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8
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Wachet auf, ruft uns die Stimme (from 3 Corali - DAI CHORALVORSPIELE, PER ORGANO)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1280391 By Johann Sebastian Bac…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1280391 By Johann Sebastian Bach and Ottorino Respighi. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Classical,Contemporary,Contest,Festival,Sacred,Wedding. Score and Parts. 32 pages. Flavio Regis Cunha #871838. Published by Flavio Regis Cunha (A0.1280391). Wachet auf, ruft uns die Stimme (from 3 Corali - DAI CHORALVORSPIELE, PER ORGANO) from Bach - 3 chorales, P. 167, N.3.Let your church, school and professional orchestra stand out with this unique and beautiful arrangement of 'Wachet auf, ruft uns die Stimme' composed in the traditional style of Johann Sebastian Bach and embellished by Ottorino Respighi. Resonating with complexity and elegance, it's perfect for special services, concerts or educational purposes. Let your performance envelope the auditorium in a peaceful warmth created by its grand choral accompaniment. Sumptuous and profound, it's an excellent way to touch the hearts of all your audiences. Make this timeless masterpiece the centerpiece of your repertoire with our exclusive sheet music and own a part of history!Advanced IntermediateFormat: 9 x 12 inchesFull Score and Orchestral PartsSize: 32 pagesDuration: 4min.InstrumentationCLARINET 1 IN Bb CLARINET 2 IN Bb BASSOON 1 BASSOON 2 CONTRABASSOON HORN 1 IN F HORN 2 IN F HORN 3 IN F HORN 4 IN F TRUMPET 1 IN Bb TRUMPET 1 IN Bb TRUMPET 1 IN Bb TROMBONE 1 TROMBONE 2 BASS TROMBONE VIOLIN 1 VIOLIN 2 VIOLA 1 VIOLA 2 VIOLONCELLO DOUBLE BASSNotesBach's beloved Wachet auf, ruft uns die Stimme, is known for its solemn beauty and is often referred to as the first choral prelude. Written for organ, it has been composed by Johann Sebastian Bach and lovingly arranged by Otorino Respighy for a modern music audience. This timeless piece is a beautifully layered statement of faith, representing the Church of the Great Awakening that swept through northern Europe in the 17th century. From the opening of the Passion Choral to its closing codetta, Bach's devotion runs deep as his majestic and undulating organ structures propel the work towards its soaring climax. Whether you have heard this classic before or not, we invite to join us to experience the power of this musical devotion. You are bound to be moved and surprised by its radiant beauty.
$49.99
46.24 €
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Orchestra
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Johann Sebastian Bach and Ottorino Respighi
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Wachet auf, ruft uns die Stimme
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Flavio Regis Cunha
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SheetMusicPlus
J.S. Bach, Organ Praeludium and Fugue (BWV 554)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.828974 Composed by J.S. Bach. A…
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Full Orchestra - Level 4 - Digital Download SKU: A0.828974 Composed by J.S. Bach. Arranged by Gennady Kozhevnikov. Baroque,World. Score and parts. 65 pages. Gennady V. Kozhevnikov #3088197. Published by Gennady V. Kozhevnikov (A0.828974). Orchestral transcription of Pipe organ score.
$19.99
18.49 €
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Orchestra
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J
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J.S. Bach, Organ Praeludium and Fugue
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Gennady V. Kozhevnikov
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SheetMusicPlus
Thérèse Brenet: Ciels for SATB chorus, orchestra and organ, chorus part
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.533843 Composed by Therese Bren…
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Full Orchestra - Level 5 - Digital Download SKU: A0.533843 Composed by Therese Brenet. Contemporary. Score and parts. 10 pages. Musik Fabrik Music Publishing #3053311. Published by Musik Fabrik Music Publishing (A0.533843). This work is a setting of a poem by Germain Nouveau (1851-1920) The orchestration is for 2222/2220/timb/2perc/hp/organ/strings. This is the chorus part, which includes a piano reduction only. The orchestral parts are available on rental from the publisher. The score is also for sale. The work may be performed with composer's two other works for chous and orchestra (Rondel and Le Bois Amical) or alone.CielsAutour de la jeune église,Par les près et les clôturesEt les vieilles routes pures,La nuit comme une eau s’épuiseC’est l’aube toute divineEt la plage violette,Avec des voiles en fêtesAu ciel tel qu’une marine.Guerre et semaille, avalancheDe nos thèmes et de nos mythes,Par les labours sans limitesSommeillent pour les revanchesMais le sang petit et pâleQue l’aurore a dans les veines,Ô Seigneur ! est-ce nos peinesOu votre pitié fatale?Nos voeux des vôtres sont frères,Vous tous dont le coeur murmureDepuis l’ancienne aventure :Montez, Aubes et Colères !
