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You've selected:
Keep Breathing
Sheetmusic to print
24 sheet music found
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1
Keep Breathing
Piano, Vocal and Guitar
By Ingrid Michaelson. For piano, voice and guitar (chords only). Alternative; Pop; Rock. P…
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By Ingrid Michaelson. For piano, voice and guitar (chords only). Alternative; Pop; Rock. Piano/Vocal/Guitar. 6 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.47 €
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Piano, Vocal and Guitar
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Ingrid Michaelson
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Pop
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Keep Breathing
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Just Keep Breathing
Piano, Vocal and Guitar
By We The Kings. Pop; Rock. Piano/Vocal/Guitar. 5 pages. Published by Hal Leonard - Digita…
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By We The Kings. Pop; Rock. Piano/Vocal/Guitar. 5 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.47 €
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Piano, Vocal and Guitar
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We The Kings
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Rock
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Just Keep Breathing
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Keep Breathing
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.978836 By Ingrid Michaelso…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.978836 By Ingrid Michaelson. By Ingrid Michaelson. Arranged by Avantika Agrawal and Michael Saunders. A Cappella,Contemporary,Pop. Octavo. 13 pages. Andrew Pollen #584500. Published by Andrew Pollen (A0.978836). As arranged and performed by Dischord A Cappella from the University of Pennsylvania for SSATB.
$2.99
2.68 €
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Choral SATB
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Ingrid Michaelson
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Keep Breathing
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Andrew Pollen
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SheetMusicPlus
Just Keep Breathing by We The Kings - Piano/Vocal/Guitar
Piano, Vocal and Guitar
Performed by: We The Kings: Just Keep Breathing Digital Sheetmusic - instantly downloadabl…
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Performed by: We The Kings: Just Keep Breathing Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 5 pages -- Alternative Pop/Rock~~Punk-Pop~~Emo
$5.50
4.93 €
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Piano, Vocal and Guitar
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We The Kings
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Piano/Vocal/Guitar
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Musicnotes
Keep Breathing by Ingrid Michaelson - Piano/Vocal/Chords
Piano, Voice
Performed by: Ingrid Michaelson: Keep Breathing Digital Sheetmusic - instantly downloadabl…
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Performed by: Ingrid Michaelson: Keep Breathing Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords, instruments: Voice;Piano;Backup Vocals; 6 pages -- Movie/TV~~Indie Rock~~Lo-Fi~~Soundtrack
$5.50
4.93 €
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Piano, Voice
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Ingrid Michaelson
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Piano/Vocal/Chords
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Musicnotes
Afternoon Etude
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1280219 Composed by Jane Stave-Viem…
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Piano Solo - Level 4 - Digital Download SKU: A0.1280219 Composed by Jane Stave-Viemeister. 20th Century,Contest,Festival. Score. 4 pages. Stave-Viemeister #871596. Published by Stave-Viemeister (A0.1280219). Johann Burgmuller followed in Carl Czerny's footsteps with etudes of his own with fairly easy pieces to finger twister challenges which inspired this etude in C Major. Scales appear for both hands to handle as well as fun sixteenth note figuration and harmonmic twists.Keep breathing as you fly through this etude!
