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FLAMENCO
Sheetmusic to print
13 sheet music found
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1
Paño murciano (Spanish Folksong from Andalusia)
Piano, Voice
Composed by Joaquin Nin (1879- 1949). Arranged by Alpin Smart. Classical, Traditional. …
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Composed by Joaquin Nin (1879- 1949). Arranged by Alpin Smart. Classical, Traditional. Score. 3 pages. SmartWorks Publications #104123. Published by SmartWorks Publications
$4.99
4.47 €
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Piano, Voice
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Joaquin Nin
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Paño murciano
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SmartWorks Publications
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SheetMusicPlus
Flamenco Song Suite Flamenco - +TAB
Guitar notes and tablatures
Composed by Evzen Burda. 20th Century, Concert, Contemporary, Latin, World. Guitar T…
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Composed by Evzen Burda. 20th Century, Concert, Contemporary, Latin, World. Guitar Tab. 13 pages. EBTunes #6012353. Published by EBTunes
$4.99
4.47 €
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Guitar notes and tablatures
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Evzen Burda
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Flamenco Song Suite Flamenco - +TAB
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EBTunes
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SheetMusicPlus
Malaguena
Guitar notes and tablatures
Guitar - Level 3 - Digital Download SKU: A0.1381415 Composed by Ernesto Leucona. Ar…
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Guitar - Level 3 - Digital Download SKU: A0.1381415 Composed by Ernesto Leucona. Arranged by Edina Balczo. Classical,Latin,Multicultural,Standards,Traditional,World. Guitar Tab. 6 pages. Edina Balczo #966126. Published by Edina Balczo (A0.1381415). Malagueña is a song by Cuban composer Ernesto Lecuona. It was originally the sixth movement of Lecuona's Suite AndalucÃa (1933), to which he added lyrics in Spanish. The song has since become a popular, jazz, marching band, and drum and bugle corps standard and has been provided with lyrics in several languages. In general terms, malagueñas are flamenco dance styles from Málaga, in the southeast of Spain. This is an arrangement for the guitar.
$7.99
7.16 €
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Guitar notes and tablatures
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Ernesto Leucona
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Malaguena
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Edina Balczo
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SheetMusicPlus
Las Morillas de Jaen - Canciones españolas antiguas
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.946415 By Federico Garcia Lorca. B…
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Solo Guitar - Level 4 - Digital Download SKU: A0.946415 By Federico Garcia Lorca. By Federico Garcia Lorca. Arranged by Nick Mordal. 20th Century,Folk,Latin,Multicultural,Romantic Period,World. Individual part. 1 pages. Nick Mordal #6285033. Published by Nick Mordal (A0.946415). Garcia Lorca is the most famous name in the flamenco songwriting tradition. His compositions have been covered by countless musicians in the classical and folk flamenco world. The pieces he wrote were often short and repetitive like a folk song, but full of the rhythmic energy that characterizes flamenco. This piece is right in between, as it is fairly rubato and can be interpreted in various ways. Techniques used include barre chords, right hand precision and bringing a melody out over dense chord voicings. This is a song from his collection titled Canciones españolas antiguas. The arrangement has full barre chords with melody. Its sound is a bridge between classical Spanish and flamenco folk Spanish musics. Listen to the album 12 Canciones De Garcia Lorca Para Guitarra by Paco de LucÃa and Ricardo Modrego to hear this music performed at its finest.Â
$4.00
3.58 €
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Guitar
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Federico Garcia Lorca
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Las Morillas de Jaen - Canciones españolas antiguas
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Nick Mordal
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SheetMusicPlus
El Vito
4 Guitars (Quartet)
Guitar - Level 4 - Digital Download SKU: A0.1378565 Composed by Traditional Andalus…
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Guitar - Level 4 - Digital Download SKU: A0.1378565 Composed by Traditional Andalusian folk song. Arranged by Richard Ashby. Classical,Folk,Latin,Traditional. 17 pages. Richard Ashby #963245. Published by Richard Ashby (A0.1378565). Guitar ensemble arrangement of El Vito (traditional). Arranged for 3 Guitars and Bass Guitar by Richard Ashby. Intermediate to Advanced level.
