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Get Him Back!
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Get Him Back!
Sheetmusic to print
225 sheet music found
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1
26
51
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201
Get Him Back!
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Marching band
#
Pop music
#
Olivia Rodrigo
#
Levi Downing and Michael Glass
#
Get Him Back!
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Levi Downing
#
SheetMusicPlus
Marching Band - Digital Download SKU: A0.1371862 By Olivia Rodrigo. By Daniel Nigro and Olivia Rodrigo. Arranged by Levi Downing and Michael Glasser. Pop...
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Marching Band - Digital Download SKU: A0.1371862 By Olivia Rodrigo. By Daniel Nigro and Olivia Rodrigo. Arranged by Levi Downing and Michael Glasser. Pop. 18 pages. Levi Downing #956052. Published by Levi Downing (A0.1371862). Arrangement of Olivia Rodrigo's get him back! for Pep Band instrumentation.
$50.00
Get Him Back!
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Piano solo
#
INTERMEDIATE
#
Pop music
#
Olivia Rodrigo
#
SCMusic
#
Get Him Back!
#
SCMusic
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1318004 By Olivia Rodrigo. By Daniel Nigro and Olivia Rodrigo. Arranged by SCMusic. Broadway,Children,Fil...
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Piano Solo - Level 3 - Digital Download SKU: A0.1318004 By Olivia Rodrigo. By Daniel Nigro and Olivia Rodrigo. Arranged by SCMusic. Broadway,Children,Film/TV,Musical/Show,Pop,Rock. Score. 3 pages. SCMusic #906701. Published by SCMusic (A0.1318004). 'Get Him Back' by Olivia Rodrigo, as featured in the 'Mean Girls' movie trailer, arranged for solo piano. An easier version of the sheet music is available here.Â
$4.99
Get Him Back!
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Easy Piano
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BEGINNER
#
Pop music
#
Olivia Rodrigo
#
SCMusic
#
Get Him Back!
#
SCMusic
#
SheetMusicPlus
Easy Piano - Level 1 - Digital Download SKU: A0.1318003 By Olivia Rodrigo. By Daniel Nigro and Olivia Rodrigo. Arranged by SCMusic. Broadway,Children,Fil...
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Easy Piano - Level 1 - Digital Download SKU: A0.1318003 By Olivia Rodrigo. By Daniel Nigro and Olivia Rodrigo. Arranged by SCMusic. Broadway,Children,Film/TV,Musical/Show,Pop,Rock. Score. 3 pages. SCMusic #906700. Published by SCMusic (A0.1318003). 'Get Him Back' by Olivia Rodrigo, as featured in the 'Mean Girls' movie trailer, arranged for easy piano. A more difficult version is available here.
$4.99
Get Him Back!
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Marching band
#
INTERMEDIATE
#
Pop music
#
Olivia Rodrigo
#
abchmba
#
Get Him Back!
#
arrangingband
#
SheetMusicPlus
Marching Band - Level 3 - Digital Download SKU: A0.1357040 By Olivia Rodrigo. By Daniel Nigro and Olivia Rodrigo. Arranged by abchmba. 21st Century,Pop,R...
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Marching Band - Level 3 - Digital Download SKU: A0.1357040 By Olivia Rodrigo. By Daniel Nigro and Olivia Rodrigo. Arranged by abchmba. 21st Century,Pop,Rock,Singer/Songwriter. 30 pages. Arrangingband #941667. Published by arrangingband (A0.1357040). This is an arrangement of the catchy song get him back! by Olivia Rodrigo.