$4.95
4.44 €
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Piano solo
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Jane Stave-Viemeister
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Afternoon Etude
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Stave-Viemeister
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SheetMusicPlus
Black moon bloom A4
1 Piano, 6 hands
1 Piano,6 Hands - Level 2 - Digital Download SKU: A0.1405098 By John J A Martzhall.…
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1 Piano,6 Hands - Level 2 - Digital Download SKU: A0.1405098 By John J A Martzhall. By John J A Martzhal. Arranged by John J A Martzhall. Classical,Pop,Rock. Accompaniment. Duration 81. John j a martzhall #988136. Published by john j a martzhall (A0.1405098). In the literature “The Feelings keeper and scale time†is established the true belonging of the instinctive feelings with itinerary in the depths of people's hearts; “The relative twin†is a structure skillfully created to consolidate the “attitude regarding the true belonging of feelingsâ€; The reader is required to understand the relevance of considering feelings as an electromagnetic energy without belonging, in the visible world; Breathing in both worlds is inside adapt the heart to grant the intensify of feelings also known as electromagnetic energy inside body, in a process defined as “doubling the speed of light†in the invisible world; Define attitude using it as a resource in the invisible world along with breathing of the visible world to coexist with feelings creating circumstances from the though, is to change the itinerary of the instinctive feelings inside heart, or equaling the speed of light imparting a new itinerary of spontaneous feelings in the heart, double the speed of light in a clear comprehension regarding how to walk on the invisible world by defining it as the self-persuasion inside heart; Thus, self-persuasion in the invisible world is concluded as the steps of a dance between a person and the electromagnetic energy also known as feelings inside heart; In the fusion of both worlds, the define of walk on the invisible world is understanding self-persuasion regarding thoughts as circumstance not occurred, self-persuasion regarding feelings as intangible people self-persuasion regarding the mind with ideas as the non-existentby: John J A MartzhallThe feelings keeper and the scale time.
$999.99
896.21 €
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1 Piano, 6 hands
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John J A Martzhall
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Black moon bloom A4
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john j a martzhall
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SheetMusicPlus
Jesu, joy of man's desiring
Choral 3-part
Choral Choir (SSA) - Digital Download SKU: A0.883886 Composed by Johann Sebastian B…
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Choral Choir (SSA) - Digital Download SKU: A0.883886 Composed by Johann Sebastian Bach. Arranged by Fiona Evans. A Cappella. Octavo. 4 pages. Fi Evans #4301891. Published by Fi Evans (A0.883886). This wonderful piece is here arranged for three part ladies chorus. The soprano line will need special thought as to the breathing but will be a useful exercise in staggered breathing to keep the line smooth and uninterrupted. A great addition to the female repertoire.
$3.50
3.14 €
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Choral 3-part
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Johann Sebastian Bach
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Jesu, joy of man's desiring
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Fi Evans
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SheetMusicPlus
Fugue No. 22 In B Flat Minor, Bwv 867
Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Interactive Download SKU: A0.5460…
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Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Interactive Download SKU: A0.546077 Composed by Johann Sebastian Bach. Arranged by Nathan Wollmann. This edition: Interactive Download. Classical. Score and parts. 18 pages. Duration 155. Nathan Wollmann #7jW1lNU2qFmYeJg9K7pQhT. Published by Nathan Wollmann (A0.546077). Key: Bb minor.This fugue is very chorale-like. It is a five voice fugue and so this arrangement is one voice per instrument. Fugues with less voices are often arranged for quintet because keyboard instruments don't have the limitations like breathing and the difficulty of large jumps. The rhythmic simplicity of this fugue though lends itself better to one fugue-voice, one instrument arrangement. Breathing and range may still be a challenge. I believe that Bach voiced fugues and put them in certain keys for good reason, and thus those elements haven't been altered. But there is a lot of voice-crossing in this fugue and I favored comfortable range over maintaining fugue-voice to keep the individual parts as simple as possible.
