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My Shot - Violin 2
Sheetmusic to print
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SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
17.92 €
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2 Pianos, 4 hands
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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SURRENDER, Between the Octaves, A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
My Shot
3 Clarinets (trio)
Woodwind Ensemble,Woodwind Trio Clarinet - Level 3 - Digital Download SKU: A0.982238
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Woodwind Ensemble,Woodwind Trio Clarinet - Level 3 - Digital Download SKU: A0.982238 Composed by Albert Johnson, Christopher Wallace, Kejuan Waliek Muchita, Lin-Manuel Miranda, Osten Harvey, Jr., and Roger Troutman. Arranged by Shawn Postell. Contemporary. 7 pages. Encore Music LLC #6318867. Published by Encore Music LLC (A0.982238). Here is a grade 2.5 arrangement for clarinet trio of the smash hit from HAMILTON - My Shot. At just over a minute in length, this is a great piece for a clarinet trio to play as part of a showcase of talent, at a festival or just for fun.
$12.99
11.64 €
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3 Clarinets (trio)
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Albert Johnson, Christopher Wallace, Kejuan Waliek Muchita, Lin-Manuel Miranda, Osten Harvey, Jr
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My Shot
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Encore Music LLC
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SheetMusicPlus
My Shot
Choral 3-part
Choral Choir (3-Part) - Level 2 - Digital Download SKU: A0.817346 Composed by Alber…
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Choral Choir (3-Part) - Level 2 - Digital Download SKU: A0.817346 Composed by Albert Johnson, Christopher Wallace, Kejuan Waliek Muchita, Lin-Manuel Miranda, Osten Harvey, Jr., and Roger Troutman. Arranged by Vicky Jacobs. Broadway,Contemporary,Film/TV,Musical/Show,Pop. Octavo. 4 pages. Victoria Jacobs #6086855. Published by Victoria Jacobs (A0.817346). Does your choir want to sing the songs from Hamilton but there's no way they can manage all the words? Here's the solution! I've taken the chorus bits from My Shot and made them into a fun, singable arrangement that can be learned quickly by your group. It's all the fun and the harmonies with none of the tricky bits! .
$1.99
1.78 €
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Choral 3-part
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Albert Johnson, Christopher Wallace, Kejuan Waliek Muchita, Lin-Manuel Miranda, Osten Harvey, Jr
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My Shot
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Victoria Jacobs
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SheetMusicPlus
My Shot - Eb Alto Clarinet
Concert band
Level 3 - Digital Download SKU: HX.359803 From the Broadway musical Hamilton…
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Level 3 - Digital Download SKU: HX.359803 From the Broadway musical Hamilton. By Albert Johnson and Lin-Manuel Miranda. Arranged by Michael Brown. This edition: scorch. Musical/Show. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.359803).
$6.00
5.38 €
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Concert band
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Albert Johnson and Lin-Manuel Miranda
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My Shot - Eb Alto Clarinet
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Hal Leonard - Digital
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SheetMusicPlus
My Shot - Baritone T.C.
Concert band
Level 3 - Digital Download SKU: HX.359818 From the Broadway musical Hamilton…
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Level 3 - Digital Download SKU: HX.359818 From the Broadway musical Hamilton. By Albert Johnson and Lin-Manuel Miranda. Arranged by Michael Brown. This edition: scorch. Musical/Show. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.359818).
$6.00
5.38 €
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Concert band
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Albert Johnson and Lin-Manuel Miranda
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My Shot - Baritone T.C.
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Hal Leonard - Digital
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SheetMusicPlus
My Shot - Bass
Level 3-4 - Digital Download SKU: HX.367517 By Albert Johnson and Lin-Manuel Mirand…
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Level 3-4 - Digital Download SKU: HX.367517 By Albert Johnson and Lin-Manuel Miranda. Arranged by Larry Moore. This edition: scorch. Musical/Show. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.367517).
