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Piano, Voice
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La Llorona (Coco)
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1184448 Composed by Mexican …
(+)
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1184448 Composed by Mexican Folk Song. Arranged by Christina Magallanes Jones. Folk,Historic,Latin,Multicultural,Traditional,World. Score. 5 pages. Christina Magallanes-Jones #784177. Published by Christina Magallanes-Jones (A0.1184448). La Llorona (The weeping woman) is a Mexican folk song derived from the legend of La Llorona. It is also featured in the 2017 Disney animated film, Coco.La Llorona es una cancion popular mexicana derivada de la leyenda de La Llorona. Tambien aparece en la pelicula animada de Disney de 2017, Coco.
$4.99
4.67 €
#
Piano, Voice
#
Mexican Folk Song
#
La Llorona
#
Christina Magallanes-Jones
#
SheetMusicPlus
The Song of Shadows - An Original Song Setting of Walter de la Mare's Poetry for VOICE and PIANO: Ke
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.784928 Composed by Dennis Mc…
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.784928 Composed by Dennis McCorkle, Adele Paxton. Children,Concert,Contemporary,New Age. Score. 9 pages. DF McCorkle Music and eBook Publications #6189873. Published by DF McCorkle Music and eBook Publications (A0.784928). Key: F, Range F3 to C5 The songs from The Walter de la Mare Songbook resulted from an invitation to perform at the first ever conference, Reading Walter de la Mare at Cambridge University, England, 2018. Composing 10 original songs, Adèle Paxton (Classical Soprano) and Dennis McCorkle (Jazz Guitarist) teamed up as the duo Mackie and Me to present their unique sound and song settings of the English poet. Audience comments: Brilliant and creative music…, The depth of the poetry came right through…, Blown away by the setting and musicality…, Echoes of Lorenz Hart and Stephen Sondheim in the brilliant renderings… All poetry of Walter de la Mare has been licensed worldwide by The Literary Trustees of Walter de la Mare and the Society of Authors as their Representatives. Additional titles available: Lucy’s Shoe (or ‘The Lost Shoe’), A Song of Enchantment, The Window, Grill Me Some Bones (or ‘At the Keyhole’), The Song of Shadows, Dust to Dust, Slim Sophia (or ‘Reverie’), Silver, The Bees’ Song, The Listeners The Walter de la Mare Songbook Audio tracks and Ready-to-Sing performance ready backing tracks are available form SheetMusicPlus (see individual titles), Amazon Music, and Apple Music Contact Information: DennisMcCorkle.com
$7.95
7.44 €
#
Piano, Voice
#
Dennis McCorkle, Adele Paxton
#
The Song of Shadows - An Original Song Setting of Walter de la Mare's Poetry for VOICE and PIANO: Ke
#
DF McCorkle Music and eBook Publications
#
SheetMusicPlus
Slim Sophia (or "Reverie’) - An Original Song Setting of Walter de la Mare's Poetry for VOICE and
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.784933 Composed by Dennis Mc…
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.784933 Composed by Dennis McCorkle, Adele Paxton. Children,Concert,Contemporary,Traditional. Score. 14 pages. DF McCorkle Music and eBook Publications #6189973. Published by DF McCorkle Music and eBook Publications (A0.784933). Key: Db, Range G3 to Ab4 The songs from The Walter de la Mare Songbook resulted from an invitation to perform at the first ever conference, Reading Walter de la Mare at Cambridge University, England, 2018. Composing 10 original songs, Adèle Paxton (Classical Soprano) and Dennis McCorkle (Jazz Guitarist) teamed up as the duo Mackie and Me to present their unique sound and song settings of the English poet. Audience comments: Brilliant and creative music…, The depth of the poetry came right through…, Blown away by the setting and musicality…, Echoes of Lorenz Hart and Stephen Sondheim in the brilliant renderings… All poetry of Walter de la Mare has been licensed worldwide by The Literary Trustees of Walter de la Mare and the Society of Authors as their Representatives. Additional titles available: Lucy’s Shoe (or ‘The Lost Shoe’), A Song of Enchantment, The Window, Grill Me Some Bones (or ‘At the Keyhole’), The Song of Shadows, Dust to Dust, Slim Sophia (or ‘Reverie’), Silver, The Bees’ Song, The Listeners The Walter de la Mare Songbook Audio tracks and Ready-to-Sing performance ready backing tracks are available form SheetMusicPlus (see individual titles), Amazon Music, and Apple Music Contact Information: DennisMcCorkle.com