$2.50
2.31 €
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Orchestra
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Therese Brenet
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only
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Thérèse Brenet: Ciels for SATB chorus, orchestra and organ, chorus part
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Musik Fabrik Music Publishing
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SheetMusicPlus
Thérèse Brenet: Rondel for SATB chorus, orchestra and organ, score
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.533844 Composed by Therese Bren…
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Full Orchestra - Level 5 - Digital Download SKU: A0.533844 Composed by Therese Brenet. Contemporary. Score and parts. 13 pages. Musik Fabrik Music Publishing #3053313. Published by Musik Fabrik Music Publishing (A0.533844). A setting of a poem in French by Tristan Corbières (1845-1875) for SATB chorus, and orchestra. The instrumentation is: 2220/2000/timp/3perc/hp/organ/strings. The work may be performed alone or together with the composer's two other owrks for chorus and orchestra (Ciels and Le Bois Amical). This is the score only. The orchestral parts are on rental from the publisher. The chorus part, which contains a piano reduction, is available for sale.RonelIl fait noir, enfant, voleur d'étincelles !Il n'est plus de nuits, il n'est plus de jours ;Dors... en attendant venir toutes cellesQui disaient : Jamais ! Qui disaient : Toujours !Entends-tu leurs pas ?... Ils ne sont pas lourds :Oh ! les pieds légers ! – l'Amour a des ailes...Il fait noir, enfant, voleur d'étincelles !Entends-tu leurs voix ?... Les caveaux sont sourds.Dors : Il pèse peu, ton faix d'immortelles :Ils ne viendront pas, tes amis les ours,Jeter leur pavé sur tes demoiselles...Il fait noir, enfant, voleur d'étincelles !English translationIt is Dark, child, thief of sparks!There are no longer nights, There are no longer daysSleep..waiting for those who say never, who say always, to arriveDo you hear their footsteps? They are not heavy.Oh, the light steps! Love has wings...It is Dark, child, thief of sparks!Do you hear their voices? The tombs are silent.Sleep, it weighs little, your weight of dried flowersThey will not come, your friends the bears,to throw their cobblestone on your firefliesIt is Dark, child, thief of sparks!Translation © 2008 by Paul Wehage
$16.95
15.68 €
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Orchestra
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Therese Brenet
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Thérèse Brenet: Rondel for SATB chorus, orchestra and organ, score
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Musik Fabrik Music Publishing
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SheetMusicPlus
Thérèse Brenet: Rondel for SATB chorus, orchestra and organ,chorus part
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.533845 Composed by Therese Bren…
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Full Orchestra - Level 5 - Digital Download SKU: A0.533845 Composed by Therese Brenet. Contemporary. Score and parts. 12 pages. Musik Fabrik Music Publishing #3053315. Published by Musik Fabrik Music Publishing (A0.533845). A setting of a poem in French by Tristan Corbières (1845-1875) for SATB chorus, and orchestra. The instrumentation is: 2220/2000/timp/3perc/hp/organ/strings. The work may be performed alone or together with the composer's two other owrks for chorus and orchestra (Ciels and Le Bois Amical). This is the chorus part, which contains a piano reduction, only. The orchestral parts are on rental from the publisher. The score, is available for sale. Ronel Il fait noir, enfant, voleur d'étincelles ! Il n'est plus de nuits, il n'est plus de jours ; Dors... en attendant venir toutes celles Qui disaient : Jamais ! Qui disaient : Toujours ! Entends-tu leurs pas ?... Ils ne sont pas lourds : Oh ! les pieds légers ! – l'Amour a des ailes... Il fait noir, enfant, voleur d'étincelles ! Entends-tu leurs voix ?... Les caveaux sont sourds. Dors : Il pèse peu, ton faix d'immortelles : Ils ne viendront pas, tes amis les ours, Jeter leur pavé sur tes demoiselles... Il fait noir, enfant, voleur d'étincelles ! English translation It is Dark, child, thief of sparks! There are no longer nights, There are no longer days Sleep..waiting for those who say never, who say always, to arrive Do you hear their footsteps? They are not heavy. Oh, the light steps! Love has wings... It is Dark, child, thief of sparks! Do you hear their voices? The tombs are silent. Sleep, it weighs little, your weight of dried flowers They will not come, your friends the bears, to throw their cobblestone on your fireflies It is Dark, child, thief of sparks! Translation © 2008 by Paul Wehage
