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You've selected:
Mon Histoire
Sheetmusic to print
22 sheet music found
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1
On My Own (Mon histoire) from Les Mis rables - Piano/Vocal/Guitar
Piano, Vocal and Guitar
Claude-Michel Sch nberg - On My Own (Mon histoire) - (from Les Mis rables) Digital Sheetmu…
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Claude-Michel Sch nberg - On My Own (Mon histoire) - (from Les Mis rables) Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 5 pages -- Show/Broadway~~Musical~~Soundtrack~~Movie/TV
$5.50
5.09 €
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Piano, Vocal and Guitar
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Piano/Vocal/Guitar
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Musicnotes
Histoire d'Amour
Choral Choir - Digital Download SKU: A0.1251907 By Scholler. By Scholler. Arranged …
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Choral Choir - Digital Download SKU: A0.1251907 By Scholler. By Scholler. Arranged by Scholler. Broadway,Classical,Comedy,Contemporary,Musical/Show. Octavo. 10 pages. Scholler #846126. Published by Scholler (A0.1251907). Are you ready to be swept away by a delightful harmony that will leave you breathless? Step into the world of Harmonic Rush, a lively choir song specially crafted for 3 voices and piano. This captivating composition pays homage to the legendary Comedian Harmonists, channeling their charismatic energy and enchanting melodies that charmed audiences worldwide.With its infectious rhythm and catchy melodies, this fast-paced choral piece promises to keep your audience on the edge of their seats. From the first note, the piano's lively accompaniment sets the stage for the voices to weave together, forming an irresistible tapestry of musical brilliance.Embrace the transformative power of musicSchollermusic
$2.99
2.76 €
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Scholler
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Histoire d'Amour
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Scholler
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SheetMusicPlus
La Belle Histoire D'amour
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.739333 By Edith Piaf. By Cha…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.739333 By Edith Piaf. By Charles Dumont. Arranged by Alex Talanov. French,Pop. Score and parts. 15 pages. Alex Talanov #3868595. Published by Alex Talanov (A0.739333). This wonderful song is now available for string quartet. May be performed with or without the piano. .
$12.99
12.01 €
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Chamber Orchestra
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Edith Piaf
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La Belle Histoire D'amour
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Alex Talanov
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SheetMusicPlus
L'Histoire du Temps
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.1017921 Composed by Frank Pels. Con…
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Piano Solo - Level 2 - Digital Download SKU: A0.1017921 Composed by Frank Pels. Contemporary,New Age. Score. 2 pages. The Pels Syndicate Publishing #6321635. Published by The Pels Syndicate Publishing (A0.1017921). Piano Miniatures Piano Solo are originally written for students that look for short (2 to 3 minutes) contemporary cinematic piano music with strong melodies, clear structures, intro's and endings, and beautiful harmonic progressions. Recorded and released on any streaming platform in Piano Solo versions, and versions with sounddesign and strings.www.frankpels.comhttps://songwhip.com/frankpels/l-histoire-du-temps-piano-solohttps://www.facebook.com/frankpelsakathepelssyndicate
$1.99
1.84 €
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Piano solo
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Frank Pels
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L'Histoire du Temps
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The Pels Syndicate Publishing
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SheetMusicPlus
Sept Rondeaux
Female choir (SSSAAA) - difficult - Digital Download SKU: S9.Q8721 1. La vraie h…
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Female choir (SSSAAA) - difficult - Digital Download SKU: S9.Q8721 1. La vraie histoire de douleur Dedens mon Livre de Pensee. Composed by Wilhelm Killmayer. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Duration 2 minutes. Schott Music - Digital #Q8721. Published by Schott Music - Digital (S9.Q8721). French.
