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HOPE - Lost Then Found
Sheetmusic to print
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I Can Hope (Because Your Faithfulness is Great)
Vocal Solo,Voice - Digital Download SKU: A0.1005544 Composed by Jill Hudson. Sacred…
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Vocal Solo,Voice - Digital Download SKU: A0.1005544 Composed by Jill Hudson. Sacred. 7 pages. Jill Hudson #6408639. Published by Jill Hudson (A0.1005544). Written for the women of Saint Luke's Presbyterian Church and their Spring service, to go along with the bible study for 2021. Into the light - finding hope through prayers of lament by P. Lynn Miller, explores the relationship of lament to scripture. One of the foundational points of the study is that, in scripture, lament usually leads to hope. After crying out to God, the one who laments remembers God. And while that doesn’t fix things in the moment-the injustice, the loss still exists-the lamenter is strengthened to face the world and to hope..
$2.99
2.68 €
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Jill Hudson
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I Can Hope
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Jill Hudson
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SheetMusicPlus
In Christ Alone
Brass instruments - Digital Download SKU: H1.C5675BDP Composed by Keith Getty and S…
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Brass instruments - Digital Download SKU: H1.C5675BDP Composed by Keith Getty and Stuart Townend. Arranged by Lloyd Larson. Vocal Solo Sheet Music Series. Easter Sunday, General Worship, Creed, Cross of Christ, Hope, Love. Brass Parts. 42 pages. Hope Publishing - Digital #C5675BDP. Published by Hope Publishing - Digital (H1.C5675BDP). By Keith Getty & Stuart Townend. Matthew 28:19 - Matthew 28:20 - John 17:6 - John 17:7 - John 17:8 - John 17:9 - John 17:10 - John 17:11 - John 17:12 - John 17:13 - John 17:14 - John 17:15 - John 17:16 - John 17:17 - John 17:18 - John 17:19.Contemporary hymn by Keith Getty & Stuart Townend Keith Getty and Stuart Townend's contemporary hymn gets a stunning new choral treatment from arranger, Lloyd Larson, just in time for the Easter season. This theologically driven anthem builds from the simple affirmation, In Christ alone my hope is found; he is my light, my strength, my song, then traces the birth, death and crowning glory of the resurrected Lord, who bursting forth in glorious day, up from the grave rose again, culminating with the final return of Christ. The hint of The Solid Rock that Lloyd drops in at the end is a perfect coda to this powerful presentation. The addition of brass and percussion heightens the dramatic impact and sets this arrangement apart from all the rest. The Brass packet contains a Conductor's Score and parts for: 2 B-flat Trumpets, Trombone, Horn, Tuba, Percussion and Timpani.
$59.95
53.73 €
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Keith Getty & Stuart Townend
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Keith Getty and Stuart Townend
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In Christ Alone
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Hope Publishing - Digital
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SheetMusicPlus
In Christ Alone
Vocal ensemble vocal solo (medium voice-key of E-flat) - Digital Download SKU: H1.8685D…
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Vocal ensemble vocal solo (medium voice-key of E-flat) - Digital Download SKU: H1.8685DP Composed by Keith Getty and Stuart Townend. Arranged by Lloyd Larson. Vocal Solo Sheet Music Series. Easter Sunday, General Worship, Creed, Cross of Christ, Hope, Love. Vocal score. 8 pages. Hope Publishing - Digital #8685DP. Published by Hope Publishing - Digital (H1.8685DP). By Keith Getty & Stuart Townend. Matthew 28:19 - Matthew 28:20 - John 17:6 - John 17:7 - John 17:8 - John 17:9 - John 17:10 - John 17:11 - John 17:12 - John 17:13 - John 17:14 - John 17:15 - John 17:16 - John 17:17 - John 17:18 - John 17:19.Contemporary hymn by Keith Getty & Stuart Townend Keith Getty and Stuart Townend's contemporary hymn gets a stunning new choral treatment from arranger, Lloyd Larson, just in time for the Easter season. This theologically driven anthem builds from the simple affirmation, In Christ alone my hope is found; he is my light, my strength, my song, then traces the birth, death and crowning glory of the resurrected Lord, who bursting forth in glorious day, up from the grave rose again, culminating with the final return of Christ. The hint of The Solid Rock that Lloyd drops in at the end is a perfect coda to this powerful presentation. The addition of brass and percussion heightens the dramatic impact and sets this arrangement apart from all the rest. The Brass packet contains a Conductor's Score and parts for: 2 B-flat Trumpets, Trombone, Horn, Tuba, Percussion and Timpani.