$2.50
2.31 €
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Orchestra
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Therese Brenet
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Dors
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Thérèse Brenet: Rondel for SATB chorus, orchestra and organ,chorus part
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Musik Fabrik Music Publishing
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SheetMusicPlus
Thérèse Brenet: Ciels for SATB chorus, orchestra and organ, study score
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.533842 Composed by Therese Bren…
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Full Orchestra - Level 5 - Digital Download SKU: A0.533842 Composed by Therese Brenet. Contemporary. Score and parts. 14 pages. Musik Fabrik Music Publishing #3053307. Published by Musik Fabrik Music Publishing (A0.533842). This work is a setting of a poem by Germain Nouveau (1851-1920) The orchestration is for 2222/2220/timb/2perc/hp/organ/strings. This is the score only. The orchestral parts are available on rental from the publisher. The chorus part, which includes a piano reduction, is for sale. The work may be performed with composer's two other works for chous and orchestra (Rondel and Le Bois Amical) or alone.CielsAutour de la jeune église,Par les près et les clôturesEt les vieilles routes pures,La nuit comme une eau s’épuiseC’est l’aube toute divineEt la plage violette,Avec des voiles en fêtesAu ciel tel qu’une marine.Guerre et semaille, avalancheDe nos thèmes et de nos mythes,Par les labours sans limitesSommeillent pour les revanchesMais le sang petit et pâleQue l’aurore a dans les veines,Ô Seigneur ! est-ce nos peinesOu votre pitié fatale?Nos voeux des vôtres sont frères,Vous tous dont le coeur murmureDepuis l’ancienne aventure :Montez, Aubes et Colères !
$16.95
15.68 €
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Orchestra
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Therese Brenet
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Thérèse Brenet: Ciels for SATB chorus, orchestra and organ, study score
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Musik Fabrik Music Publishing
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SheetMusicPlus
Maestoso, from Symphony #3 "Organ"
Orchestra
Organ, Brass Quintet, Timpani, (2 B-flat (or C) Trumpets, Horn, Trombone, Tuba and Organ, …
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Organ, Brass Quintet, Timpani, (2 B-flat (or C) Trumpets, Horn, Trombone, Tuba and Organ, with optional Timpani, Cymbal and Piano parts) - Advanced Intermediate - Digital Download Composed by Camille Saint-Saens (1835-1921). Arranged by Craig Garner. Romantic Period, General Worship. Score, Set of Parts. 63 pages. Published by Dorm 40 Music
$25.00
23.12 €
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Orchestra
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Camille Saint-Saens
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Maestoso, from Symphony #3 "Organ"
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Dorm 40 Music
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SheetMusicPlus
Missa Solemnis, op. 27 (parts)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1277141 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277141 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Score and Parts. 282 pages. Adrian Gagiu #868829. Published by Adrian Gagiu (A0.1277141). Missa Solemnis in B major, op. 27 (orchestral parts). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque” (which would still fit the rhythm of the repeated „qui ex Patre”, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nations”, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the King of Kings), „rex caelestis” and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis” gesture at „Gloria in excelsis Deo”, „et ascendit in caelis”, „in remissionem peccatorum” and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus est”, a cross-shaped texture at „crucifixus”, and some word-painting (hushed sonorities at „et invisibilium”, anticipations between orchestra and chorus at „et exspecto” etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie” is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria” begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo” has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange lingua”, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria” and „Credo” end with extended, powerful and elaborate fugues („in gloria Dei Patris” and „et vitam venturi saeculi”, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei” end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctus”). „Judicare” quotes the beginning of the well-known „Dies irae” plainchant tune, and the Consecration between the „Sanctus” and „Benedictus” sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Dei”, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi” and „dona nobis pacem”). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison” theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$160.00
148 €
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Orchestra
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Missa Solemnis, op. 27 - Score Only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque” (which would still fit the rhythm of the repeated „qui ex Patre”, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nations”, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the King of Kings), „rex caelestis” and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis” gesture at „Gloria in excelsis Deo”, „et ascendit in caelis”, „in remissionem peccatorum” and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus est”, a cross-shaped texture at „crucifixus”, and some word-painting (hushed sonorities at „et invisibilium”, anticipations between orchestra and chorus at „et exspecto” etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie” is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria” begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo” has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange lingua”, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria” and „Credo” end with extended, powerful and elaborate fugues („in gloria Dei Patris” and „et vitam venturi saeculi”, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei” end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctus”). „Judicare” quotes the beginning of the well-known „Dies irae” plainchant tune, and the Consecration between the „Sanctus” and „Benedictus” sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Dei”, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi” and „dona nobis pacem”). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison” theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$85.99
79.54 €
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Orchestra
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score Only
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Adrian Gagiu
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SheetMusicPlus
"Te Deum", op. 5 - Score Only
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1203852 By Adrian Gagiu. By Adr…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1203852 By Adrian Gagiu. By Adrian Gagiu. Arranged by Adrian Gagiu. 20th Century,Baroque,Christian,Classical,Sacred. 133 pages. Adrian Gagiu #802408. Published by Adrian Gagiu (A0.1203852). Neo-Baroque, medium-sized, large scale composition for 4 vocal soloists, mixed chorus in 4 to 8 parts, and full orchestra with organ, setting the traditional canticle text, mostly with church modes and alternating polyphonic intricacies with solemn, intense or profound moments. It would work both for worship and in concert, as it includes powerful outbursts, elaborate counterpoint, and also soft and humble moments, while avoiding any harsh excesses of modernism. Total duration: 46 min. Performing Rights Organization: SOCAN. The audio sample is the 5th movement. The first two choruses, in 4 parts, follow the general outline of the Baroque French overture: a solemn introduction followed by an elaborate fugue. The 3rd movement is a solemn arioso for bass, followed by a grand chorus in 4 and 5 parts. The 4th movement is an arioso for tenor, followed by a complex chorus in 5 parts. The 5th movement is a suite of two ariosos for alto and soprano, followed by a grand, but brief chorus in 6 parts, and then by a mysterious instrumental evocation of the Last Judgment. The 6th movement is a vocal quartet a cappella, based on a well-known Orthodox hymn and alternated with a refrain for chorus in 7 parts and organ, then followed by a grand choral complex ended in humble supplication. The final, 7th movement is a grand motet for double chorus and orchestra, with four themes more and more intricately combined, up to the majestic coda treated in quadruple counterpoint.
