
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SheetMusicPlus
Concerto for 2 bassoons - I.
Small Ensemble Bassoon,Clarinet,Flute,Oboe - Level 5 - Digital Download SKU: A0.836907
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Small Ensemble Bassoon,Clarinet,Flute,Oboe - Level 5 - Digital Download SKU: A0.836907 Composed by Antonio Vivaldi. Arranged by Jane Frasier. Baroque. Score and parts. 23 pages. Jane Frasier #2926229. Published by Jane Frasier (A0.836907). Antonio Vivaldi (4 March 1678 – 28 July 1741) was an Italian Baroque composer, virtuoso violinist, teacher and cleric. Vivaldi’s Double Cello Concerto, for 2 cellos, strings and continuo in G minor RV 531 was written for the female music ensemble of the Ospedale della Pieta, a home for abandoned children where Vivaldi was employed for nearly 30 years.This is an arrangement of the Allegro movement, substituting 2 bassoons for the solo cellos and using a woodwind quartet (flute, oboe, clarinet, bassoon) for the accompaniment.
$12.99
11.64 €
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Antonio Vivaldi
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Concerto for 2 bassoons - I.
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Jane Frasier
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SheetMusicPlus
Concerto for 2 bassoons - III.
Small Ensemble Bassoon,Clarinet,Flute,Oboe - Level 5 - Digital Download SKU: A0.836908
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Small Ensemble Bassoon,Clarinet,Flute,Oboe - Level 5 - Digital Download SKU: A0.836908 Composed by Antonio Vivaldi. Arranged by Jane Frasier. Baroque. Score and parts. 22 pages. Jane Frasier #2957829. Published by Jane Frasier (A0.836908). Antonio Vivaldi (4 March 1678 – 28 July 1741) was an Italian Baroque composer, virtuoso violinist, teacher and cleric. Vivaldi’s Double Cello Concerto, for 2 cellos, strings and continuo in G minor RV 531 was written for the female music ensemble of the Ospedale della Pieta, a home for abandoned children where Vivaldi was employed for nearly 30 years.This is an arrangement of the 3rd movement (Allegro), substituting 2 bassoons for the solo cellos and using a woodwind quartet (flute, oboe, clarinet, bassoon) for the accompaniment.
$12.99
11.64 €
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Antonio Vivaldi
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Concerto for 2 bassoons - III.
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Jane Frasier
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SheetMusicPlus
Concerto for Tuba with Wind Ensemble
Small Ensemble Clarinet,Flute,Tuba - Level 5 - Digital Download SKU: A0.792337 Comp…
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Small Ensemble Clarinet,Flute,Tuba - Level 5 - Digital Download SKU: A0.792337 Composed by Wanhal, Johann B. Arranged by Yarbrough, Janet. Baroque,Classical,Romantic Period,World. Score and parts. 198 pages. Gordon Cherry #4804651. Published by Gordon Cherry (A0.792337). Johann Wanhal (Vanhal) was an important classical composer from Bohemian/Czech heritage (1739-1813). His main living was as an organist and choirmaster, however Wanhal's musical output as a composer includes over a dozen concerti, many symphonies, chamber music, operas and much sacred music including 58 masses. Wanhal is rumored to have played chamber music with Mozart, Haydn and Dittersdorf, with Wanhal on the cello. In the 1770's Wanhal met the contrabassist Johannes Matthias Sperger and wrote a double bass concerto for him. The Concerto is in the key of E-Flat (original key of D for the double bass) in three movements and has been expertly arranged for Tuba and classical wind ensemble by Ms. Janet Yarbrough of Duke University. This work is also available with a piano reduction.
$155.00
138.91 €
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Wanhal, Johann B
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Concerto for Tuba with Wind Ensemble
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Gordon Cherry
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SheetMusicPlus
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533592 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533592 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 87 pages. Musik Fabrik Music Publishing #3029401. Published by Musik Fabrik Music Publishing (A0.533592). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The full score without the solo parts is also available for sale.. The parts are on rental from the publisher
$21.95
19.67 €
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Chamber Orchestra
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Carson Cooman
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Carson Cooman: Cerulean: Double Percussion Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533591 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533591 Composed by Carson Cooman. Contemporary. Score and parts. 66 pages. Musik Fabrik Music Publishing #3029399. Published by Musik Fabrik Music Publishing (A0.533591). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The solo parts plus the full score are available for sale. The parts are on rental from the publisher
$17.95
16.09 €
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Chamber Orchestra
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Carson Cooman
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Carson Cooman: Cerulean: Double Percussion Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Concerto for Orchestra_5
Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Multi-Percussion,Oboe,Timpani,Trombone,Trump…
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Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Multi-Percussion,Oboe,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - Digital Download SKU: A0.1057065 Composed by Jordan Grigg. 20th Century,Concert,Standards. Full Performance. Duration 451. Jordan Grigg #3460823. Published by Jordan Grigg (A0.1057065).
$2.99
2.68 €
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Jordan Grigg
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Concerto for Orchestra_5
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Jordan Grigg
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SheetMusicPlus
Concerto for Orchestra_1
Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Multi-Percussion,Oboe,Timpani,Trombone,Trump…
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Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Multi-Percussion,Oboe,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - Digital Download SKU: A0.1057062 Composed by Jordan Grigg. 20th Century,Concert,Standards. Full Performance. Duration 650. Jordan Grigg #3460819. Published by Jordan Grigg (A0.1057062).
