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Go Get em'
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Go Get em'
Marching band
Composed by Jerry Frazier. Go Get em' is a compelling choice for Grade 2 level band stu…
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Composed by Jerry Frazier. Go Get em' is a compelling choice for Grade 2 level band students. Your puchase is delivered instantly. Go for it! Multicultural. Score and Parts. 22 pages. PDF Band Music #PDF-BAND160. Published by PDF Band Music
$30.95
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Marching band
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Jerry Frazier
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Go Get em'
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SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99
22.92 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Bohemian Rhapsody - Piano Solo
Piano solo
Piano Solo - Advanced Intermediate - Digital Download By Queen. Arranged by Mario S…
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Piano Solo - Advanced Intermediate - Digital Download By Queen. Arranged by Mario Stallbaumer. 6 pages. Published by Mario Stallbaumer
With these piano sheets, you can play ?Bohemian Rhapsody? on piano!
It?s an accurate piano arrangement of the whole piece, including all parts, full melody & instrumental solos.
I believe this is the most accurate piano arrangement of the song you will find anywhere.
It?s a ?Bohemian Rhapsody? piano version in the song?s original key, it?s playable, and it sounds fantastic!
I also created sheet music of the same piano arrangement with the song?s full lyrics - you can get it here: https://www.sheetmusicplus.com/title/21155920
?Bohemian Rhapsody? was, of course, written by the one and only Freddie Mercury.
It was included on Queen?s 1975 album ?A Night at the Opera? and became one of Queen?s biggest hits. Today, it is considered by many to be the best classic rock song of all time.
There?s a good reason why the 2018 biographical film about Freddie Mercuy (played by Rami Malek) is named after this song - arguably his greatest composition.
?Bohemian Rhapsody? is famous for its diverse parts: from the a-capella-intro to rock ballad verses, from hard rock guitar solos to operatic sections.
?Bohemian Rhapsody? really is the whole package - and all parts of it can sound surprisingly great on piano, if played right!
In my experience, many arrangements of the song seem to be lacking something: They are not accurate, don?t sound powerful enough, there are important parts or even whole sections missing.
So I took my time to create a piano arrangement of the song which I feel does justice to this wonderful piece.
I hope you enjoy playing it as much as I do!
Here are the full lyrics to ?Bohemian Rhapsody?:
?Is this the real life?
Is this just fantasy?
Caught in a landslide
No escape from reality
Open your eyes
Look up to the skies and see
I'm just a poor boy, I need no sympathy
Because I'm easy come, easy go
A little high, little low
Anyway the wind blows, doesn't really matter to me, to me
Mama, just killed a man
Put a gun against his head
Pulled my trigger, now he's dead
Mama, life had just begun
But now I've gone and thrown it all away
Mama, oh oh
Didn't mean to make you cry
If I'm not back again this time tomorrow
Carry on, carry on, as if nothing really matters
Too late, my time has come
Sends shivers down my spine
Body's aching all the time
Goodbye everybody I've got to go
Gotta leave you all behind and face the truth
Mama, oh oh (anyway the wind blows)
I don't want to die
Sometimes wish I'd never been born at all
I see a little silhouetto of a man
Scaramouch, Scaramouch will you do the Fandango
Thunderbolt and lightning very very frightening me
Gallileo, Gallileo, Gallileo, Gallileo, Gallileo, figaro, magnifico
I'm just a poor boy and nobody loves me
He's just a poor boy from a poor family
Spare him his life from this monstrosity
Easy come easy go will you let me go
Bismillah, no we will not let you go, let him go
Bismillah, we will not let you go, let him go
Bismillah, we will not let you go, let me go
(Will not let you go) let me go (never, never let you go) let me go (never let me go)
Oh oh no, no, no, no, no, no, no
Oh mama mia, mama mia, mama mia let me go
Beelzebub has a devil put aside for me for me for me
So you think you can stop me and spit in my eye
So you think you can love me and leave me to die
Oh baby can't do this to me baby
Just gotta get out just gotta get right outta here
Oh oh oh yeah, oh oh yeah
Nothing really matters
Anyone can see
Nothing really matters
Nothing really matters to me
Anyway the wind blows?
$4.99
4.77 €
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Piano solo
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Queen
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Bohemian Rhapsody - Piano Solo
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Mario Stallbaumer
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SheetMusicPlus
Get Lucky - Brass Sextet
Brass ensemble
Trumpet, Trombone, Tuba, Horn in F, Drums - Intermediate - Digital Download By Daft P…
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Trumpet, Trombone, Tuba, Horn in F, Drums - Intermediate - Digital Download By Daft Punk. Arranged by Diego Monteiro. Score, Set of Parts. 34 pages. Published by DIEGO MONTEIRO
Get Lucky - Brass Sextet - Daft Punk - Arranged by Diego Monteiro
$12.99
12.41 €
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Brass ensemble
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Daft Punk
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Get Lucky - Brass Sextet
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DIEGO MONTEIRO
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SheetMusicPlus
Carrickfergus for Guitar Ensemble
Guitar Ensemble
Guitar Tab, Guitar Ensemble (Mixed Ability) - Intermediate - Digital Download Compo…
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Guitar Tab, Guitar Ensemble (Mixed Ability) - Intermediate - Digital Download Composed by Traditional, Ireland. Arranged by Dan Jones www.danjonesguitarist.com. Neo-Classical, World, Folk. Score, Set of Parts, Tablature. 41 pages. Published by danjonesguitarist.com
Carrickfergus is a coastal town on the eastern side ofNorthern Ireland. It is well-known for its castle, as a holiday destination butmostly for the beautiful nostalgic song that shares its name. The origin of themelody goes back at least three centuries and the modern version is probably ahybrid of two songs.