$4.00
3.58 €
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Johann Sebastian Bach
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Fugue No. 22 In B Flat Minor, Bwv 867
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Nathan Wollmann
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SheetMusicPlus
All Creatures of our God and King Late Intermediate Piano Solo
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1417376 Composed by Lasst Uns Erfre…
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Piano Solo - Level 4 - Digital Download SKU: A0.1417376 Composed by Lasst Uns Erfreuen. Arranged by Amanda Tero. Christian,Religious,Sacred. Score. 10 pages. Amanda Tero #998921. Published by Amanda Tero (A0.1417376). Delight your audience with the All Creatures of our God and King piano solo, designed for late intermediate players. Ideal for church performances or recitals, this piece includes lively triplets in both hands, making it an exciting show-stopper.The late intermediate piano solo of All Creatures of our God and King includes popular elements like fast triplets, octaves, polyrhythms (2 against 3), and a dramatic ending.I arranged All Creatures of our God and King as a traditional hymn with a contemporary flair. The driving triplets give it a “rock†feel while low left hand octaves add depth of sound. There are a lot of patterns which makes this late intermediate solo easier to learn–the challenge is getting it up to speed fluently!For church services, recitals, and spring/summer music events, All Creatures of our God and King late intermediate piano sheet music solo will capture the listeners with delight and excitement.Similar in level to most Level 4-5 piano curricula and ABRSM Level 4.The basic format of All Creatures of our God and King late intermediate piano solo is: introduction, verse, interlude, verse, ending.6 pages. Key of C major.Approx. 2:00 performance time. Musical Elements In All Creatures of our God and King late intermediate piano solo Sheet Music Key of C major Time signature: 4/4 Tempo: fast, exuberant Note values: whole notes, dotted half notes, half notes, dotted quarter notes, quarter notes, eighth notes, eighth note triplets Note reading: right hand treble clef C4 to C7, left hand bass clef C1 to G4 Ledger lines (up to 5 lines) Harmonic octaves in left hand and right hand Triplets Polyrhythms (2 against 3; eighth notes vs. eighth note triplets) Fermata Practice Tips for All Creatures of our God and King late intermediate piano solo This is an exciting arrangement that the student may be tempted to play faster than possible. Encourage the student to breathe while they play to keep the tempo steady and manageable (I like recommending breathing in for one measure, out for one measure).There may be the temptation to have a heavy pulse for each beat, but focus on phrasing an entire measure or two.If the student struggles to bring out the measure for the first verse, experiment with “shadow playing,†where the student only plays the actual melody notes and “shadow plays†(puts their finger on the key, but doesn’t press down) all other notes.
$5.99
5.37 €
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Piano solo
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Lasst Uns Erfreuen
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eighth notes vs
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All Creatures of our God and King Late Intermediate Piano Solo
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Amanda Tero
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SheetMusicPlus
Etude No. 6 for "G" Flute - Roger's Little Jig
Flute and Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.1021349 Composed by Enoch Chapman.…
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Flute,Piano - Level 2 - Digital Download SKU: A0.1021349 Composed by Enoch Chapman. Instructional,World. Score and part. 14 pages. Salvadorian Boy Productions #6064505. Published by Salvadorian Boy Productions (A0.1021349). This is the ORIGINAL COMPOSITION of Etude No. 6 for Native American Flute entitled Roger's Little Jig from composer Enoch Chapman. This Etude focuses on the Lower Hand to reinforce the Performers skills.The focus of this etude is to :* Understand the 3/4 Time Signature in a different Tempo Mark* Understand the Quick Tempo of 1 Beat per Measure* Keep building 8th Note skills using a faster pulseThis piece uses Half Notes, Quarter Notes, Eighth Notes and Quarter Rests to help the performer build their breathing and intonation skills.This piece introduces Dotted Half Note Tempo Marks to increase their musical toolkit.
$4.95
4.44 €
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Flute and Piano
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Enoch Chapman
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Etude No. 6 for "G" Flute - Roger's Little Jig
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Salvadorian Boy Productions
#
SheetMusicPlus
Etude No. 6 for "A" Flute - Roger's Little Jig
Flute and Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.1021346 Composed by Enoch Chapman.…
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Flute,Piano - Level 2 - Digital Download SKU: A0.1021346 Composed by Enoch Chapman. Instructional,World. Score and part. 14 pages. Salvadorian Boy Productions #6064493. Published by Salvadorian Boy Productions (A0.1021346). This is the ORIGINAL COMPOSITION of Etude No. 6 for Native American Flute entitled Roger's Little Jig from composer Enoch Chapman. This Etude focuses on the Lower Hand to reinforce the Performers skills.The focus of this etude is to :* Understand the 3/4 Time Signature in a different Tempo Mark* Understand the Quick Tempo of 1 Beat per Measure* Keep building 8th Note skills using a faster pulseThis piece uses Half Notes, Quarter Notes, Eighth Notes and Quarter Rests to help the performer build their breathing and intonation skills.This piece introduces Dotted Half Note Tempo Marks to increase their musical toolkit.
