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You've Selected:
Richard Hirsch
Sheetmusic to print
23 sheet music found
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1
The John Dunbar Theme
Guitar notes and tablatures
Composed by John Barry. Arranged by Richard Hirsch. 20th Century, Classical, Contemp…
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Composed by John Barry. Arranged by Richard Hirsch. 20th Century, Classical, Contemporary, Film/TV, Instructional. Individual part. 5 pages. Richard Hirsch #717088. Published by Richard Hirsch
$5.99
5.65 €
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Guitar notes and tablatures
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John Barry
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The John Dunbar Theme
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Richard Hirsch
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SheetMusicPlus
The Entertainer
Guitar
Composed by Scott Joplin (1868-1917). Arranged by Richard Hirsch. Classical, Jazz, S…
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Composed by Scott Joplin (1868-1917). Arranged by Richard Hirsch. Classical, Jazz, Standards. Individual part. 5 pages. Richard Hirsch #165292. Published by Richard Hirsch
$4.99
4.71 €
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Guitar
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Scott Joplin (1868-1917)
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The Entertainer
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Richard Hirsch
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SheetMusicPlus
Norwegian Wood (this Bird Has Flown)
Guitar
By The Beatles. By John Lennon and Paul McCartney. Arranged by Richard Hirsch. 20th …
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By The Beatles. By John Lennon and Paul McCartney. Arranged by Richard Hirsch. 20th Century, Instructional, Pop, Standards. Individual part. 2 pages. Richard Hirsch #285593. Published by Richard Hirsch
$4.99
4.71 €
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Guitar
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The Beatles
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Norwegian Wood
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Richard Hirsch
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SheetMusicPlus
Freight Train
Guitar notes and tablatures
Composed by Elizabeth Cotten. Arranged by Richard Hirsch. Country, Folk, Instructional…
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Composed by Elizabeth Cotten. Arranged by Richard Hirsch. Country, Folk, Instructional, Standards, Traditional. Individual part. 10 pages. Richard Hirsch #648222. Published by Richard Hirsch
$4.99
4.71 €
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Guitar notes and tablatures
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Elizabeth Cotten
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Freight Train
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Richard Hirsch
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SheetMusicPlus
When I'm Sixty-four
Guitar
By The Beatles. By John Lennon and Paul McCartney. Arranged by Richard Hirsch. 20th …
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By The Beatles. By John Lennon and Paul McCartney. Arranged by Richard Hirsch. 20th Century, Instructional, Jazz, Pop, Standards. Individual part. 2 pages. Richard Hirsch #156594. Published by Richard Hirsch
$4.99
4.71 €
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Guitar
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The Beatles
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When I'm Sixty-four
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Richard Hirsch
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SheetMusicPlus
Amazing Grace
Guitar
Composed by Traditional. Arranged by Richard Hirsch. Praise & Worship, Sacred, S…
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Composed by Traditional. Arranged by Richard Hirsch. Praise & Worship, Sacred, Spiritual, Standards, Traditional. Individual part. 3 pages. Richard Hirsch #145021. Published by Richard Hirsch
$4.99
4.71 €
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Guitar
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Traditional
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Amazing Grace
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Richard Hirsch
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SheetMusicPlus
Santa Claus Is Comin' To Town
Guitar
By Michael Buble. By John Frederick Coots and Haven Gillespie. Arranged by Richard H…
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By Michael Buble. By John Frederick Coots and Haven Gillespie. Arranged by Richard Hirsch. 20th Century, Christmas, Instructional, Jazz, Pop. Individual part. 4 pages. Richard Hirsch #198544. Published by Richard Hirsch
$4.99
4.71 €
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Guitar
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Michael Buble