This download contains:
A full score
All individual parts in notes
All individual parts in TAB
The arrangement can be heard and watched here: https://www.youtube.com/watch?v=jn-wuGNeIsE
This arrangement is part of a series I amproducing which will allow gatherings of guitarists of all levels to playtogether. As a guitarist and guitar teacher, I?ve noticed how arrangements willoften be too easy for some and too hard for others leaving many ensembleplayers frustrated or dissatisfied. This is a deficiency I am resolving.
My aim is to create arrangements which arestimulating for all. I have done this by tailoring parts to suit the differenttechnical and musical experience of each level of guitarist. This makes thearrangements particularly suitable for guitar societies, school groups andfestivals. The required levels are approximated below. As an experienced musicianand composer, I have added many points of musical interest such as modulations,chord substitutions and counterpoint. This also gives teachers and leaders tothe chance to teach their groups about these devices in the context of learninga real work. Guitars 1, 2, 3, 4, 5 & 7 all play the main melody at somepoint (Guitar 6 being for near-beginners).
Technical Requirements
· Guitars1 & 2 will suit players of Grade 6 (intermediate/advanced) standard or above. There is somehigh-position work.
· Guitars3 & 4 are suitable for players of about Grade 4 (intermediate) standard.
· Guitar5 is suitable for a player of about Grade 2 (beginner) standard.
· Guitar6 is suitable for near-beginners. It is mainly open strings with some first-positionstopped notes. Although it is a technically-easy part, it is very motivatingfor guitarists in their early stages to play with a large ensemble. This partis optional.
· Guitar7 is suitable for players of about Grade 5 (intermediate) standard. The bass line hasornamentation, a lot of rhythmic interest and at times, the melody.
Teachers and player can also benefit fromthe fact that a recording of the arrangement, with performance notes, is alwaysavailable on-line.
Thank you so much for your purchase. Ifyou have any questions, requests or would like to send feedback, it would be apleasure to hear from you at www.danjonesguitarist.com or on my facebook page.
Dan Jones, March 2019
$6.95
6.64 €
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Guitar Ensemble
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Traditional, Ireland
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Carrickfergus for Guitar Ensemble
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danjonesguitarist.com
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SheetMusicPlus
Passionate Piano Moments: Emotional Piano Music
2 Pianos, 4 hands
Composed by Tito Abeleda. 21st Century, Contemporary Classical, Neo-Classical, Recit…
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Composed by Tito Abeleda. 21st Century, Contemporary Classical, Neo-Classical, Recital. Individual Part, Score, Set of Parts. 156 pages. Published by Visionary Quest Records
Addnew life to your piano repertoire, piano recital, and next concert withPassionate Piano Moments, #1 new release in New Age Music on Amazon. Get the PDF digital download version here onSheet Music Plus. Perfect gift for the pianist in your life. On sale here until 12/31/2020. Listen to the music inPassionate Piano Moments on Spotify - https://bit.ly/PassionatePianoMoments_Spotify.
PassionatePiano Moments is a 155-page collection of emotional, dramatic piano music forintermediate to advanced pianists. Passionate Piano Moments will add new lifeto your piano repertoire, recital, or next concert with its 10 impassionedpiano solos, 1 two piano duet, and 1 four piano quartet. The music was composedby Tito Abeleda. Each piece reflects the emotions he was feeling at the timeeach piece was written. Passionate Piano Moments includes 1) Drifting; 2) DyingBreath; 3) Missing You; 4) Beautiful Memories; 5) a new intimate yet cinematicarrangement of Silent Night, Holy Night; 6) Forever Touched by Your Love; 7)Running, Searching; 8) Phoenix Rising; 9) a new dramatic arrangement of O HolyNight; 10) Tempus Fugit; 11) Descensus ad Infero for two pianos including scoreplus parts; and 12) Procession in D Minor for four pianos also including scoreplus parts.
Awardwinning Film/TV composer Rob Pottorf writes in the book's Foreword"...This book is truly one of a kind. It will inspire, as he takes you notonly through his collection of music, but into his own journey of creating.Mozart was the guy who said, ?Neither a lofty degree of intelligence norimagination nor both together go to the making of genius. Love, love, love thatis the soul of genius.? And so my friend Tito has made with love, thiscollection of music."
