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You've selected:
Hera's Rage
Sheetmusic to print
13 sheet music found
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1
Hera's Rage
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.1391604 Composed by J. String…
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String Orchestra - Level 4 - Digital Download SKU: A0.1391604 Composed by J. Stringer. 20th Century. 21 pages. J. Stringer #975145. Published by J. Stringer (A0.1391604). Heraâ??s Rage - Advanced because of meter changes.Inspired by Bloch - B Minor and A Minor -5/4, 4/4 and 6/4 meters quarter, eighth, half and whole. Work on dynamic contrast with crescendo-decrescendo. A focus on accented notes is present  Melody often doubled in viola. Easier parts Vln, Vla, Cello and Bass. Piano Part. (2:04).
$30.00
26.89 €
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String Orchestra
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J
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Hera's Rage
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J. Stringer
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SheetMusicPlus
Una panthera for clarinet trio (mp3)
3 Clarinets (trio)
B-Flat Clarinet - Level 4 - Digital Download SKU: A0.1326659 By Budapest Scoring Cl…
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B-Flat Clarinet - Level 4 - Digital Download SKU: A0.1326659 By Budapest Scoring Clarinet Ensemble. By Johannes Ciconia. Arranged by David Warin Solomons. Medieval. Full Performance. Duration 177. David Warin Solomons #914801. Published by David Warin Solomons (A0.1326659). Instrumental arrangement of a three-voice Italian madrigal by Johannes Ciconia (1370 - 1412), which was written to celebrate the visit of the nobleman Lazzaro Guinigi from Lucca to Ciconia's employer Giangaleazzo Visconti in Padua in 1399.The lyrics are intended to flatter their guest by referring to the mythical founding of his city, Lucca, by an armored panther (or leopard), in the company of the war-god Mars.The celebration of the creature’s strong defence of the city was intended to encourage Lazzaro to accept terms for a political and military alliance between Lucca and Padua.The first stanza and ritornello have the following words in the original madrigal:Una panthera in compagnia de MarteCandido Jove d'un sereno adornoConstant è l arme chi la guarda intorno.Dando a ciaschun mortal che ne sia degnoTriumpho, gloria e parte in questo regno.Performed by The Budapest Scoring Clarinet Ensemble.
$4.50
4.03 €
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3 Clarinets (trio)
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Budapest Scoring Clarinet Ensemble
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Una panthera for clarinet trio
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David Warin Solomons
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SheetMusicPlus
What If There Had Been No Star? (A Christmas Message)
Choral SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1399551 Composed by…
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1399551 Composed by David W. Barber. 21st Century,A Cappella,Christmas,Religious,Sacred. 3 pages. David W. Barber #982842. Published by David W. Barber (A0.1399551). An original Christmas carol with an insightful message. For SATB with optional keyboard accompaniment. This is the text: What if there had been no star?(A Christmas Message)What if there had been no star?No magi travelling from afar.No innkeeper, the doors all locked.No shepherds in the fields.No flocks.No Herod’s rage, no children slain.Then would we tell the tale again?No herald angels from on highTo tell the world the Word is nigh.No heavenly message from above.Forget all that. We’d still have love. © David W. Barber (SOCAN)Toronto, December 2023 (Music March 2024)This piece and more of my music is available for download and purchase from SheetMusicPlus and SheetMusicDirect via ArrangeMe. Find my music books and my new mystery novel, Hedshot, at IndentPublishing.com Read my author/composer blog at DavidWBarber.com Contact me at dbarber@indentpublishing.com.
$1.99
1.78 €
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Choral SATB
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David W
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What If There Had Been No Star?