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Santa Claus Is Comin' To Town
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Richard Hirsch
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SheetMusicPlus
With A Little Help From My Friends
Guitar
By The Beatles. By John Lennon and Paul McCartney. Arranged by Richard Hirsch. Instr…
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By The Beatles. By John Lennon and Paul McCartney. Arranged by Richard Hirsch. Instructional, Jazz, Pop, Standards. Individual part. 4 pages. Richard Hirsch #156119. Published by Richard Hirsch
$4.99
4.71 €
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Guitar
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The Beatles
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With A Little Help From My Friends
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Richard Hirsch
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SheetMusicPlus
Here Comes The Sun
Guitar
By The Beatles. By George Harrison. Arranged by Richard Hirsch. 20th Century, Classi…
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By The Beatles. By George Harrison. Arranged by Richard Hirsch. 20th Century, Classical, Contemporary, Pop, Standards. Individual part. 5 pages. Richard Hirsch #135905. Published by Richard Hirsch
$4.99
4.71 €
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Guitar
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The Beatles
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Here Comes The Sun
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Richard Hirsch
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SheetMusicPlus
Si Dolce è ´l Tormento
Guitar
Composed by Claudio Monteverdi (1567-1643). Arranged by Richard Hirsch. Classical, R…
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Composed by Claudio Monteverdi (1567-1643). Arranged by Richard Hirsch. Classical, Renaissance. Individual part. 2 pages. Richard Hirsch #170981. Published by Richard Hirsch
$3.99
3.76 €
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Guitar
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Claudio Monteverdi (1567-1643)
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Si Dolce è ´l Tormento
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Richard Hirsch
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SheetMusicPlus
Eleanor Rigby
Guitar
By The Beatles. By John Lennon and Paul McCartney. Arranged by Richard Hirsch. 20th …
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By The Beatles. By John Lennon and Paul McCartney. Arranged by Richard Hirsch. 20th Century, Blues, Hip-Hop, Pop, R & B, Rock. Individual part. 5 pages. Richard Hirsch #157319. Published by Richard Hirsch
$4.99
4.71 €
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Guitar
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The Beatles
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B, Rock
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Eleanor Rigby
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Richard Hirsch
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SheetMusicPlus
Tanguillo de Cádiz
Guitar
Composed by Traditional. Arranged by Richard Hirsch. Folk, Instructional, Multicultu…
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Composed by Traditional. Arranged by Richard Hirsch. Folk, Instructional, Multicultural, Traditional, World. Individual part. 5 pages. Richard Hirsch #166523. Published by Richard Hirsch
$2.99
2.82 €
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Guitar
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Traditional
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Tanguillo de Cádiz
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Richard Hirsch
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SheetMusicPlus
Sol y Sombra
Guitar
Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditiona…
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Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 7 pages. Richard Hirsch #441703. Published by Richard Hirsch
An arrangement of traditional themes of the Flamenco style (palo) Alegrias de Baile (Alegrias for dance) that I acquired during my years of study with Juan González ?Triguito? in Madrid in the late 1960s. The title of the piece that contains bright and happy passages in A major and slower more somber passages in A minor is taken from the name of a popular alcoholic drink that is a mixture of clear anisette (sol) and cognac (sombra). The composition is meant to resemble an Alegrias played in accompaniment to the dance, often performed by a solo woman dancer (bailaora) in a beautifully coloured long flowing dress. The piece finishes with a Macho por Bulerías (finale) that is almost twice as fast as the passages in the introduction and middle parts. There is a long beautiful tremolo passage that rounds off the middle part before the jump into the finale. The piece is recommended for students of Flamenco guitar at the intermediate to advanced intermediate levels.