$2.99
2.76 €
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Wilhelm Killmayer
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Sept Rondeaux
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Schott Music - Digital
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SheetMusicPlus
Mowgli et la Meute des Loups, pour quintette de cuivres et narrateur
Brass ensemble
Brass Ensemble - Digital Download SKU: A0.999624 Composed by Marc Goris. 20th Centu…
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Brass Ensemble - Digital Download SKU: A0.999624 Composed by Marc Goris. 20th Century,Children,Contemporary. Score and parts. 158 pages. Brassery Publications #6029565. Published by Brassery Publications (A0.999624). ‘Mowgli et la Meute des Loups’ raconte comment un jeune enfant élevé par des loups dans un milieu souvent hostile devient un jeune homme adulte. C’est un peu ‘Pierre et le Loup’, sauf qu’ici les animaux sont plus durs, plus sauvages, moins prévisibles. L’histoire est toujours passionnante et souvent drôle. L’histoire traîte de différents thèmes tels que la formation de l’identité, la confrontation avec l’étranger, l’anxiété et la sécurité. Il y est question de respect, de séparation, d’adieu, mais aussi de la gaminerie des jeunes et de la sagesse des panthères. Le texte et la musique s’unissent pour évoquer cette histoire. ‘Mowgli et la Meute des Loups’ n’est pas un monologue avec accompagnement musical, c’est un conte où l’image, le texte et la musique se renforcent l’un l’autre.…Musique : Marc Goris Texte original néerlandais : Jos Dom Traduction : Maggy Peré, George Georis Adaptation du texte : Bruno Georis partitions disponible sur demande, à commander via info@brassery.be plus d'infos : https://brassery.be/accueil/production/mowgli-et-la-meute-des-loups.html sur bandcamp : https://brassery.bandcamp.com/album/mowgli-et-la-meute-des-loups-un-conte-musical-pour-quintette-de-...
$90.00
83.21 €
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Brass ensemble
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Marc Goris
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Mowgli et la Meute des Loups, pour quintette de cuivres et narrateur
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Brassery Publications
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SheetMusicPlus
Mon Histoire
Piano, Voice
By Alain Boublil and Les Miserables (Musical). For piano, voice, and guitar (chords only).…
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By Alain Boublil and Les Miserables (Musical). For piano, voice, and guitar (chords only). Broadway; Musical/Show. PV. 4 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.61 €
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Piano, Voice
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Alain Boublil and Les Miserables
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Musical/Show
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Mon Histoire
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
On My Own (Mon Histoire) [French version]
Piano, Vocal and Guitar
By Alain Boublil and Les Miserables (Musical). For piano, voice, and guitar (chords only).…
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By Alain Boublil and Les Miserables (Musical). For piano, voice, and guitar (chords only). French; Musical/Show. 5 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.61 €
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Piano, Vocal and Guitar
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Alain Boublil and Les Miserables
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Musical/Show
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On My Own
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Mon Histoire from Les Mis rables - Piano/Vocal/Chords, Singer Pro
Piano, Voice
Claude-Michel Sch nberg - False Digital Sheetmusic - instantly downloadable sheet music pl…
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Claude-Michel Sch nberg - False Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords;Singer Pro, instruments: Voice;Piano; 4 pages -- Show/Broadway~~Musical
$5.50
5.09 €
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Piano, Voice
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Piano/Vocal/Chords, Singer Pro
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Musicnotes
Trevor Nunn: On My Own (Mon Histoire) for voice, piano and guitar
Piano, Vocal and Guitar
Instantly printable sheet music by Alain Boublil for voice, piano or guitar of MEDIUM skil…
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Instantly printable sheet music by Alain Boublil for voice, piano or guitar of MEDIUM skill level. / musical/show,french
$5.97
5.52 €
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Piano, Vocal and Guitar
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Trevor Nunn
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Virtualsheetmusic
Michel LeGrand: Mon Histoire for voice & piano
Piano, Voice
Instantly printable sheet music by Alain Boublil for voice & piano of MEDIUM skill lev…
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Instantly printable sheet music by Alain Boublil for voice & piano of MEDIUM skill level. / musical/show,broadway
$5.97
5.52 €
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Piano, Voice
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Michel LeGrand
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Virtualsheetmusic
Classics meet Jazz
Piano solo
Piano - intermediate - Digital Download SKU: S9.Q25583 14 famous classical piece…
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Piano - intermediate - Digital Download SKU: S9.Q25583 14 famous classical pieces, original version + jazzy arrangement. Composed by Uwe Korn. Arranged by Uwe Korn. This edition: Sheet music. Jazz rock - classic - music history. Downloadable. Op. Vol. 2. Schott Music - Digital #Q25583. Published by Schott Music - Digital (S9.Q25583). 14 famous themes from music history, from Bach to Offenbach, each with its own jazzy interpretation - just as in Vol. 1. This edition shows that 'classical music' and jazz are not that distant from one another after all. Just imagine Grieg's Piano Concerto played on a bandoneon - and you have got the perfect tango! Brahms' Hungarian Dance No. 1 is also ideal as a salsa ('Hungarian Salsa No.1'). Schubert's trout suffers a terrible fate, here it may continue to live in a lively ragtime ('Fish Rag'). With Mozart, the night is merry and friendly. but 'A Black Night Music' shows its dark side.Quatorze célèbres thèmes de l'histoire de la musique, de Bach à Offenbach, à chacun duquel est jointe une interprétation jazzy. Il devient ainsi clair que classique et jazz ne sont pas si éloignés l'un de l'autre ! La 1ère Danse hongroise de Brahms se prête merveilleusement à la salsa (Salsa hongroise n° 1). La nuit, claire et sereine chez Mozart, montre son côté sombre dans A Black Night Music.Le CD joint propose une interprétation des morceaux.
