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Sheetmusic to print
126 sheet music found
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126
Trio (from Paraphrases: “Mazurka”)
Guitar notes and tablatures
Guitar - Level 2 - Digital Download SKU: A0.692224 Composed by Aleksandr Borodin. A…
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Guitar - Level 2 - Digital Download SKU: A0.692224 Composed by Aleksandr Borodin. Arranged by Mark Phillips. Contemporary. Guitar Tab. 2 pages. A. J. Cornell Publications #6340573. Published by A. J. Cornell Publications (A0.692224). Borodin’s Trio (from Paraphrases: Mazurka) for easy classical guitar solo
$1.99
1.78 €
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Guitar notes and tablatures
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Aleksandr Borodin
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Trio
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A. J. Cornell Publications
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SheetMusicPlus
[Zuckerman] Paraphrases
Flute
Flute Solo - Digital Download SKU: A0.952792 Composed by Mark Zuckerman. 20th Centu…
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Flute Solo - Digital Download SKU: A0.952792 Composed by Mark Zuckerman. 20th Century,Contemporary. Individual part. 10 pages. American Composers Alliance Inc. #4623457. Published by American Composers Alliance Inc. (A0.952792). Scored for solo flute - PDF download includes score.
$7.95
7.1 €
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Flute
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Mark Zuckerman
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- PDF download includes score
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[Zuckerman] Paraphrases
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American Composers Alliance Inc.
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SheetMusicPlus
Trois Paraphrases
Organ
Sur "Veni creator spiritus". Composed by Naji Hakim (1955-). This edition: S…
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Sur "Veni creator spiritus". Composed by Naji Hakim (1955-). This edition: Sheet music. Downloadable. Duration 10 minutes. Schott Music - Digital #Q21181. Published by Schott Music - Digital
$17.99
16.07 €
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Organ
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Naji Hakim (1955-)
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Trois Paraphrases
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Schott Music - Digital
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SheetMusicPlus
5 PETITES PARAPHRASES OP.54
Organ
Composed by Serge Ollive. Contemporary Classical, Neo- Classical, Sacred, Etudes and …
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Composed by Serge Ollive. Contemporary Classical, Neo- Classical, Sacred, Etudes and Exercises, Repertoire. Score. 5 pages. Published by Serge Ollive
$5.95
5.31 €
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Organ
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Serge Ollive
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5 PETITES PARAPHRASES OP.54
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Serge Ollive
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SheetMusicPlus
Klarifications for Clarinet Choir
Clarinet Ensemble
Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 5 - Digital D…
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Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 5 - Digital Download SKU: A0.581881 Composed by John Gibson. Contemporary. 90 pages. JB Linear #3012617. Published by JB Linear (A0.581881). Klarifications for Clarinet Choir is a three movement piece for a large clarinet choir. It is set for Eb Soprano (one player), Bb clarinet 1-2-3, 2 alto clarinets, 2 bass clarinets, and Bb Contra. This would be best in a clarinet choir with at least two on a part in the Bb clarinet section. Here is what Margaret Thornhill wrote about this piece in The Clarinet magazine, June 2017: The dramatic first movement is a dialogue between an eefer (Eb clarinet) and the rest of the ensemble, incorporating paraphrases of excepts from Bach to Bizet. It is followed by a surprising second movement chorale with slap tongue, flutter tongue and finger popping intended to be individually miked. The final movement is an exciting montuno, including a section where each person can choose which riffs to play.The 1st movement, Canons Firing From an Ever Rising Staircase, Or, Heed the Effer's Frantic Calls To explain the title just a bit, the ever rising staircase is an aural trick that, if done precisely, sounds like the music keeps rising without really doing so. This was derived from what is called a Shepard's Tone. The canons firing are not cannons! The bass instruments play small sections of actual canons (like fancy rounds) written by J S Bach, Mozart, and others. Each time the solo Eb clarinet (the Effer) announces the coming canon firing in a frantic sort of way. The 2nd movement (Close Encounters with Basses) makes use of a number of unusual sounds on clarinet (or parts thereof) along with a few extended techniques that are fairly easy to play with the clear instructions provided. The altos, basses, and contra should be closely miked to be heard.The 3rd movement (Sometimes Free - A Montuno) starts off with a rich beat in the basses and gradually joined with the rest of the clarinets. In the montuno section there are 4 bar phrases each player can choose from to play during the 32 bars. They may choose what they will, either playing a different variation each time, using the same one each time, or choosing to not play for a particular 4 bar section. This is not a free improvisation, however! This is definitely for an advanced group of players. The 1st movement is also available separately. The sample recording uses Finale software in the 1st and 3rd movement, and John Gibson's recording of the 2nd movement.