$4.95
4.44 €
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Flute and Piano
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Enoch Chapman
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Etude No. 6 for "A" Flute - Roger's Little Jig
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Salvadorian Boy Productions
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SheetMusicPlus
I Seek Your Face
TTBB chorus a cappella - Grade 3 - Digital Download SKU: IZ.VMW143 Composed by L. R…
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TTBB chorus a cappella - Grade 3 - Digital Download SKU: IZ.VMW143 Composed by L. Ray Strobel. Score. 7 pages. Imagine Music - Digital #VMW143. Published by Imagine Music - Digital (IZ.VMW143). 6.75 x 10.5 in inches.I Seek Your Face is an intimate struggle to understand and accept the divine. The harmonies created within the work reflect that struggle.Special attention to intonation is important in bringing out the effect of subtle harmonic shifts. Make the most of the phrasing, particularly by breathing together and cutting off together. Continually work to keep the energy flowing throughout the piece, although the piece should never feel rushed. The final chords, though not fully consonant, should feel resolved in their imperfection; just as we try to accept our imperfections in our continuing journey.
$2.05
1.84 €
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L
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I Seek Your Face
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Imagine Music - Digital
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SheetMusicPlus
Peter Gunn
Clarinet Quartet: 4 clarinets
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.587621…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.587621 Composed by Henry Mancini. Arranged by David McKeown. Contemporary,Film/TV,Jazz,Rock. 13 pages. David McKeown #4592269. Published by David McKeown (A0.587621). Peter Gunn was written by Henry Mancini as the theme tune to the TV series of the same name in 1959. It was an instant hit and quickly gained a life of its own, winning Emmys and Grammys along the way. It has since been rerecorded by numerous artists as diverse as Jimi Hendrix and Aretha Franklin.This version is a straightforward Clarinet Quartet arrangement scored for three Bb Clarinets and one Bass Clarinet. There are alternative parts for Alto Clarinet and a fourth Bb Clarinet in case a Bass Clarinet is not available. It suits players at an easy to intermediate standard and is guaranteed to be popular with young and old. Part 3 in particular is written for beginners, while the Bass Clarinet player will require stamina and good breathing technique to keep the rhythmic momentum throughout.The full score and all individual parts are combined in one PDF file. The overall performance time is a little over two minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown-sheet-music/3006203?isPLP=1
$14.99
13.43 €
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Clarinet Quartet: 4 clarinets
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Henry Mancini
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Peter Gunn
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David McKeown
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SheetMusicPlus
Peter Gunn
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Tenor Saxophone - Level 2 - Digital Down…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.587619 Composed by Henry Mancini. Arranged by David McKeown. Contemporary,Film/TV,Jazz,Rock. 10 pages. David McKeown #4580285. Published by David McKeown (A0.587619). Peter Gunn was written by Henry Mancini as the theme tune to the TV series of the same name in 1959. It was an instant hit and quickly gained a life of its own, winning Emmys and Grammys along the way. It has since been rerecorded by numerous artists as diverse as Jimi Hendrix and Aretha Franklin.This version is a straightforward Saxophone Quartet arrangement scored for three Alto Saxophones and one Tenor. It suits players at an easy to intermediate standard and is guaranteed to be popular with young and old. Alto part 3 in particular is written for beginners, while the Tenor player will require stamina and good breathing technique to keep the rhythmic momentum throughout.The full score and all individual parts are combined in one PDF file. The overall performance time is a little over two minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown-sheet-music/3006203?isPLP=1
$14.99
13.43 €
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Saxophone Quartet: 4 saxophones
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Henry Mancini
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Peter Gunn
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David McKeown
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SheetMusicPlus
Seres Imaginários 7 (for Violoncello Solo)
Cello
Cello Solo - Level 4 - Digital Download SKU: A0.934368 Composed by Luis Cardoso. Co…
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Cello Solo - Level 4 - Digital Download SKU: A0.934368 Composed by Luis Cardoso. Contemporary. Individual part. 14 pages. Luis Cardoso #6167325. Published by Luis Cardoso (A0.934368). Seres Imaginários 7 (Imaginary Baings 7) follows the cycle of compositions about fantastic creatures started in 2012. Each movement is an imaginary being: Insonho is a witch of nightmares, that covers the mouth of the sleeper, but as it has a pierced hand, not stifles breathing. Uses a hoody and who manages to steal him can ask for money in exchange for his return; Alicanto is a bird with bright eyes and wings, whose flight does not project shadows. It feeds on precious minerals and help the miders to find them, since he did not see them. If he sees them, leads them to a cliff; Peeira is a keeper fairy wolves, that communicates and controls the packs.The composition, like previous compositions of the same cycle, integrates modal languages, modulating them freely and intersecting them with alternative sounds.
