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You've selected:
Rod Stewart and Duke Ellington
Sheetmusic to print
10 sheet music found
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1
Smorgasbord and Schnapps
Piano solo
Piano - Digital Download SKU: AX.00-PS-0008212 By Duke Ellington. By Brian Fleagle,…
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Piano - Digital Download SKU: AX.00-PS-0008212 By Duke Ellington. By Brian Fleagle, Duke Ellington, and Rex Stewart. Jazz; Standard. 3 pages. Alfred Music - Digital Sheet Music #00-PS-0008212. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0008212).
$3.99
3.74 €
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Piano solo
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Duke Ellington
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Standard
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Smorgasbord and Schnapps
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Don't Get Around Much Anymore
Piano, Vocal and Guitar
By Rod Stewart and Duke Ellington. For piano, voice, and guitar (chords only). Broadway; J…
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By Rod Stewart and Duke Ellington. For piano, voice, and guitar (chords only). Broadway; Jazz; Musical/Show; Standards. Piano/Vocal/Guitar. 4 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.67 €
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Piano, Vocal and Guitar
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Rod Stewart and Duke Ellington
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Jazz
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Don't Get Around Much Anymore
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
C Jam Blues for Brass Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: …
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Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 20th Century,Jazz,Standards. 11 pages. Keith Terrett #865274. Published by Keith Terrett (A0.1273084). An arrangement of C Jam Blues for Brass Quintet. The extra parts are not necessary, but are provided if you have extra players such as a Bb Piccolo Trumpet & Bb Trombone/Euphonium in TC.New Orleans-born clarinetist Barney Bigard is likely the originator of this tune, a simple blues riff in the key of C. Since Bigard was a veteran member of Duke Ellington’s Orchestra in 1941, Duke had a slice of the pie, too, and undoubtedly arranged the piece for the orchestra. Yet Duke referred to the number somewhat disparagingly as “one of our more or less trite things.”The number was introduced in a Soundie short film. These three-minute features, produced to be shown on a jukebox-type player, illustrated the band miming to a pre-recorded performance. Entitled “Jam Session” the Soundie was filmed late in 1941 along with four other Ellington numbers. Duke introduces various band members, who then solo: Ray Nance (violin), Ben Webster (tenor sax), Rex Stewart (cornet), Joe “Tricky Sam” Nanton (trombone), and Sonny Greer (drums). The complete ensemble carries the tune to its finish with composer Bigard (clarinet) providing some improvised upper register piping.“C Jam Blues” was formally recorded under that title in January, 1942, for RCA Victor Records. It continued be a staple of the Ellington repertoire, generally featuring a handful of the soloists in the band.Co-composer Barney Bigard left Duke’s band in June 1942, and after a period of freelancing joined Louis Armstrong’s All-Stars in August, 1947. “C Jam Blues” was one of his nightly features with Satch’s ensemble along with “Tea for Two.” Despite playing the tune hundreds, or perhaps even thousands of times during his tenure with Ellington and Armstrong, he continued to perform it during his freelance years in the 1950s until shortly before his death in 1980.In the late-1950s very simple words were added (“Baby, let’s go down to ‘Duke’s Place’,” etc.) which strangely took a three-member team of writers to assemble: songwriters William Katz and Ruth Roberts and record producer Bob Thiele. Clarinetist Barney Bigard was not included in the composer credits of the song version, although he was a member of Louis Armstrong’s All-Stars when they recorded “Duke’s Place,” featuring Louis on the vocal, with Ellington in 1961.The piece typically features several improvised solos. The final solo continues in the upper register as the entire ensemble comes in and the music grows to a climax. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke’s Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between mid-1945 through 1947 as part of the Tiffany Transcriptions.The 10-note occasional riff formed the basis of the Bonzo Dog Doo-Dah Band’s novelty song Intro Outro.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$12.99
12.16 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Keith Terrett
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Bb Trombone/Euphonium in TC
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C Jam Blues for Brass Quintet
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Keith Terrett
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SheetMusicPlus
The Creole Love Call
Choral SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.955844 By Duke Elli…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.955844 By Duke Ellington. By Duke Ellington. Arranged by Scott S. Stewart. Jazz. 10 pages. Scott S. Stewart #6353655. Published by Scott S. Stewart (A0.955844). Creole Love Call is a jazz standard, most associated with the Duke Ellington band and Adelaide Hall. (It should be noted this tune is heavily influenced with King Oliver’s Camp Meeting Blues of 1923.) A special nod goes to Ms Adelaide Hall whose musical stylings gave birth to the wonderful ethereal (and very sensual) counter-melody descant. This arrangement is scored for a 4-part SATB ensemble with piano accompaniment. No ‘word’s’ just syllables which are open to the performers interpretation. Performance time: 3:53
$2.99
2.8 €
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Choral SATB
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Duke Ellington
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The Creole Love Call
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Scott S. Stewart
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SheetMusicPlus
Don't Get Around Much Anymore
Piano solo
Interactive Download SKU: HX.338801 By Duke Ellington and Rod Stewart. This edition…
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Interactive Download SKU: HX.338801 By Duke Ellington and Rod Stewart. This edition: Interactive Download. Jazz. Piano Solo. 3 pages. Published by Hal Leonard Europe (HX.338801).