CustomerReviews:
"Purepiano, pure inspiration" D.B. Rose - Read full review - http://amzn.to/34xPHv0
"Qualitypiano music" Audrey - Read full review - http://amzn.to/2KoEiXK
"Destinedto be classics" Rene Gigon - Read full review - http://amzn.to/3nDPVs5
"Exceptional"Jason Laureno - Read full review - http://amzn.to/3pcWwua
"Fantastic!"Jason - Read full review - http://amzn.to/3rkBMSQ
"Beautiful!"Healthy Mama - Read full review - http://amzn.to/3rhX8QT
EditorialReview:
"TitoAbeleda has an exciting new way to enjoy his music. The Fort Lauderdale,Florida-based musician and composer is releasing a new piano sheet music booktitled Passionate Piano Moments, a collection of original musicas well as unique arrangements of holiday classics just in time for Christmas? PassionatePiano Moments is an incredible opportunity to better understand thecomplexities of Tito Abeleda?s compositions. Intermediate and advanced pianistscan benefit greatly from playing these stunning songs as they are demystifiedfrom soundwaves to notes on a page. This publication contains only masterpiecesthat will be an exciting addition to the modern pianist?s repertoire.? Katrina Charles, Jukebox Mind Magazine. Read full review - https://bit.ly/PassionatePianoMoments_JukeboxmindReview
About SMP Press
This product was created by a member of SMP Press, our global community of independent composers, arrangers, and songwriters. Our independent musicians have created unique compositions and arrangements for the Sheet Music Plus community, many of which are not available anywhere else.
Click here to see more titles from these independent creators and to learn more about SMP Press.
Please note this product may not be eligible for all sales, promotions or coupons offered through Sheet Music Plus - please check promotional details for specifics.
$12.95
12.37 €
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2 Pianos, 4 hands
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Tito Abeleda
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Passionate Piano Moments: Emotional Piano Music
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Visionary Quest Records
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SheetMusicPlus
I'm Gonna Be (500 Miles) - Brass Band
Brass ensemble
Brass Choir or Ensemble, Brass Band - Intermediate - Digital Download By Proclaimers,…
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Brass Choir or Ensemble, Brass Band - Intermediate - Digital Download By Proclaimers, Steven Curtis Chapman. Arranged by Hannah Hawken. Score, Set of Parts. 61 pages. Published by Hannah Hawken
This popular song was released by the Scottish duo, The Proclaimers in 1988. It hit number one in the UK charts in 2007 when they re-recorded it with English comedians, Peter Kay and Matt Lucas for the Comic Relief charity telethon. It is a great number to get your audience singing along.
$29.99
28.65 €
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Brass ensemble
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Proclaimers, Steven Curtis Chapman
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I'm Gonna Be
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Hannah Hawken
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SheetMusicPlus
WEDDING MUSIC STRING QUARTET COLLECTION OF WEDDING CLASSICS - 20 arrangements - Intermediate Level,
String Quartet: 2 violins, viola, cello
Composed by Handel, Bach, Bach-Gounod, Schubert, Wagner, Pachelbel, Vivaldi, Mozart, …
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Composed by Handel, Bach, Bach-Gounod, Schubert, Wagner, Pachelbel, Vivaldi, Mozart, Beethov. Arranged by Sherry Lewis. Classical, Concert, Romantic Period, Spiritual, Wedding. Score and parts. 214 pages. Sherry Lewis Publishing #6049965. Published by Sherry Lewis Publishing
Collection of the Best Ever Wedding Music for the String Quartet (2 violins, viola and cello) Use Item # S0.867587 (Copy and paste in their search engine. Incidentally the 0 is a zero, not the letter O if you type it.
Intermediate Level
This wedding set is a compilation of 20 of the most requested songs in one set appropriate for weddings and ceremonies. The goal of each set is to not have to purchase two books to get the most requested ceremony music as often is the case with the Bridal Chorus in Book 1 and the Wedding March in Book 2, for example. They are in alphabetical order, not numbered, so you can order your binder sets however you like or ready for iPads as well without annoying song or page numbers.
Ready to print and go.
Approx. 90 minutes of music
Parts and Score pages: The number of pages depend on quartet, trio, duo or solo (see actual set)
20 SONGS in this SET
Included:
Air from Water Music, Handel
Air on the G String, Bach
Arrival of the Queen of Sheba, Handel
Ave Maria, Bach-Gounod
Ave Maria, Schubert
Bridal Chorus, Wagner
Canon in D, Pachelbel
Gloria, Vivaldi
Hornpipe from Water Music, Handel
Jesu, Joy of Man's Desiring, Bach
La Rejouissance, Handel
Larghetto, Handel
March from the Marriage of Figaro, Mozart
Ode To Joy, :Beethoven
On Wings of Song, Mendelssohn
Rondeau, Mouret
Spring from Four Seasons, Mov.1, Vivaldi
Trumpet Tune, Purcell
Trumpet Voluntary, Clarke
Wedding March, Mendelssohn
$85.00
81.19 €
#
String Quartet: 2 violins, viola, cello
#
Handel, Bach, Bach-Gounod, Schubert, Wagner, Pachelbel, Vivaldi, Mozart, Beethov
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WEDDING MUSIC STRING QUARTET COLLECTION OF WEDDING CLASSICS - 20 arrangements - Intermediate Level,
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Sherry Lewis Publishing
#
SheetMusicPlus
WEDDING MUSIC STRING TRIO COLLECTION OF WEDDING CLASSICS - 20 arrangements- COLLECTION OF THE THE BEST EVER WEDDING MUSIC SET for the String Trio - Wedding Music for String Trio, Wedding Music for 2 violins & cello or violin, viola & cello, WEDDING SONGS
String Trio: violin, viola, cello
Violin, Viola, Cello, String Trio - Intermediate - Digital Download Composed by Hande…
(+)
Violin, Viola, Cello, String Trio - Intermediate - Digital Download Composed by Handel, Bach, Bach-Gounod, Schubert, Wagner, Pachelbel, Vivaldi, Mozart, Beethoven, Mendelssohn, Mouret, Purcell, Clarke. Arranged by Sherry Lewis. Romantic Period, Classical Period, Sacred, Wedding, Recital. Score, Set of Parts. 221 pages. Published by Sherry Lewis Publishing
The Best Ever Wedding Music for the String Trio Intermediate Level (2 violins and cello as well as violin, viola and cello )
Use Item # S0868135 Copy and paste in their search engine. Incidentally the 0 is a zero, not the letter O if you type it.