$7.95
7.12 €
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Keith Getty & Stuart Townend
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Keith Getty and Stuart Townend
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In Christ Alone
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Hope Publishing - Digital
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SheetMusicPlus
In Christ Alone
Choral SATB
Choral SATB choir - Digital Download Composed by Keith Getty and Stuart Townend. Arrange…
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Choral SATB choir - Digital Download Composed by Keith Getty and Stuart Townend. Arranged by Lloyd Larson. Vocal Solo Sheet Music Series. Easter Sunday, General Worship, Creed, Cross of Christ, Hope, Love. Octavo. 12 pages. Duration 12 minutes. Hope Publishing - Digital #C5675DP. Published by Hope Publishing - Digital
By Keith Getty and Stuart Townend. Matthew 28:19 - Matthew 28:20 - John 17:6 - John 17:7 - John 17:8 - John 17:9 - John 17:10 - John 17:11 - John 17:12 - John 17:13 - John 17:14 - John 17:15 - John 17:16 - John 17:17 - John 17:18 - John 17:19. Contemporary hymn by Keith Getty and Stuart Townend Keith Getty and Stuart Townend's contemporary hymn gets a stunning new choral treatment from arranger, Lloyd Larson, just in time for the Easter season. This theologically driven anthem builds from the simple affirmation, "In Christ alone my hope is found; he is my light, my strength, my song," then traces the birth, death and crowning glory of the resurrected Lord, who "bursting forth in glorious day, up from the grave rose again," culminating with the final return of Christ. The hint of "The Solid Rock" that Lloyd drops in at the end is a perfect coda to this powerful presentation. The addition of brass and percussion heightens the dramatic impact and sets this arrangement apart from all the rest. The Brass packet contains a Conductor's Score and parts for: 2 B-flat Trumpets, Trombone, Horn, Tuba, Percussion and Timpani.
$3.25
2.91 €
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Choral SATB
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Keith Getty and Stuart Townend
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In Christ Alone
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Hope Publishing - Digital
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SheetMusicPlus
At the Ninth Hour
Orchestra
Composed by Allen Pote. Musicals for Adults. Lent & Easter Musicals. Lent, Easter …
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Composed by Allen Pote. Musicals for Adults. Lent & Easter Musicals. Lent, Easter Sunday, Jesus Christ - Resurrection, Sacrifice. Score. 72 pages. Duration 72 minutes. Hope Publishing - Digital #8411DP. Published by Hope Publishing - Digital
Lent & Easter Musical<br> <br> Based on the Gospel of Mark, Allen Pote and Tom Long have created a 35-minute retelling of last week of Christ's life, with passionate music, riveting lyrics and narration. Performed in its entirety, the musical makes the full journey from Palm Sunday to Easter morning and climaxes with Allen Pote's blockbuster anthem "On the Third Day. " The work may be adapted to work as a Lenten cantata by omitting either or both of the first and last pieces. An other variation would be to sing the "Hosanna" on Palm Sunday, then on Good Friday the bulk of the work, saving "On the Third Day" your Easter morning service. Accompaniment may be provided by just piano, CD track, or a small instrumental ensemble composed by Mark Kellner. Allen Pote's memorable melodies interact beautifully with Tom Long's lyrics to provide a profoundly moving musical work, which perfectly commemorates the sacrificial death of Christ "At the Ninth Hour. " The Orchestration by Mark Kellner contains a Conductor's Score and parts for: 18 Handbells (A4-G7), Piano, Flute, Oboe, Horn in F, Percussion, Violins 1 & 2, Cello, Bass Guitar, and Synth String Reduction. The separate handbell part, depending on the selection, is for up to 18 bells (A4-G7).