$12.99
11.64 €
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4 Guitars (Quartet)
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Traditional Andalusian folk song
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El Vito
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Richard Ashby
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SheetMusicPlus
Easy to Play Flamenco and Classical Guitar Solos
Guitar notes and tablatures
Guitar - Beginning- Intermediate - Digital Download Classical. Ebook and online audio. 7…
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Guitar - Beginning- Intermediate - Digital Download Classical. Ebook and online audio. 72 pages. Mel Bay Publications - Digital Sheet Music #30902MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459899. 8.75 x 11.75 inches. Easy to Play Flamenco and Classical Guitar Solos is an essential song book for beginner to intermediate players learning to play flamenco and classical guitar. Featuring 23 songs, this book introduces students to flamenco palos/styles such as zambra, sevillanas, rumba and verdiales; and classical guitar songs such as milonga, waltzes (vals) and etudes that utilize fundamental right-hand techniques/arpeggio patterns commonly found in classical songs. And be sure to check out my other book, Classical and Flamenco Guitar Solos and Etudes, co-written with Elysa Hochman. Includes access to online audio and video.
$17.99
16.12 €
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Guitar notes and tablatures
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Easy to Play Flamenco and Classical Guitar Solos
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
The Castle
Guitar notes and tablatures
Composed by Edina Balczo. Classical, Folk, Latin, Multicultural, Traditional, World.…
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Composed by Edina Balczo. Classical, Folk, Latin, Multicultural, Traditional, World. Guitar Tab. 5 pages. Edina Balczo #762953. Published by Edina Balczo
The Castle is a flamenco rumba song, written for solo Spanish guitar. It has a bit of medieval vibe, catchy melodies and rumba rhythm between the lines. The guitar techniques required to play this song: rumba technique, alzapua, flamenco triplet, pulgar, and picado.
$7.00
6.27 €
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Guitar notes and tablatures
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Edina Balczo
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The Castle
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Edina Balczo
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SheetMusicPlus
Flamenco en los Fogones. Partituras de Flamenco para el piano.
Piano solo
By Various. By Various. Arranged by ALICIA GARCIA FALGUERAS. 19th Century, 20th Cent…
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By Various. By Various. Arranged by ALICIA GARCIA FALGUERAS. 19th Century, 20th Century, Folk, Latin, Traditional. Score. 26 pages. ALICIA GARCIA FALGUERAS #836664. Published by ALICIA GARCIA FALGUERAS
As an accompaniment in the home of people's lives during the 50's onwards, music between the stoves was a common activity and made the task of cooking more enjoyable, adding culinary art to the musical art. Even in the flamenco melodies, some secret recipes or ingredients were noted, perhaps to perpetuate the tradition and passing between generations of culinary ideas, thus preserving the essence of typical stews in musical styles such as tanguillo, tango, rumba or rancheras. In this album, as a continuation of the previous one, we present the transcription for piano of seven flamenco songs with gastronomic content.
$15.00
13.44 €
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Piano solo
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Various
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Flamenco en los Fogones. Partituras de Flamenco para el piano.