$49.99
46.24 €
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Orchestra
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Adrian Gagiu
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"Te Deum", op. 5 - Score Only
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Adrian Gagiu
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SheetMusicPlus
Handel Hallelujah Chorus From Messiah
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.1385189 By Artyfile. By George …
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Full Orchestra - Level 2 - Digital Download SKU: A0.1385189 By Artyfile. By George Frideric Handel. Arranged by Paul Lorenz. Baroque,Christian,Classical,Praise and Worship,Religious. 74 pages. Paul Lorenz #969195. Published by Paul Lorenz (A0.1385189). Elevate Your Performance with Handel's Hallelujah Chorus Sheet Music A Timeless Masterpiece Awaits Dive into the magnificence of George Frideric Handel's most celebrated work, the Hallelujah Chorus from Messiah. At Paul Lorenz Music, we offer an unparalleled selection of the Hallelujah Chorus choral sheet music, crafted for choirs and musicians who aim for excellence. Our meticulously prepared editions ensure that every crescendo and every harmony of this baroque masterpiece resonates with audiences and performers alike. Accessible Excellence for Every Musician Whether you're a solo artist looking for Hallelujah Chorus from Messiah sheet music or an ensemble seeking to captivate with Handel's baroque splendor, our collection spans from Hallelujah chorus piano sheet music to full orchestral scores. Discover our Hallelujah Handel PDF and Hallelujah Chorus Handel PDF editions, offering crystal-clear notations for a seamless performance experience. Immerse in the Baroque Brilliance For organists, the Hallelujah Chorus organ PDF provides the foundation for a powerful and moving rendition, bringing Handel's vision to life with every note. Choirs can elevate their performance with our Hallelujah Chorus SATB sheet music, designed for soprano, alto, tenor, and bass voices to blend harmoniously in this epic chorus. Full Scores for Complete Mastery Achieve a deeper understanding and a more impactful performance with the Hallelujah Chorus full score PDF. This comprehensive resource is perfect for conductors and music directors aiming to explore Handel's intricate musical architecture, ensuring a performance that is both authentic and profound.
$99.99
92.49 €
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Orchestra
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Artyfile
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Handel Hallelujah Chorus From Messiah
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Paul Lorenz
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SheetMusicPlus
Symphony No. 3 in A minor, op. 17
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
194.25 €
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Orchestra
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Adrian Gagiu
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Symphony No. 3 in A minor, op. 17
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Adrian Gagiu
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SheetMusicPlus
Adeste Fideles for soprano, tenore and orchestra
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.865286 Composed by J. F. Wade. …
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Full Orchestra - Level 2 - Digital Download SKU: A0.865286 Composed by J. F. Wade. Arranged by Stefano Pagotto. Christian,Christmas,Sacred,Standards,World. Score and parts. 24 pages. Stefano Pagotto #3411669. Published by Stefano Pagotto (A0.865286). Arrangement for soprano, tenore and orchestra of the famous Christmas Song. Organic: flute, oboe, english horn, 2 clarinets, bassoon, horn in F, 2 trumpets, glockenspiel, organ and strings
$25.00
23.12 €
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Orchestra
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J
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Adeste Fideles for soprano, tenore and orchestra
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Stefano Pagotto
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SheetMusicPlus
Ite Missa Est for orchestra (Score and Parts)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.576916 Composed by David Warin …
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Full Orchestra - Level 4 - Digital Download SKU: A0.576916 Composed by David Warin Solomons. Christian,Contemporary. Score and parts. 48 pages. David Warin Solomons #519345. Published by David Warin Solomons (A0.576916). This is based on the Organ Voluntary that was originally written for the mass for men's voices and organ. It is intended as an optional finale for the Mass for choir and orchestra (also available on this site), but it can also be performed as a separate item. The themes of the choral setting of the mass are taken up by the orchestra, leading to a musical mix reminiscent in some places of film soundtracks. The congregation is blessed by the priest and leave the church in exuberant mood with the music of the Mass ringing in their ears in this orchestral extravaganza. The sound sample is an electronic preview but a professional live recording is expected soon. The pdf file contains score and parts. The score on its own is also available on this site. The Mass for choir and orchestra itself, and also the original versions for men's voices and organ and for sopranos, altos, men's voices and organ are also available on this site.