$12.95
11.61 €
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Orchestra
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Allen Pote
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Easter Musicals
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At the Ninth Hour
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Hope Publishing - Digital
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SheetMusicPlus
The Old Testament Fast Forward
Choral Unison
Children's Voices, Unison choir - Digital Download SKU: H1.8501DP Composed by Allen…
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Children's Voices, Unison choir - Digital Download SKU: H1.8501DP Composed by Allen Pote. Musicals for Adults, Musicals for Youth. Youth Musicals. General Worship, Children. Score. 88 pages. Hope Publishing - Digital #8501DP. Published by Hope Publishing - Digital (H1.8501DP). Tom S. Long.Here is the latest musical for young voices from Tom Long and Allen Pote. Here is the latest musical for young voices from Tom Long and Allen Pote. This amusing 45-minute attempt to present the Old Testament begins with a promise to cover the entire history in ten minutes. Needless to say, they don't get all the way through - even after revising their estimate to twenty, then thirty, then forty minutes - but there's plenty of humor and moving moments as the kids encounter the lessons and eternal truths found within the stories of Adam & Eve, Noah, Moses, David and many more. Entertaining moments and meaningful content are thoughtfully balanced. Set and costume requirements are minimal, and the mostly unison vocal lines are accessible for most children's and youth choirs. Order a Preview Pack today! DIRECTOR'S COPY
$12.95
11.61 €
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Choral Unison
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Allen Pote
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The Old Testament Fast Forward
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Hope Publishing - Digital
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SheetMusicPlus
The Old Testament Fast Forward
Prev Pack (PDF Score & MP3) - Digital Download SKU: H1.8506DP Composed by Allen Pot…
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Prev Pack (PDF Score & MP3) - Digital Download SKU: H1.8506DP Composed by Allen Pote. General Worship, Children. Preview Pack - Score & Listening CD. 89 pages. Hope Publishing - Digital #8506DP. Published by Hope Publishing - Digital (H1.8506DP). Tom S. Long.Here is the latest musical for young voices from Tom Long and Allen Pote. This amusing 45-minute attempt to present the Old Testament begins with a promise to cover the entire history in ten minutes. Needless to say, they don't get all the way through - even after revising their estimate to twenty, then thirty, then forty minutes - but there's plenty of humor and moving moments as the kids encounter the lessons and eternal truths found within the stories of Adam & Eve, Noah, Moses, David and many more. Entertaining moments and meaningful content are thoughtfully balanced. Set and costume requirements are minimal, and the mostly unison vocal lines are accessible for most children's and youth choirs. Order a Preview Pack today! DIRECTOR'S COPY
$17.95
16.09 €
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Allen Pote
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The Old Testament Fast Forward
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Hope Publishing - Digital
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SheetMusicPlus
The Gold Rush, vocal solo
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173897 Composed by Kevin G.…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173897 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Folk,Pop,Religious,Spiritual. Score. 6 pages. Kevin G. Pace #774051. Published by Kevin G. Pace (A0.1173897). A beautiful song about coming to the Savior with music by Kevin G. Pace and text by Kathryn W. Hales.Text:I went in the Gold Rush like many a man,To search for some nuggets or a flash in the pan.But few were the findings from a grand mother lode,I went for the Gold Rush, but I didn’t find gold.I found what was there, growing right from the ground,The flora and fauna, with trees that abound.I found the beauty of nature’s own place,I found the beauty shown by God’s grace.Like those in the Gold Rush, I’ve oft followed man,To search for the shiny, a flash in the pan,But the glamour soon ended when the glitzy wore thin,I went for the sparkly but found grace for my sins.The world cannot offer the true value of souls,For they are more precious than nuggets of gold.I found true wealth, not deep in a mine,But in the pierced hands of a Savior divine.I might lose my way, when guided by man,So, look to the heavens and follow God’s plan.The glitter of Fool’s Gold has many deceived__A glimmer of hope, then deep tears of grief.I’ll look for the riches only He can bestow,I’ll avoid that ol’ Gold Rush but seek for true gold.By seeking a life, eternal and pure,Seeking for Jesus, who gives gold that endures.
$3.99
3.58 €
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Piano, Voice
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seeking a life, eternal and pure,
Seeking for Jesus, who gives gold that endures
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Kevin G
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The Gold Rush, vocal solo
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Kevin G. Pace
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SheetMusicPlus
What Gift Can We Bring
Director's Score and Parts - Level 3 - Digital Download SKU: H1.2869DDP Composed by…
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Director's Score and Parts - Level 3 - Digital Download SKU: H1.2869DDP Composed by Jane Marshall. Arranged by Hart Morris. Handbell Parts. 16 pages. Hope Publishing - Digital #2869DDP. Published by Hope Publishing - Digital (H1.2869DDP). Beloved hymn tune The well-known hymnist and composer, Jane Marshall, wrote this hymn in 1982, and since then it has found its way into all major hymnals. This arrangement includes optional parts for flute, oboe, and handchimes in a powerful presentation. Useful for any anniversary service, it conveys the joy of this day! When grateful we come, remembering, rejoicing, this song we now offer in honor and praise!.