$7.95
7.44 €
#
Piano, Voice
#
Dennis McCorkle, Adele Paxton
#
Slim Sophia
#
DF McCorkle Music and eBook Publications
#
SheetMusicPlus
Dust to Dust - An Original Song Setting of Walter de la Mare's Poetry for VOICE and PIANO: Key B
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.784929 Composed by Dennis Mc…
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.784929 Composed by Dennis McCorkle, Adele Paxton. Concert,Contemporary,New Age,Spiritual. Score. 9 pages. DF McCorkle Music and eBook Publications #6189923. Published by DF McCorkle Music and eBook Publications (A0.784929). Key: B/D#m, Range F#3 to A#4 The songs from The Walter de la Mare Songbook resulted from an invitation to perform at the first ever conference, Reading Walter de la Mare at Cambridge University, England, 2018. Composing 10 original songs, Adèle Paxton (Classical Soprano) and Dennis McCorkle (Jazz Guitarist) teamed up as the duo Mackie and Me to present their unique sound and song settings of the English poet. Audience comments: Brilliant and creative music…, The depth of the poetry came right through…, Blown away by the setting and musicality…, Echoes of Lorenz Hart and Stephen Sondheim in the brilliant renderings… All poetry of Walter de la Mare has been licensed worldwide by The Literary Trustees of Walter de la Mare and the Society of Authors as their Representatives. Additional titles available: Lucy’s Shoe (or ‘The Lost Shoe’), A Song of Enchantment, The Window, Grill Me Some Bones (or ‘At the Keyhole’), The Song of Shadows, Dust to Dust, Slim Sophia (or ‘Reverie’), Silver, The Bees’ Song, The Listeners The Walter de la Mare Songbook Audio tracks and Ready-to-Sing performance ready backing tracks are available form SheetMusicPlus (see individual titles), Amazon Music, and Apple Music Contact Information: DennisMcCorkle.com
$7.95
7.44 €
#
Piano, Voice
#
Dennis McCorkle, Adele Paxton
#
Dust to Dust - An Original Song Setting of Walter de la Mare's Poetry for VOICE and PIANO: Key B
#
DF McCorkle Music and eBook Publications
#
SheetMusicPlus
De La Chica: Arias florentinas, Op. 15
Piano, Voice
Piano,Vocal,Voice - Digital Download SKU: A0.1176320 Composed by Julián De La Chic…
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Piano,Vocal,Voice - Digital Download SKU: A0.1176320 Composed by Julián De La Chica. Classical,Contemporary,Opera. Score. 25 pages. Vagabundo Music Publishing #776442. Published by Vagabundo Music Publishing (A0.1176320). MUSIC NOTES:The Arias began with a month De La Chica spent in Italy in the summer of 2021. There, walking the streets, he saw a poster announcing a vocal recital in what he describes as “a very old chapel,” and which was the first public concert he saw since the beginning of the pandemic. “Maybe it was the ambience of the chapel, the city, and the Italian arias that gave me inspiration for the cycle,” he says. And the Poemas de bar became a model for the new music. “Because the Poemas were conversations in a bar, ”De La Chica explains, “I decided to capture everyday conversations in Florence. I ‘stole’ some stories—for example, when I was on line to buy tickets for the Campanile, or in a coffee shop,” he would note bits of conversations he overheard. He tells one story about this: “I still remember around 2 a.m., there was one guy sitting on a bridge over the Arno. I think he was drunk.” De La Chica heard him saying to passersby, “look at the light of the river.” The composer thought the man was trying to jump, an experiencehe describes as “a little scary.” — George Grella.
