Flute and Orchestra Sheet Music to download and print

Flute and orchestra - difficult - Digital Download SKU: S9.Q25027 For flute and …(+)

Flute and Orchestra
FLUTE

Ã¦Â¢ÂÃ§Â¬ÂÃ¥ÂÂÃ¥Â¥ÂÃ¦ÂÂ² Concerto For Bamboo Flute and Orchestra

Ã¦Â¢ÂÃ§Â¬ÂÃ¥ÂÂÃ¥Â¥ÂÃ¦ÂÂ² Concerto For Bamboo Flute and Orchestra Flute

Flute Solo - Level 4 - Digital Download SKU: A0.961987 Composed by 馬水龍 Ma Shu…(+)

Flute Solo - Level 4 - Digital Download SKU: A0.961987 Composed by 馬水龍 Ma Shui Long. 20th Century,Contemporary. Individual part. With 2013-07-22. 32 pages. SpringAutumnmusic #431429. Published by SpringAutumnmusic (A0.961987). 《梆笛協奏曲》 1981年，《梆笛協奏曲》，梆笛與管弦樂團「梆笛協奏曲」分為兩個樂章，採用連樂章形式。第一樂章：開始莊嚴雄渾的管絃序奏(第一主題)是表現漢民族堅忍不拔的精神。接著導入輕快活潑的第二主題，由梆笛主奏，呈現純樸的民風與樂觀進取的態度。由第一主題及第二主題，可以發覺其間的關聯性，因為第二主題是由第一主題縮影、變化而來的。同時，第二主題也成為這個樂章開展的主軸。第二樂章：轉為優雅的慢板，第一樂章中的第一主題層次重現在低音弦樂部分，引展出梆笛嶄新的樂思；恬靜、詳和，像首詩篇，緩緩的描述出漢民族悠遠的文化與寬宏博大的氣度。終曲與尾聲再現了第一樂章中的第一、二主題，但略加變化，使其交互發展，並逐漸的將之推至本曲的最高潮。 ※本曲1981年應中國廣播公司委託創作之作品，同年於台北國父紀念館舉行世界首演，由張大勝指揮台北世紀交響樂團擔任演出。 Completed in 1981, <Concerto For Bamboo Flute and Orchestra> is composed of two continuous movements. The first movement begins with a solemn prelude for wind and string instruments, establishing the first theme which expresses the fortitude of the Han Chinese spirit. The second theme, mainly performed by the bangdi flute, is lively and fast, expressing the purity and rusticity of folk culture with an eager, optimistic attitude. As a condensed variation of the first theme, the second theme's relationship to the first is evident, and becomes the heart of the first movement.
$20.99 19.73 € #Flute #é¦¬æ°´é¾ Ma Shui Long #Ã¦Â¢ÂÃ§Â¬ÂÃ¥ÂÂÃ¥Â¥ÂÃ¦ÂÂ² Concerto For Bamboo Flute and Orchestra #SpringAutumnmusic #SheetMusicPlus

#Ã¦Â¢ÂÃ§Â¬ÂÃ¥ÂÂÃ¥Â¥ÂÃ¦ÂÂ² Concerto For Bamboo Flute and Orchestra

Tempest-Concerto for Flute and Orchestra (Piano Reduction)

#Tempest-Concerto for Flute and Orchestra

Variations on "Non piu mesta" for Flute and Piano Flute and Piano

Flute,Piano - Level 4 - Digital Download SKU: A0.866120 Composed by Gioachino Rossi…(+)