$4.99
4.71 €
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Guitar
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Traditional
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Sol y Sombra
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Richard Hirsch
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SheetMusicPlus
Hey Jude
Guitar notes and tablatures
By The Beatles. By John Lennon and Paul McCartney. Arranged by Richard Hirsch. 20th …
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By The Beatles. By John Lennon and Paul McCartney. Arranged by Richard Hirsch. 20th Century, Classical, Contemporary, Latin, Pop. Individual part. 12 pages. Richard Hirsch #689814. Published by Richard Hirsch
$6.99
6.59 €
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Guitar notes and tablatures
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The Beatles
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Hey Jude
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Richard Hirsch
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SheetMusicPlus
Cante de la Sierra
Guitar
Composed by Richard Hirsch. Multicultural, Traditional, World. Individual part. 14 p…
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Composed by Richard Hirsch. Multicultural, Traditional, World. Individual part. 14 pages. Richard Hirsch #692763. Published by Richard Hirsch
$6.99
6.59 €
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Guitar
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Richard Hirsch
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Cante de la Sierra
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Richard Hirsch
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SheetMusicPlus
Sonidos Negros
Guitar
Composed by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part…
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Composed by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 13 pages. Richard Hirsch #695686. Published by Richard Hirsch
A Flamenco guitar solo in the Tarantas style. The Tarantas is a free-flowing slow moving Fandango from the region of Almeria which was earlier a principal mining region of Spain. The style is therefore sometimes called Mineras. Tarantas has long been one of my favorite Flamenco pieces for the guitar. It is notated in the key of B minor, based on a so-called ?Andalusian? cadence consisting of the chords B minor - A major (open B and E) - G major (open B and E) - F# major (with open G, B, and E). These dark and indefinite sounding chords allow plenty of room for the guitarist to open up emotionally with the audience.The material for the piece consists mostly of traditional themes that I have woven into a compositional whole along with a few of my own creations (falsetas). Songs for Tarantas are often expressions of loss of a loved-one in some mining tragedy. The long legato passages demand a complete mastery of the technique and should be played as fluidly as possible. The fanning (abanico) rasqueados in the finish of the piece can be new to guitarists coming to Flamenco from classical guitar. Demonstrations of this type of rasqueado can be found at my YouTube sites: https://youtu.be/sB-rDGtXK34 and https://youtu.be/OVBbUZFIj2s. Another type of rasqueado used frequently in the piece is a soft four finger rasqueado (cami) preceded by and followed by a brush up and down over the strings with the thumb (p-camip), accompanied by legatos on the base strings.The piece is accessible for advanced intermediate to advanced guitarists. As the Tarantas is played sens mesure, not demanding any competence of special flamenco rhythms, it is also a flamenco piece readily playable by classical guitarists. Classical guitarists should however be aware that the thumb plays the dominant role even in the more melodic passages.
$6.99
6.59 €
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Guitar
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Richard Hirsch
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Sonidos Negros
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Richard Hirsch
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SheetMusicPlus
Fiesta de Jerez BulerÃÂas
Guitar
Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditiona…
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Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 8 pages. Richard Hirsch #322320. Published by Richard Hirsch
$4.99
4.71 €
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Guitar
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Traditional
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Fiesta de Jerez BulerÃÂas
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Richard Hirsch
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SheetMusicPlus
Llamas Negras Siguiriyas
Guitar
Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditiona…
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Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 7 pages. Richard Hirsch #309165. Published by Richard Hirsch
An arrangement of traditional themes for the Flamenco style Siguiriyas for solo Flamenco guitar based on material I gathered in my studies in Flamenco guitar in Madrid in the late 1960s. I call the piece Llamas Negras (Black Flames) as the dance for Siguiriyas is often performed by a woman dancer (bailaora) dressed in a long flowing black dress, her hands twirling above her head likes flames. Such were the performances I witnessed at the Flamenco tablao La Zambra where my guitar maestro Juan González ?Triguito? played. Siguiriyas is the most tragic of all the serious (jondo) styles of Flamenco for guitar. The piece moves therefore at a moderately slow pace, although there are passages where the tempo increases for dramatic effect. The piece is in the Phrygian modal of D minor and notated in standard 6/8 time. Siguiriyas embodies par excellence what Manuel de Falla called the ?sonidos negros? or black sounds in Flamenco!