$20.00
17.92 €
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Cello
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Luis Cardoso
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Seres Imaginários 7
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Luis Cardoso
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SheetMusicPlus
Horn Sonata No. 3 (Complete)
French horn
French Horn Solo - Level 5 - Digital Download SKU: A0.767350 Composed by Mike Lyons…
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French Horn Solo - Level 5 - Digital Download SKU: A0.767350 Composed by Mike Lyons. Concert,Contemporary. Individual part. 7 pages. Lyons Music Services #3520235. Published by Lyons Music Services (A0.767350). This is my third new sonata for unaccompanied French horn. it has three movements as follows: Movement 1: Dance It begins with a crotchet theme which forms the basis of the rest of the movement. The opening should be stately and measured, but not slow. The echoes should be as quiet as possible for each statement of the opening motif. I have made a lot of use of rhythmic features in this movement. After the Maestoso, the 12/8 section is in the nature of a jig, with lots of repeated pitches and very rhythmical There's much use of syncopation. After I have played around with these ideas (intervals based on the opening) there is a more legato tune, also based on the opening music, but in a grander style and marked nobilmente. This is almost a processional, and leads to a reprise of the jig motifs in a new mode and with modifications to the rhythm. The second movement of this sonata is a set of 3 variations on an original tune. The melody is quite hymn-like and needs to be played as such. Very legato, with very slight tongue. Variation 1 is an 8th note variation, with a slight increase in tempo to help it to flow. The player will need to pay close attention to the written phrasing so as not to lose the theme. This variation is p throughout. Variation 2 is a triplet/sextuplet variation, again with a slight increase in tempo. This variation has turns, which I have written out in ossias above to be clear how I would like it to be played. Variation 3 is a semiquaver and glissando variation, requiring good tongue technique and clear phrasing. Breathing should be easy as I have made provision for breaths to mark the ends of phrases. Please don't change these! Finally, there is a restatement of the original theme with slight adaptations to bring the movement to a quiet finish. The third and final movement of the sonata is a rondo. The opening music keeps returning throughout the length of the movement. It comprises a stuttering rhythmic phrase with alternating upwards and downwards scales which gradually build up throughout the opening of the movement. Each time the ritornello idea returns it has been altered in some way. Between the ritornelli are slightly less frenetic sections of cantabile melodic ideas which hark back to both the first and second movements as well as referencing the scalic ideas from the third movement. Although the music is fast, it should be playable without resorting to triple tonguing.