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David W. Barber
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SheetMusicPlus
Mamma mia dammi cento lire
Choral SATB
Choral Choir,Choral (SATB) - Level 5 - Digital Download SKU: A0.1354521 By Traditio…
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Choral Choir,Choral (SATB) - Level 5 - Digital Download SKU: A0.1354521 By Traditional Song. By Traditional Song. Arranged by Bacco Baccanels. A Cappella,Folk,Multicultural,Traditional,World. 7 pages. Bacco Baccanels #939239. Published by Bacco Baccanels (A0.1354521). Italiano--------La versione originale di questa canzone di emigranti è abbastanza semplice: la stessa melodia si ripete per tutta la canzone e gli arrangiamenti vocali esistenti che mi è capitato di ascoltare sono abbastanza privi di ritmo.Ho cercato di aggiungere movimento. C'è un'introduzione musicale, con poco testo e poi si passa al tema principale, in cui il basso da' ritmo alla melodia principale. Poco dopo, con una variazione ispirata ai Queen di Bohemian Rapsody si modula in tonalità vicina, per sottolineare il cantato dei fratelli della triste protagonista e subito dopo il tema si addolcisce per lasciare spazio alla madre triste che preannuncia la tragedia. Tragedia che si canta subito dopo in minore per poi tornare sulla melodia principale fino al finale, dove dopo una frase corale si torna al ritmo e al tema principale.English--------The original version of this emigrant song is quite simple: same melody repeats throughout the song. More, the existing vocal arrangements I've heard are quite steady and not so rhythmic.So I tried to add some movement: there is a musical introduction with little lyrics and then we move on to the main theme, where the bass gives rhythm to the main melody.Shortly after, with a Queen-inspired variation coming from Bohemian Rhapsody the score modulates in a close key, to underline the singing of the brothers of the song's sad heroin and immediately after the theme softens to leave room to the sad mother heralding the coming tragedy.A tragedy that is sung immediately afterwards, in minor, and then returns to the main melody until the finale, where after a choral phrase we return to the main theme.
$2.50
2.24 €
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Choral SATB
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Traditional Song
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Mamma mia dammi cento lire
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Bacco Baccanels
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SheetMusicPlus
L' heure de la Mort (for Orchestra with Cello Solo)
Bassoon,Cello,Clarinet,Double Bass,Drums,Flute,Hand Percussion,Horn,Oboe,Piano,Timpani,Tro…
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Bassoon,Cello,Clarinet,Double Bass,Drums,Flute,Hand Percussion,Horn,Oboe,Piano,Timpani,Trombone,Trumpet,Viola,Violin - Digital Download SKU: A0.1070268 Composed by Tito Abeleda. 20th Century,Concert,Contemporary. Full Performance. Duration 630. Visionary Quest Records #5712567. Published by Visionary Quest Records (A0.1070268). L' heure de la Mort means the hour of death. L’ heure de la Mort allows one to to reflect, to contemplate, to grieve, and to ponder one's existence. Musicians, young and seasoned, will find this piece easily accessible and enjoyable for learning and performing. Audiences will identify with the musical emotionality conveyed in this piece as it takes its listeners on a vivid passionate journey filled with much pathos. L’ heure de la Mort not only embraces death but also takes listeners on an epic journey infused with courage, nobility, respect, and courage to overcome our greatest challenges. The piece begins with a dark, foreboding, expressive cello solo motif symbolizing death’s existence. Then it takes an epic climactic build to convey life’s journey with a sense of overcoming adversity as one does throughout life. The strings and woodwinds herald a sweeping triumphant melody while the brass rise gloriously heralding the joys of life. However, the return to the opening theme in the closing represents death’s natural, respectful inevitability, concluding this life as a step to moving onward to the hereafter.L' heure de la Mort (for Orchestra with Cello Solo) was composed by Tito Abeleda (1964 - ). Digital Download = 73 pages Level = Advanced IntermediateInstruments: Flute 1-2, Oboe, Clarinet 1-2, Bassoon1-2, Horn 1-4, Trumpet1-4, Trombone1-2, Timpani, Snare Drum, Bass Drum, Tubular Bells, Orchestral Bells, Cymbals, Piano, Violin 1-2, Viola 1-2, Violoncello Solo, Violoncello 1-2, ContrabassContact Tito for original compositions: http://bit.ly/TitoAbeleda_SoundBetterEmail: tito@visionaryquestrecords.comPRO: BMI.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunesSpecial Thanks to Ivan Siarbolin - photographer for sheet music cover.