This wedding set is a compilation of 20 of the most requested songs in one set appropriate for weddings and ceremonies. The goal of each set is to not have to purchase two books to get the most requested ceremony music as often is the case with the Bridal Chorus in Book 1 and the Wedding March in Book 2, for example. They are in alphabetical order, not numbered, so you can order your binder sets however you like or ready for iPads as well without annoying song or page numbers.
Ready to print and go.
Approx. 90 minutes of music
Parts and Score pages: The number of pages depend on quartet, trio, duo or solo (see actual set)
20 SONGS in this SET
Included:
Air from Water Music, Handel
Air on the G String, Bach
Arrival of the Queen of Sheba, Handel
Ave Maria, Bach-Gounod
Ave Maria, Schubert
Bridal Chorus, Wagner
Canon in D, Pachelbel
Gloria, Vivaldi
Hornpipe from Water Music, Handel
Jesu, Joy of Man's Desiring, Bach
La Rejouissance, Handel
Larghetto, Handel
March from the Marriage of Figaro, Mozart
Ode To Joy, :Beethoven
On Wings of Song, Mendelssohn
Rondeau, Mouret
Spring from Four Seasons, Mov.1, Vivaldi
Trumpet Tune, Purcell
Trumpet Voluntary, Clarke
Wedding March, Mendelssohn
$75.00
71.64 €
#
String Trio: violin, viola, cello
#
Handel, Bach, Bach-Gounod, Schubert, Wagner, Pachelbel, Vivaldi, Mozart, Beethoven, Mendelssohn, Mouret, Purcell, Clarke
#
WEDDING MUSIC STRING TRIO COLLECTION OF WEDDING CLASSICS - 20 arrangements- COLLECTION OF THE THE BEST EVER WEDDING MUSIC SET for the String Trio - Wedding Music for String Trio, Wedding Music for 2 violins & cello or violin, viola & cello, WEDDING SONGS
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Sherry Lewis Publishing
#
SheetMusicPlus
Gordon Goodwin: Get in Line - jazz band (full score)
Jazz Ensemble
Instantly printable sheet music by Gordon Goodwin for jazz band (full score) of HIGH skill…
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Instantly printable sheet music by Gordon Goodwin for jazz band (full score) of HIGH skill level. / instructional
$9.99
9.54 €
#
Jazz Ensemble
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Gordon Goodwin
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Virtualsheetmusic
Gordon Goodwin: Get in Line (COMPLETE) - jazz band
Jazz Ensemble
Instantly printable sheet music by Gordon Goodwin for jazz band of HIGH skill level. / ins…
(+)
Instantly printable sheet music by Gordon Goodwin for jazz band of HIGH skill level. / instructional
$74.99
71.63 €
#
Jazz Ensemble
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Gordon Goodwin
#
Virtualsheetmusic
Empezar de Nuevo
Guitar notes and tablatures
Guitar - Digital Download Composed by Eduardo Díaz. Contemporary Classical, Mo…
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Guitar - Digital Download Composed by Eduardo Díaz. Contemporary Classical, Modern, World, Recital, New Age. Sheet Music Single, Tablature. 7 pages. Published by Eduardo Diaz
Empezar de Nuevo (A New Beginning) I composed this song for my brother who died a few years ago, to remember that we must star over and give the best of ourselves to get ahead.
$5.00
4.78 €
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Guitar notes and tablatures
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Eduardo Díaz
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Empezar de Nuevo
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SheetMusicPlus
Bach Goes To Town - Prelude and Fugue in Swing - 4 clarinets
Clarinet Quartet: 4 clarinets
Clarinet, Woodwind Quartet - Intermediate - Digital Download By Benny Goodman. Arrang…
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Clarinet, Woodwind Quartet - Intermediate - Digital Download By Benny Goodman. Arranged by John Gibson. Score, Set of Parts. 19 pages. Published by JB Linear
Alec Templeton was a blind musician very popular in England and America in the 1930's and 1940's. This nifty little piece shows his skills in composing a jazzy sound using the techniques of J. S. Bach. Benny Goodman recorded the fugue movement in 1938. Playing in a swing style, they played the piece first as written by Templeton, and then repeated with solos. It is worth listening to that performance if you want to get the swing right! It is set for clarinet quartet by John Gibson (clarinet 1,2,3, and bass with an alternate Eb alto in place of clarinet 3). The audio sample has short parts of both movements. With a little practice this could be played by advanced intermediate players. Have fun!