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ALICIA GARCIA FALGUERAS
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SheetMusicPlus
Sonidos Negros
Guitar
Composed by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part…
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Composed by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 13 pages. Richard Hirsch #695686. Published by Richard Hirsch
A Flamenco guitar solo in the Tarantas style. The Tarantas is a free-flowing slow moving Fandango from the region of Almeria which was earlier a principal mining region of Spain. The style is therefore sometimes called Mineras. Tarantas has long been one of my favorite Flamenco pieces for the guitar. It is notated in the key of B minor, based on a so-called “Andalusian” cadence consisting of the chords B minor - A major (open B and E) - G major (open B and E) - F# major (with open G, B, and E). These dark and indefinite sounding chords allow plenty of room for the guitarist to open up emotionally with the audience.The material for the piece consists mostly of traditional themes that I have woven into a compositional whole along with a few of my own creations (falsetas). Songs for Tarantas are often expressions of loss of a loved-one in some mining tragedy. The long legato passages demand a complete mastery of the technique and should be played as fluidly as possible. The fanning (abanico) rasqueados in the finish of the piece can be new to guitarists coming to Flamenco from classical guitar. Demonstrations of this type of rasqueado can be found at my YouTube sites: https://youtu.be/sB-rDGtXK34 and https://youtu.be/OVBbUZFIj2s. Another type of rasqueado used frequently in the piece is a soft four finger rasqueado (cami) preceded by and followed by a brush up and down over the strings with the thumb (p-camip), accompanied by legatos on the base strings.The piece is accessible for advanced intermediate to advanced guitarists. As the Tarantas is played sens mesure, not demanding any competence of special flamenco rhythms, it is also a flamenco piece readily playable by classical guitarists. Classical guitarists should however be aware that the thumb plays the dominant role even in the more melodic passages.
$6.99
6.26 €
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Guitar
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Richard Hirsch
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Sonidos Negros
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Richard Hirsch
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SheetMusicPlus
Fandango de Huelva
Guitar
Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditiona…
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Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 9 pages. Richard Hirsch #190297. Published by Richard Hirsch
A hard-hitting Flamenco guitar arrangement for Fandango de Huelva based on standard traditional themes. The Fandango de Huelva is a relatively fast and rhythmically strict Fandango compared to Fandangos from other regions in Andalusia (Granada, Ronda, Málaga, Almería) that are often slower and without a steady rhythm (sans mesure). Rhythmically, Fandango de Huelva consists of a repetition of a six beat phrase, that Flamencos refer to as a compás, with accents on the third and fifth beats (1 2 3 4 5 6). This is notated in the score as a repeated sequence of 4/4 and 2/4 measures with the first beat of the compás falling on the third beat of the first 4/4 measure. The first accented beat in the compás falls on the first beat of the following 2/4 measure and the second accented beat falls on the first beat of the 4/4 measure following. This asymmetrical distribution of accents in the phrase gives the Fandango a kind of choppy almost stop-and-go flow. Note the number of holds that occur in the melodic passages. These are signs of a feature of the Fandango that is used much more in the slower versions where the singer or guitarist can vary the rhythmic flow at will. The melodic passages in the piece are based on traditional songs for Fandango de Huelva, much as Brahms’ Hungarian Dances were based on traditional romani melodies from Hungary. The piece ends with a so-called Macho, a finale, in Verdiales, a fast Fandango rhythm from the region of Malaga. The Verdiales runs in standard 3/4 measures.I learned the Fandango de Huelva rhythm in my studies with Juan González “Triguito” in Madrid in the late 1960’s. I gathered further rhythmic and melodic material working with other Flamenco guitarists and singers, especially in El Mesón de la Guitarra just off the Plaza Mayor, during my years in Spain.The Fandango de Huelva is a fast and lively style (palo) of Flamenco with lots of good old-fashioned strumming (rasgueados) together with long continuous melodic passages. There is quite a bit of tapping on the face of guitar (golpes) in combination with the strumming and left hand legatos. Some passages are played with the thumb in alzapúa, meaning that the thumb strikes in triplets down, up, and down again in rapid sequence in combination with glopes. The alzapúa and tapping really add to the gitano-andalusian flavour of the piece. The last measures of the finale in abanico (fanning) rasqueado style are a powerful sendoff. Audiences have always enjoyed the positive spirit and energy that the Fandango de Huelva radiates.