$14.95
13.4 €
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Jane Marshall
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What Gift Can We Bring
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Hope Publishing - Digital
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SheetMusicPlus
What Gift Can We Bring
Handbells Flute, Handchimes, Oboe - Level 3 - Digital Download SKU: H1.2869DP Compo…
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Handbells Flute, Handchimes, Oboe - Level 3 - Digital Download SKU: H1.2869DP Composed by Jane Marshall. Arranged by Hart Morris. Hymntune, Hymn Arrangements. Handbell score. 8 pages. Hope Publishing - Digital #2869DP. Published by Hope Publishing - Digital (H1.2869DP). Beloved hymn tune The well-known hymnist and composer, Jane Marshall, wrote this hymn in 1982, and since then it has found its way into all major hymnals. This arrangement includes optional parts for flute, oboe, and handchimes in a powerful presentation. Useful for any anniversary service, it conveys the joy of this day! When grateful we come, remembering, rejoicing, this song we now offer in honor and praise!.
$6.25
5.6 €
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Jane Marshall
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What Gift Can We Bring
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Hope Publishing - Digital
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SheetMusicPlus
At the Ninth Hour
(Cello, Flute, French Horn, Handbells, Oboe, Orchestra, Percussion, Piano, Violin) - Digit…
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(Cello, Flute, French Horn, Handbells, Oboe, Orchestra, Percussion, Piano, Violin) - Digital Download SKU: H1.8417DP Composed by Allen Pote. Lent and Easter Musicals. Lent & Easter Musicals. Lent, Easter Sunday, Jesus Christ - Resurrection, Sacrifice. Handbell part. 8 pages. Hope Publishing - Digital #8417DP. Published by Hope Publishing - Digital (H1.8417DP). Tom S. Long.Lent & Easter Musical Based on the Gospel of Mark, Allen Pote and Tom Long have created a 35-minute retelling of last week of Christ's life, with passionate music, riveting lyrics and narration. Performed in its entirety, the musical makes the full journey from Palm Sunday to Easter morning and climaxes with Allen Pote's blockbuster anthem On the Third Day. The work may be adapted to work as a Lenten cantata by omitting either or both of the first and last pieces. An other variation would be to sing the Hosanna on Palm Sunday, then on Good Friday the bulk of the work, saving On the Third Day your Easter morning service. Accompaniment may be provided by just piano, CD track, or a small instrumental ensemble composed by Mark Kellner. Allen Pote's memorable melodies interact beautifully with Tom Long's lyrics to provide a profoundly moving musical work, which perfectly commemorates the sacrificial death of Christ At the Ninth Hour. The Orchestration by Mark Kellner contains a Conductor's Score and parts for: 18 Handbells (A4-G7), Piano, Flute, Oboe, Horn in F, Percussion, Violins 1 & 2, Cello, Bass Guitar, and Synth String Reduction. The separate handbell part, depending on the selection, is for up to 18 bells (A4-G7).
$6.25
5.6 €
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Allen Pote
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At the Ninth Hour
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Hope Publishing - Digital
#
SheetMusicPlus
At the Ninth Hour
(Cello, Flute, French Horn, Handbells, Oboe, Orchestra, Percussion, Piano, Violin) - Digit…
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(Cello, Flute, French Horn, Handbells, Oboe, Orchestra, Percussion, Piano, Violin) - Digital Download SKU: H1.8414DP Composed by Allen Pote. Musicals Collection. Lent & Easter Musicals. Lent, Easter Sunday, Jesus Christ - Resurrection, Sacrifice. Set of Instrumental Parts. 285 pages. Hope Publishing - Digital #8414DP. Published by Hope Publishing - Digital (H1.8414DP). Tom S. Long.Lent & Easter Musical Based on the Gospel of Mark, Allen Pote and Tom Long have created a 35-minute retelling of last week of Christ's life, with passionate music, riveting lyrics and narration. Performed in its entirety, the musical makes the full journey from Palm Sunday to Easter morning and climaxes with Allen Pote's blockbuster anthem On the Third Day. The work may be adapted to work as a Lenten cantata by omitting either or both of the first and last pieces. An other variation would be to sing the Hosanna on Palm Sunday, then on Good Friday the bulk of the work, saving On the Third Day your Easter morning service. Accompaniment may be provided by just piano, CD track, or a small instrumental ensemble composed by Mark Kellner. Allen Pote's memorable melodies interact beautifully with Tom Long's lyrics to provide a profoundly moving musical work, which perfectly commemorates the sacrificial death of Christ At the Ninth Hour. The Orchestration by Mark Kellner contains a Conductor's Score and parts for: 18 Handbells (A4-G7), Piano, Flute, Oboe, Horn in F, Percussion, Violins 1 & 2, Cello, Bass Guitar, and Synth String Reduction. The separate handbell part, depending on the selection, is for up to 18 bells (A4-G7).