$55.00
51.5 €
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Piano, Voice
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Julián De La Chica
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De La Chica: Arias florentinas, Op. 15
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Vagabundo Music Publishing
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SheetMusicPlus
Belle luci, che accendete from La disfatta di Dario - Modern Clef Performing Edition (Soprano/Piano)
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173633 Composed by Pasquale…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173633 Composed by Pasquale Cafaro. Arranged by Nicole Elyse DiPaolo. Classical,Early Music,Opera. Score. 7 pages. Nicole Elyse DiPaolo #773780. Published by Nicole Elyse DiPaolo (A0.1173633). Accessible Accompaniments is proud to present the first-ever modern-clef performing edition of Pasquale Cafaro’s once enormously popular aria, “Belle luci, che accendete,” from La disfatta di Dario (1756). As noted in Giorgio Sanguinetti’s The Art of Partimento and other sources, this aria was considered the ideal Galant-era (early Classical) example of aria writing in its day, and its theme was even painted onto pottery to be sold to tourists in Naples.While the aria was written for a castrato role, Alessandro, it is ideal for today’s young lyric coloratura sopranos who want to prepare for Mozart roles but wish to wait until they’ve found their mature vocal technique before tackling those roles. Additionally, because this La disfatta di Dario setting is a rarity and singers are unlikely to be hired for this role, it could be sung in transposition by young mezzos and other fachs without causing logistical issues like the need to produce orchestral parts in new keys.Other aspects of this aria that make it a welcome addition to the voice teacher’s library are its widespread orchestral doubling of the vocal line (something that will help students who are still working on intonation and support), its relatively short, Italian-language text for easy memorization and diction acquisition, and its straightforward textual content—it’s a love song. In audition situations, this aria will be enjoyable for panels to hear, and because they will be very unlikely to know the aria, they won’t be able to critique it as closely as they would critique an aria they know well. It should also be sight-readable by an audition pianist of middling skill, another important consideration in choosing audition repertoire.This new edition was engraved using Bernardo Mengozzi’s piano-vocal reduction from 1804, which preserves the soprano clef voice part and is not widely usable today, and I made some corrections to missing accidentals and articulations by cross-checking with the manuscript full score. Both are available at imslp.org. I also write out the appoggiatura executions and one potentially confusing polyrhythm on ossia staves to assist young singers/collaborative pianists who haven’t done much of this repertoire.Range: Eb4-Bb5 without ornamentationTessitura: around Bb4-F5/G5 Text:Belle luci, che accendeteIn quest' alma un dolce foco,Siete voi, e voi sareteLa mia calma, e il mio piacer.Sì, la calma, e il piacer mioTutto, e sempre in voi s'aggira,Per voi solo il cor respira,Nè più brama il mio pensier.About the Arranger behind Accessible Accompaniments Editions:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.38 €
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Piano, Voice
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Pasquale Cafaro
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Belle luci, che accendete from La disfatta di Dario - Modern Clef Performing Edition
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Nicole Elyse DiPaolo
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SheetMusicPlus
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-21E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-21E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.81 €
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Piano, Voice
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 1, No. 5: La chanson du printemps from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-29E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-29E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-29E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-29E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.81 €
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Piano, Voice
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 1, No. 5: La chanson du printemps from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 18: La vie est une fleur from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-18E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-18E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-18E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-18E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.81 €
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Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 18: La vie est une fleur from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 1, No. 12: La nuit après l’orage from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-36E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-36E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-36E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-36E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.81 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 12: La nuit après l’orage from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 1, No. 10: À la gloire, au bonheur! from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-34E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-34E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer Music Company - Digital #8492-34E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-34E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.81 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 10: À la gloire, au bonheur! from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 9: Si la pitié trouve en vous from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-09E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-09E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-09E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-09E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.81 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 9: Si la pitié trouve en vous from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 1, No. 11: Comme la fleur discrète from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-35E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-35E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-35E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-35E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.81 €
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Piano, Voice
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 1, No. 11: Comme la fleur discrète from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 1, No. 6: Le Château dans la forêt from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-30E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-30E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-30E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-30E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.81 €
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Piano, Voice
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 1, No. 6: Le Château dans la forêt from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
La donna è mobile in D-flat major for Contralto and Piano
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1236440 Composed by Giuseppe…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1236440 Composed by Giuseppe Verdi. Arranged by Langanho. 19th Century,Classical,Romantic Period. Score. 2 pages. Avery Lynn Jordan #831955. Published by Avery Lynn Jordan (A0.1236440). We present to you the sheet music of a special arrangement of the famous aria La donna è mobile by Verdi, carefully reduced for contralto and piano in the key of Db major. With simplified piano accompaniment, this sheet music is ideal for both teachers who wish to use it as educational material in their classes and students looking to enhance their repertoire. La donna è mobile is one of the most well-known arias from Verdi's opera Rigoletto, composed by the renowned Giuseppe Verdi. This sheet music offers the opportunity to explore this masterpiece of romantic music in an accessible way, allowing both beginner and experienced singers to appreciate and interpret this beautiful composition. Take advantage of this opportunity to acquire the best product in the market, which provides high-quality sheet music. Don't miss the chance to enrich your repertoire and improve your musical skills. Purchase this sheet music of La donna è mobile now and enjoy a unique musical experience!