$15.00
13.87 €
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Orchestra
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David Warin Solomons
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Ite Missa Est for orchestra
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David Warin Solomons
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SheetMusicPlus
Ite Missa Est for orchestra (Score only)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.576915 Composed by David Warin …
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Full Orchestra - Level 4 - Digital Download SKU: A0.576915 Composed by David Warin Solomons. Christian,Contemporary. Score and parts. 17 pages. David Warin Solomons #519341. Published by David Warin Solomons (A0.576915). This is based on the Organ Voluntary that was originally written for the mass for men's voices and organ. It is intended as an optional finale for the Mass for choir and orchestra (also available on this site), but it can also be performed as a separate item. The themes of the choral setting of the mass are taken up by the orchestra, leading to a musical mix reminiscent in some places of film soundtracks. The congregation is blessed by the priest and leave the church in exuberant mood with the music of the Mass ringing in their ears in this orchestral extravaganza. The sound sample is an electronic preview but a professional live recording is expected soon. The pdf file contains just the score. The score with parts is also available on this site. The Mass for choir and orchestra itself, and also the original versions for men's voices and organ and for sopranos, altos, men's voices and organ are also available on this site.
$7.00
6.47 €
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Orchestra
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David Warin Solomons
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Ite Missa Est for orchestra
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David Warin Solomons
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SheetMusicPlus
Let All Mortal Flesh Keep Silence--Parts.pdf
Orchestra
Full Orchestra - Digital Download SKU: A0.809487 Composed by Traditional. Arranged …
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Full Orchestra - Digital Download SKU: A0.809487 Composed by Traditional. Arranged by Marilyn Thompsona. Christian,Christmas,Sacred. Score and parts. 24 pages. Marilyn Thompson #6022115. Published by Marilyn Thompson (A0.809487). A majestic choral carol expressing awe and wonder at the birth of the Christ child. Beginning softly and simply, it soars to a grand resounding finale. Parts include separate Piano and Organ parts. Score and Octavo with just piano and organ are available on other posts. Also available is a separate piano/organ duet that stands alone or can be played with orchestra accompaniment. For further information contact marilyn@mtmusicministries.com ASCAP
$19.99
18.49 €
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Orchestra
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Traditional
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Let All Mortal Flesh Keep Silence--Parts.pdf
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Marilyn Thompson
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SheetMusicPlus
Praise the Lord with Drums and Cymbals
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.759426 Composed by Sigfrid Karg…
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Full Orchestra - Level 5 - Digital Download SKU: A0.759426 Composed by Sigfrid Karg-Elert. Arranged by Tim Olt. 20th Century,Romantic Period. Score and parts. 47 pages. Olt Music #6438347. Published by Olt Music (A0.759426). Much like the Grand Choeur Dialogue of Eugene Gigout, this work was originally for organ alone, but has gained popularity as an antiphonal work for brass and organ. This setting takes that one further, utilizing the full orchestra juxtapositioned with the organ for a true tour-de-force. This will blow the audience out of their seats!
$100.00
92.5 €
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Orchestra
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Sigfrid Karg-Elert
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Praise the Lord with Drums and Cymbals
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Olt Music
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SheetMusicPlus
I Believe In Dog
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1004946 Composed by Rob Birdwel…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1004946 Composed by Rob Birdwell. Contemporary,Film/TV,Pop,World. Score and parts. 57 pages. Birdwell Music LLC #4634031. Published by Birdwell Music LLC (A0.1004946). Full symphonic underscore for a poem dedicated to all Dogs in the world. It's a sentimental offering, but one intended to raise awareness of the need to support organizations that shelter and care for animals in order to find them homes where they can live long, happy and healthy lives.The musical underscore starts off dramatic but soon becomes more atmospheric to underscore the poem. The poem is timed somewhat to the music, however, each reader will offer their own interpretation and cadence to fit within the overall fabric of the music. The score is particularly suited for professional orchestras especially since it calls for two harpists and a full compliment of strings, winds, and brass, and a variety of interesting percussion. Everything about the score is intended to underscore the poem reader, so dynamics are generally soft and the score will work and sound great even with orchestras lacking some of the instrumentation.Portions of all proceeds from sales of this score will be donated to charities supporting the care of Dogs, Cats, and other animals and it is the composer's/poet's wish that live performances will make the most of the symphonic hall setting to encourage others to donate generously to organizations that promote animal well-being.