$15.00
14.33 €
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Clarinet Quartet: 4 clarinets
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Benny Goodman
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Bach Goes To Town - Prelude and Fugue in Swing - 4 clarinets
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JB Linear
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SheetMusicPlus
Selena Gomez - Lose You To Love Me
Piano, Voice
Piano/Vocal/Chords - Intermediate - Digital Download By Selena Gomez. Arranged by M…
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Piano/Vocal/Chords - Intermediate - Digital Download By Selena Gomez. Arranged by Mario Stallbaumer. 6 pages. Published by Mario Stallbaumer
Here's how to play "Lose You to Love Me" by Selena Gomez on piano!
With this sheet music, you get an accurate piano arrangement of the full song which is not too hard to play, and sounds beautiful!
The full melody is included in the piano part, so it makes for a perfect instrumental (piano solo) version.
These piano sheets also include a seperate system for the singer, as well as the song's full lyrics!
"Lose You to Love Me" was released in October 2019 as the lead single from Selena Gomez' third studio album.
The song was released with an amazing, black-and-white music video, which was watched over 20 million times within 24 hours!
Rumour has it that with this emotional piano ballad, Selena Gomez is saying "Goodbye" to her ex, Justin Bieber...
In any case, "Lose You to Love Me" is a beautiful, melancholic pop song, and makes for an amzing piano cover!
With this piano sheet music, you can play "Lose You to Love Me" by Selena Gomez, too!
$4.99
4.77 €
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Piano, Voice
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Selena Gomez
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Selena Gomez - Lose You To Love Me
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Mario Stallbaumer
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SheetMusicPlus
Don't Stop Til You Get Enough
Piano solo
Composed by Aqil Davidson, Charles K Wilson, Charles Wilson, Idris Davidson, Japhe T…
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Composed by Aqil Davidson, Charles K Wilson, Charles Wilson, Idris Davidson, Japhe Tejeda, LaShawn Daniels, Menton L. Smith, Rodney Jerkins, Sybil Jerkins-Cherry, Teddy Riley, Thomas Browne, Thomas F. Browne, and Thomassina Smith. Arranged by Piano Go Life. Contemporary. Score. 9 pages. Piano Go Life #6717217. Published by Piano Go Life
$9.99
9.54 €
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Piano solo
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Aqil Davidson, Charles K Wilson, Charles Wilson, Idris Davidson, Japhe Tejeda, LaShawn Daniels, Menton L
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Don't Stop Til You Get Enough
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Piano Go Life
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SheetMusicPlus
James Arthur - Say You Won't Let Go
Piano, Voice
Piano/Vocal/Chords - Intermediate - Digital Download By James Arthur. Arranged by M…
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Piano/Vocal/Chords - Intermediate - Digital Download By James Arthur. Arranged by Mario Stallbaumer. 6 pages. Published by Mario Stallbaumer
Here's how to play "Say You Won't Let Go" by James Arthur on piano!
With this piano sheet music, you get an accurate arrangement of the full song which is not too hard to play, and sounds fantastic!
These piano sheets come with an extra system for the singer, as well as the song's full lyrics. However, the full melody is included in the piano part, so it makes for a great instrumental (piano solo) version, too!
"Say You Won't Let Go" is the lead single from James Arthur's second studio album, "Back from the Edge".
It became one of his most successful songs, and has been streamed over 1 billion times on Spotify!
Here are the full lyrics to James Arthur's "Say You Won't Let Go":
I met you in the dark, you lit me up
You made me feel as though I was enough
We danced the night away, we drank too much
I held your hair back when
You were throwing up
Then you smiled over your shoulder
For a minute, I was stone-cold sober
I pulled you closer to my chest
And you asked me to stay over
I said, I already told ya
I think that you should get some rest
I knew I loved you then
But you'd never know
'Cause I played it cool when I was scared of letting go
I know I needed you
But I never showed
But I wanna stay with you until we're grey and old
Just say you won't let go
Just say you won't let go
I'll wake you up with some breakfast in bed
I'll bring you coffee with a kiss on your head
And I'll take the kids to school
Wave them goodbye
And I'll thank my lucky stars for that night
When you looked over your shoulder
For a minute, I forget that I'm older
I wanna dance with you right now
Oh, and you look as beautiful as ever
And I swear that everyday'll get better
You make me feel this way somehow
I'm so in love with you
And I hope you know
Darling your love is more than worth its weight in gold
We've come so far my dear
Look how we've grown
And I wanna stay with you until we're grey and old
Just say you won't let go
Just say you won't let go
I wanna live with you
Even when we're ghosts
'Cause you were always there for me when I needed you most
I'm gonna love you till
My lungs give out
I promise till death we part like in our vows
So I wrote this song for you, now everybody knows
Finally it's just you and me till we're grey and old
Just say you won't let go
Just say you won't let go
$4.99
4.77 €
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Piano, Voice
#
James Arthur
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James Arthur - Say You Won't Let Go
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Mario Stallbaumer
#
SheetMusicPlus
THE LAST OF MOHICANS (main Theme)
Brass ensemble
Arranged by Alessandro Macrì. Individual Part, Score, Set of Parts. 31 pages. P…
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Arranged by Alessandro Macrì. Individual Part, Score, Set of Parts. 31 pages. Published by Music Macri Editions
L?ultimo dei Mohicani ? La colonna sonora del film di Michael Mann
L?ultimo dei Mohicani si avvalse nel 1993 dell?Oscar al Miglior Sonoro a Chris Jenkins, Doug Hemphill, Mark Smith e Simon Kaye e nello stesso anno la colonna sonora composta da Trevor Jones e Randy Edelman conquistò una nomination ai Golden Globe per la Migliore colonna sonora. Un lavoro sulle musiche del film rivelatosi sostanzioso e non lineare, ma che raggiunse, dopo una lunga lavorazione, ad un insieme di melodie bellissime e irrefrenabili, simili al moto del vento che veloce si insinua e passa tra i rami di una foresta punteggiata da alberi.