$7.00
6.27 €
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Albert Johnson and Lin-Manuel Miranda
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My Shot - Bass
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Hal Leonard - Digital
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SheetMusicPlus
My Shot
Large Ensemble Bass Guitar,Drums,Keyboard,Saxophone,String Synthesizer,Trombone,Trumpet,Vo…
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Large Ensemble Bass Guitar,Drums,Keyboard,Saxophone,String Synthesizer,Trombone,Trumpet,Voice - Level 4 - Digital Download SKU: A0.718175 Composed by Albert Johnson, Christopher Wallace, Kejuan Waliek Muchita, Lin-Manuel Miranda, Osten Harvey, Jr., and Roger Troutman. Arranged by Daryl McKenzie. Contemporary. Score and parts. 125 pages. Daryl McKenzie #4886145. Published by Daryl McKenzie (A0.718175). From the Broadway musical Hamilton. Arranged for Vocals and Big Band (5 Saxes, 4 Trpts, 4 Trbs, Voice (lead), Voices (all), Keys 1 (Piano), Keys 2 (Strings), Guitar, Bass Guitar, Drums. Audio sample is an iPhone recording of full orchestra in a live concert.More Arrangements by Daryl McKenzie: https://www.sheetmusicplus.com/publishers/daryl-mckenzie/6128
$49.99
44.8 €
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Albert Johnson, Christopher Wallace, Kejuan Waliek Muchita, Lin-Manuel Miranda, Osten Harvey, Jr
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My Shot
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Daryl McKenzie
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SheetMusicPlus
Fuga in G minor (from Symphony #2 in G minor)
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1370458 Composed by David W. Barber…
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Piano Solo - Level 3 - Digital Download SKU: A0.1370458 Composed by David W. Barber. 20th Century,Baroque,Classical. Score. 2 pages. David W. Barber #954837. Published by David W. Barber (A0.1370458). A little fugal section from my Symphony #2 in G minor. This one is arranged for piano solo. This piece and more of my music is available for download and purchase from SheetMusicPlus and SheetMusicDirect via ArrangeMe. Find my music books and my new mystery novel, Hedshot, at IndentPublishing.com Read my author/composer blog at DavidWBarber.com Contact me at dbarber@indentpublishing.com.
$1.99
1.78 €
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Piano solo
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David W
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Fuga in G minor
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David W. Barber
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SheetMusicPlus
I Shot The Sheriff
Bass guitar
Bass Guitar - Level 5 - Digital Download SKU: A0.1268608 By Bob Marley. By Bob Marl…
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Bass Guitar - Level 5 - Digital Download SKU: A0.1268608 By Bob Marley. By Bob Marley. Arranged by Igor Sardi Bass. Funk,Reggae. Score. 10 pages. Igor Sardi Bass #861128. Published by Igor Sardi Bass (A0.1268608). JACO VERSIONFor version without tab, please contact me - igorsardi@gmail.comI transcribed about 1,000 songs, especially the bass and double bass lines. I will gradually publish them all on this site. My transcriptions are professional, done using only my skills and my ear. There is nothing copied. On my site (www.igorsardi.com) you can also find various collections (Queen, Jaco Pastorius, Flea, etc) and many teaching methods at unbelievable prices!Email:  igorsardi@gmail.comWebsite:  https://www.igorsardi.comInstagram: https://www.instagram.com/igor_sardi_bass/Facebook page:  https://www.facebook.com/igorsardibassFacebook: https://www.facebook.com/igor.sardiYoutube (Over 500 videos): https://www.youtube.com/c/IgorSardiBass36My didactic books:John Deacon: complete study - https://www.igorsardi.com/johndeacon-completestudy        Jaco Pastorius: complete study (volume 1 & 2) - https://www.igorsardi.com/jaco-pastoriusHarmony course - https://www.igorsardi.com/corso-armonia-applicata-per-bassisti  -Walking Bass: Progressive course - https://www.igorsardi.com/walking-bass-course 500 exercises for bass - https://www.igorsardi.com/500-exercises-for-bass Electric bass theory and practice - https://www.igorsardi.com/theory-and-practice-of-bass Setup: complete guide -  https://www.igorsardi.com/theelectricbassworkshop The Fretless Bass - https://www.igorsardi.com/fretless-bass-bookProfession Bass Player - https://www.igorsardi.com/profession-bassplayer Studying classical music on bass - https://www.igorsardi.com/studyingclassicalmusiconbass.
$10.99
9.85 €
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Bass guitar
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Bob Marley
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2) - https://www
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I Shot The Sheriff
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Igor Sardi Bass
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SheetMusicPlus
Big Shot
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.919407 By Billy Joel. By Bil…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.919407 By Billy Joel. By Billy Joel. Arranged by Cameron Duncan. Pop,Rock. Score. 7 pages. Cameron Duncan #5373313. Published by Cameron Duncan (A0.919407). Billy Joel's tune Big Shot. This one has some attitude, with an accompaniment that solidifies the feel and a melody that commands respect, you'll be singing along in no time.For more information, send me an email at: camerond1997@aim.comorCheck out my website for original compositions: cameronduncanmusic.com
$4.99
4.47 €
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Piano, Voice
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Billy Joel
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Big Shot
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Cameron Duncan
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SheetMusicPlus
Bang Bang (my Baby Shot Me Down)
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.1085754 By Nancy Sinatra. By Sonny …
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Piano Solo - Level 2 - Digital Download SKU: A0.1085754 By Nancy Sinatra. By Sonny Bono. Arranged by Genti Guxholli. 20th Century,Broadway,Film/TV,Multicultural,Musical/Show,Pop,World. Score. 4 pages. Genti Guxholli #689928. Published by Genti Guxholli (A0.1085754). Website: www.littlesheetmusic.comEmail: littlesheetmusic@gmail.com.