$75.00
69.37 €
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Orchestra
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Rob Birdwell
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I Believe In Dog
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Birdwell Music LLC
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SheetMusicPlus
The Great Cathedral
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.995852 Composed by Andrew Straw…
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Full Orchestra - Level 4 - Digital Download SKU: A0.995852 Composed by Andrew Strawn. Contemporary,Romantic Period. Score and parts. 125 pages. Andrew Strawn #4726553. Published by Andrew Strawn (A0.995852). Dedicated to the Notre Dame Cathedral in Paris which caught fire during the writing of this piece. The Great Cathedral is a long-anticipated work. I have had the primary chorale melody for nearly a year prior to the time of publication. So it seems rather overdue to complete it. Being the first large work for orchestra I have composed in a while, it was certainly a challenge. Nevertheless, this piece has come together just as I wanted it to. Written for full orchestra, choir, harp, piano, and organ, The Great Cathedral is a colossal work. It features the principal violinist and travels through a variety of orchestrations. From a French revolution-style march, swelling chorales, fugal expositions, and dissonate sforzandos this piece transforms the primary melody across the score. I am proud to have finally completed this work and I hope you enjoy, The Great Cathedral. In the event a choir is unavailable, choir parts have been cued in the organ. The organ would then play on a reed setting.Includes a legal-sized score and a letter-sized set of parts.
$55.00
50.87 €
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Orchestra
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Andrew Strawn
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The Great Cathedral
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Andrew Strawn
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SheetMusicPlus
Mass for choir and orchestra (Score and parts)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.576914 Composed by David Warin …
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Full Orchestra - Level 4 - Digital Download SKU: A0.576914 Composed by David Warin Solomons. 20th Century,Christian,Contemporary,Sacred. Score and parts. 70 pages. David Warin Solomons #519335. Published by David Warin Solomons (A0.576914). Setting of the Kyrie, Gloria, Sanctus, Benedictus and Agnus Dei for SATB choir and full orchestra based on my mass for men's voices and organ (which can be found on: http://www.dwsolo.com/serif/massformensvoices.html ) The style is lyrical and neo-classical with a few hints of oriental modes (full of Eastern promise as a member of the congregation said when the original version was performed in Manchester). The sound sample is an electronic preview but a professional live recording is expected soon. The pdf file contains score and parts (with the Choir part as a complete SATB score). The score on its own is also available on this site. The optional orchestral finale Ite Missa Est and the original versions for men's voices and organ and for sopranos, altos, men's voices and organ are also available on this site.
$25.00
23.12 €
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Orchestra
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David Warin Solomons
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Mass for choir and orchestra
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David Warin Solomons
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SheetMusicPlus
"Eternal Monarch of the Sky" from JOSEPH & HIS BRETHREN (1743)
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1348242 Composed by G. F. Hande…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1348242 Composed by G. F. Handel/W. T. Best. Arranged by Paul Ferington. Baroque,Christian,Classical,Religious,Sacred. 25 pages. Paul K Ferington #933037. Published by Paul K Ferington (A0.1348242). A stately and dignified orchestral transcription (2:50) of Handel's final Chorus from JOSEPH AND HIS BRETHREN (1743) from the organ adaptation by W. T. Best; work includes chordal opening followed by brief fugal section; excellent introduction to fugal orchestral writing. Instrumentation 2/1/2+bcl/1 2/2/2/1 Timpani, Strings and opt. Organ; most suitable for Church, community or high school orchestra. For general all-year use as opening overture, voluntary, prelude, or postlude. Incorporation of Organ highly recommended but not required.
$24.95
23.08 €
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Orchestra
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G
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"Eternal Monarch of the Sky" from JOSEPH & HIS BRETHREN
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Paul K Ferington
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SheetMusicPlus
"Rejoice the Lord is King" [Darwall] for Orchestra (in C)
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.982383 Composed by Henry Colema…
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Full Orchestra - Level 2 - Digital Download SKU: A0.982383 Composed by Henry Coleman. Arranged by Paul Ferington. Christian,Easter,Romantic Period,Sacred. Score and parts. 50 pages. Paul K Ferington #6735831. Published by Paul K Ferington (A0.982383). An orchestral setting of the 1933 organ work by Henry Coleman, celebrating the hymn tune DARWALL Rejoice the Lord is King and Ye Holy Angels Bright; excellent Voluntary / Prelude or Postlude (2:15) for Orchestra and optional Organ. Instrumentation: 2/1/2+BC/1 2/2/2/1 Timp/Bells/Organ + Strings (setting also available in Eb Major).