$15.99
14.78 €
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Piano solo
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Uwe Korn
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Classics meet Jazz
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Schott Music - Digital
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SheetMusicPlus
Ballarini, Nathalie : Petite Histoire + MP3
Piano solo
Depuis son plus jeune âge, Nathalie Ballarini s'initie au piano.<br>Gr&ac…
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Depuis son plus jeune âge, Nathalie Ballarini s'initie au piano.<br>Grâce à la formation qu'elle obtient à la Berklee College of music aux Etats-Unis, elle compose aujourdhui pour piano et orchestre sur des musiques dédiées à des productions audio-visuelles.<br>Citons le film ` Post-Scriptum` de Philippe Sisbanne (diffusion Canal +).<br>Très éclectique et passionnée, elle collabore également à de nombreux projets allant du tango au monde de lenfance.<br><br>En 2009, elle présente son premier album `Piano Zen Volume 1` dont est extrait cette pièce.
4.80 €
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Piano solo
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Ballarini, Nathalie
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Petite Histoire + MP3
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Note4Piano
Hommages and Prelude No. 1
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1383996 Composed by David Fraser. 2…
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Piano Solo - Level 5 - Digital Download SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. David Fraser #968350. Published by David Fraser (A0.1383996). This volume contains five solo piano pieces expertly crafted and meticulously edited for accuracy. Advanced pianists will welcome the technical challenges and heights of musicality these works require. Music terminology for ??Le Cygne noir?? and ??L'océan?? are in French, with regard to the dedications of these pieces. All other works use conventional music terminology in Italian. 178 pages. ISMN 979-0-800277-00-9.David Fraser wrote the first 41 measures of ??Rhapsody No. 1?? in 1997 and subsequently completed this piece and all other works in this volume over the course of six months in 2019. When playing the original 41 measures of ??Rhapsody No. 1?? in 2019, Fraser noted that the music had some resemblance to works by Sergei Rachmaninoff. This encouraged Fraser to compose the remainder of this piece in a manner reminiscent of Rachmaninoff and, consequently, author a suite of solo piano pieces as homages to some of his favorite composers. In Rachmaninoff??s famous ??Rhapsody on a Theme of Paganini, Op. 43??, variation 18, the composer uses an upside-down inversion of a small melody by Paganini. Similarly, Fraser uses a backwards inversion of a small melody from Rachmaninoff??s variation for the Rhapsody??s ??Adagio? section, which starts on Page 3.Le Cynge noir {The Black Swan} is the second piece Fraser authored, dedicated to his beloved piano composer, Maurice Ravel. In this piece, Fraser wrote in his own style while evoking images such as a swan gliding on a lake, peering at its reflection in the water, and taking flight into the clouds with its wings rustling in the wind. Fraser gleaned inspiration for this piece from Ravel??s song for voice and piano ??Histoires naturelles - Le cygne??, set to a poem by Jules Renard. In addition, Fraser alternates between the keys of C-sharp major and A major as a depiction of the magical swan??s internal conflict in choosing to exist as a black or white swan.Fraser??s third composition is ??Sonata No.1 Gothic??, dedicated to Sergei Prokofiev, not as a representation of this genre of music, but in form. Specifically, Fraser uses a similar structure in Movement 1, starting at Measure 72 marked ??più mosso e con abbandono?, to the notoriously difficult ??colossale? section of Prokofiev??s ??Piano Concerto No. 2, Op. 16??, Movement 1. The sonata??s Movement 3 also follows a structure parallel to Movement 4 of Prokofiev??s aforementioned piano