$4.99
4.67 €
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Piano solo
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Duke Ellington and Rod Stewart
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Don't Get Around Much Anymore
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Hal Leonard Europe
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SheetMusicPlus
C Jam Blues for String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.1271389 By Duke Ellington. By…
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String Orchestra - Level 3 - Digital Download SKU: A0.1271389 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Instructional,Jazz,Standards. 14 pages. Keith Terrett #863787. Published by Keith Terrett (A0.1271389). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for String Orchestra.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958. YouTube Link https://www.youtube.com/watch?v=gOlpcJhNyDI.
$12.99
12.16 €
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Duke Ellington
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C Jam Blues for String Orchestra
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Keith Terrett
#
SheetMusicPlus
C Jam Blues for Trombone / Low Brass Quintet
Trombone ensemble
Trombone Ensemble Bass Trombone - Level 3 - Digital Download SKU: A0.1271373 By Duk…
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Trombone Ensemble Bass Trombone - Level 3 - Digital Download SKU: A0.1271373 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 20th Century,Jazz,Traditional. 14 pages. Keith Terrett #863773. Published by Keith Terrett (A0.1271373). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Trombone/Low Brass Quintet.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958.
$11.99
11.23 €
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Trombone ensemble
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Duke Ellington
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C Jam Blues for Trombone / Low Brass Quintet
#
Keith Terrett
#
SheetMusicPlus
C Jam Blues for Clarinet Quintet
Clarinet Quintet: 5 clarinets
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Downl…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1271363 By Duke Ellington/Barney Bigard. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Historic,Jazz,Multicultural,Standards,World. 11 pages. Keith Terrett #863759. Published by Keith Terrett (A0.1271363). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Clarinet Quintet.The Eb & Bb Clarinet 4 are optional.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958.
$11.99
11.23 €
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Clarinet Quintet: 5 clarinets
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Duke Ellington/Barney Bigard
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Bb Clarinet 4 are optional
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C Jam Blues for Clarinet Quintet
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Keith Terrett
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SheetMusicPlus
C Jam Blues for Saxophone Quintet
Saxophone Quintet: 5 Saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Le…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1271383 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 21st Century,Jazz,Standards. 14 pages. Keith Terrett #863780. Published by Keith Terrett (A0.1271383). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Saxophone Quintet.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958. YouTube Link https://www.youtube.com/watch?v=gOlpcJhNyDI.
$12.99
12.16 €
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Saxophone Quintet: 5 Saxophones
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Duke Ellington
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C Jam Blues for Saxophone Quintet
#
Keith Terrett
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SheetMusicPlus
C Jam Blues for Recorder Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1271384 By …
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1271384 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Jazz,Standards,Traditional. 14 pages. Keith Terrett #863782. Published by Keith Terrett (A0.1271384). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Recorder Quintet.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958. YouTube Link https://www.youtube.com/watch?v=gOlpcJhNyDI.
$12.99
12.16 €
#
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
#
Duke Ellington
#
C Jam Blues for Recorder Quintet
#
Keith Terrett
#
SheetMusicPlus
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