$2.99
2.8 €
#
Piano, Voice
#
Giuseppe Verdi
#
La donna è mobile in D-flat major for Contralto and Piano
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Avery Lynn Jordan
#
SheetMusicPlus
La donna è mobile in A-flat major for Baritone and Piano
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1236622 Composed by Giuseppe…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1236622 Composed by Giuseppe Verdi. Arranged by Langanho. 19th Century,Classical,Romantic Period. Score. 2 pages. Avery Lynn Jordan #832142. Published by Avery Lynn Jordan (A0.1236622). We present to you the sheet music of a special arrangement of the famous aria La donna è mobile by Verdi, carefully reduced for baritone and piano with chords in the key of Ab major. With simplified piano accompaniment, this sheet music is ideal for both teachers who wish to use it as educational material in their classes and students looking to enhance their repertoire. La donna è mobile is one of the most well-known arias from Verdi's opera Rigoletto, composed by the renowned Giuseppe Verdi. This sheet music offers the opportunity to explore this masterpiece of romantic music in an accessible way, allowing both beginner and experienced singers to appreciate and interpret this beautiful composition. Take advantage of this opportunity to acquire the best product in the market, which provides high-quality sheet music. Don't miss the chance to enrich your repertoire and improve your musical skills. Purchase this sheet music of La donna è mobile now and enjoy a unique musical experience!
$2.99
2.8 €
#
Piano, Voice
#
Giuseppe Verdi
#
La donna è mobile in A-flat major for Baritone and Piano
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Avery Lynn Jordan
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SheetMusicPlus
And He'd Say "Oo-La-La-Wee-Wee"
Piano, Voice
Piano and voice - Digital Download SKU: LV.22703 Composed by Harry Ruby & George Je…
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Piano and voice - Digital Download SKU: LV.22703 Composed by Harry Ruby & George Jessell. World War I, Couples, Soldiers, Courtship, Love, France, Caricatures, Ethnic stereotypes. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.22703). And He'd Say Oo-La-La-Wee-Wee. By Harry Ruby and George Jessell. Published 1919 by Waterson, Berlin & Snyder Co., Strand Theatre B'ldg. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include World War I, Couples, Soldiers, Courtship, Love, France, Caricatures, Ethnic stereotypes. First line reads Willie Earl met a sweet young girl one day in France.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.61 €
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Piano, Voice
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Harry Ruby and George Jessell
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Harry Ruby & George Jessell
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And He'd Say "Oo-La-La-Wee-Wee"
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
La donna è mobile in A major for Contralto and Piano
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1236431 Composed by Giuseppe…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1236431 Composed by Giuseppe Verdi. Arranged by Langanho. 19th Century,Classical,Romantic Period. Score. 2 pages. Avery Lynn Jordan #831946. Published by Avery Lynn Jordan (A0.1236431). We present to you the sheet music of a special arrangement of the famous aria La donna è mobile by Verdi, carefully reduced for contralto and piano with chords in the key of A major. With simplified piano accompaniment, this sheet music is ideal for both teachers who wish to use it as educational material in their classes and students looking to enhance their repertoire. La donna è mobile is one of the most well-known arias from Verdi's opera Rigoletto, composed by the renowned Giuseppe Verdi. This sheet music offers the opportunity to explore this masterpiece of romantic music in an accessible way, allowing both beginner and experienced singers to appreciate and interpret this beautiful composition. Take advantage of this opportunity to acquire the best product in the market, which provides high-quality sheet music. Don't miss the chance to enrich your repertoire and improve your musical skills. Purchase this sheet music of La donna è mobile now and enjoy a unique musical experience!