$22.95
20.5 €
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Clarinet Ensemble
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John Gibson
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Klarifications for Clarinet Choir
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JB Linear
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SheetMusicPlus
Counterpoint Invariable
String Trio: 3 violins
String Ensemble,String Trio Violin - Level 5 - Digital Download SKU: A0.800316 Comp…
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String Ensemble,String Trio Violin - Level 5 - Digital Download SKU: A0.800316 Composed by Sarah Wallin Huff. Contemporary. Score and parts. 47 pages. Novel Soundtrax #32443. Published by Novel Soundtrax (A0.800316). Appears on Soul of the Machine by Navona Records. Completed in 2011, this complex and experimental work for violin trio consists of three movements: I. Intervallic Structure (Andante con moto) II. Tone and Color (Meno mosso) III. Urban Rhythm (Allegro ma non troppo) Based upon a strict and unvarying formula of patterns that are passed equally between the three violin parts, all three movements utilize this same precise structure of A, B, C, and Ostinato phrases. Each movement, however, while based upon the same formulaic set of patterns, vary by the material of the four phrases themselves; the phrases’ material is each based upon very different scales, depending on the particular movement’s character. Counterpoint Invariable is a successful thought-experiment, turned to driving and evocative emotional artwork, highlighting Wallin Huff's ongoing fascination with the logic of mechanical structure giving way to outward beauty. It is a true, fulfilling reward to perform and explore this work in its entirety.
$18.00
16.08 €
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String Trio: 3 violins
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Sarah Wallin Huff
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Counterpoint Invariable
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Novel Soundtrax
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SheetMusicPlus
Adages for Tuba/Euphonium Quartet
2 Euphoniums and 2 Tubas
Brass Ensemble Euphonium,Tuba - Level 5 - Digital Download SKU: A0.755334 Composed …
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Brass Ensemble Euphonium,Tuba - Level 5 - Digital Download SKU: A0.755334 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 48 pages. Sy Brandon #6607353. Published by Sy Brandon (A0.755334). I. The grass is always greener on the other side of the fence. The interpretation of this adage is that one always wants what someone else has instead of accepting one’s own uniqueness. During the movement, counterpoint is used to depict one instrument copying another. Towards the middle of the movement, tuba 2 eventually realizes its independence and states a bold melody of its own. The movement ends with the euphonium 1 playing its melody alone with pauses between the phrases as if looking over its shoulder wondering where the other musicians are. II. Absence makes the heart grow fonder. This setting represents a growing love despite the emptiness of being apart. Hollow intervals of fourths and fifths representing longing, occur at the beginning and end. A short love duet between two instruments occurs in the middle. III. Time flies when you are having fun. A rollicking six-eight meter is used to represent a children’s game of tag. There is a lot of alternation of short phrases as if one instrument is trying to tag the other and the other is trying to avoid being tagged. The dissonance and short accented notes represent taunting. IV. Every cloud has a silver lining. This movement is a prayer-like setting with alternation of minor and major harmonies representing the cloud and the silver lining respectively. V. He who hesitates is lost. This movement is very rhythmic and syncopated with the instruments alternating phrases in the manner of a call and response. It calls for split-second precision between the performers, therefore representing the adage. VI. A rolling stone gathers no moss. The last movement is a perpetual motion in a rolling six-eight meter. The musical ideas are very chromatic with the exception of main theme that appears first as a solo melody, then as several instruments together, and later as instruments in imitation. Towards the end, there are a few brief pauses and low accented notes as a life of activity has a few bumps along the way.