$4.99
4.47 €
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Piano solo
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Nancy Sinatra
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Bang Bang
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Genti Guxholli
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SheetMusicPlus
DELTARUNE Chapter 2 Piano Score - from the game
Easy Piano
Easy Piano - Level 2 - Digital Download SKU: A0.1200295 By Toby Fox. By Toby Fox. A…
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Easy Piano - Level 2 - Digital Download SKU: A0.1200295 By Toby Fox. By Toby Fox. Arranged by Sydney Kjerstad. Video Game. Score. 96 pages. Materia Editions #799104. Published by Materia Editions (A0.1200295). All 47 songs from the DELTARUNE, Chapter 2 soundtrack. Composed by Toby Fox, adapted by Sydney Kjerstad.Making the Deltarune Piano Score series a little more complete, here’s DELTARUNE Chapter 2’s music finally in book form! Just like the music from the first chapter, each of the pieces here are varying levels of difficulty, but all are within your reach. Go in order, go out of order, play through the book how you want!You will strengthen your abilities and come out even better on the other side. Play this music for you, for your friends and family, and show off what makes this music so  special. Please enjoy! I know I did when adapting it all!- Sydney KjerstadCREDITSDELTARUNE Piano Score is brought to you by:TOBY FOX is the musical dog that made DELTARUNE.SYDNEY KJERSTAD is a video-gaming-piano-playing nerd whose goal in life is to make game music accessible for everyone. A Materia Editions Production.TRACKLIST Faint Glow Girl Next Door My Castle Town Ohhhhohohoho! Queen A CYBER'S WORLD? A Simple Diversion Almost to the Guys! Cool Beat When I Get Mad I Dance Like This Cyber Battle (Solo) When I Get Happy I Dance Like This Sound Studio Berdly Smart Race Faint Courage (Game Over) WELCOME TO THE CITY Mini Studio Holiday Studio Cool Mixtape HEY EVERY ! Spamton NOW'S YOUR CHANCE TO BE A Elegant Entrance Bluebird of Misfortune Pandora Palace KEYGEN Acid Tunnel of Love It's Pronounced Rules Lost Girl Ferris Wheel Attack of the Killer Queen Giga Size Powers Combined Knock You Down !! The Dark Truth Digital Roots Deal Gone Wrong BIG SHOT A Real Boy! Dialtone sans. Chill Jailbreak Alarm to Study and Relax to You Can Always Come Home Until Next Time Before the Story Berdly (Rejected Concept) Music by Toby Fox. © 2015-2021 ROYAL SCIENCES LLC. Arrangements © 2023 Materia Editions / Materia Music Inc. All rights reserved. Used by permission. No part of this book shall be reproduced, arranged, adapted, recorded, publicly performed, or transmitted by any means without written permission by the publisher.
$19.99
17.92 €
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Easy Piano
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Toby Fox
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Toby Fox
, adapted by
Sydney Kjerstad
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DELTARUNE Chapter 2 Piano Score - from the game
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Materia Editions
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SheetMusicPlus
My House
Marching band
Marching Band - Level 2 - Digital Download SKU: A0.1285194 By Flo Rida. By Johan Ca…
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Marching Band - Level 2 - Digital Download SKU: A0.1285194 By Flo Rida. By Johan Carlsson, Marco Borrero, Ross Golan, Roy Hammond, and Tramar Dillard. Arranged by Kenny Goodson. Hip-Hop,R & B. Score and Parts. 20 pages. MADD Creations #876308. Published by MADD Creations (A0.1285194). My House, released in 2015, was a quadruple Platinum single for rapper Flo Rida as well as a theme song for Wrestlemania 32. This is the latest arrangment in Kenny Goodson's new series of short and easy marching band arrangements called Hot Shots.