$50.00
Piangete, ohimè, piangete - Arie Antiche - ALTO
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Voice solo
#
INTERMEDIATE
#
Classical
#
Giacomo Carissimi
#
Piangete, ohimè, piangete
#
Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99€
Piangete, ohimè, piangete - Arie Antiche
#
Voice solo
#
INTERMEDIATE
#
Classical
#
Giacomo Carissimi
#
Piangete, ohimè, piangete
#
Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
1.99€
Piangete, ohimè, piangete - Arie Antiche - BASS
#
Voice solo
#
INTERMEDIATE
#
Classical
#
Giacomo Carissimi
#
Piangete, ohimè, piangete
#
Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99€
Piangete, ohimè, piangete - Arie Antiche - TENOR
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Voice solo
#
INTERMEDIATE
#
Classical
#
Giacomo Carissimi
#
Piangete, ohimè, piangete
#
Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99€
Piangete, ohimè, piangete - Arie Antiche - SOPRANO
#
Voice solo
#
INTERMEDIATE
#
Classical
#
Giacomo Carissimi
#
Piangete, ohimè, piangete
#
Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99€
Piangete, ohimè, piangete - Arie Antiche - MEZZO
#
Voice solo
#
INTERMEDIATE
#
Classical
#
Giacomo Carissimi
#
Piangete, ohimè, piangete
#
Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99€
Piangete, ohimè, piangete - Arie Antiche - BARITONE
#
Voice solo
#
INTERMEDIATE
#
Classical
#
Giacomo Carissimi
#
Piangete, ohimè, piangete
#
Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99€
Bring Me Back To You
#
Piano, Voice
#
INTERMEDIATE/ADVANCED
#
Andrew Mc Donald
#
Bring Me Back To You
#
Andrew Mc Donald
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841435 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 5 pages. Andrew Mc Donald (Macka...
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841435 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 5 pages. Andrew Mc Donald (Macka Records) #3470861. Published by Andrew Mc Donald (Macka Records) (A0.841435). Bring Me Back To You is a song about backsliding and the hearts cry to God to get close again to Him. This song has a lovely piano intro and features the flute throughout.
$4.99
Get Back
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The Beatles
#
Harry O'Brien
#
Get Back
#
Harry O'Brien
#
SheetMusicPlus
Guitar Ensemble - Level 4 - Digital Download SKU: A0.1464402 By The Beatles. By John Lennon and Paul McCartney. Arranged by Harry O'Brien. 20th Century,B...
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Guitar Ensemble - Level 4 - Digital Download SKU: A0.1464402 By The Beatles. By John Lennon and Paul McCartney. Arranged by Harry O'Brien. 20th Century,Blues,Pop,Rock. Score and Parts. 14 pages. Harry O'Brien #1043125. Published by Harry O'Brien (A0.1464402). An Intermediate/advanced 4 piece guitar ensemble arrangement of The Beatles' 1969 hit song, Get Back. A fun way to engage a group of guitarists to play classic repertoire - where they all have turns of playing, melody, chords, backing parts and solos.The arrangement for 3 guitars and 1 bass creatively arranges the rock song into a small guitar ensemble, and can be played by either a quartet, or an ensemble with multiple players per part. It would suit a high school guitar ensemble or similar. Includes space for improvised soloing over a simple chord progression.Comes with Full Score and parts for the following instruments:Guitar IGuitar IIGuitar IIIElectric Bass (can be substituted by a fourth guitar)About the arranger:Harry O'Brien is an emerging composer, arranger, guitarist and music educator in Sydney, Australia. His rock/jazz performance background, orchestral and film composition studies at Sydney Conservatorium, along with being an experienced conductor/director of school-level concert bands and guitar ensembles, give him a highly versatile and distinct arranging sound, one which understands the role every instrument can play in a school band. Arrangements for professional orchestras have been performed in venues around Australia including the State Theatre and Her Majesty's Theatre Adelaide. Website: https://obrienharry08.wixsite.com/music
$45.00
O Come Let Us Adore Him Christmas Cantata - SATB optional instruments and Piano - parts included
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Piano, Vocal and Guitar
#
EASY
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Connie Boss
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O Come Let Us Adore Him Christ
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Connie Boss
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801677 Composed by Connie Boss. Celtic,Christmas,Irish,Sacred. Score. 120 pages. Connie Bos...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801677 Composed by Connie Boss. Celtic,Christmas,Irish,Sacred. Score. 120 pages. Connie Boss #6414353. Published by Connie Boss (A0.801677). This lovely cantata is about how we gather together in song to celebrate the birth of Jesus. It has a Celtic feel and the songs are from several different countries - United States, Ireland, England, France, Germany, Scotland, Italy. There are 8 songs included, 2 originals, 2 medleys and 4 songs that you know and love included also. All of the songs are in SATB with an (optional) accent instrument part (choice of flute, violin or cello - parts included at the end of each score) - the score has the flute part so you can see where the accent instrument fits into the score. A simple piano part is included in each score. The voices and accent instruments help to complete the entire piece. You can also purchase individual songs on here separately if you choose to not purchase the whole cantata. However, it is a bargain to purchase the cantata. There are narration parts before each song that give a little history of the song. You can opt out of using them if desired. The titles of the songs are: 1. Baby, Jesus, Was Born Unto This Earth. (original) 2. Christ Child's Lullaby. 3. Bring a Torch Jeanette, Isabella. 4. Christmas Carols - Coventry and Wexford. 5. Good Christian Men Rejoice. 6. O Come Let Us Adore Him, Christ the Lord - (In the Bleak Midwinter, Gesu Bambino, The Snow Lay on the Ground) 7. Peace on Earth (original) 8. Sing We Now of Christmas. Take a little time to listen to the mp3 attached. It has computer voices, but you can get an idea of what it is supposed to sound like. It also has one of the instrument parts as a sample and then the piano on each one. Any questions, please email me at cdboss@cvalley.net. I'm glad to work with you. This is my 5th cantata and most recent one. You can purchase the other 4 on here - check them out. You can also purchase in book form any of these on Amazon. I have background accompaniment to these songs. If you purchase a book and would like them, please email me with proof of purchase and I will email them back to you. .