concerto, employing fiendishly challenging syncopated jumps in both hands. Written in ternary form, Movements 1 and 3 of Fraser??s sonata are in C minor; Movement 2 is in E-flat minor, instead of the expected relative or dominant key. This work has explosive sentiments of rage that elicit a sense of immensity and darkness, touching on the macabre yet maintaining an alluring nature. The fourth piece of this suite, ??L'océan {The Ocean}?? dedicated to Claude Debussy, uses whole-tone scales throughout as lyrical motifs. The composition unfolds with the allusion of the sun glimmering on ocean waves, followed by the playfulness of eddies and gusts of wind. These themes merge into one another as the wind increases in ferocity, culminating in the start of a storm with sudden strikes of lightning preceded by the reverberation of thunder. The pitter-patter of rain on the water steadily evolves into a full tempest that engulfs the middle section of the piece. As the storm subsides and the ocean calms, night has fallen and the twinkling of stars in the firmament are reflecting upon the water. The piece ends with the return of the opening theme as the sun swiftly rises above the ocean on the horizon.Prelude No. 1 L'adieu {The Farewell} offers rich and lush harmonies with an enticing melody. This piece was written in memoriam to Fraser's mother.
$29.99
27.73 €
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Piano solo
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David Fraser
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Hommages and Prelude No. 1
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David Fraser
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SheetMusicPlus
Thierry Pélicant: Concerto for Bassoon and Orchestra, piano reduction and solo part
Bassoon, Piano (duet)
Bassoon,Piano - Level 5 - Digital Download SKU: A0.534689 Composed by Thierry Péli…
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Bassoon,Piano - Level 5 - Digital Download SKU: A0.534689 Composed by Thierry Pélicant. 20th Century,Concert,Contemporary. Score and part. 25 pages. Musik Fabrik Music Publishing #6230963. Published by Musik Fabrik Music Publishing (A0.534689). A four-movement concerto for bassoon and orchestra (PIC22(CA)22/2100/Timp/2perc/strings) by the noted French composer. Duration is about 16 minutes. This file is the piano reduction and solo part. The score is also available for sale. The parts are on rental from the publisher. Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate supporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, composed with his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gàlvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée, (quintet for oboe and strings), Sextuor d’été, , and Milonga, (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$19.95
18.44 €
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Bassoon, Piano (duet)
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Thierry Pélicant
#
Thierry Pélicant: Concerto for Bassoon and Orchestra, piano reduction and solo part
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Musik Fabrik Music Publishing
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SheetMusicPlus
Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.534690 Composed by Thierry P…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music Publishing #6230969. Published by Musik Fabrik Music Publishing (A0.534690). A four-movement concerto for bassoon and orchestra (PIC22(CA)22/2100/Timp/2perc/strings) by the noted French composer. Duration is about 16 minutes. This file is the orchestral score only. The piano reduction and solo part. is also available for sale. The parts are on rental from the publisher. Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate supporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, composed with his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gàlvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée, (quintet for oboe and strings), Sextuor d’été, , and Milonga, (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ..