Flute,Piano - Level 4 - Digital Download SKU: A0.866120 Composed by Gioachino Rossini, Frederic Chopin. Arranged by Yoon Jae Lee. Instructional,Opera,Romantic Period,Standards. Score and part. 31 pages. Ondine Press #5377025. Published by Ondine Press (A0.866120). This is a piano reduction to Yoon Jae Lee’s arrangement, Variations on “Non più mesta” for flute and orchestra. The full score and set of parts are available separately. Rossini's aria from La Cenerentola Non più mesta has been a popular theme since it was first composed and is one of his most recognized tunes. Many paraphrases and variations were written on it in the 19th century for various instruments including one for violin and orchestra by Paganini. One set of variations for flute and piano is attributed to a young Chopin, who is said to have composed it for his father. For this arrangement, the variations have been expanded with an introduction and coda from the opera. A newly written orchestral accompaniment in the style of Chopin and Rossini was made along with interludes between the variations to allow the soloist to rest. The result is a new 10 minute showpiece for flute and orchestra in the same vein as Chopin's Variations on La ci da rem la mano and Rossini's variations for clarinet and orchestra. The flute part from the variations has not been altered so it is hoped that this new compilation will be a welcome addition to the solo flute repertoire. Perusal score: https://issuu.com/ondinepress/docs/rossini-chopin_-_variations_on__non.
$15.00 14.1 € #Flute and Piano #Gioachino Rossini, Frederic Chopin #Variations on "Non piu mesta" for Flute and Piano #Ondine Press #SheetMusicPlus

Flute and orchestra - difficult - Digital Download SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano reduction with solo part. Il Flauto traverso. Downloadable, Piano reduction with solo part. Duration 22 minutes. Schott Music - Digital #Q25027. Published by Schott Music - Digital (S9.Q25027). This ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family); the string section in the Sarabande; in both chorales (extremely muted in the first and brutalist in the second), the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This permits the flute to remain the provider of all impulses; it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights – acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg WidmannThis ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Every individual movement allots the solo flute an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra; the string section in the Sarabande; in both chorales the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg Widmann3 (2. auch Altfl., 3. auch Bassfl., alle auch Picc.) · 3 (2. auch Ob. d’am., 3. auch Engl. Hr.) · 0 · 3 (3. auch Kfg.) - 4 · 4 · 3 · 1 - S. (Glsp. · Vibr. · 3 hg. Beck. [h./m./t.] · chin. Beck. · 4 Gongs · 4 Buckelgongs · 2 Tamt. [m./t.] · Wassertamt. · gr. Tr. · Metal Chimes · Peitsche) (2 Spieler) - Hfe. · Cel. (auch Cemb.) - Str. (10 · 8 · 6 · 4 · 3).

Flute and orchestra - intermediate - Digital Download SKU: S9.Q49450 Composed by Wolfgang Amadeus Mozart. Arranged by Wolfgang Birtel. This edition: piano reduction with solo part. Flute - Orchestra - teaching repertoire - Wolfgang Amadeus Mozart. Schott Student Edition - Repertoire. Dieser hübsche Einzelsatz wird hier in einer sorgfältig edierten Neuausgabe, mit einer Kadenz des Herausgebers, vorgelegt – ein serenadenhafter Satz, der dem Solisten alle Möglichkeiten für kantables Spiel bietet. Downloadable, Piano reduction with solo part. Duration 5 minutes. Schott Music - Digital #Q49450. Published by Schott Music - Digital (S9.Q49450). Key: C major. German • English • French.Even though Wolfgang Amadeus Mozart (1756-1791), admittedly, was no fan of the flute, he wrote unforgettable music for this instrument 'that I can't stand': two concertos, a double concerto with harp, the original version of the Wind Concertante and the four flute quartets. Commissioned by the Dutch physician and amateur musician Ferdinand Dejean, Mozart wrote his two solo concertos in 1777/78 during a stay in Mannheim. As the middle movement of the Concerto in G major KV 313 supposedly was too difficult for the client – with regard to the playing technique and/or music – the composer wrote an alternative version, 'Andante' KV 315 (285e). This nice individual movement is now presented in a carefully edited new edition, with a cadenza of the editor – a serenade-like setting that offers the soloist many possibilities for cantabile playing. About Schott Student EditionThe Schott Student Edition gathers instrumental works for music lessons providing a unique and varied repertoire resource including standard teaching works, lesser known pieces which are perfectly suited to lessons as well as to student concerts and competitions.The repertoire is divided into levels 1-5, from very easy to difficult, and includes works from the Renaissance up to modern performance pieces. Each title is graded, from very easy works for beginners up to demanding pieces for more advanced students who are preparing for further study or examinations.Every work in the series has been carefully selected and edited by experienced music teachers. The editions also contain a wealth of information on the pieces as well as useful advice on studying, rehearsing and interpreting the works. The first titles to be published in the Schott Student Edition series contain works for violin, violoncello, flute, clarinet and recorder. Further editions are in preparation.