$49.99
44.8 €
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Marching band
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Flo Rida
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My House
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MADD Creations
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SheetMusicPlus
Section 13 Hotshot Loop
Guitar Ensemble Guitar - Level 1 - Digital Download SKU: A0.954990 Composed by Jim …
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Guitar Ensemble Guitar - Level 1 - Digital Download SKU: A0.954990 Composed by Jim Bosse. Concert,Contemporary. Score and parts. 12 pages. Jim Bosse #4592923. Published by Jim Bosse (A0.954990). This is the fifth movement of Six Easy Guitar Ensemble Pieces - Inspired by Historic Locations Around Cañon City. Originally scored for 5 parts, this version is for classical ensemble - four parts. My idea was to write a set of short pieces (each part to fit on one or two pages) for beginner guitar ensemble, with a gradual increase in demand, but always accessable for a beginner ensemble. This is the fifth movement, so it is more challenging than the first movements. Performance time is 2 minutes and 32 seconds. Videos of live performances of all six pieces can be viewed on Jim's YouTube channel: jimbosseguitar His web site is www.facebook.com/jimbosseguitar
$1.99
1.78 €
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Jim Bosse
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Section 13 Hotshot Loop
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Jim Bosse
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SheetMusicPlus
Section 13 Hotshot Loop
Small Ensemble Guitar - Level 1 - Digital Download SKU: A0.954982 Composed by Jim B…
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Small Ensemble Guitar - Level 1 - Digital Download SKU: A0.954982 Composed by Jim Bosse. Concert,Contemporary. Score and parts. 13 pages. Jim Bosse #4592831. Published by Jim Bosse (A0.954982). This is the fifth movement of Six Easy Guitar Ensemble Pieces - Inspired by Historic Locations Around Cañon City. Originally scored for 5 parts, this version is for classical guitar trio. My idea was to write a set of short pieces (each part to fit on one or two pages) for beginner guitar ensemble, with a gradual increase in demand, but always accessable for a beginner ensemble. This is the fifth movement, so it is more challenging than the first movements. Performance time is 2 minutes and 32 seconds. Videos of live performances of all six pieces can be viewed on Jim's YouTube channel: jimbosseguitar His web site is www.facebook.com/jimbosseguitar .
$1.99
1.78 €
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Jim Bosse
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Section 13 Hotshot Loop
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Jim Bosse
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SheetMusicPlus
Section 13 Hotshot Loop
Guitar Ensemble Guitar - Level 1 - Digital Download SKU: A0.954997 Composed by Jim …
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Guitar Ensemble Guitar - Level 1 - Digital Download SKU: A0.954997 Composed by Jim Bosse. Concert,Contemporary. Score and parts. 14 pages. Jim Bosse #4592955. Published by Jim Bosse (A0.954997). This is the fifth movement of Six Easy Guitar Ensemble Pieces - Inspired by Historic Locations Around Cañon City scored for 5 parts. My idea was to write a set of short pieces (each part to fit on one or two pages) for beginner guitar ensemble, with a gradual increase in demand, but always accessable for a beginner ensemble. This is the fifth movement, so it is more challenging than the first movements. Performance time is 2 minutes and 32 seconds. Videos of live performances of all six pieces can be viewed on Jim's YouTube channel: jimbosseguitar His web site is www.facebook.com/jimbosseguitar .
$1.99
1.78 €
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Jim Bosse
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Section 13 Hotshot Loop
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Jim Bosse
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SheetMusicPlus
Valor (for Brass Quintet & Percussion)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158392 Composed by…
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Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158392 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Patriotic. 19 pages. Https://gildedmusicpress.com/ #758673. Published by https://gildedmusicpress.com/ (A0.1158392). “Valor†offers a potent two-minute concert opener, or an attention grabber after intermission. It is also highly effective as an encore (depending on endurance, particularly of the first trumpeter and hornist), leaving the audience with a rush and energy typified by an effective encore. Besides some minor edits and formatting, the composition was completed the day I hit my ten-year anniversary of serving in the United States Air Force Bands—a fitting anthem to celebrate a decade of service to my wonderful country! The title settled the next day as I began my second decade as an Airman Musician: Valor. The best account is recorded in my personal journal on 27 April 2021: “[Valor] is the Thrower family motto from hundreds of years ago. It’s also a concept that helped get me into [Arizona State University] for my doctoral studies. [Professor] Hickman asked for a very difficult orchestral excerpt during my audition. [Béla Bartók’s “Concerto for Orchestra.â€] I expressed some trepidation, but decided to give it a shot. I nailed it! Then Hickman turned to me with a big smile, ‘I give extra points for valor!’ So I’m pretty sure this little two-minute musical journal entry will keep the name ‘Valor’… as a motivational cheer for my next ten years in the Air Force. Valor! Great courage in the face of danger, especially in battle. Ok, in the face of life’s many battles, Valor it is! And on to the next ten years!†The music is in AA’BA’ form. The B section is heavily influenced by the thematic material of the A section, but with a strongly contrasting mood that could be dubbed quiet dignity. A finale section follows the last A with some motivic twists from throughout the piece, decisively ending with a power that could well be accompanied by a dazzling flurry of fireworks. None of the performers get much of a reprieve throughout the two minutes packed full of notes. The first trumpet part stays in the upper mid-range for most of it, which would absolutely sparkle on an E-flat trumpet (alternate part provided). Second trumpet is also demanding. The horn part demands a decent level of mastery in the high range as well as the low range, vehemently forsaking its traditional role of off beats. The trombone and tuba parts also present their challenges, and never really stop longer than to take a breath. Although this work could conceivably be performed without percussion, doing so is strongly discouraged. The power delivered by the snare, bass, and cymbals, and even the triangle in the B section, make the part arguably indispensable.