$7.00
Get Out PVG
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Piano, Voice
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INTERMEDIATE
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Steven H
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Ashley Ivers
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Get Out PVG
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Boothe Publishing
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.983997 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop. Score. 12 pages. Boo...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.983997 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop. Score. 12 pages. Boothe Publishing #4360831. Published by Boothe Publishing (A0.983997). Whether its food, alcohol, drugs, or viewing pornography. Addictions destroy the lives of everyone around them. I look at addictions as if they were little devils that have us down and are jumping on top of us and won’t let us get up. Little by little the addicted and all of his friends and family lose faith, hope, love, peace, joy, and self respect. The shame of addiction keeps them in despair. They constantly have voices in their heads that say you’re no good, you’re no good, do you hear me, you’re no good. Well I’m here to tell you that is a lie. You are good. You are worth something. Life , family, love, peace, joy. Those are all things that are worth fighting for. Take them back. You are not unworthy. You can fight the addiction. You have made mistakes that are correctable. God tells us to resist the devil and he will flee from you. Then God says to draw near unto Him and He will draw near unto you. When God draws close to us, we will recieve His strength and power to leave the addiction behind. With Him we can overcome anything.
$3.99
Get Out Piano Minus Vocal
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Piano solo
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Steven H
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Ashley Ivers
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Get Out Piano Minus Vocal
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Boothe Publishing
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SheetMusicPlus
Piano - Digital Download SKU: A0.1069990 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop. Accompaniment. Duration 210. Boothe Publi...
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Piano - Digital Download SKU: A0.1069990 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop. Accompaniment. Duration 210. Boothe Publishing #4737115. Published by Boothe Publishing (A0.1069990). Whether its food, alcohol,drugs, or viewing pornography. Addictions destroy the lives of everyone around them. I look at addictions as if they were little devils that have us down and are jumping on top of us and won’t let us get up. Little by little the addicted and all of his friends and family lose faith, hope, love, peace, joy, and self respect. The shame of addiction keeps them in despair. They constantly have voices in their heads that say you’re no good, you’re no good, do you hear me, you’re no good. Well I’m here to tell you that is a lie. You are good. You are worth something. Life ,family, love, peace, joy. Those are all things that are worth fighting for. Take them back. You are not unworthy. You can fight the addiction. You have made mistakes that are correctable. God tells us to resist the devil and he will flee from you. Then God says to draw near unto Him and He will draw near unto you. When God draws close to us, we will receive His strength and power to leave the addiction behind. With Him we can overcome anything.
$1.99
Get Him Back!
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Drums
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BEGINNER
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Olivia Rodrigo
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Transcribed By Draft Nutthana
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Get Him Back!
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Draft Nutthana
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SheetMusicPlus
Drum Set,Drums - Level 1 - Digital Download SKU: A0.1336587 By Olivia Rodrigo. By Daniel Nigro and Olivia Rodrigo. Arranged by Transcribed By Draft Nutth...
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Drum Set,Drums - Level 1 - Digital Download SKU: A0.1336587 By Olivia Rodrigo. By Daniel Nigro and Olivia Rodrigo. Arranged by Transcribed By Draft Nutthana. Funk,Grunge,Pop,Punk,Rock. Score. 3 pages. Draft Nutthana #922359. Published by Draft Nutthana (A0.1336587). Drums sheet music.