La colonna sonora accompagna la dinamicità del cinema del regista americano Michael Mann e unisce insieme il compartimento tecnico del film per renderlo, attraverso slanciate sonorità, un?esperienza unica in quel 1757, nel periodo della guerra sanguinosa tra tribù rivali. Una musicalità che è in divenire, la quale racchiude la commozione e l?amore che sensibilmente sboccia tra differenti culture. A fornire le note di questa libertà di passione non è il solo compositore Trevor Jones, di origini sudafricane e lodato dalla critica per le sue colonne sonore capaci di grande emozione. Il progetto infatti ha vissuto una serie consistente di revisioni, tanto da dover aggiungere al fianco di Jones lo statunitense Randy Edelman, compositore di moltissimi film, pubblicità, serie televisive e cartoni animati.
Il risultato portato a termine a quattro mani è una colonna sonora che ancora oggi rientra tra le migliori mai scritte per il cinema, con coinvolgenti partiture orchestrate che si impongono con fervore nella pellicola. Gli archi, i violini e i tamburi si esprimono ottimamente riportando l?impeto indiano e delle relazioni tra i personaggi, musiche che si collegano perfettamente alle immagini proposte dal regista Michael Mann e dal suo direttore della fotografia, l?italiano Dante Spinotti. Un coinvolgimento emotivo che lega l?ascoltatore a quella musicalità che esprime azione, in grado di far amare e di far combattere come i protagonisti de L?ultimo dei Mohicani.
$18.00
17.19 €
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Brass ensemble
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THE LAST OF MOHICANS
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SheetMusicPlus
Sonata semplice (Simple Sonata) for Piano
Piano solo
Piano Solo - Early Intermediate - Digital Download Composed by Chris Gordon. Classi…
(+)
Piano Solo - Early Intermediate - Digital Download Composed by Chris Gordon. Classical Period, Contemporary Classical, Repertoire, General Instructional, Technique Training. Score. 13 pages. Published by Cool Wind Music Digital
A wonderful classical sonata in three movements full of Mozartian wit and charm. The slow movement is a lyrical aria with a touch of Haydnesque 'Sturm und Drang' at its centre. Ideal for piano students not ready for the more challenging classical piano sonata repertoire.
Buy the Sonata semplice and get a free copy of Variations for piano! Offer lasts until 31.12.18.
$10.00
9.55 €
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Piano solo
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Chris Gordon
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Sonata semplice
#
Cool Wind Music Digital
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SheetMusicPlus
We Gotta Get Out Of This Place A Cappella SATB
Choral SATB
Choir, SATB - Intermediate - Digital Download By The Animals. Arranged by Andrew Emme…
(+)
Choir, SATB - Intermediate - Digital Download By The Animals. Arranged by Andrew Emmet. Score. 6 pages. Published by Andrew J Emmet
SATB A Cappella Tenor or Bass solo for first two verses.
Sop and Tenor splits sometimes.
$4.00
3.82 €
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Choral SATB
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The Animals
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We Gotta Get Out Of This Place A Cappella SATB
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Andrew J Emmet
#
SheetMusicPlus
God Defend New Zealand (National Anthem) - Concert Band Score and Parts PDF
Concert band
Composed by John Joseph Woods 1876. Arranged by Brendan Elliget MAGA 537. Patriotic. …
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Composed by John Joseph Woods 1876. Arranged by Brendan Elliget MAGA 537. Patriotic. Score, Set of Parts. 39 pages. Published by Brendan Elliget
"God Defend New Zealand" was written as a poem in the 1870s by Irish-born, Victorian-raised immigrant Thomas Bracken of Dunedin. A competition to compose music for the poem was held in 1876 by The Saturday Advertiser and judged by three prominent Melbourne musicians, with a prize of ten guineas. The winner of the competition was the Tasmanian-born John Joseph Woods of Lawrence, New Zealand who composed the melody in a single sitting the evening after finding out about the competition. The song was first performed at the Queen?s Theatre, Princes Street, Dunedin, on Christmas Day, 1876. [Wikipedia]
This arrangement is for Concert Band and with optional Strings and Piano parts included (but not shown on the score) - Lower Key of F (Original in G) ? If singing the words for more than one verse, accompaniment can be varied eg. Woodwind only for one verse ? as in the MP3 recording with was recorded with NotePerformer. Also available MARCH CARD format...