$1.99
1.78 €
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Tito Abeleda
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L' heure de la Mort
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Visionary Quest Records
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SheetMusicPlus
Conflusion - Suite - Wind Ensemble
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.567766 Composed by Thomas Gr…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.567766 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Contemporary,Jazz. Score and parts. 216 pages. Thomas Graf - the-hit-factory.com #546297. Published by Thomas Graf - the-hit-factory.com (A0.567766). Phantasie in 3 Sätzen für Großes Bläserensemble, Kontrabass und Schlagwerk 1. Deux Caractères 2. Dialogues 3. Dance de Conflusion Confluence heißt ein Ort in Lyon an dem 2 Flüsse zusammen fließen: Die Saône mündet in die - zumindest im Deutschen - weibliche Rhone. Im Französischen mündet sie aber in DEN Rhone – Le Rhône. Das verwirrt den Komponisten: Wie erhalten Flüsse ihr Geschlecht, sind sie mal männlich, mal weiblich? Liegt es an ihrem Charakter, an der Landschaft, die sie durchfließen? An ihrem Wasser, ihren Fischen gar? An den Menschen an ihren Ufern? Es entsteht eine veritable Konfusion. Bei darauf folgenden Gedanken über Musik entdeckt der Komponist gewisse Analogien und stellt sich die Frage: Gibt es eigentlich geschlechtertypische Musik? Oder Instrumente? Typisch männliche Harmonien oder Rhythmen? Oder eindeutig weibliche Melodien und die Art, zu interpretieren? Dieser Frage widmet sich die 3-sätzige Komposition und mäandriert dabei tänzerisch im Bett der zusammenfließenden Ströme. Farbenreiche modale Harmonien bilden das Bett für weite Melodiebögen. Ein variiert wiederkehrendes Thema gibt die Richtung vor und erzeugt einen sprudelnd tänzelnden Sog in Richtung der Mündung: Tanzendes Finale! 1. Satz: Deux Charactères Im ersten Satz (Andante) werden die Rollen verteilt - die Sâone und der Rhône erhalten ihre Darsteller. Ein erster Blick auf das Ensemble lässt schon eine Tendenz erkennen: Holzbläser(inne)n übernehmen die weibliche Hauptrolle, das männliche Blech den Gegenpart. Die beiden Schlagwerker unterstützen solidarisch je einen der beiden Pole. Mag die Zuordnung auf der Hand liegen, so bleiben doch starke Zweifel im Schlussakkord des ersten Satzes. 2. Dialogues In kleineren und größeren Dialogen wird sich munter ausgetauscht und werden die Eigenschaften herausgearbeitet und weiter entwickelt. Aber es wird zunehmend auch kopiert und imitiert, gar boshaft agitiert und nachgeäfft. Man versucht sich gegenseitig zu überzeugen, fällt sich ins Wort, braust beiderseits zunehmend auf, es wird lauter und hektischer, immer lauter, zu laut, bis die Kommunikation erlischt: Man schreit sich schließlich nur noch an! 3. Dance de Conflusion Die entstandene Konfusion findet im dritten Satz der Komposition ein versöhnliches Ende: Lasst uns tanzen! So wird schlussendlich aus der anfänglichen Confusion eine Conflusion: Es fließt und tanzt zusammen, was zusammen gehört. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum Chimes) Perc 2 (Triangle Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$80.00
71.7 €
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Chamber Orchestra
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Thomas Graf
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Conflusion - Suite - Wind Ensemble
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Conflusion - Suite - Woodwind Ensemble - Score Only
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1115988 Composed by Thomas G…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1115988 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. Score and parts. 27 pages. Thomas Graf - the-hit-factory.com #717713. Published by Thomas Graf - the-hit-factory.com (A0.1115988). Phantasie in 3 Sätzen für Großes Bläserensemble, Kontrabass und Schlagwerk 1. Deux Caractères 2. Dialogues 3. Dance de Conflusion Confluence heißt ein Ort in Lyon an dem 2 Flüsse zusammen fließen: Die Saône mündet in die - zumindest im Deutschen - weibliche Rhone. Im Französischen mündet sie aber in DEN Rhone – Le Rhône. Das verwirrt den Komponisten: Wie erhalten Flüsse ihr Geschlecht, sind sie mal männlich, mal weiblich? Liegt es an ihrem Charakter, an der Landschaft, die sie durchfließen? An ihrem Wasser, ihren Fischen gar? An den Menschen an ihren Ufern? Es entsteht eine veritable Konfusion. Bei darauf folgenden Gedanken über Musik entdeckt der Komponist gewisse Analogien und stellt sich die Frage: Gibt es eigentlich geschlechtertypische Musik? Oder Instrumente? Typisch männliche Harmonien oder Rhythmen? Oder eindeutig weibliche Melodien und die Art, zu interpretieren? Dieser Frage widmet sich die 3-sätzige Komposition und mäandriert dabei tänzerisch im Bett der zusammenfließenden Ströme. Farbenreiche modale Harmonien bilden das Bett für weite Melodiebögen. Ein variiert wiederkehrendes Thema gibt die Richtung vor und erzeugt einen sprudelnd tänzelnden Sog in Richtung der Mündung: Tanzendes Finale! 