$9.99
8.92 €
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2 Euphoniums and 2 Tubas
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Sy Brandon
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Adages for Tuba/Euphonium Quartet
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Sy Brandon
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SheetMusicPlus
Horseshoe Curve
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.755129 Composed by Sy Brandon. …
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Full Orchestra - Level 4 - Digital Download SKU: A0.755129 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 157 pages. Sy Brandon #3397035. Published by Sy Brandon (A0.755129). Horseshoe Curve was composed for the Altoona Area High School Orchestra, Kelly Detwiller, director. This composition is in three movements. The first movement, Man Versus Nature, is moderate and intense, paying tribute to the designers and laborers for the Horseshoe Curve project. It uses parts of three railroad songs, Drill, Ye Tarriers by Thomas Casey, I’ve Been Working on the Railroad, and Dinah. The introduction uses phrases from I’ve Been Working on the Railroad that are disguised by ending on a different note than the traditional song. The main body of the movement uses phrases of Drill, Ye Tarriers that are interrupted by phrases of the other two songs as well as original material by the composer. It developes in intensity as the movement progresses, but ends softly, suggesting the ongoing labor of the project. The second movement, Doorway to the West is a celebration of the completion of the project. It uses She’ll Be Coming ’Round the Mountain in fragments, in canon, and as a basis for a hoe down and a waltz variation. The celebration becomes wild at the end as all ideas come together at once. The third movement, Growth and Opportunity is slow and expansive in the beginning with a quicker section at the end. It depicts the growth of Altoona as a result of Horseshoe Curve. The initial idea that appears in the celli is expanded and developed, therefore evolving into a constant stream of new, but related, ideas.The score prints on legal size paper and the parts on letter.
$39.99
35.72 €
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Orchestra
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Sy Brandon
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Horseshoe Curve
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Sy Brandon
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SheetMusicPlus
Berceuse et Pastorale for Trombone and Piano
Trombone and Piano
Piano,Trombone - Level 4 - Digital Download SKU: A0.792068 Composed by Germaine Tai…
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Piano,Trombone - Level 4 - Digital Download SKU: A0.792068 Composed by Germaine Tailleferre. Arranged by Sauer, Ralph. 20th Century. Score and part. 10 pages. Gordon Cherry #3091747. Published by Gordon Cherry (A0.792068). Ralph Sauer has arranged two lovely and contrasting short works by Germaine Tailleferre for Trombone and Piano. Tailleferre was the only female composer of the famous French Les Six. 1. Berceuse, originally for Violin and Piano lilts and floats in a calm and lyrical stream of dreamy phrases. 2. Pastorale originally for solo Piano is a playful movement in mixed meter alternating between legato and articulated phrases. Together they are total about 5 minutes in length and are appropriate for advanced performers.
$22.50
20.1 €
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Trombone and Piano
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Germaine Tailleferre
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Berceuse et Pastorale for Trombone and Piano
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Gordon Cherry
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SheetMusicPlus
Sinfonietta for Percussion Trio
Large Ensemble Bass Drum,Drums,Marimba,Multi-Percussion,Snare Drum,Vibraphone,Xylophone - …
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Large Ensemble Bass Drum,Drums,Marimba,Multi-Percussion,Snare Drum,Vibraphone,Xylophone - Level 5 - Digital Download SKU: A0.935386 Composed by Dan Heslink. Contemporary. Score and parts. 46 pages. Pharaoh Publications #6058011. Published by Pharaoh Publications (A0.935386). Sinfonietta composed by Dan Heslink Sinfonietta is a trio for vibraphone, marimba and percussion (xylophone, snare drum, and bass drum). Its expression is intended to be non-representational, presenting only an interesting technical construction in a suave formal organization. With the title the composer designates a single movement, with length and seriousness of expression approaching a symphonic movement. Its form approximates an expanded version of the classical sonata-allegro, dividing materials into three large sections. Beginning are the two main phrases of the principal theme, which establish patterns that are idiomatic throughout the movement. The first measure’s quartal harmonies divide into rhythms alternating the two hands, the right-hand posing a melody and the left-hand