$18.00
16.13 €
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French horn
#
Mike Lyons
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Horn Sonata No. 3
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Lyons Music Services
#
SheetMusicPlus
Sonata No. 3 for Horn and Piano
French Horn and Piano
French Horn,Piano - Level 5 - Digital Download SKU: A0.767581 Composed by Mike Lyon…
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French Horn,Piano - Level 5 - Digital Download SKU: A0.767581 Composed by Mike Lyons. 20th Century,Concert,Contemporary,Standards. Score and part. 38 pages. Lyons Music Services #6457097. Published by Lyons Music Services (A0.767581). This is my third new sonata for French horn. it has three movements as follows: Movement 1: Dance It begins with a crotchet theme which forms the basis of the rest of the movement. The opening should be stately and measured, but not slow. The echoes should be as quiet as possible for each statement of the opening motif. I have made a lot of use of rhythmic features in this movement. After the Maestoso, the 12/8 section is in the nature of a jig, with lots of repeated pitches and very rhythmical There's much use of syncopation. After I have played around with these ideas (intervals based on the opening) there is a more legato tune, also based on the opening music, but in a grander style and marked nobilmente. This is almost a processional, and leads to a reprise of the jig motifs in a new mode and with modifications to the rhythm. The second movement of this sonata is a set of 3 variations on an original tune. The melody is quite hymn-like and needs to be played as such. Very legato, with very slight tongue. Variation 1 is an 8th note variation, with a slight increase in tempo to help it to flow. The player will need to pay close attention to the written phrasing so as not to lose the theme. This variation is p throughout. Variation 2 is a triplet/sextuplet variation, again with a slight increase in tempo. This variation has turns, which I have written out in ossias above to be clear how I would like it to be played. Variation 3 is a semiquaver and glissando variation, requiring good tongue technique and clear phrasing. Breathing should be easy as I have made provision for breaths to mark the ends of phrases. Please don't change these! Finally, there is a restatement of the original theme with slight adaptations to bring the movement to a quiet finish. The third and final movement of the sonata is a rondo. The opening music keeps returning throughout the length of the movement. It comprises a stuttering rhythmic phrase with alternating upwards and downwards scales which gradually build up throughout the opening of the movement. Each time the ritornello idea returns it has been altered in some way. Between the ritornelli are slightly less frenetic sections of cantabile melodic ideas which hark back to both the first and second movements as well as referencing the scalic ideas from the third movement. Although the music is fast, it should be playable without resorting to triple tonguing.
$25.00
22.41 €
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French Horn and Piano
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Mike Lyons
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Sonata No. 3 for Horn and Piano
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Lyons Music Services
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SheetMusicPlus
The Other Side
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.845582 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.845582 Composed by Benj Pasek and Justin Paul. Arranged by Robert Newth. Broadway,Film/TV,Musical/Show,Pop. 19 pages. Robert Newth #3513415. Published by Robert Newth (A0.845582). This song from the fantastic film The Greatest Showman is the perfect piece for woodwind quintet. It features flourishes, keeps the audience toe-tapping, and works very well for the instruments. This arrangement is fairly complex and would suit an experienced quintet, perhaps as the closing piece of a concert. It features some foot stamping, loud breathing, and hitting of shot glasses... although all of this is of course optional!The PDF download includes a full score and parts for all five instruments: Flute, Oboe, Clarinet in Bb, Horn in F, and Bassoon.https://www.youtube.com/watch?v=BiFkaCmEhQA
$12.99
11.64 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Benj Pasek and Justin Paul
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The Other Side
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Robert Newth
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SheetMusicPlus
Sonatina for Flute and Piano
Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1499262 Composed by James …
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Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1499262 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. Score and part. 43 pages. James A. Yeager #1075315. Published by James A. Yeager (A0.1499262). Foreword:Each movement revisits classic paradigms— (I & II) ternary song form,(III) theme & variations. The third movement treats the two themes as children at play with games such as tag and hide-and-seek as variations. Both themes become partner songs leading to fugue, which is, after all, the ultimate musical game.Performance Notes:I Moderato, slurs in the flute suggest phrasing but are optional in terms of breathing. The B section at letter C has a canon between flute and piano (left-hand) which suggests imitation in articulations and dynamics. The climax just before letter D can be stretched slightly more than poco rit. implies. II Slowly gently, must not be played slower than indicated. The middle section at letter B begins with a subito forte. At 3 measures before letter C the fermatas allow a certain freedom. When the flute releases the piano can continue the left-hand chord. The piano should use una corda in the bridge at letter C. Elsewhere, the piano may also employ una corda in quiet places ad libitum. At final note the flute can fade to nothing if breath runs out and just remain in pose as the