1. Satz: Deux Charactères Im ersten Satz (Andante) werden die Rollen verteilt - die Sâone und der Rhône erhalten ihre Darsteller. Ein erster Blick auf das Ensemble lässt schon eine Tendenz erkennen: Holzbläser(inne)n übernehmen die weibliche Hauptrolle, das männliche Blech den Gegenpart. Die beiden Schlagwerker unterstützen solidarisch je einen der beiden Pole. Mag die Zuordnung auf der Hand liegen, so bleiben doch starke Zweifel im Schlussakkord des ersten Satzes. 2. Dialogues In kleineren und größeren Dialogen wird sich munter ausgetauscht und werden die Eigenschaften herausgearbeitet und weiter entwickelt. Aber es wird zunehmend auch kopiert und imitiert, gar boshaft agitiert und nachgeäfft. Man versucht sich gegenseitig zu überzeugen, fällt sich ins Wort, braust beiderseits zunehmend auf, es wird lauter und hektischer, immer lauter, zu laut, bis die Kommunikation erlischt: Man schreit sich schließlich nur noch an! 3. Dance de Conflusion Die entstandene Konfusion findet im dritten Satz der Komposition ein versöhnliches Ende: Lasst uns tanzen! So wird schlussendlich aus der anfänglichen Confusion eine Conflusion: Es fließt und tanzt zusammen, was zusammen gehört. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum Chimes) Perc 2 (Triangle Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$10.00
8.96 €
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Chamber Orchestra
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Thomas Graf
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Conflusion - Suite - Woodwind Ensemble - Score Only
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Conflusion - Suite - Woodwind Ensemble
Woodwind Ensemble Bass Clarinet,Contrabassoon,Flute,Oboe,Piccolo - Level 4 - Digital Downl…
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Woodwind Ensemble Bass Clarinet,Contrabassoon,Flute,Oboe,Piccolo - Level 4 - Digital Download SKU: A0.1115986 Composed by Thomas Graf. Arranged by Thomas Graf. Classical. 212 pages. Thomas Graf - the-hit-factory.com #717711. Published by Thomas Graf - the-hit-factory.com (A0.1115986). Phantasie in 3 Sätzen für Großes Bläserensemble, Kontrabass und Schlagwerk 1. Deux Caractères 2. Dialogues 3. Dance de Conflusion Confluence heißt ein Ort in Lyon an dem 2 Flüsse zusammen fließen: Die Saône mündet in die - zumindest im Deutschen - weibliche Rhone. Im Französischen mündet sie aber in DEN Rhone – Le Rhône. Das verwirrt den Komponisten: Wie erhalten Flüsse ihr Geschlecht, sind sie mal männlich, mal weiblich? Liegt es an ihrem Charakter, an der Landschaft, die sie durchfließen? An ihrem Wasser, ihren Fischen gar? An den Menschen an ihren Ufern? Es entsteht eine veritable Konfusion. Bei darauf folgenden Gedanken über Musik entdeckt der Komponist gewisse Analogien und stellt sich die Frage: Gibt es eigentlich geschlechtertypische Musik? Oder Instrumente? Typisch männliche Harmonien oder Rhythmen? Oder eindeutig weibliche Melodien und die Art, zu interpretieren? Dieser Frage widmet sich die 3-sätzige Komposition und mäandriert dabei tänzerisch im Bett der zusammenfließenden Ströme. Farbenreiche modale Harmonien bilden das Bett für weite Melodiebögen. Ein variiert wiederkehrendes Thema gibt die Richtung vor und erzeugt einen sprudelnd tänzelnden Sog in Richtung der Mündung: Tanzendes Finale! 1. Satz: Deux Charactères Im ersten Satz (Andante) werden die Rollen verteilt - die Sâone und der Rhône erhalten ihre Darsteller. Ein erster Blick auf das Ensemble lässt schon eine Tendenz erkennen: Holzbläser(inne)n übernehmen die weibliche Hauptrolle, das männliche Blech den Gegenpart. Die beiden Schlagwerker unterstützen solidarisch je einen der beiden Pole. Mag die Zuordnung auf der Hand liegen, so bleiben doch starke Zweifel im Schlussakkord des ersten Satzes. 2. Dialogues In kleineren und größeren Dialogen wird sich munter ausgetauscht und werden die Eigenschaften herausgearbeitet und weiter entwickelt. Aber es wird zunehmend auch kopiert und imitiert, gar boshaft agitiert und nachgeäfft. Man versucht sich gegenseitig zu überzeugen, fällt sich ins Wort, braust beiderseits zunehmend auf, es wird lauter und hektischer, immer lauter, zu laut, bis die Kommunikation erlischt: Man schreit sich schließlich nur noch an! 3. Dance de Conflusion Die entstandene Konfusion findet im dritten Satz der Komposition ein versöhnliches Ende: Lasst uns tanzen! So wird schlussendlich aus der anfänglichen Confusion eine Conflusion: Es fließt und tanzt zusammen, was zusammen gehört. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum Chimes) Perc 2 (Triangle Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$80.00