$29.95
27.69 €
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Chamber Orchestra
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Thierry Pélicant
#
Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, score only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pél…
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Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gàlvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
36.01 €
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Orchestra
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Thierry Pélicant
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Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pél…
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Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gàlvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
27.69 €
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Orchestra
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Thierry Pélicant
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Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
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Musik Fabrik Music Publishing
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SheetMusicPlus
Glenck, Tobias Von : Kopf Kino Kantaten
Piano solo
Les `Kopf Kino Kantaten` (cantates de cinéma dans la tête) sont constitu&eacu…
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Les `Kopf Kino Kantaten` (cantates de cinéma dans la tête) sont constituées de 24 pièces pour piano d'une durée d'une minute à une minute trente. Dans la tradition de la musique de salon, ces pièces naviguent entre classique et jazz.<br><br>Elles marient le connu à l'inconnu, jouent avec toute létendue et la sonorité du piano. Avec des rythmes très variés, des sons et des mélodies plein de coloris, les `Kopf Kino Kantaten` sont censées emmener en voyage celles et ceux qui les écoutent. Elles leur feront vivre des scènes imaginaires, tout en musique, qui expriment des moments de solitude, d'attente, de repos et de pauses.<br><br>Les `Kopf Kino Kantaten` doivent leur origine à un travail intense de l'artiste sur l'histoire du piano. Connotations, allusions ou ressemblances avec d'autres musiques pianistiques ne sont ni vraiment recherchées, ni explicitement évitées par le compositeur. Les `Kopf Kino Kantaten` sont là pour ressusciter l'histoire du piano.<br><br>Cette édition comprend une sélection de 7 uvres.<br><br>Les `Kopf Kino Kantation` ont été enregistrés sur Compact Disc et Vinyle chez Metaracords (meta059 & meta 060). Le coffret Compact Disc est double, puisquil propose 2 versions des enregistrements : la première est une exécution des uvres sur un piano à queue de concert, la seconde, sur un vieux piano droit. Le Vinyle comporte juste cette deuxième version.<br><br>A chaque coffret est jointe une photo de Nicolas Vermont Petit-Outhenin, censée déclencher des associations, susciter un cinéma immaginaire. Un travail artistes-vidéo effectué sur certaines pièces sont proposées à cette adresse : www.kopfkinokantaten.com.
8.00 €
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Piano solo
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Glenck, Tobias Von
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Kopf Kino Kantaten
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Note4Piano
Wagner, Richard : ChÂur Nuptial (Collection Anacrouse) + MP3
Piano solo
La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d…
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La collection ANACROUSE offre aux pianistes novices et confirmés un large choix duvres classiques, allant de la Renaissance à lépoque moderne.<br><br>Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes dune valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à lunité, a fait lobjet dun travail éditorial attentif, tant sur le plan de létablissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces uvres.<br><br>Les partitions sont proposées sous la forme douvrages traditionnels (feuillets papier), et disponibles également par téléchargement.<br><br><br><br>Lohengrin est le sixième opéra que Richard Wagner ait composé. Ecrit entre 1845 et 1848, créé en 1850, cette uvre est basée sur l'histoire du « chevalier au cygne », provenant de la littérature médiévale allemande.<br> Lohengrin connut un succès immédiat et eut une grande importance dans la carrière musicale du compositeur. En effet, pour la première fois, on sent le langage musical de Richard Wagner se libérer définitivement de la tradition classique et montrer pleinement un caractère romantique. <br> Dans une lettre adressée à Liszt datée de 1853, Richard Wagner dit: «Je maperçois que dans Lohengrin, jai oublié une indication de mouvement, omission que je nai constatée que lorsque je lai dirigé. Cest dans le chur nuptial en ré majeur, après le second solo des huit femmes, les huit dernières mesures avant le premier mouvement : ici, le mouvement doit être considérablement ralenti, plus quà la première entrée en ré majeur; cela doit se faire tranquillement, solennellement, sinon lintention est manquée.»<br> Le chur nuptial dont Richard Wagner fait mention marque le début du troisième acte de l'opéra, lorsqu'Elsa et son époux pénètrent dans la chambre nuptiale où ils se déclarent leur amour : `que les bruits de la fête s'éteignent, que vos curs s'enivrent! Que la chambre parfumée parée pour l'amour vous accueille à présent''. <br> Aujourd'hui, cette marche nuptiale accompagne traditionnellement les mariés à lentrée ou la sortie de lEglise en Occident. Elle est traditionnellement jouée à lorgue, mais peut être jouée par un orchestre. Elle est parfois appelée la marche des fiançailles (ou des fiancés). Transcription pour piano + Biographie + Notes sur l'oeuvre