$19.95
17.88 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Dr
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Valor
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https://gildedmusicpress.com/
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SheetMusicPlus
Brass Quintet - The Holly and the Ivy
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Ensemble - Level 3 - Digital Download SKU: A0.767378 Arranged by Lyons Music …
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Brass Ensemble - Level 3 - Digital Download SKU: A0.767378 Arranged by Lyons Music Services. Christian,Christmas,Contemporary. Score and parts. 33 pages. Lyons Music Services #3588329. Published by Lyons Music Services (A0.767378). A brand new arrangement of this well-loved carol. I think this is a more 'vanilla' arrangement than my other quirky ones. Everyone gets a shot at the tune and there is a little bit of optional choreography in the middle with some echo effects. This would make a nice addition to any Christmas programme, either religious or not. Parts supplied are: Trumpet/Cornet 1 Trumpet/Cornet 2 Horn in F/Eb Trombone/Euphonium/Baritone (Bass/Treble clefs) Tuba/Eb Bass (Bass/Treble clefs)
$10.99
9.85 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Brass Quintet - The Holly and the Ivy
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Lyons Music Services
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SheetMusicPlus
Desert Excursion, Op. 158
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet - Level 4 - Digital Download SKU: A0.1489537 Composed by Dr. Daniel N…
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Brass Quintet - Level 4 - Digital Download SKU: A0.1489537 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical. 17 pages. Https://gildedmusicpress.com/ #1066401. Published by https://gildedmusicpress.com/ (A0.1489537). Desert Excursion, Op. 158, for brass quintet was completed on 8 Jun 2024. The videos and photos that inspired this short but compelling composition and subsequent YouTube video were all shot on 5 Jun 2023 while visiting family near the desert of eastern Utah. Springtime in that region had been particularly wet, so the cactus flowers were in full bloom and everything that was customarily brown was green! That glorious excursion with my wife’s sister and her husband was one of the final huzzahs in America before moving to Japan for several years. The YouTube post of the exquisite videos and pictures was finalized and published on 16 Jun 2024, reminiscing on our one-year anniversary of being in Japan. Duration: 1:30.
$14.95
13.4 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Dr
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Desert Excursion, Op. 158
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https://gildedmusicpress.com/
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SheetMusicPlus
Hokkaido, Op. 157
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet - Level 3 - Digital Download SKU: A0.1489837 Composed by Dr. Daniel N…
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Brass Quintet - Level 3 - Digital Download SKU: A0.1489837 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Multicultural,World. 17 pages. Https://gildedmusicpress.com/ #1066712. Published by https://gildedmusicpress.com/ (A0.1489837). Hokkaido, Op. 157, for brass quintet was completed on 3 Jun 2024. This piece was inspired during a United States Air Force jazz band concert throughout Hokkaido in May 2024. The concert program included the theme song from a popular TV show shot in Hokkaido titled “Kita No Kuni Kara” in which I played a verse on the flugelhorn with the passion I developed during my years playing flugel solos in the Nebraska Brass Band. The piece fittingly has similarities to “Sakura, Op. 154” which was composed only a month earlier. “Hokkaido” is a beautiful flugelhorn feature, sweet homage to the breathtakingly beautiful northern island of Japan, Hokkaido. Duration: 3:15.
$19.95
17.88 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Dr
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Hokkaido, Op. 157
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https://gildedmusicpress.com/
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SheetMusicPlus
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
17.92 €
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2 Pianos, 4 hands
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
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RITUALISE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
17.92 €
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2 Pianos, 4 hands
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
THREAD, Between the Octaves A Piano Duo Suite
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Jenni Roditi
#
SheetMusicPlus
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
17.92 €
#
2 Pianos, 4 hands
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
ENCIRCLE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
17.92 €
#
2 Pianos, 4 hands
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
IGNITE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
17.92 €
#
2 Pianos, 4 hands
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
CURVE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
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