$175.00
156.84 €
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Allen Pote
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At the Ninth Hour
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Hope Publishing - Digital
#
SheetMusicPlus
Be Thou My Vision (Prelude on "Slane"), organ work by Phil Lehenbauer
Organ
Organ - Level 3 - Digital Download SKU: A0.1379920 Composed by Phil Lehenbauer. Arr…
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Organ - Level 3 - Digital Download SKU: A0.1379920 Composed by Phil Lehenbauer. Arranged by Phil Lehenbauer. Celtic,Christian,Contemporary,Irish,Sacred,Traditional. Score. 7 pages. Phil Lehenbauer #964628. Published by Phil Lehenbauer (A0.1379920). The old Irish tune Slane is known to most as Be Thou My Vision or Lord of All Hopefulness, and is found in many hymnals around the world. This setting starts with a somber setting of the hymn tune and then follows with a Celtic-inspired treatment, ending the work in joyful fashion! It was written and performed on a two-manual instrument, and the tune is clearly stated throughout. I hope you enjoy it!
$3.50
3.14 €
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Organ
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Phil Lehenbauer
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Be Thou My Vision
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Phil Lehenbauer
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SheetMusicPlus
Ótal stjarna hröp
Piano, Voice
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1250185 By Helga Ragnars and…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1250185 By Helga Ragnars and Knut Rygnestad. By Guðfinna Jónsdóttir and Knut Rygnestad. Classical,Contemporary,Folk. Score. 60 pages. Knut Olav Rygnestad #844518. Published by Knut Olav Rygnestad (A0.1250185). This morning your being wokeIn knowledge of your heart’s lossAs the night had no dreamsBut only a thousand falling stars.Then the richness of a busy daySeemed to you the work of evil witches.– Guðfinna Jónsdóttir from Hömrum (1899–1946)This quote, taken from the poem “The Golden Momentâ€, showcases some of Guðfinna’s writing’s distinct qualities: Profound sadness with a layer of beauty, and a juxtaposition of the mundane and the colloquial with grand imagery and the supernatural. Throughout her poetry we see these strong contrasts: A once-upon-a-lifetime moment that passes you by, but also the infinite beauty of a new-born baby. The wild Icelandic nature presented metaphorically like a protective Viking ship, but also great evil hiding under a sweet, romantic exterior. The life-long journey to a place of great beauty that was always inside you, yet also man’s desperate and futile attempts to bend a great mountain to their will. Her colourful and imaginative writing evokes the dramatic landscapes of her homeland in careful detail, as we’re presented with situations that carry both the great beauty and danger that the volcanic island holds.Guðfinna lived most of her life in Northern Iceland, working as a church musician and writing beautiful texts that unfortunately never made it outside of her native country during her lifetime. We get some small hints about her personal life through her poetry, such as the tragic and early death of her sister Hulda, who died from tuberculosis shortly after getting engaged. Helga Ragnars, being from the same town as Guðfinna and already familiar with her poetry, introduced Knut Rygnestad to it in 2019, after he expressed interest in writing settings of little-known poetry by women. The first two she sent were “Hið gullna augnablik†and “Tvær systurâ€, and Knut found these a joy to work with and quickly requested more, eventually leading to nine songs in total. With funding from Hljóðritasjóður RannÃs and the Norwegian Arts Council, they were able to record and release these songs in 2023, and hope that this will help to make Guðfinna’s poetry reach a wider audience.This book contains sheet music for nine songs: Hið gullna augnablik Vöggubarnsins maÌl AÌfangastaður Tvær systur LjoÌssins knörr Hver ert þuÌ Mannsbarn Fjallið blaÌtt Mig dreymir enn
$22.00
19.72 €
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Piano, Voice
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Helga Ragnars and Knut Rygnestad
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Ótal stjarna hröp
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Knut Olav Rygnestad
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SheetMusicPlus
A Song With No Tune / Inisheer
Choral SATB
Choral Choir (SATB divisi) - Level 2 - Digital Download SKU: A0.507012 By Alan Wags…