71.7 €
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Thomas Graf
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Conflusion - Suite - Woodwind Ensemble
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
The Village
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo,Soprano Flute - Level 4 - Digi…
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo,Soprano Flute - Level 4 - Digital Download SKU: A0.1242493 By Wrabel. By Andrew Jackson, Andrew Pearson, and Stephen Wrabel. Arranged by a do Ray me flute studio production Ray-Michael Kauffman. 21st Century,Contemporary,Film/TV,Pop,Singer/Songwriter. 53 pages. As do Ray meflute studio production #837642. Published by as do Ray meflute studio production (A0.1242493). The Village by Wrabel, arranged for flute choir /ensemble arranged by me, Ray-Michael Kauffman. This beautiful and poignant song is part of my Compositions that care series, meaning all profits from thios arrangemnt goes to a charity. This charity is for LGBTQ+. ( about the song meaning)Wrabel, the composer, stated the song is about the LGBTQ+ community and all the hardships they face.The song is directed and to encourage and give hope to a trans person who is being treated poorly and ostracized , and to let that perosn struggling know that there is absolutely Nothing wrong with you and there's soemthing wrong with the village.Too many of the trans/LGBTQ+ comminity are struggling , especially in todays political climate. All around the world LGBTQ+ persons are being bullied, discriminated against , attacked, thrown in jail , and even killed with liitle to no laws to protect people.in my own personal life, as a victim of a horrible hate crime where the person involved attmepted to beat me and kill me , unfortuanelty i found out very qucikly how laws even in the USA do not protect me , how many cops ignored me and/or attmepted to make the attack my fault , and how laywers did not want to help and judges either ,and beacsue of the laws i was not protected as a minority and the crime wasn't a hate crime even though the criminals admitted this as the reason of the attack.I was told that this was not a hate crime , unless the criminals made me a victim of S.A., used a car/vehicle , or a gun, or actually ended my life. I also wanted to add , this brutal attack ( recorded on video by the criminals ) which caused such serious bodily harm, had me in the hospital for surgeries, and required months of long and painful rehab and therapy.As a country, as a society, as a planet , we all need to do better, and have to have more protections for such a discriminated group of persons.I did want to add , all the issues happening around the world, and even here in the USA, such as the awful and fascist discrimitory laws in Florida and other states it's no wonder the statistics of LGBTQ+ that contemplate ending their person or even attempting the act .I ask respectfully that every one please go to law makers and demand better laws and treatments of people no matter what community there are of. All people deserve respect, proper medcial care, and to have the same rights as every other human being. We all can and must be the change you wish to see in the world. ( Ganhdi)Thank you for checking my special arrangement out, and please check out my other arrangements on SheetMusicPlus and my Website @ doRaymeflute.comÂ
$17.99
16.12 €
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Flute ensemble
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Wrabel
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The Village
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as do Ray meflute studio production
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SheetMusicPlus
Dies Irae Dodecaphonic
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1029561 Composed by Peter Daniel Kl…
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Piano Solo - Level 5 - Digital Download SKU: A0.1029561 Composed by Peter Daniel Klein. 20th Century,Contemporary. Score. 