Duration = 2:00 mins Grade 2-3
$20.00
19.1 €
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Concert band
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John Joseph Woods 1876
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God Defend New Zealand
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Brendan Elliget
#
SheetMusicPlus
We Gotta Get Out Of This Place
Choral SSAA
By The Animals. By Barry Mann and Cynthia Weil. Arranged by Emily Moriarty. A Cappella. …
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By The Animals. By Barry Mann and Cynthia Weil. Arranged by Emily Moriarty. A Cappella. Octavo. 2 pages. Emily Maree Moriarty #6437549. Published by Emily Maree Moriarty
$1.99
1.9 €
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Choral SSAA
#
The Animals
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We Gotta Get Out Of This Place
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SheetMusicPlus
Say You Won't Let Go - Piano Solo
Piano solo
Piano Solo - Intermediate - Digital Download By James Arthur. Arranged by Mario Stall…
(+)
Piano Solo - Intermediate - Digital Download By James Arthur. Arranged by Mario Stallbaumer. 3 pages. Published by Mario Stallbaumer
Here's how to play "Say You Won't Let Go" by James Arthur on piano!
With this piano sheet music, you get an accurate arrangement of the full song which is not too hard to play, and sounds fantastic!
The full melody is included in the piano part, so it makes for a great instrumental (piano solo) version!
"Say You Won't Let Go" is the lead single from James Arthur's second studio album, "Back from the Edge".
It became one of his most successful songs, and has been streamed over 1 billion times on Spotify!
Here are the full lyrics to James Arthur's "Say You Won't Let Go":
I met you in the dark, you lit me up
You made me feel as though I was enough
We danced the night away, we drank too much
I held your hair back when
You were throwing up
Then you smiled over your shoulder
For a minute, I was stone-cold sober
I pulled you closer to my chest
And you asked me to stay over
I said, I already told ya
I think that you should get some rest
I knew I loved you then
But you'd never know
'Cause I played it cool when I was scared of letting go
I know I needed you
But I never showed
But I wanna stay with you until we're grey and old
Just say you won't let go
Just say you won't let go
I'll wake you up with some breakfast in bed
I'll bring you coffee with a kiss on your head
And I'll take the kids to school
Wave them goodbye
And I'll thank my lucky stars for that night
When you looked over your shoulder
For a minute, I forget that I'm older
I wanna dance with you right now
Oh, and you look as beautiful as ever
And I swear that everyday'll get better
You make me feel this way somehow
I'm so in love with you
And I hope you know
Darling your love is more than worth its weight in gold
We've come so far my dear
Look how we've grown
And I wanna stay with you until we're grey and old
Just say you won't let go
Just say you won't let go
I wanna live with you
Even when we're ghosts
'Cause you were always there for me when I needed you most
I'm gonna love you till
My lungs give out
I promise till death we part like in our vows
So I wrote this song for you, now everybody knows
Finally it's just you and me till we're grey and old
Just say you won't let go
Just say you won't let go
$4.99
4.77 €
#
Piano solo
#
James Arthur
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Say You Won't Let Go - Piano Solo
#
Mario Stallbaumer
#
SheetMusicPlus
En Face Du Miroir (Facing The Mirror)
Piano solo
Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, …
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Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, Jazz, Recital, Americana, New Age. Sheet Music Single. 11 pages. Published by Mainya Music Publishing (BMI)
Contains:
"En Face Du Miroir (Facing The Mirror)"
- taken from the Isadar solo piano complete collection, "Red" (also available on SMP)
Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists
Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording
Album & Songbook Review by: Kathy Parsons
Red is pianist/composer Isadar?s genre-defying tenth solo piano album and seventeenth independent release from the past twenty years. It is also the third installment in a trilogy of solo piano albums released in the past year - Reconstructed, a Will Ackerman-produced anthology of some of Isadar?s best piano pieces; O Christmas, Isadar?s second piano Christmas album; and now Red, a bittersweet love-themed album that took seven years to produce and that consists of the first new original solo piano material Isadar has released in more than ten years.
I have been reviewing and thoroughly enjoying Isadar?s releases since his second piano album, 1999?s Active Imagination, which still stands as one of my favorite recordings. Even though I have been a big fan for many years, I was still blown away by Isadar?s live performance in my house concert series in July 2010. The man has magic fingers and an extraordinary piano touch that are perfectly suited to express his imaginative, distinctive, and emotionally powerful music.
Isadar is also a singer/songwriter and an electronic musician who creates the music videos for much of his music, dramatizing the stories that inspired the songs. I will always be partial to Isadar?s piano albums because his voice and vision are unique, incorporating jazz, new age, pop, and classical stylings into a musical language all his own.
Red opens with ?Broken Valentine,? a free-flowing expression of heartbreak and the broad range of emotions that go with it, alternating between grief and confusion then shifting to perhaps anger and resignation - a great beginning. The title track conveys the freedom of an improvisation while weaving together a variety of upbeat themes. ?The Man Who Broke My Heart? is energetic and in constant swirling motion - also very free and from deep within. ?The Stairwell? is darker and much more mysterious, overflowing with Isadar?s intriguing accented rhythms and picturesque compositional style. My favorite track is the almost nine-minute ?Letting Go,? a piece that intertwines a series of musical vignettes into a powerful, colorful musical collage. I love the way Isadar seamlessly goes from flowing and smooth to a bouncy jazz style to high drama without missing a beat. Great stuff! ?En Face Du Miroir (Facing the Mirror)? is much lighter, with fingers dancing nimbly around the piano keyboard. The album closes with ?Blood ... Thicker Than Water,? again a combination of changing themes that could well be a musical family portrait - different personalities working separately and as a unit, bound together by the unseen ties that keep families together through thick and thin.