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Choral Choir (SATB divisi) - Level 2 - Digital Download SKU: A0.507012 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Traditional. Octavo. 37 pages. Alan Wagstaff #117526. Published by Alan Wagstaff (A0.507012). This is a new Irish song about the magic of Irish music. It's arranged for choir (SSAATB), harp, piano, flute, and fiddle. Elements of O'Carolan's 'Inisheer' are woven into the melody. Lyric A Song With No Tune The stories they tell in the Town of Athlone, would gladden the heart of a man made of stone. I joined in with them freely, until it was Spring, then I was off, like a hawk on the wing - searching for fortune - and something to sing. And it’s oh! But it’s been a long time! And I hope that we meet again soon. I saw her but once, by the light of the moon. She said she would give me a song with no tune. The pipers are proud in Kildare and Athy; there's no better music found under the sky. But, one bright Summer's evening, I left them behind; put my feet to the road and I followed them blind - searching for fortune - and what I might find. And it’s oh! But it’s been a long time! And I hope that we meet again soon. I saw her but once, by the light of the moon. She said she would give me a song with no tune. The fiddlers are famous from Bantry to Cork. The rake of their reels would make the lame walk. But still, at the close of a fine Autumn day, I packed up my bags and I went on my way - searching for fortune but finding low pay. And it’s oh! But it’s been a long time! And I hope that we meet again soon. I saw her but once, by the light of the moon. She said she would give me a song with no tune. Far up the west coast, in Aran and Clare, there's harpers to bring you a magical aire. I listened, enthralled, till the Winter came on, then pulled up my boots - and soon I was gone - searching for fortune for still I had none. And it’s oh! But it’s been a long time! And I hope that we meet again soon. I saw her but once, by the light of the moon. She said she would give me a song with no tune. I rested, by chance, at the close of the day, by a small rounded hill, where I happened to stray. And there, as the drowsiness over me stole, I dreamed of a woman with eyes black as coal - And the fortune she held was the song of my soul. And it’s oh! But it’s been a long time! And I hope that we meet again soon. I saw her but once, by the light of the moon. She said she would give me a song with no tune. Alan Wagstaff.
$100.00
89.62 €
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Choral SATB
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Alan Wagstaff
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A Song With No Tune / Inisheer
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Alan Wagstaff
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SheetMusicPlus
The Mevlidi Sherif Symphony ~ in English Piano Reduction
Piano solo
Piano Solo - Digital Download SKU: A0.1029428 Composed by Taylor Kroff. Contemporar…
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Piano Solo - Digital Download SKU: A0.1029428 Composed by Taylor Kroff. Contemporary. Score. 113 pages. Listening Heart, LLC #4890651. Published by Listening Heart, LLC (A0.1029428). Mevlidi Sherif Symphony ~ in English Divine is beautiful and loves what is beautiful. Prophet Muhammad (pbuh) Our heartfelt prayer is that this music serves to awaken people of all religious traditions to the sacred musical treasures of Islam and that it contributes to interfaith harmony. CarolAnn Barrows & Taylor Kroff The Mevlidi Sherif, the finest expression of reverence for Muhammad (pbuh), forms an essential part in the religious instruction of most Turkish minds. We hope that this new symphony will foster an interest and understanding of the Muslim soul, even for many who have little direct contact with the world of Islam. Considering how Christians feel about their Christmas carols provides some understanding of what the Mevlidi Sherif (or mawlud) means to Muslims. Over 500 years ago Süleyman Çelebi, from the Great Mosque at Bursa, wrote the Mevlidi Sherif (then entitled Vesiletu’n-necat) so that Turks would have access to the magical, mystical story of their beloved Prophet Muhammad (pbuh), which had previously only been available in Arabic. Over the centuries this epic poem has been recited and sung in Mosques and in homes; on countless occasions of rejoicing and sorrow, such as births, weddings, house blessings, graduations, and especially to celebrate the Night of Power and the Birthday (mawlid) of Muhammad (pbuh). Some consider it to be the most frequently recited poem in the world. In 1942, as an act of interfaith and goodwill, Mr. F. Lyman MacCallum, a Christian missionary who was born in Turkey to missionary parents, translated into English this epic poem and published it in a journal dedicated to promoting East/West understanding. This was a remarkable artistic feat as MacCallum stayed true to the traditional Turkish poetic meter, mathnawī of fâ’ilâtün fâ’ilâtün fâ’ilün, as well as holding fast to the authentic meaning of the original text. In 2015, Dr. Timuçin Çevikoğlu, from Ankara University in Turkey, discovered MacCallum’s English translation of this most beloved poem. With the intention to help those in the west better understand the very heart of Islam, he invited sacred music singer, Ms. CarolAnn Barrows from Maui, Hawaii, USA to be the first person to ever sing the Mevlidi Sherif in English. He asked her to compose music that would appeal