4.80 €
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Piano solo
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Wagner, Richard
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ChÂur Nuptial
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Note4Piano
David, Félicien : L'Almée (Collection Anacrouse)
Piano solo
La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d…
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La collection ANACROUSE offre aux pianistes novices et confirmés un large choix duvres classiques, allant de la Renaissance à lépoque moderne.<br><br>Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes dune valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à lunité, a fait lobjet dun travail éditorial attentif, tant sur le plan de létablissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces uvres.<br><br>Les partitions sont proposées sous la forme douvrages traditionnels (feuillets papier), et disponibles également par téléchargement.<br><br><br><br>En 1836, le compositeur Félicien David édite les « Mélodies orientales ». Elles comptent au total vingt et une pièces dont dix-huit ont été rééditées en 1845 sous le titre « Brises d'Orient » et trois autres sous le titre « Les Minarets ». Lorsqu'elles sortent, ces mélodies n'obtiennent pas un grand succès. Deux raisons peuvent l'expliquer. D'une part, un incendie détruit une partie des stocks de partitions imprimées. D'autre part, le public, qui avait aimé les « Orientales » du poète Victor Hugo et les « Pestiférés de Jaffa » du peintre Eugène Delacroix, ne semblait pas être attiré par l'orientalisme musical.<br>Les brises d'Orient possèdent la puissance des charmes orientaux plutôt doux. Le compositeur traduit à merveille l'atmosphère orientale en marquant les rythmes par des basses étonnantes.<br>Plus que des formes traditionnelles, ce qu'il faut retenir de ces pièces est le fait qu'elles racontent de belles histoires avec toujours une dynamique très réussie de passages lents et de passages vifs et rapides. `L'Almée` (danseuse égyptienne) en est un très bon exemple avec une introduction si lyrique que l'on s'attend à l'apparition d'une diva. Mais surprise, un développement harmonieux calme les esprits. Et jusqu'à la conclusion les reprises du thème très rythmé alternent avec ceux du développement lent.<br>Venez découvrir un compositeur digne des grands maîtres de peinture orientale. Cette pièce mérite d'être interprétée par tout pianiste amateur de la musique classique. Partition + Biographie + Notes sur l'oeuvre
3.30 €
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Piano solo
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David, Félicien
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L'Almée
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Note4Piano
David, Félicien : A une Smyrniote (Collection Anacrouse)
Piano solo
La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d…
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La collection ANACROUSE offre aux pianistes novices et confirmés un large choix duvres classiques, allant de la Renaissance à lépoque moderne.<br><br>Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes dune valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à lunité, a fait lobjet dun travail éditorial attentif, tant sur le plan de létablissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces uvres.<br><br>Les partitions sont proposées sous la forme douvrages traditionnels (feuillets papier), et disponibles également par téléchargement.<br><br><br><br>En 1836, le compositeur Félicien David édite les « Mélodies orientales ». Elles comptent au total vingt et une pièces dont dix-huit ont été rééditées en 1845 sous le titre « Brises d'Orient » et trois autres sous le titre « Les Minarets ». Lorsqu'elles sortent, ces mélodies n'obtiennent pas un grand succès. Deux raisons peuvent l'expliquer. D'une part, un incendie détruit une partie des stocks de partitions imprimées. D'autre part, le public, qui avait aimé les « Orientales » du poète Victor Hugo et les « Pestiférés de Jaffa » du peintre Eugène Delacroix, ne semblait pas être attiré par l'orientalisme musical.<br>Les brises d'Orient possèdent la puissance des charmes orientaux plutôt doux. Le compositeur traduit à merveille l'atmosphère orientale en marquant les rythmes par des basses étonnantes.<br>Plus que des formes traditionnelles, ce qu'il faut retenir de ces pièces est le fait qu'elles racontent de belles histoires avec toujours une dynamique très réussie de passages lents et de passages vifs et rapides.<br>L'écriture de Félicien David ne manque pas de couleurs. Cependant il n'essaie pas d'appliquer l'exotisme du Moyen-Orient. Les mélodies chantent naturellement à travers ses pièces.<br>En écoutant « à une Smyrniote » comme dans les autres pièces se révèle un orientalisme assez peu oriental pour nous aujourd'hui. A l'origine, l'orientalisme est un mouvement artistique, ce qui signifie qu'il ne peut être fidèlement lié à la reproduction de la réalité.<br>Dans ce morceau, la mélodie est liée sans nul doute à la basse harmonique très mise en valeur par des accentuations rythmiques qui constituent une assise solide.<br>Des reprises de passages musicaux dans l'enchaînement de l'oeuvre révèlent des atmosphères complètement différentes, suggérant au pianiste un nouveau fil conducteur dans l'interprétation. Partition + Biographie + Notes sur l'oeuvre
3.30 €
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Piano solo
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David, Félicien
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A une Smyrniote
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Note4Piano
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