$4.99
Get Him Back!
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Piano, Voice
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Pop music
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Olivia Rodrigo
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Mark Waters
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Get Him Back!
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Mark Waters
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SheetMusicPlus
Piano,Vocal,Voice - Digital Download SKU: A0.1296141 By Olivia Rodrigo. By Daniel Nigro and Olivia Rodrigo. Arranged by Mark Waters. Pop. Score. 6 pages....
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Piano,Vocal,Voice - Digital Download SKU: A0.1296141 By Olivia Rodrigo. By Daniel Nigro and Olivia Rodrigo. Arranged by Mark Waters. Pop. Score. 6 pages. Mark Waters #886384. Published by Mark Waters (A0.1296141). Piano with right-hand vocal line arrangement. Original key.
$4.99
get him back!
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Piano, Vocal and Guitar
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Pop music
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Olivia Rodrigo
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get him back!
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Hal Leonard - Digital
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SheetMusicPlus
By Olivia Rodrigo. This edition: Interactive Download,scorch. Pop. Score. 8 pages. Hal Leonard - Digital #350014. Published by Hal Leonard - Digital ...
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By Olivia Rodrigo. This edition: Interactive Download,scorch. Pop. Score. 8 pages. Hal Leonard - Digital #350014. Published by Hal Leonard - Digital
$4.99
We Gather Together
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Christmas
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Eduard Kremser
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F
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We Gather Together
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Sweetwater Brass Press
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SheetMusicPlus
Level 3 - Digital Download SKU: A0.808696 Composed by Eduard Kremser (1838-1914). Arranged by F. Leslie Smith. Christmas,Holiday. 20 pages. Sweetwater Br...
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Level 3 - Digital Download SKU: A0.808696 Composed by Eduard Kremser (1838-1914). Arranged by F. Leslie Smith. Christmas,Holiday. 20 pages. Sweetwater Brass Press #4968147. Published by Sweetwater Brass Press (A0.808696). We Gather Together is one of the best known Thanksgiving hymns. It originated in the Netherlands in 1597 as Wilt Heden Nu Treden, written by Adrianus Valerius to commemorate a victory in the Dutch war of liberation from Spanish oppression. It was first published in Valerius’ 1626 collection of Dutch folks songs, Nederlandtsche Gedenck-Clanck. In 1877, the Austrian composer and conductor, Eduard Kremser, published arrangements for six songs from Valerius’ collection, one of which was Wilt Heden Nu Treden. Seven years later, American musicologist Theodore Baker wrote a modern English version of the hymn. It is Baker’s words and Kremser’s melody that are today sung as We Gather Together.  This arrangement consists of six versions of the Kremser tune. The first is a fairly straightforward melody-and-harmony rendition, except that Trumpet 1 begins solo, and the other instruments join the playing group one at a time. Succeeding versions consist of variations, until the final, which, for the four upper instruments, reverts to a simple statement of melody-plus-harmony. Tuba, on the other hand, has a wonderful running bass part. The piece ends with a brief diminuendo and ritardando repetition of the last four measures. The key signature changes twice: C to D and back to C. There are no tricky rhythmic figures. As for high notes: Trumpet 1 plays one quarter-note A above its staff; Trombone has two high-F eighth-notes.   This arrangement was completed in 2019, and performance time runs about 2 minutes, 55 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$6.99
Through The Years
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Blaze Scheuerman
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Through The Years
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Blaze Scheuerman
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SheetMusicPlus
Small Ensemble Alto Saxophone,B-Flat Clarinet,B-Flat Trumpet,Flute,Horn,Trombone - Level 3 - Digital Download SKU: A0.1047346 By Blaze Scheuerman. By Bla...