13 pages. Peter Daniel Klein #6401141. Published by Peter Daniel Klein (A0.1029561). This musical piece is comprised of two twelve-tone rows, atonal music based on synthetic scales unique to each composition, which are based on medieval plainsong chants whose systemization was begun by Pope Gregory I during the sixth century AD. A simple explanation of this composition is that it is the world's oldest notated music combined with modern 20th-century music theory that eschews traditional melody and harmony for synthetic scales unique to each composition. The music is complex and dissonant, although the conversion of the two plainsong chants to twelve-tone rows retains a semblance of a tonal center at given points throughout. Still, the entire piece of music is that same melody utilized harmonically: just forward, backward, upside-down, backward and upside-down, rhythmically altered, transposed, displaced up or down, or split into smaller cells and then reprocessed in the same way mentioned above. I have also borrowed the Baroque Period techniques of the two-part invention and four-voice fugue combined with serial musical techniques that may offend the average listener's traditional musical sensibilities but make logical structural sense. I used the Dies Irae (The Day of Wrath) and Tuba Mirum (The Last Trumpet Call). The authorship of the chants has been attributed to many saints from Gregory to Thomas of Celano but probably evolved from early Jewish psalmody carried forward by the earliest Jewish converts to Christianity, which further developed into trochaic metered poetry by successive monks. It was set to memorized plainsong heralding back, in part, to Jewish worship. The text of the Dies Irae is very similar to Zephaniah 1:16​. The last trumpet call that raises the dead in Christ is comparable to the Apostle Paul's account written in his first epistle to the Corinthians Chapter 15 and first epistle to the Thessalonians Chapter 4. The two epistles may, or may not, be related to the Final of the Seven Trumpets bringing God's Judgement on the earth spoken of in Revelation 11. The relationship of the trumpet mentioned in the epistles to those written about in Revelation divides theologians, but I digress into unrelated matters. Despite the modern theory, the music is still movingly visceral because of its conceptually descriptive nature. It is full of aural symbolism following the Dies Irae and the Tuba Mirum, making it a type of program music ala Hector Berlioz of the Romantic Period. The music is, therefore, genuinely eclectic because it has blended qualities of several musical periods. The final section of the video explains the symbolism. The music difficulty is virtuosic, extremely taxing to play.
$5.99
5.37 €
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Piano solo
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Peter Daniel Klein
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Dies Irae Dodecaphonic
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Peter Daniel Klein
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SheetMusicPlus
Halleluja Chorus aus der Messias (Deutsche Fassung)
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.1385115 By Artyfile. By George …
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Full Orchestra - Level 2 - Digital Download SKU: A0.1385115 By Artyfile. By George Frideric Handel. Arranged by Paul Lorenz. Baroque,Christian,Classical,Praise and Worship,Religious. 74 pages. Paul Lorenz #968570. Published by Paul Lorenz (A0.1385115). Entdecken Sie die Majestät von Händels Halleluja aus dem Messias Das unvergessliche Erlebnis mit Händels Halleluja Georg Friedrich Händels Halleluja aus dem Messias bleibt eines der herausragendsten Werke der klassischen Musik, das weltweit für seine emotionale Tiefe und seine spirituelle Kraft gefeiert wird. Paul Lorenz Music bietet Ihnen die Gelegenheit, dieses meisterhafte Stück in seiner ganzen Pracht zu erleben, unterstützt durch unsere hochwertigen Noten und Interpretationen. Ein zeitloses Meisterwerk neu entdeckt Unsere Sammlung umfasst die Händel Halleluja Noten, die Halleluja von Händel Noten, sowie spezialisierte Ausgaben wie die Händel Halleluja Orgel Noten Pdf, die eine authentische Aufführung des Stücks ermöglichen. Ob für Solo-Auftritte, Chorarrangements oder Orchesterbegleitung â?? Paul Lorenz Music stellt sicher, dass Musiker Zugang zu den besten Ressourcen haben. Professionelle Ressourcen für Musiker aller Niveaus Von Noten Halleluja Händel bis zu den umfassenden Händel Halleluja Noten Pdf, unsere Editionen sind für Musiker, Ensembles, Orchester und Chöre konzipiert. Entdecken Sie die Halleluja Händel Chor Partituren und die vielseitigen Händel Halleluja Noten imslp, die jede Aufführung zu einem unvergesslichen Ereignis machen. Die Händel Halleluja Noten satb Editionen ermöglichen es Sängern aller Stimmlagen, sich an diesem zeitlosen Werk zu beteiligen. Die Faszination von Händels Halleluja Händels Halleluja zeichnet sich durch seine einzigartige Verbindung von musikalischer Brillanz und spiritueller Botschaft aus. Es ist ein Stück, das Zuhörer und Ausführende gleichermaÃ?en berührt und inspiriert. Paul Lorenz Music ist stolz darauf, diese Erfahrung mit hochwertigen Noten und Interpretationshilfen zu unterstützen, die dem historischen und musikalischen Kontext des Werkes gerecht werden.