$3.99
3.58 €
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Jordan Grigg
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Concerto for Orchestra_1
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Jordan Grigg
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SheetMusicPlus
Concerto for Orchestra_2to4
Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Multi-Percussion,Oboe,Timpani,Trombone,Trump…
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Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Multi-Percussion,Oboe,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - Digital Download SKU: A0.1057064 Composed by Jordan Grigg. 20th Century,Concert,Standards. Full Performance. Duration 1057. Jordan Grigg #3460821. Published by Jordan Grigg (A0.1057064).
$5.99
5.37 €
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Jordan Grigg
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Concerto for Orchestra_2to4
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Jordan Grigg
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SheetMusicPlus
Concerto for Alto Sax MP3
Alto Saxophone,Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Trumpet,Viola,Violin - D…
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Alto Saxophone,Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Trumpet,Viola,Violin - Digital Download SKU: A0.1056822 Composed by Jordan Grigg. 20th Century,Concert,Standards. Full Performance. Duration 688. Jordan Grigg #3383043. Published by Jordan Grigg (A0.1056822).
$3.99
3.58 €
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Jordan Grigg
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Concerto for Alto Sax MP3
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Jordan Grigg
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SheetMusicPlus
Piano Concerto No.1
Large Ensemble Bassoon,Cello,Clarinet,Double Bass,English Horn,Flute,Oboe,Piano,Timpani,Tr…
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Large Ensemble Bassoon,Cello,Clarinet,Double Bass,English Horn,Flute,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - Level 5 - Digital Download SKU: A0.990948 Composed by Dubiell De Zarraga Lago. Contemporary. Score and parts. 86 pages. Dubiell De Zarraga #3381173. Published by Dubiell De Zarraga (A0.990948). Piano concerto for piano and orquestra.
$7.99
7.16 €
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Dubiell De Zarraga Lago
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Piano Concerto No.1
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Dubiell De Zarraga
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SheetMusicPlus
Concerto for Pianoforte and Orchestra no. 4 ''Afrika'' in G minor, op. 25 - III. Allegretto Moderato
Cello,Clarinet,Contrabassoon,Double Bass,Fiddle,Flute,Horn,Kettledrum,Oboe d'Amore,Piano,T…
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Cello,Clarinet,Contrabassoon,Double Bass,Fiddle,Flute,Horn,Kettledrum,Oboe d'Amore,Piano,Trumpet,Viola - Level 3 - Digital Download SKU: A0.1359771 Composed by Abbe van Lingen. 19th Century. 20 pages. Saskia Verwers #944249. Published by Saskia Verwers (A0.1359771). Â
$2.00
1.79 €
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Abbe van Lingen
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Concerto for Pianoforte and Orchestra no. 4 ''Afrika'' in G minor, op. 25 - III. Allegretto Moderato
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Saskia Verwers
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SheetMusicPlus
Concerto for Orchestra Score and Parts
Large Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Glockenspiel,Marimba,Oboe,Trombone…
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Large Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Glockenspiel,Marimba,Oboe,Trombone,Trumpet,Tuba,Viola,Violin,Xylophone - Level 5 - Digital Download SKU: A0.863215 Composed by Jordan Grigg. 20th Century,Concert. Score and parts. 419 pages. Jordan Grigg #3386573. Published by Jordan Grigg (A0.863215). Mp3 is the 1st mvt.
$39.95
35.8 €
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Jordan Grigg
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Concerto for Orchestra Score and Parts
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Jordan Grigg
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SheetMusicPlus
Piotr Tchaikovsky - Violin concerto i D major - 3rd movement - Arrangement for chamber group
Large Ensemble Bass Clarinet,Cello,Double Bass,Flute,Piano,Viola,Violin - Level 5 - Digita…
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Large Ensemble Bass Clarinet,Cello,Double Bass,Flute,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.917824 Composed by Peter Ilyich Tchaikovsky. Arranged by Apor Szüts. Romantic Period. Score and parts. 76 pages. Szüts Apor #5336735. Published by Szüts Apor (A0.917824).
$4.99
4.47 €
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Peter Ilyich Tchaikovsky
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Piotr Tchaikovsky - Violin concerto i D major - 3rd movement - Arrangement for chamber group
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Szüts Apor
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SheetMusicPlus
Corelli: Concerto Grosso Op.6 No.8 (Christmas Concerto) Mvt.VI Pastorale - symphonic wind
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.553799 Composed by Arcangelo Corelli. Arranged by Ray Thompson. Baroque,Christmas. Score and parts. 17 pages. RayThompsonMusic #4735767. Published by RayThompsonMusic (A0.553799). Concerto grosso in G minor, Op. 6, No. 8 by Arcangelo Corelli, known commonly as the Christmas Concerto, was commissioned by Cardinal Pietro Ottoboni and published posthumously in 1714 as part of Corelli's Twelve concerti grossi, Op. 6. The concerto bears the inscription Fatto per la notte di Natale (made for the night of Christmas). Its composition date is uncertain, but there is a record of Corelli having performed a Christmas concerto in 1690 for the enjoyment of his new patron.The concerto is scored for an ensemble consisting of two concertino violins and cello, ripieno strings and continuo. The work is structured as a concerto da chiesa, in this case expanded from a typical four movement structure to six:The concerto is generally no longer than fifteen minutes, ending with Corelli's famous Pastorale ad libitum, a peaceful 128 finale in the pastorale form.This is an arrangement of the Pastorale.Arranged symphonic wind dectet and bass.
$15.95
14.29 €
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Arcangelo Corelli
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Corelli: Concerto Grosso Op.6 No.8
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RayThompsonMusic
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SheetMusicPlus
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