final note of the piano is allowed to vanish.III Majestic with vigour, two given themes from ca. 1934 are Old Abram Brown by Benjamin Britten and Kookabura Sits on the Old Gum Tree by Marion Sinclair and both are rounds for children. The flute boldly declares theme one at the outset. The piano arpeggiations begin sonorously and quiet before letter A. In Variation 1 the piano must begin softer than the low register flute. The piano left-hand upper notes [A, then G, then D-A fifth) may require use of the sostenuto pedal. Variation 2 is a caccia or chase. Variation 3 is a barcarolle where theme 1 is hiding in the flute part. Variation 4 introduces the second theme (flute) in partnership with theme 1 (piano). Four measures before letter I the piano makes an ogre of theme 2 and should be humorously ponderous. The fugue subject might be the teacher who brings everyone into the final partner song of themes. The piece finishes as it began except for a wistful ending.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). While in Colorado he composed two film scores for student filmmakers as well as choral and organ compositions. He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. He led choirs of all ages from children through the elderly. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano(2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
$30.00
26.89 €
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James Albert Yeager
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Sonatina for Flute and Piano
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James A. Yeager
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SheetMusicPlus
Moonlight Sonata 1st Movement (Brass Band)
Large Ensemble B-Flat Tuba,B-Flat trombone,Baritone Horn TC,Bass Trombone,E-Flat Cornet,E-…
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Large Ensemble B-Flat Tuba,B-Flat trombone,Baritone Horn TC,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Euphonium,Flugelhorn,Timpani - Level 5 - Digital Download SKU: A0.818009 Composed by Ludwig van Beethoven. Arranged by Matt Lax. Romantic Period. Score and parts. 35 pages. Matthew Lax #3031799. Published by Matthew Lax (A0.818009). Beethoven's Moonlight Sonata is one of his most famous piano works. The title Moonlight was given after Beethoven's death when the piece was likened to the moonlight reflecting on lake Lucerne.Here arranged for full Brass band, this piece will test any band's ability to play long slow melodies and keeping triplets smooth and relaxed. Many parts are doubled up to enable stagger breathing in the almost relentless flowing passages. The famous piano spread arpeggios are spread across the band in a smooth bell-like style. A challenge for any band to get together, this work is aimed at more advanced bands.Duration: 5 minsCheck out my other arrangements on Sheet Music Plus here: http://www.sheetmusicplus.com/publishers/matthew-lax/5267.If you like my arrangement please let me know by submitting a review (link above).Thank you.
$25.00
22.41 €
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Ludwig van Beethoven
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Moonlight Sonata 1st Movement
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Matthew Lax
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SheetMusicPlus
Autumn on the River
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1303026 Composed by Marcia L. McKen…
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Piano Solo - Level 3 - Digital Download SKU: A0.1303026 Composed by Marcia L. McKenna. 21st Century,Contemporary. Score. 2 pages. Marcia L. McKenna #892599. Published by Marcia L. McKenna (A0.1303026). This solo piano piece provides a scenic description of autumn on a river, specifically River Philip in Rockley, Nova Scotia. Bars 3 and 4 introduce the feeling of breathing cool, crisp fall air, after which the music settles into a more mellow feeling by bar 9. At bar 13 the river continues to roll along, depicted by the eighth notes in the bass clef, while the pleasant fall atmosphere is remembered with the high treble clef notes.The composer has provided a few tempo and expression markings as a guide, however the piece is meant to be played expressively with the moving flow of the music dictating the expressive nuances interpreted by the performer. A You Tube link is included on this page to provide further imagery for the performer.This piece is deemed to be at an intermediate level due to the difficulty switching between the treble and bass clefs with the left hand, while still keeping the tempo flowing smoothly.
$4.99
4.47 €
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Piano solo
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Marcia L
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Autumn on the River
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Marcia L. McKenna
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SheetMusicPlus
We The Kings: Just Keep Breathing - voice, piano or guitar
Piano, Vocal and Guitar
Instantly printable sheet music by We The Kings for voice, piano or guitar of MEDIUM skill…
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Instantly printable sheet music by We The Kings for voice, piano or guitar of MEDIUM skill level. / pop,rock
$5.97
5.35 €
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Piano, Vocal and Guitar
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We The Kings
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Virtualsheetmusic
Ingrid Michaelson: Keep Breathing for voice, piano and guitar
Piano, Vocal and Guitar
Instantly printable sheet music by Ingrid Michaelson for voice, piano or guitar of MEDIUM …
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Instantly printable sheet music by Ingrid Michaelson for voice, piano or guitar of MEDIUM skill level. / alternative,pop,rock
$6.97
6.25 €
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Piano, Vocal and Guitar
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Ingrid Michaelson
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Virtualsheetmusic
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