$99.99
89.61 €
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Orchestra
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Artyfile
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Halleluja Chorus aus der Messias
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Paul Lorenz
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SheetMusicPlus
New Antiquity - An anthology of 15 pieces for violin and viola duo
Violin, Viola (duet)
Violin, Viola - Advanced Intermediate - Digital Download Composed by Anonimus, Tielma…
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Violin, Viola - Advanced Intermediate - Digital Download Composed by Anonimus, Tielman Susato, Thoinot Arbeau, Sonja Kalajic. Arranged by Sonja Kalajic. Romantic Period, Renaissance, Early Music, Repertoire, Recital. Individual Part. 68 pages. Published by Tradition
The New Antiquity collection includes 15 compositions for a violin and viola duo. Ten compositions from the collection, composed by anonymous authors from the Middle Ages and two Renaissance authors, Tielman Susato and Thoinot Arbeau, have been arranged by Sonja Kalajic. The other five pieces are original romantic compositions by Sonja Kalajic inspired by the spirit of the Middle Ages and the Renaissance. Beautiful hits of early music, or so-called music of antiquity, have been adapted to the modern and standard violin and viola duo in keeping with the newer instrumental and concertante possibilities of the said instruments. There is no evidence that anyone has adapted that kind of music for such a musical ensemble before, so this edition of musical scores represents a noteworthy contribution to the greater affirmation of early music, to the literature of the string duet in question, and to music in general. From the technical point of view, the collection consists of compositions for almost all levels of performance – from easier pieces by anonymous authors to some virtuoso ones, like “Heraldry” by Sonja Kalajic. We hope that the compositions from the New Antiquity collection will enrich and refresh certain concert programs, that they will encourage some performers to attempt new interpretations of old melodies and dances, and that the musicians and the audiences will jointly feel and enjoy the indestructible and astonishing relevance of those musical compositions.<br> <br> C O N T E N T S<br> Thoinot Arbeau – Two pieces<br> Anonimus – Three pieces<br> Tielman Susato – Five pieces<br> Sonja Kalajic – Five knightly pieces
$22.00
19.72 €
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Violin, Viola (duet)
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Anonimus, Tielman Susato, Thoinot Arbeau, Sonja Kalajic
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New Antiquity - An anthology of 15 pieces for violin and viola duo
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Tradition
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SheetMusicPlus
Piano and Violin For Christmas, Vol. II, 14 arrangements
Violin and Piano
Composed by Various. Arranged by Cindy Blevins. Christmas. Sheet Music Single. 93 page…
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Composed by Various. Arranged by Cindy Blevins. Christmas. Sheet Music Single. 93 pages. Published by Cindy Blevins
Piano and Violin For Christmas, Vol. II contains 14 arrangements for piano and violin. The violin parts are relatively easy, and written to complement the piano parts. The piano parts average around "intermediate." You will receive the scores, the piano parts and the violin parts. You can view a few score samples which are at the beginning of the eBook. When you purchase the book, there is no need to print out the one-page samples. The audio sample is an excerpt from "Carol of the Bells." It was digitally produced.<br> <br> The songs included in this book are: Angels We Have Heard On High, Bring a Torch, Jeannette, Isabella, Carol of the Bells, Deck the Halls, Ding! Dong! Merrily On High, God Rest Ye Merry, Gentlemen, Hark! the Herald Angels Sing, I Saw Three Ships, Jesu, Joy of Man's Desiring, Joy to the World, O Little Town of Bethlehem, The Holly and the Ivy, We Three Kings and While Shepherds Watched.
$18.95
16.98 €
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Violin and Piano
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Various
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Piano and Violin For Christmas, Vol. II, 14 arrangements
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Cindy Blevins
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SheetMusicPlus
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