to western sensibilities. Ms. Barrows interviewed many composers to assist her. It wasn’t until she heard from Mr. Taylor Kroff from Austin, Texas, U.S.A., that she knew she’d found the right person for the task. Using digital technology they were able to work together, even though thousand of miles apart. They amended and re-translated the text of the original English version of the poem and composed the Mevlidi Sherif Symphony ~ in English. The recording is now available online all over the world. This music was born out of our desire to help non-Muslims appreciate the love all Muslims have for their Prophet Muhammad (pbuh); to create greater understanding and peace among nations. We are not suggesting that anyone change their faith, but rather that greater world peace will be achieved by understanding and accepting the faith of others. We pray that this music will serve to remove the boundaries which divide different religious faiths by bringing to full light the underlying wisdom with which they are all united. CarolAnn Barrows & Taylor Kroff
$50.00
44.81 €
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Piano solo
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Taylor Kroff
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The Mevlidi Sherif Symphony ~ in English Piano Reduction
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Listening Heart, LLC
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SheetMusicPlus
That September Day
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.944600 Composed by Sharon Fendrich.…
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Piano Solo - Level 3 - Digital Download SKU: A0.944600 Composed by Sharon Fendrich. 20th Century,Contemporary,Folk,New Age. Score. 5 pages. Sharon Fendrich #6342857. Published by Sharon Fendrich (A0.944600). From the multi-award winning 2019 New Age Neo-Classical album, Red Sky Prairie. Beautiful, flowing, contemplative solo piano piece ideal for weddings, services, solo performances. Composer influences: David Lanz, Jim Brickman, Ludovico Einaudi, Enya. 10 additional titles from the album are available.The piece begins just as September 11, 2001 did in the USA. The morning sun rises, a beautiful day lies ahead. Then suddenly everything changes. The melodic theme takes us out of the darkness and onto a brighter path guided by the forging of togetherness, hope and strength. When sung the lyrics are: Hearts broken, tears fall. In darkness we can’t find hope. Out of grief, hope and strength are forged. Through shadow shines a light so bright. Voices cry out you must go on. Hope will hold our hearts. Together we found a way that September day.
$4.99
4.47 €
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Piano solo
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Sharon Fendrich
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That September Day
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Sharon Fendrich
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SheetMusicPlus
A Whitman Triptych: II. What Is the Grass? (Downloadable)
Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - Digital Download SK…
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Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8322-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 15 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8322-E. Published by E. C. Schirmer Music Company - Digital (MQ.8322-E). UPC: 600313483226. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. “What is the Grass?†is also an adaptation of a much longer poem, one of Whitman’s deepest, and most mysterious. The poem begins as a child-like meditation on grass; as hope, as an embodiment of new life and new growth in the plant world. Then suddenly there is a somber turn with the line “And now it seems to me the beautiful uncut hair of graves.†Here Whitman enters an extended mediation on how grass connects life and death, informed by his experiences in the Civil War. Hope returns with the line: “They are alive and well somewhere,†leading to the mysterious final line: “And to die is different from what anyone supposed, and luckier…†Here Whitman affirms that death can be an initiation into a broader participation of existence. In the words of poet Ivan M. Granger, Whitman offers a “Zen-like riddle that doesn’t offer an answer so much as a pathway of questioning.†My musical setting follows Whitman’s exploration, first taking a child’s point of view, expressed with lilting melodies set in a lively compound meter. The entry of the tenor soloist indicates a change of mood to the serious. The first mood returns, leading to a climax on the words “And led forward life…â€, set in 9-part harmony. The mood turns reverent, as the tenor soloist intones: “All goes onward and outward; nothing collapses.†The piece ends with a tone of gentle, slightly ironic questioning. -David ConteDuration: 5:42
$2.85
2.55 €
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David Conte
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A Whitman Triptych: II. What Is the Grass?