$4.99
4.71 €
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Guitar
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Traditional
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Llamas Negras Siguiriyas
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Richard Hirsch
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SheetMusicPlus
Tientos
Guitar
Composed by Traditional. Arranged by Richard Hirsch. Folk, Instructional, Multicultu…
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Composed by Traditional. Arranged by Richard Hirsch. Folk, Instructional, Multicultural, Traditional, World. Individual part. 8 pages. Richard Hirsch #222095. Published by Richard Hirsch
An arrangement of the Flamenco style (palo) Tientos for solo acoustic guitar. The piece is based on traditional themes for the Tientos that I have expanded and elaborated on to weave together a self-contained composition that lies somewhere between Brahms? Hungarian Dances and Dvorak?s Slavic Dances. The composition is inspired by my studies with Juan González ?Triguito? in Madrid in the late 1960s. The Tientos belongs to the Tango family of Flamenco styles and is a slow majestic Flamenco rhythm that can reach great emotional depth in the hands of skilled guitarists. The Tientos is notated in standard 4/4 measures that although seemly simple can be deceptively complex because of the nearly inexhaustible possibilities for rhythmic variation. Lots of tapping can be found in the notation together with melody and chords, but also alone at rests which I leave in the notation. The tapping is perhaps a vestige of the African origin attributed to the Tango family of Flamenco palos. The arrangement ends with a finale (macho) that moves from the Tientos through a few bars of Tango to a finish in Rumba Gitana, the fastest and liveliest member of the Tango family.The Tientos is played in a Phrygian modal that moves from D minor through C and B-flat to A or A7. This variant of the so-called Andalusian cadence is typical for gitano Flamenco palos.The piece can be played by students of Flamenco guitar at the intermediate to advanced levels and contains many essential elements of serious (jondo) Flamenco guitar playing.
$4.99
4.71 €
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Guitar
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Traditional
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Tientos
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Richard Hirsch
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SheetMusicPlus
Fandango de Huelva
Guitar
Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditiona…
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Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 9 pages. Richard Hirsch #190297. Published by Richard Hirsch
A hard-hitting Flamenco guitar arrangement for Fandango de Huelva based on standard traditional themes. The Fandango de Huelva is a relatively fast and rhythmically strict Fandango compared to Fandangos from other regions in Andalusia (Granada, Ronda, Málaga, Almería) that are often slower and without a steady rhythm (sans mesure). Rhythmically, Fandango de Huelva consists of a repetition of a six beat phrase, that Flamencos refer to as a compás, with accents on the third and fifth beats (1 2 3 4 5 6). This is notated in the score as a repeated sequence of 4/4 and 2/4 measures with the first beat of the compás falling on the third beat of the first 4/4 measure. The first accented beat in the compás falls on the first beat of the following 2/4 measure and the second accented beat falls on the first beat of the 4/4 measure following. This asymmetrical distribution of accents in the phrase gives the Fandango a kind of choppy almost stop-and-go flow. Note the number of holds that occur in the melodic passages. These are signs of a feature of the Fandango that is used much more in the slower versions where the singer or guitarist can vary the rhythmic flow at will. The melodic passages in the piece are based on traditional songs for Fandango de Huelva, much as Brahms? Hungarian Dances were based on traditional romani melodies from Hungary. The piece ends with a so-called Macho, a finale, in Verdiales, a fast Fandango rhythm from the region of Malaga. The Verdiales runs in standard 3/4 measures.I learned the Fandango de Huelva rhythm in my studies with Juan González ?Triguito? in Madrid in the late 1960?s. I gathered further rhythmic and melodic material working with other Flamenco guitarists and singers, especially in El Mesón de la Guitarra just off the Plaza Mayor, during my years in Spain.The Fandango de Huelva is a fast and lively style (palo) of Flamenco with lots of good old-fashioned strumming (rasgueados) together with long continuous melodic passages. There is quite a bit of tapping on the face of guitar (golpes) in combination with the strumming and left hand legatos. Some passages are played with the thumb in alzapúa, meaning that the thumb strikes in triplets down, up, and down again in rapid sequence in combination with glopes. The alzapúa and tapping really add to the gitano-andalusian flavour of the piece. The last measures of the finale in abanico (fanning) rasqueado style are a powerful sendoff. Audiences have always enjoyed the positive spirit and energy that the Fandango de Huelva radiates.
$4.99
4.71 €
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Guitar
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Traditional
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Fandango de Huelva
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Richard Hirsch
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SheetMusicPlus
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