$10.95
10.13 €
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Orchestra
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Henry Coleman
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"Rejoice the Lord is King" [Darwall] for Orchestra
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Paul K Ferington
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SheetMusicPlus
"Rejoice the Lord is King" [Darwall] for Orchestra (in Eb)
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.982381 Composed by Henry Colema…
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Full Orchestra - Level 2 - Digital Download SKU: A0.982381 Composed by Henry Coleman. Arranged by Paul Ferington. Easter,Praise & Worship,Romantic Period,Sacred. Score and parts. 25 pages. Paul K Ferington #6735765. Published by Paul K Ferington (A0.982381). An orchestral setting of the 1933 organ work by Henry Coleman, celebrating the hymn tune DARWALL Rejoice the Lord is King and Ye Holy Angels Bright; excellent Voluntary / Prelude or Postlude (2:15) for Orchestra and optional Organ. Instrumentation: 2/1/2+BC/1 2/2/2/1 Timp/Bells/Organ + Strings (setting also available in C Major).
$10.95
10.13 €
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Orchestra
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Henry Coleman
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"Rejoice the Lord is King" [Darwall] for Orchestra
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Paul K Ferington
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SheetMusicPlus
Mass for choir and orchestra (Score only)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.576913 Composed by David Warin …
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Full Orchestra - Level 4 - Digital Download SKU: A0.576913 Composed by David Warin Solomons. 20th Century,Christian,Contemporary,Sacred. Score and parts. 20 pages. David Warin Solomons #519333. Published by David Warin Solomons (A0.576913). Setting of the Kyrie, Gloria, Sanctus, Benedictus and Agnus Dei for SATB choir and full orchestra based on my mass for men's voices and organ (which can be found on: http://www.dwsolo.com/serif/massformensvoices.html ) The style is lyrical and neo-classical with a few hints of oriental modes (full of Eastern promise as a member of the congregation said when the original version was performed in Manchester). The sound sample is an electronic preview but a professional live recording is expected soon. The pdf file contains just the score. The score with parts is also available on this site. The optional orchestral finale Ite Missa Est and the original versions for men's voices and organ and for sopranos, altos, men's voices and organ are also available on this site.
$10.00
9.25 €
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Orchestra
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David Warin Solomons
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Mass for choir and orchestra
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David Warin Solomons
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SheetMusicPlus
Pomp and Circumstance March No 1 in D op.39
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1377034 Composed by Edward Elga…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1377034 Composed by Edward Elgar. Arranged by Marcus Martin. 20th Century,March,Patriotic,Praise and Worship. 99 pages. Cornelius Edition (uk) #961638. Published by Cornelius Edition (uk) (A0.1377034). This famous march, regularly performed at u.k. 'The Last Night of the Proms' was composed in 1901. The words 'Land of Hope and Glory' were added to the trio section in 1902 by A C Benson. This section is traditionally associated with USA high school and college graduation ceremonies. This version is for full symphony orchestra. 2 Piccolos, 2 Oboes, 2 Clarinets, 2 Bassoons, 4 horns, 2 Trumpets (or Cornets) 3 Trombones, Tuba, Organ, Harp, Percussion and Strings. However 2nd Piccolo, 3rd and 4th Horns, Harp and Organ are all 'ad lib' and in general the arrangement is effective with the omission of some of the other wind and brass at the conductor's discretion. A full score and all parts are included with alternative Bb parts for Clarinet and Trumpet.
$39.99
36.99 €
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Orchestra
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Edward Elgar
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Pomp and Circumstance March No 1 in D op.39
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Cornelius Edition
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SheetMusicPlus
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