Isadar has created another piano masterpiece that should be more widely heard than his previous releases due to the success of Reconstructed. I hope so, anyway! Red is available from isadar.com, Amazon, iTunes, and CD Baby. Very highly recommended!
Isadar?s Red: Solo Piano Sheet Music Collection is a note-for-note transcription of all seven pieces from Isadar?s 2013 CD/download release by the same name. The music was transcribed by David Shenton (shentonmusic.com) with clear, concise notation that includes dynamics, pedaling and metronome settings.
Isadar is an amazing pianist with a style all his own, so this isn?t a book that most pianists will be able to just sit down and play. It will take some work and attention to detail to get this music right, but it will be well worth the effort. Having the recording for handy reference would be a big help.
Rhythms are often complex and syncopated, but are usually repeated within each piece, so once you have them, the rest will follow fairly easily. There are only a few chords with a reach of more than an octave and none of the key signatures are terribly difficult. The layout and spacing of the music is excellent, and the paper stock is a bright white 9?x12? format with a stapled binding.
If you enjoy listening to Isadar?s music, I?m sure you will enjoy playing it, too! This songbook is available from isadar.com. Recommended!
The songs with their key signatures and the number of pages is listed below:
Broken Valentine - C minor (3 flats) - 4 pages
Red - A minor (0 sharps or flats) - 5 pages
The Man Who Broke My Heart - A minor - 6 pages
The Stairwell - F# minor (3 sharps) - 7 pages
Letting Go - F minor (4 flats) / C minor (3 flats) - 8 pages
En Face Du Miroir (Facing the Mirror) - Ab (4 flats) / F minor/ Bb minor (5 flats) / Db (5 flats) - 7 pages
Blood ... Thicker Than Water - A Minor/ C (0) / F (1 flat) - 7 pages
Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...
Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.
For more information, visit his website at: http://www.isadar.com
$5.99
5.72 €
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Piano solo
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Isadar
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En Face Du Miroir
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Mainya Music Publishing
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SheetMusicPlus
Theme from "Ice Castles" (Through the Eyes of Love)
Piano, Vocal and Guitar
Piano/Vocal/Chords - Digital Download Theme from "Ice Castles" - (Through t…
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Piano/Vocal/Chords - Digital Download Theme from "Ice Castles" - (Through the Eyes of Love). Composed by Marvin Hamlisch. Pop/Rock. 3 pages. Alfred Music - Digital Sheet Music #00-PS-0015689. Published by Alfred Music - Digital Sheet Music
ISBN 9780739096109. Carole Bayer Sager.
Music makers looking for a wide variety of musical styles to play will find unlimited enjoyment in this big collection of sheet music for 45 of the world's most recognizable popular songs and movie themes! The titles in this book are proven favorites that can be enjoyed by players of all ages. From pop hits through the ages to epic movie music by renowned composers like Howard Shore, John Williams, Hans Zimmer, and more, the arrangements in this collection will delight players and audiences alike. Titles: Africa (Toto) * At Last (Etta James) * The Big Bang Theory (Main Title Theme) * Bridge Over Troubled Water (Simon and Garfunkel) * Can You Feel the Love Tonight (The Lion King) * Concerning Hobbits (The Lord of the Rings: The Fellowship of the Ring) * Count on Me (Bruno Mars) * Dancing Queen (Mamma Mia!) * The Dark Knight Overture (The Dark Knight) * Discombobulate (Sherlock Holmes) * Don't Stop Believin' (Journey) * Dynamite (Taio Cruz) * Empire State of Mind (Jay-Z and Alicia Keys) * Falling Slowly (Once) * Forget You (Cee Lo Green) * Girl on Fire (Alicia Keys) * Gonna Fly Now (Rocky) * Greatest Love of All (Whitney Houston) * Harry's Wondrous World (Harry Potter and the Sorcerer's Stone) * Hedwig's Theme (Harry Potter and the Sorcerer's Stone) * I Don't Want to Miss a Thing (Armageddon) * I Saw Her Standing There (The Beatles) * Theme from Ice Castles * If I Die Young (The Band Perry) * Into the West (The Lord of the Rings: The Return of the King) * James Bond Theme (Dr. No) * Kiss from a Rose (Seal) * Lily's Theme (Harry Potter and the Deathly Hallows, Part. 2) * Theme from Love Affair * Make You Feel My Love (Adele) * The Notebook (Main Title) * Out Here on My Own (Fame) * Over the Rainbow (The Wizard of Oz) * The Pink Panther * The Prayer (Celine Dion and Andrea Bocelli) * Song of the Lonely Mountain (The Hobbit: An Unexpected Journey) * Stairway to Heaven.
$3.99
3.81 €
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Piano, Vocal and Guitar
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Marvin Hamlisch
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Theme from "Ice Castles"
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
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