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Small Ensemble Alto Saxophone,B-Flat Clarinet,B-Flat Trumpet,Flute,Horn,Trombone - Level 3 - Digital Download SKU: A0.1047346 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 43 pages. Blaze Scheuerman #651904. Published by Blaze Scheuerman (A0.1047346). Through The Years is meant to be a reflection back onto one’s childhood. Inspired by my own upbringing, it is a recollection of past events that came and mindsets experienced. It opens up with a loud and active sound to show the start of the journey. The character begins happy and energetic, going head first with no fear. The dotted quarter note theme at measure 11 then shows the young child’s state of mind. While beginning to understand concepts of anxiety and fear, he is still full of vigor and confidence. Then at measure 26, the main character begins his adolescence. Still fresh and happy, he sees the world in a simple way and that it is actively watching out for him. He is enjoying this passive time of leisure until measure 40, where he decides to actively try to seek out something. He gets carried away however, and tries to return back to his roots, seen in measure 59. Unfortunately he finds himself tainted and unable to return to his go-getting former self. He then does something peculiar in measure 77. Instead of being angered or saddened by this fact, he accepts it and takes a step back to rebuild himself, seen in the fugato section. After a long and detailed remapping, he finds himself back at his desired happy self. However at measure 127, he feels himself changing once again. So through active awareness and will, he prevents himself from changing into something he doesn’t want to be and instead stays as his desired self.
$5.99
get him back! by Olivia Rodrigo - Piano/Vocal/Guitar
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Piano, Vocal and Guitar
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Olivia Rodrigo
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get him back!
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Musicnotes
Sheet Music for get him back! by Olivia Rodrigo arranged for Piano/Vocal/Guitar in F Major (Transposable). Digital sheet music from Musicnotes. ...
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Sheet Music for get him back! by Olivia Rodrigo arranged for Piano/Vocal/Guitar in F Major (Transposable). Digital sheet music from Musicnotes.
$5.79
get him back! by Olivia Rodrigo - Piano/Vocal/Chords, Singer Pro
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Piano, Voice
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Olivia Rodrigo
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get him back!
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Musicnotes
Sheet Music for get him back! by Olivia Rodrigo arranged for Piano/Vocal/Chords;Singer Pro in F Major (Transposable). Digital sheet music from Musicnotes. ...
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Sheet Music for get him back! by Olivia Rodrigo arranged for Piano/Vocal/Chords;Singer Pro in F Major (Transposable). Digital sheet music from Musicnotes.
$5.79
The Story Of Reuben Clamzo & His Strange Daughter
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Choral TTBB
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EASY
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & H
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Haydn Piano Sonata 40.1 Allegretto innocente (Classical Music for Tablet Series)
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Piano solo
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INTERMEDIATE
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Classical
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Stephen R Dalrymple
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edited by Stephen R Dalrymple
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Haydn Piano Sonata 40.1 Allegr
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Stephen R Dalrymple
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.818282 By Stephen R Dalrymple. By Franz Joseph Haydn. Arranged by edited by Stephen R Dalrymple (Dalrympl...
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Piano Solo - Level 3 - Digital Download SKU: A0.818282 By Stephen R Dalrymple. By Franz Joseph Haydn. Arranged by edited by Stephen R Dalrymple (Dalrymple Designs). Classical. Score. 17 pages. Stephen R Dalrymple #4967137. Published by Stephen R Dalrymple (A0.818282). Franz Joseph Haydn was born in 1732 in a small village in Austria, near the Hungarian border. ♫ His father was a wheelwright and a leader of the town. His mother had been a cook in the palace of a Count. His father had taught himself to play the harp. His family was musical and often sang together (16 brothers and sisters). His father saw that he was extremely musical and that he couldn’t get the education he needed in his little village. When he was 6 years old, he was sent to the home of a relative about 7 miles away to study to be a musician. He never lived with his parents again. ♫ In 1752 he was employed by Count Karl Joseph Morzin, leading the Count’s small orchestra and writing the first of his symphonies. ♫ In 1760 he married Maria Keller. They had a very unhappy marriage, producing no children. ♫ In 1760 Count Paul Andre Esterhazy (one of the wealthiest and most important nobles in the Austrian empire) hired him as assistant director of music. In 1766 at the age of 34, Prince Nikolaus Esterhazy appointed Haydn his Director of Music. His job was divided between the Esterhazy palace in Austria their palace across the border Hungary. ♫ Haydn dedicated Piano Sonata 40 to Princess Marie Esterhazy. He worked for the Esterhazys for the next 28 years, writing hundreds of pieces of music for the prince. After about 15 years, he signed a new contract allowing him to write music for other customers. Haydn’s reputation grew to international fame. ♫ Haydn wrote 104 Symphonies. Not unlike George Washington, nicknamed the “Father of our Countryâ€, yet had no children, Haydn is known as the “Father of the Symphony.†♫ Napoleon captured Vienna in 1809. Napoleon, himself, ordered an honor guard be placed at Haydn’s home where Haydn lay dying. ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit this screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99
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