$2.99
2.8 €
#
Piano, Voice
#
Giuseppe Verdi
#
La donna è mobile in A major for Contralto and Piano
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Avery Lynn Jordan
#
SheetMusicPlus
You'll Have to Put Him to Sleep With the Marseillaise (And Wake Him Up With a Oo-La-La)
Piano, Voice
Piano and voice - Digital Download SKU: LV.24016 Composed by Harry Von Tilzer. Coup…
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Piano and voice - Digital Download SKU: LV.24016 Composed by Harry Von Tilzer. Couples, Soldiers, Kissing, Courtship, War allies, World War I. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.24016). You'll Have to Put Him to Sleep With the Marseillaise (And Wake Him Up With a Oo-La-La). Words by Andrew Sterling. Music by Harry Von Tilzer, 1918. Published 1918 by Harry Von Tilzer Music Publishing Co., 222 W. 46th St. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Couples, Soldiers, Kissing, Courtship, War allies, World War I. First line reads Girls have you heard the very latest news.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.61 €
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Piano, Voice
#
Harry Von Tilzer
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You'll Have to Put Him to Sleep With the Marseillaise
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
La donna è mobile in D major for Soprano and Piano
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1236097 Composed by Giuseppe…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1236097 Composed by Giuseppe Verdi. Arranged by Langanho. 19th Century,Classical,Romantic Period. Score. 2 pages. Avery Lynn Jordan #831605. Published by Avery Lynn Jordan (A0.1236097). We present to you the sheet music of a special arrangement of the famous aria La donna è mobile by Verdi, carefully reduced for soprano and piano with chords in the key of D major. With simplified piano accompaniment, this sheet music is ideal for both teachers who wish to use it as educational material in their classes and students looking to enhance their repertoire. La donna è mobile is one of the most well-known arias from Verdi's opera Rigoletto, composed by the renowned Giuseppe Verdi. This sheet music offers the opportunity to explore this masterpiece of romantic music in an accessible way, allowing both beginner and experienced singers to appreciate and interpret this beautiful composition. Take advantage of this opportunity to acquire the best product in the market, which provides high-quality sheet music. Don't miss the chance to enrich your repertoire and improve your musical skills. Purchase this sheet music of La donna è mobile now and enjoy a unique musical experience!
$2.99
2.8 €
#
Piano, Voice
#
Giuseppe Verdi
#
La donna è mobile in D major for Soprano and Piano
#
Avery Lynn Jordan
#
SheetMusicPlus
La donna è mobile by Verdi for Bass and Piano
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1236663 Composed by Giuseppe…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1236663 Composed by Giuseppe Verdi. Arranged by Langanho. 19th Century,Classical,Romantic Period. Score. 2 pages. Avery Lynn Jordan #832183. Published by Avery Lynn Jordan (A0.1236663). We present to you the sheet music of a special arrangement of the famous aria La donna è mobile by Verdi, carefully reduced for bass in its clef and piano with chords in the original key. With simplified piano accompaniment, this sheet music is ideal for teachers who wish to use it as educational material in their classes, as well as for students who want to enhance their repertoire. La donna è mobile is one of the most well-known arias from Verdi's opera Rigoletto, composed by the renowned Giuseppe Verdi. This sheet music offers the possibility to explore this masterpiece of romantic music in an accessible way, allowing both beginner and experienced singers to appreciate and interpret this beautiful composition. Take advantage of this opportunity to acquire the best product in the market, which provides high-quality sheet music. Don't miss the chance to enrich your repertoire and improve your musical skills. Purchase this sheet music of La donna è mobile now and enjoy a unique musical experience!