complementing it with harmony and rhythmic repetition. The phrase at measure 7 is a long-breathed melody for vibes accompanied by undulating chords in the marimba. A transition comprising highly qualitative rhythms (stated first by the marimba in m. 20.) has much identity. By measure 41, the transition has grown into a full secondary theme, one that is developed and repeated often throughout the movement. The exposition closes with a theme beginning in measure 51. It is announced by the vibes as another long-breathed melody unfolding over the active rhythm of the second theme. After a gradual dissipation, the development section starts at measure 92 with a new but related theme, heard first in the vibes. It offers a different key and an expressive melody slowly unfolding over rhythmically active harmonies. The remainder of this middle section explores nuances of the secondary and closing themes, and ultimately leads to the movement’s first climax. It eventually dissipates through a gradual reduction of density and tempo. The Reprise begins vigorously at m. 118 with statements of both the principal theme’s phrases. Then the second theme is transformed by the addition of bass drum strokes, which sets up a codetta. This section comprises a long crescendo on the new theme over a rhythmic tattoo derived from the second theme, and builds to a bold conclusion. Pedaling on the vibes is indicated with a solid bracket below the connected notes, and half pedaling with a dashed bracket. It is imperative that the percussion part be heard but not dominate. The performer is encouraged to experiment with a piccolo snare drum and 28 bass drum. Sinfonietta would serve equally well in a professional, college or advanced high school percussion recital. The composer assigns a difficulty level of medium difficult. Duration is 8:10. The composer, Dan Heslink, can be contacted at dan@dheslink.com.
$9.99
8.92 €
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measure 41, the transition has grown into a full secondary theme, one that is developed and repeated often throughout the movement
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Dan Heslink
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Sinfonietta for Percussion Trio
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Pharaoh Publications
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SheetMusicPlus
Lament for Trombone and Organ
Trombone, Organ
Instrumental Duet Instrumental Duet,Organ,Trombone - Level 5 - Digital Download SKU: A0…
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Instrumental Duet Instrumental Duet,Organ,Trombone - Level 5 - Digital Download SKU: A0.792536 Composed by Jeremy Kempton. 20th Century,Contemporary. Score and parts. 8 pages. Gordon Cherry #5008399. Published by Gordon Cherry (A0.792536). Lament for Trombone and Organ by composer Jeremy Niles Kempton is a serious and lyrical work of about 6 minutes in length for advanced performers. The original version is for trombone and string orchestra. It was composed and performed within a 2 week period at a memorial concert given for Helen Manheim, a violist in Mr. Kempton's Island Chamber Symphony on Long Island, NY. Ms Manheim died rather suddenly and her passing left the composer with a deep feeling of regret at having taken her and so many other ICS musicians for granted. The piece consists of 3 lengthy phrases. The first epitomizes the grief at her passing. The 2nd presents her life and consists of 3 phrases, all starting the same but each striving higher. The final section is her legacy, what she leaves behind. Orchestral score and parts are available form Cherry Classics. The live performance features Mr. Kempton on the trombone.
$20.00
17.86 €
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Trombone, Organ
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Jeremy Kempton
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Lament for Trombone and Organ
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Gordon Cherry
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SheetMusicPlus
Funny Like a Monkey for piano quartet
Piano Quartet: piano, violin, viola, cello
Piano Quartet,String Ensemble - Level 5 - Digital Download SKU: A0.987845 Composed …
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Piano Quartet,String Ensemble - Level 5 - Digital Download SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert M. Greenberg #90267. Published by Robert M. Greenberg (A0.987845). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: movement 1: https://www.youtube.com/watch?v=abie7jcHVA0 movement 2: https://www.youtube.com/watch?v=b__yWnl7LcU movement 3: https://www.youtube.com/watch?v=_8V3g4AC0eM Duration: ca. 17 minutes Year of composition: 2001 Program Note: I. Knock Yourself Out II. Flutterby III. Morph (with apologies to J. B.) Funny Like a Monkey is one of the many phrases coined by my then 16 year-old daughter in order to address the actions and well-intended attempts at humor by both her younger brother and her hopelessly antiquated father. What I love about these phrases – of which Funny Like a Monkey is but one of many – is their use of nonsequitur elevated to high verbal art. They are at once biting and humorous, and are filled with the sort of over-the-top verbal bravado that only a teenager, as the self-acknowledged epitome of hip, can get away with. Though Funny Like a Monkey is scored as a traditional piano quartet, it is in reality composed for string trio PLUS piano. Along with being part of the larger ensemble, the piano has a featured role in the piece: it is narrator, commentator, curmudgeon, critic, and emcee, as it introduces and comments upon the relative merits of the musical materials that comprise the work. The first movement is entitled Knock Yourself Out. The movement’s energy and exuberance, as well as its mercurial-shift-on-a-dime nature is a rather personal reference to the dedicatee. The second movement is entitled Flutterby. A spoonerism created (or at least favored) by my daughter, the reference is to a sort of macro- butterfly, a mega-mariposa, if you will, one of extraordinary beauty and delicacy that floats and drifts and shimmers in some imagined place. The third movement, Morph, With Apologies to J.B. refers to the rather obvious fact that the music keeps morphing in and out of the finale of Johannes Brahms’ (J.B.’s) Piano Quartet in G Minor, Op. 25. I’m crazy about Brahms’ piano quartets, and I have surrendered to the urge to mess with his pitch collections and thematic motives. The movement, with its musical puns, metamorphoses, and attempts at humor, is a perfect example of what might be referred to as funny like a monkey. Funny . . . is dedicated, with love, to Rachel Amy Greenberg on the occasion of her 16th birthday.
$36.00
32.15 €
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Piano Quartet: piano, violin, viola, cello
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Robert M
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Funny Like a Monkey for piano quartet
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Robert M. Greenberg
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SheetMusicPlus
Debussy - The Girl with the Flaxen Hair for Wind Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.74…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.748745 Arranged by Lin Yizhi Ernest. 20th Century. Score and parts. 10 pages. Lin Yizhi Ernest #6609931. Published by Lin Yizhi Ernest (A0.748745). Debussy's The Girl with the Flaxen Hair is an endearing piece and a great introduction to the musical world of Debussy. Every piano player would most probably be familiar with this piece, but not necessarily wind players. However, with this arrangement for Wind Quintet, the expressive voices of this piano piece are further explored by the colours of the Flute, Oboe, Clarinet, Horn and Bassoon.The opening solo is deliberately given to the flute, paying homage to another iconic piece of Debussy's, Prélude à l'après-midi d'un faune, which opens with a lower register flute solo starting with the same note Db.Conscious decisions were also made to give the phrases in bars 12-13 and 15-16 with larger melodic spreads to the Clarinet, whose expressive qualities across these ranges suit these phrases particularly well.The revisiting of the theme in bar 28, this time in a higher register, was deliberately given to the Oboe and not the flute (not every high register melodies needs to be assigned to the flute). Oboe's higher registers, when played delicately to the point of almost struggling to hang on to the higher notes, suit the sweetness (tre doux) of the solo passage particularly well.Not to forget the characteristic Debussy harmonies that is fully supported and suited to be powered by the French Horn and Bassoon. These lower voices provide the harmonic engine that powers this unmistakable Debussy sound.Truly, this arrangement is a challenge and masterclass in tone colour for the Wind Quintet that demands a simultaneous homogeneity, as well as balance that brings out the Debussy sound, yet allowing each of the characteristics of the Wind instruments to shine through.
$18.00
16.08 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Debussy - The Girl with the Flaxen Hair for Wind Quintet
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Lin Yizhi Ernest
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SheetMusicPlus
Abigail's Song (silence Is All You Know)
Choral 3-part
Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.923476 Composed by Murray G…
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Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.923476 Composed by Murray Gold. Arranged by Jenny Walker. Contemporary. Octavo. 8 pages. J Walker #6658883. Published by J Walker (A0.923476). This beautiful yet simple song was used as the soundtrack for the Doctor Who episode A Christmas Carol. It was released in the United Kingdom on 21 March 2011 and digitally in the United States on 22 November 2011. The singer, Katherine Jenkins made it famous and it became known as Abigail's Song. This is a work that is very accessible to a female choir, with many repeated phrases. .