$4.99
4.47 €
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Guitar
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Traditional
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Fandango de Huelva
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Richard Hirsch
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SheetMusicPlus
Essential Flamenco Guitar: Volume 2
Guitar notes and tablatures
Rumba. Exercises. Ebook and online video. 141 pages. Mel Bay Publications - Digital …
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Rumba. Exercises. Ebook and online video. 141 pages. Mel Bay Publications - Digital Sheet Music #30501MEB. Published by Mel Bay Publications - Digital Sheet Musi
ISBN 9781513455532. 8.75x11.75 inches.<br> <br> The acclaimed first volume of this exciting series gave extensive insights into basic techniques of flamenco guitar playing and the two important rhythmic forms (palos) of Solea and Alegrias. This second volume continues on with an exploration of further essential rhythmic palos. The first of these is the Bulerias. Juan Martin brings his many years of experience as an internationally renowned flamenco soloist and accompanist for singers and dancers to unravelling its mysteries, explaining and demonstrating very clearly the different elements of its rhythmic structure and the various ways it may be accented and counted. He uses traditional and more modern examples of the different kinds of rhythm and melodic passages (falsetas) to provide an invaluable understanding of this wonderful palo. The second rhythmic form is devoted to the popular flamenco Rumba, then Tangos, Tientos and that most profound of all the palos, the deeply moving Seguiriyas. Juan\'s solo playing is complemented by demonstrations of the guitar\'s role in accompanying the flamenco dance (baile) and song (cante) with the help of outstanding dancers Raquel de Luna and Miguel Infante and singers Amparo Heredia (La Repompilla) and Carlos Brias. The music for solo guitar is transcribed in standard notation and tablature (cifra) and the online video contain nearly three hours of explanation and demonstrations. The series is complemented by two other best-selling Juan Martin volumes published by Mel Bay. These provide progressively graded solo material to extend the repertoire, from beginner to concert level. Includes access to online video.
$34.99
31.36 €
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Guitar notes and tablatures
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Essential Flamenco Guitar: Volume 2
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Mel Bay Publications - Digital Sheet Musi
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SheetMusicPlus
Sal sal in chand sal (Hayedeh) rumba arrangement for 2 guitars
2 Guitars (duet)
Guitar Tab, Guitar Duet, Persian - Advanced Intermediate - Digital Download Compose…
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Guitar Tab, Guitar Duet, Persian - Advanced Intermediate - Digital Download Composed by Anoushirvan Rohani. Arranged by Eugen Sedko. World, Asian. Score, Tablature. 6 pages. Published by Eugen Sedko
A famous song by Hayedeh, composed by a legendary Persian musician Anoushirvan Rohani. Arranged for two guitars closer to rumba flamenco style. Notes & tabs for both guitars. Many oranmentations for the melody, how it must be) Enjoy!
$5.99
5.37 €
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2 Guitars (duet)
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Anoushirvan Rohani
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Sal sal in chand sal
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SheetMusicPlus
Progressive Exercises for Flamenco Guitar
Guitar notes and tablatures
Composed by Dario Piga. Technique, Theory and Reference. Guitar Methods. E- book and …
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Composed by Dario Piga. Technique, Theory and Reference. Guitar Methods. E- book and online audio. 100 pages. Mel Bay Publications - Digital Sheet Music #30682MEB. Published by Mel Bay Publications - Digital Sheet Music (
ISBN 9781619119666.<br> <br> Sardinian flamenco guitar virtuoso, Dario Piga, delivers 18 intermediate to advanced exercises in this progressively arranged book addressing: arpegio, pulgar, picado, rasgueo, alzapua, and tremolo techniques. Dario himself studied in Spain with several prominent guitarists and singers, so is fluent with the authentic rhythms and techniques essential to effective flamenco guitar soloing and song and dance accompaniment. The pulgar (thumb) exercises in this volume will be of particular interest to flamenco aficionados as they explore various rhythms and chord inversions throughout the fretboard. Following his studies in Spain, Dario added jazz harmony to his lexicon of musical resources and frequently participates in the Time in Jazz festival in Sardinia. His affinity for jazz is also reflected in the appealing modern harmonies that occur in these studies. Two stunning Piga flamenco guitar solos provide a magnificent ending to this collection, written in standard notation and tablature. Includes access to online audio.
$17.99
16.12 €
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Guitar notes and tablatures
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Dario Piga
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Progressive Exercises for Flamenco Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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