$2.99
2.8 €
#
Piano, Voice
#
Giuseppe Verdi
#
La donna è mobile by Verdi for Bass and Piano
#
Avery Lynn Jordan
#
SheetMusicPlus
La donna è mobile in E-flat major for Baritone and Piano
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1236655 Composed by Giuseppe…
(+)
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1236655 Composed by Giuseppe Verdi. Arranged by Langanho. 19th Century,Classical,Romantic Period. Score. 2 pages. Avery Lynn Jordan #832175. Published by Avery Lynn Jordan (A0.1236655). We present to you the sheet music of a special arrangement of the famous aria La donna è mobile by Verdi, carefully reduced for baritone and piano with chords in the key of Eb major. With simplified piano accompaniment, this sheet music is ideal for both teachers who wish to use it as educational material in their classes and students looking to enhance their repertoire. La donna è mobile is one of the most well-known arias from Verdi's opera Rigoletto, composed by the renowned Giuseppe Verdi. This sheet music offers the opportunity to explore this masterpiece of romantic music in an accessible way, allowing both beginner and experienced singers to appreciate and interpret this beautiful composition. Take advantage of this opportunity to acquire the best product in the market, which provides high-quality sheet music. Don't miss the chance to enrich your repertoire and improve your musical skills. Purchase this sheet music of La donna è mobile now and enjoy a unique musical experience!
$2.99
2.8 €
#
Piano, Voice
#
Giuseppe Verdi
#
La donna è mobile in E-flat major for Baritone and Piano
#
Avery Lynn Jordan
#
SheetMusicPlus
La donna è mobile in G major for Contralto and Piano
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1236449 Composed by Giuseppe…
(+)
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1236449 Composed by Giuseppe Verdi. Arranged by Langanho. 19th Century,Classical,Romantic Period. Score. 2 pages. Avery Lynn Jordan #831964. Published by Avery Lynn Jordan (A0.1236449). We present to you the sheet music of a special arrangement of the famous aria La donna è mobile by Verdi, carefully reduced for contralto and piano in the key of G major. With simplified piano accompaniment, this sheet music is ideal for both teachers who wish to use it as educational material in their classes and students looking to enhance their repertoire. La donna è mobile is one of the most well-known arias from Verdi's opera Rigoletto, composed by the renowned Giuseppe Verdi. This sheet music offers the opportunity to explore this masterpiece of romantic music in an accessible way, allowing both beginner and experienced singers to appreciate and interpret this beautiful composition. Take advantage of this opportunity to acquire the best product in the market, which provides high-quality sheet music. Don't miss the chance to enrich your repertoire and improve your musical skills. Purchase this sheet music of La donna è mobile now and enjoy a unique musical experience!
$1.99
1.86 €
#
Piano, Voice
#
Giuseppe Verdi
#
La donna è mobile in G major for Contralto and Piano
#
Avery Lynn Jordan
#
SheetMusicPlus
La donna è mobile in E major for Tenor and Piano
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1236470 Composed by Giuseppe…
(+)
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1236470 Composed by Giuseppe Verdi. Arranged by Langanho. 19th Century,Classical,Romantic Period. Score. 2 pages. Avery Lynn Jordan #831989. Published by Avery Lynn Jordan (A0.1236470). We present to you the sheet music of a special arrangement of the famous aria La donna è mobile by Verdi, carefully reduced for tenor and piano with chords in the key of E major. With simplified piano accompaniment, this sheet music is ideal for both teachers who wish to use it as educational material in their classes and students looking to enhance their repertoire. La donna è mobile is one of the most well-known arias from Verdi's opera Rigoletto, composed by the renowned Giuseppe Verdi. This sheet music offers the opportunity to explore this masterpiece of romantic music in an accessible way, allowing both beginner and experienced singers to appreciate and interpret this beautiful composition. Take advantage of this opportunity to acquire the best product in the market, which provides high-quality sheet music. Don't miss the chance to enrich your repertoire and improve your musical skills. Purchase this sheet music of La donna è mobile now and enjoy a unique musical experience!
$2.99
2.8 €
#
Piano, Voice
#
Giuseppe Verdi
#
La donna è mobile in E major for Tenor and Piano
#
Avery Lynn Jordan
#
SheetMusicPlus
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