$2.99
2.67 €
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Choral 3-part
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Murray Gold
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Abigail's Song
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J Walker
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SheetMusicPlus
Moon Song - for cello and piano
Cello, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.926828 Composed by Robert Jeffery.…
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Cello,Piano - Level 3 - Digital Download SKU: A0.926828 Composed by Robert Jeffery. Contemporary. Score and part. 3 pages. Robert Jeffery Music #3566557. Published by Robert Jeffery Music (A0.926828). Duration: approx 3 mins.Difficulty: IntermediateA short piece for cello and piano, well suited to school level performers who are looking for an evocative, dramatic yet tuneful addition to their repertoire. The Moon Song has also worked very well as accompaniment for one or more contemporary dancers.The piece is written in a flamenco rhythm called siguiriyas. It may look complicated on the page, but is counted more simply in 5 beats, with three short and two long beats: [1] and [2] and [3] and uh [4] and uh [5] and In this case, the 1, 2, and 5 are the short beats and the 3 and 4 are long beats. This pattern repeats regularly throughout the piece, though there are a couple of extra bars interspersed to allow for breathing space at the end of certain phrases.The piece was inspired by the early 20th century Spanish poet Federico Garcia Lorca's poem of the same name, hence the use of the flamenco rhythm. The poem's dark, moody nature fits the cello's character very well.
$8.99
8.03 €
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Cello, Piano
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Robert Jeffery
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Moon Song - for cello and piano
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Robert Jeffery Music
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SheetMusicPlus
That Lonesome Road
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.927826 Composed by Don Gro…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.927826 Composed by Don Grolnick and James Taylor. Arranged by EDDY CLEMENT. Contemporary. Octavo. 5 pages. Eddy Clement #5869653. Published by Eddy Clement (A0.927826). This classic James Taylor Folk song evokes imagery of travel, internal reflection and sadness. Beautifully simple in melodic and harmonic structure, this arrangement capitalizes on solid choral technique to convey the timeless message. The arrangement can be easily mastered by groups from Middle and High School through Community and Professional choruses. An optional Solo opportunity in Verse 2 is followed by a contrapuntal bridge relaxing into an elegant Unison Verse 3. The ending is reminiscent of the opening phrases and utilizes a final chord (optional) T1 divisi. Rehearsal Piano staff helps while learning of parts and chords. ALSO AVAILABLE: TBB. and SSA.
$2.95
2.63 €
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Choral TTBB
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Don Grolnick and James Taylor
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That Lonesome Road
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Eddy Clement
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SheetMusicPlus
After You've Gone
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.794131 Composed by Turner La…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.794131 Composed by Turner Layton. Arranged by Dave Gingras and John E. Dosher. Contemporary. Score. 2 pages. DAVID LEE GINGRAS #6570355. Published by DAVID LEE GINGRAS (A0.794131). After You've Gone is a 1918 popular song composed by Turner Layton with lyrics by Henry Creamer. It was recorded by Marion Harris on July 22, 1918, and released by Victor Records. The chorus adheres to a standard ABAC pattern but is only 20 measures long. There are four 4-bar phrases, followed by a 4 measure tag. The song is harmonically active, with chord changes almost every measure. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills for your listening (playing?) pleasure - we hope you like what we've done to make this arrangement unique!