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Echoes Of The American West
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.870387 Composed by Randy A. Stein…
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Concert Band - Level 4 - Digital Download SKU: A0.870387 Composed by Randy A. Steinberg. Contemporary,Folk. Score and parts. 181 pages. Randy A. Steinberg #1932601. Published by Randy A. Steinberg (A0.870387). This work commemorates the founding and settlement of the western United States. The piece consists of a number of musical episodes that evoke key historic milestones that took place as the west developed and grew over time. The work opens with a fanfare tribute to the mountains and valleys that were first seen by those arriving there. The fanfare starts out majestically and leads into a chorale tune that evokes the calmness of the river and the greenery around it. The clock then moves to a later time when the area was settled by bands of Indian tribes, dwellings and villages. This then melds into tribal life along the river and growth of the Indian culture. Suddenly, the sound of Indian raiding tribes is heard. This then settles down and Pioneer Wagon Trains are heard heading west, their wheels stumbling through mud and rock. In comes the U.S. Calvary. Trumpet calls are heard as the Calvary advances and eventually overcome the Indians, pushing them out of the west. The choral tune heard earlier is brought back which then leads to the sounds of the first trains heading west. As more and more trains arrive, the sound of towns and cities sprouting up is heard. At this point, the music gains momentum as more and more settlers arrive. Dance hall music can suddenly be heard followed by a segment that evokes the building of farms and raising of livestock. The music picks up into the 20th century culminating in a grand return of the opening River Valley fanfare heard at the start of the piece. A popular piece that resonates well with audiences bringing them a spirit of renewal and hope that they will find most uplifting.
$45.00
40.33 €
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Concert band
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Randy A
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Echoes Of The American West
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Randy A. Steinberg
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SheetMusicPlus
Cello - "And Can It Be?" Theme and Variations
Cello, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles…
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Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00
5.38 €
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Cello, Piano
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Cello - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
Tuba solo - "And Can It Be?" Theme and Variations
Tuba
Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles …
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Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00
5.38 €
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Tuba
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Tuba solo - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
Alto Sax - "And Can It Be?" Theme and Variations
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00
6.27 €
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Alto Saxophone and Piano
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Alto Sax - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
Elegy Sentimentale for Concert Band
Concert band
Concert Band - Digital Download SKU: A0.746749 Composed by Keith Terrett. Contempor…
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Concert Band - Digital Download SKU: A0.746749 Composed by Keith Terrett. Contemporary,World. 39 pages. Keith Terrett #3129275. Published by Keith Terrett (A0.746749). Here at last is my ’’Elegy sentimentale’’ for Concert Band, and an original composition.I hope it makes an excellent piece for amateur and professional bands alike; with some challenging and interesting woodwind and brass writing for all.I envisage the ’’Elegy’’ eventually making a good piece of film music, and in consequence any directors or producers looking for a movie theme; please feel free to contact me!Elegy Sentimenatle is a mournful & melancholic work, suited for performances on the concert platform.A Supreme Work of Art!The Elegy Sentimentale opens impressively. Keith Terrett plants a C deep in virgin soil; orchestrated brilliantly for bassoon, harp and delineated by pizzicato double basses this bass line is a tree of a forest; and we are at once held by the strength of the roots. The tonality is immediately clear, and there is a grand feeling of space and power in the wide layout of the score. A lone solo clarinet high in the tessitura accompanied by a solo cello with a counter subject state the opening eight bar theme which embodies the seeds of two ideas, which supplies the generating force for the slightly agitated Piu Mosso which follows. The counter subject given by the solo cello at the beginning is now reiterated by the plaintive voice of a solo oboe and a third motif makes an appearance in the solo clarinet; oboe and clarinet duet beautifully over arpeggiated rhythmic impulses in the harp. A new subject of an accompanying nature, derived from all the material thus far presented now comes off at a tangent on the strings cascading downwards and accompanying woodwind who, play the chief melodic subject while horns cry in anguish. This first section is then repeated; I found the whole experience spiritual, detached and wondering, intensified by the breath-taking stillness. Mr Terrett in the middle section that follows now uses his full orchestral forces; after a key change the emotional charge that follows is cataclysmic in its cry of anguish; the main theme is stated in a full dress orchestral tutti, which is then repeated. The music ebbs and flows with slight variations in the woodwind recalling the main ideas; at the very end high strings bring consolation and finally peace. Keith Terrett shows an admirable command of orchestration and melodic construction and combines these qualities with rare imagination and insight.Gerald Manning
$30.00
26.89 €
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Concert band
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Keith Terrett
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Elegy Sentimentale for Concert Band
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Keith Terrett
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SheetMusicPlus
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