$4.99
4.46 €
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Piano, Voice
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Turner Layton
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After You've Gone
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DAVID LEE GINGRAS
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SheetMusicPlus
Spiritual Adaptation to Higher Altitudes for clarinet and vibraphone
Instrumental Duet Clarinet,Instrumental Duet,Vibraphone - Digital Download SKU: A0.9805…
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Instrumental Duet Clarinet,Instrumental Duet,Vibraphone - Digital Download SKU: A0.980582 Composed by William Grosvenor Neil. Contemporary. Score and parts. 17 pages. TheComposerStudio.Com, LLC #3517735. Published by TheComposerStudio.Com, LLC (A0.980582). Spiritual Adaptation to Higher Altitudes (2018) (score & parts) is a beautiful work. Bursts of excitement and moments of dialogue punctuate the long, seamless phrases, inviting the musicians to explore the remarkably rich palette of colors created by this pairing. William Neil has created a truly unique, much-needed addition to the clarinet and percussion repertoire!- Dr. Corey MackeyProgram NotesI was introduced to rock climbing by chance years ago, allured by the solo adventure of the climb, the management of ropes and the feel of the rock under my feet and fingers. Then, there was the fear of heights that could take your breath away when you were exposed to the vast openness below you and the feeling that you were really not supposed to be this high off the ground. And when the wind blows and you watch an eagle or hawk drift by, perfectly comfortable souring at these heights, you realize the importance of mind control in making your ascent. Over the years, I have gained more mental discipline while climbing and my spirit has been strengthened by the visual experience of these broad and deep horizons. The poet Diana Syder said it well in her poem The Mountaineer: From this height it’s safe to scan the earth for bigger things. The climbs of life are its meaning. WN Information on the composer: www.williamneil.net Audio Sample: Corey Mackey, Clarinet, Keith Lienert, Vibraphone
$30.00
26.8 €
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William Grosvenor Neil
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parts) is a beautiful work
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Spiritual Adaptation to Higher Altitudes for clarinet and vibraphone
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TheComposerStudio.Com, LLC
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SheetMusicPlus
Hymn to the Light
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.853128 Composed by Hans-Andre Stamm…
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Piano Solo - Level 3 - Digital Download SKU: A0.853128 Composed by Hans-Andre Stamm. Contemporary. Score. 3 pages. Hans-Andre Stamm #3486129. Published by Hans-Andre Stamm (A0.853128). The romantic, choral-like melody line is continously lead through several phrases, repeated in an emphatic repetition and then ends quietly. Listen on Youtube: www.youtube.com/watch?v=2XaxFp72co4
$3.95
3.53 €
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Piano solo
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Hans-Andre Stamm
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Hymn to the Light
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Hans-Andre Stamm
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SheetMusicPlus
Never Alone
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.890450 Composed by Anthony…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.890450 Composed by Anthony Evans. Arranged by Kathleen McGuire. Contemporary. Octavo. 9 pages. Kathleen McGuire #5038557. Published by Kathleen McGuire (A0.890450). This high-energy, gospel-style arrangement from the motion picture Fame is a real crowd-pleaser. Arranged by Kathleen McGuire www.mcguiremusicworks.com, choirs of all backgrounds enjoy learning the harmonies, especially the break-down section with echo phrases and divided clapping rhythms. Also available in TTBB voicing. Duration: 4'25.
$2.50
2.23 €
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Choral SATB
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Anthony Evans
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Never Alone
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Kathleen McGuire
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SheetMusicPlus
Caught in a Computer Game
Choral 2-part
Choral Choir (SA) - Level 2 - Digital Download SKU: A0.827180 Composed by Katherine…
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Choral Choir (SA) - Level 2 - Digital Download SKU: A0.827180 Composed by Katherine Ruhle. Contemporary. Octavo. 8 pages. Katherine Louise Ruhle #4317121. Published by Katherine Louise Ruhle (A0.827180). What would it be like to be caught in a computer game? Exciting? Scary? Overwhelming? Find out with this cleverly written SA choral piece all about being caught in a computer game. Children will enjoy learning and performing this piece with all it's drama, excitement and interesting words. With it's simple part work, short singable phrases, contrasting sections and captivating piano accompaniment, Caught in a Computer Game, is sure to be a favourite with choirs, choral conductors and audiences around the world.
$2.50
2.23 €
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Choral 2-part
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Katherine Ruhle
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Exciting?
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Caught in a Computer Game
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Katherine Louise Ruhle
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SheetMusicPlus
Three Ivory Magnolia Fantasies
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.881230 Composed by Gary Powell Nash…
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Piano Solo - Level 5 - Digital Download SKU: A0.881230 Composed by Gary Powell Nash. Contemporary. Score. 31 pages. Gary Powell Nash #36467. Published by Gary Powell Nash (A0.881230). Three Ivory Magnolia Fantasies (2003) for piano solo is a three movement work largely inspired by Dr. Gary Powell Nash’s experiences in Mississippi as Associate Professor of Music at Mississippi Valley State University. Movement one, titled Buddy’s Path is a result of the two main premises of the movement which include blues riffs of Buddy Guy and Beethoven’s Pathetique Sonata. Buddy’s Path begins with a slow introduction and transitions to faster music. After section 2, the slow intro music returns and once again transitions to section 1 material, alluding to the formal structure from Movement 1 of the Pathetique Sonata. Movement two, titled Dedication, a slow movement is also ternary, with A, B, cadenza and A’. It begins with cadenza-like passages, using 32 note rhythms and then moves to slower paced music, with longer note values, although actually marked at a slightly faster tempo. The B section continues the slow paced music and progresses to a Chopin-like cadenza, which closes the B section. The A’ section returns to the slower paced music with longer note values. Movement three, titled Fast Blues on the Wall is based on a blues tune titled On the Wall, an upbeat and fast tempo tune demonstrating the barrelhouse blues tradition. Using a ternary design, the A and A’ sections of Fast Blues on the Wall feature a doubled twelve bar blues-like progression where the corresponding phrases in a standard twelve bar blues progression are doubled in regards to measure length.
$12.00
10.72 €
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Piano solo
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Gary Powell Nash
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Three Ivory Magnolia Fantasies
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Gary Powell Nash
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SheetMusicPlus
Snowy Waltz of Winter Solstice -Solo Piano Version
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.983141 Composed by M. S. Domhnaill.…
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Piano Solo - Level 4 - Digital Download SKU: A0.983141 Composed by M. S. Domhnaill. Christmas,Contemporary,New Age. Score. 5 pages. M. S. Domhnaill #3867691. Published by M. S. Domhnaill (A0.983141). Main piano phrases in A major.
$1.99
1.78 €
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Piano solo
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M
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Snowy Waltz of Winter Solstice -Solo Piano Version
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M. S. Domhnaill
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SheetMusicPlus
El viaje
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1032939 Composed by Jorge Santo…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1032939 Composed by Jorge Santos. Contemporary. Score and parts. 154 pages. Jorge Alberto Santos #5829165. Published by Jorge Alberto Santos (A0.1032939). This Music has been wrote for a Youth Orhestra Camp (Joven Orquesta y Coro de Centro América JOCCA) on september 2012 in Tegucigalpa, Honduras. It works good for advenced music students and professional orchestras. This music combines elements of contemporary music, Latin and jazz. It has refined textures, unexpected phrases, exiting rhythms. It can works as a film music too.
$19.99
17.85 €
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Orchestra
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Jorge Santos
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El viaje
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Jorge Alberto Santos
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SheetMusicPlus
Ogives
Recorder - Level 3 - Digital Download SKU: A0.835794 Composed by Erik Satie. Arrang…
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Recorder - Level 3 - Digital Download SKU: A0.835794 Composed by Erik Satie. Arranged by Paul Burnell. 20th Century. Recorder Ensemble. 44 pages. Paul Burnell #3451223. Published by Paul Burnell (A0.835794). Ogives, composed by Erik Satie (1866 - 1925), arranged for recorder ensemble by Paul Burnell 2012.Four movements. The download comprises two separate sets of scores and parts: Set one: Two Soprano Recorders, two Alto Recorders, Tenor Recorder, Bass Recorder, Great Bass RecorderSet two: Two Tenor Recorders, two Bass Recorders, Great Bass Recorder, Contrabass Recorder, Sub-Contrabass Recorder Optional: When played by a large ensemble, with more than one to a part, the solo/tutti indications in brackets may be observed. The original piano music was written without bar-lines, with each system consisting of a whole musical phrase. That feature has been maintained in this arrangement and the systems are consistently presented throughout the parts. Original dedications: J.P. Contamine de Latour (1867 - 1926) - poet Charles-Gaston Levadé (1869 -1948) - composer Madame Clément le Breton - to whom Satie also dedicated another early piece 'Valse ballet' Conrad Satie - brother of Erik Satie Programme note: An ogive is the curve that forms the outline of a pointed gothic arch. Erik Satie gave this title to a set of four piano miniatures published in 1886 at the beginning of his career. Their calm, slow melodies are built up from paired phrases reminiscent of plainchant. He wanted to evoke a large pipe organ reverberating in the depth of a cathedral, and achieved this sonority by using full harmonies, octave doubling and sharply contrasting dynamics.
$3.95
3.53 €
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Erik Satie
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Ogives
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Paul Burnell
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SheetMusicPlus
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