T. S. Eliot Sheet Music to download and print

T. S. Eliot

Memory Choral

By Barbra Streisand, Andrew Lloyd Webber, and Trevor Nunn after T.S. Eliot. Arranged by Jo…(+)

By Barbra Streisand, Andrew Lloyd Webber, and Trevor Nunn after T.S. Eliot. Arranged by John Leavitt. For Choral (TTBB). Choral. Broadway; Musical/Show; Standards. Choral. 9 pages. Published by Hal Leonard - Digital Sheet Music
$1.95 1.82 € #Choral #Barbra Streisand, Andrew Lloyd Webber, and Trevor Nunn after T #Musical/Show #Memory #Hal Leonard - Digital Sheet Music #SheetMusicPlus

Memory Choral

By Barbra Streisand, Andrew Lloyd Webber, and Trevor Nunn after T.S. Eliot. Arranged by Jo…(+)

By Barbra Streisand, Andrew Lloyd Webber, and Trevor Nunn after T.S. Eliot. Arranged by John Leavitt. For Choral (SSA). Choral. Broadway; Musical/Show; Standards. Choral. 9 pages. Published by Hal Leonard - Digital Sheet Music
$2.65 2.48 € #Choral #Barbra Streisand, Andrew Lloyd Webber, and Trevor Nunn after T #Musical/Show #Memory #Hal Leonard - Digital Sheet Music #SheetMusicPlus

Memory Easy Piano

By Andrew Lloyd Webber, Trevor Nunn after T.S. Eliot, Barbra Streisand. This edition: Inte…(+)

By Andrew Lloyd Webber, Trevor Nunn after T.S. Eliot, Barbra Streisand. This edition: Interactive Download. Broadway, Musical/Show. EPVERY. 5 pages. Published by Hal Leonard - Digital Sheet Music (HX.305622). - EPVERY - Broadway,Musical/Show - Hal Leonard - Digital Sheet Music
$3.99 3.73 € #Easy Piano #Andrew Lloyd Webber, Trevor Nunn after T #Memory #Hal Leonard - Digital Sheet Music #SheetMusicPlus

Instrumental Solo,Ney Flute,Oboe/English Horn - Level 5 - Digital Download SKU: A0.1122089 Composed by Igor Korneitchouk. Arranged by Drake Mabry, Igor Korneitchouk. 20th Century,Contemporary. Individual part. 19 pages. Studio at the Post #723162. Published by Studio at the Post (A0.1122089). Duration: 10 minutes, 16 pp. Description: In speaking of his recitation of his Four Quartets on phonograph, T. S. Eliot says: A recording of a poem by its author is no more definitive an 'interpretation' than a recording of a symphony conducted by the composer. The poem, if it is of any depth and complexity, will have meanings in it concealed from the author; and should be capable of being read in many ways, and with a variety of emotional emphasis.... Another reader, reciting the poem, need not feel bound to reproduce these rhythms: but, if he has studied the author's version, he can assure himself that he is departing from it deliberately, and not from ignorance. The composer could not have stated his intentions towards this piece better than to quote T. S. Eliot. No note or inflection is fixed in stone that it cannot be negotiated, changed to better suit the needs of the performer. This is especially true of the first movement which is composed around sections of the first of Eliot's Four Quartets (Burnt Norton), but applies generally to the whole piece. Much of the notation in this piece is meant to be suggestive. The performer may take a highly faithful approach to realizing the score, or consider the movements as models for directed improvisation. Movement 2, for example, asks the performer to continue to improvise in like manner, yet maps out a clear design for the music. Birthday Suit is dedicated to Robert S. Howe, a friend and obstetrician who welcomes into this world many people in their birthday suits. That is the most obvious reason for the title of this piece. A reason more germane to the music itself is the piece's reliance on the performer's own natural body rhythms (such as speech rhythms, involuntary eye movements, and rate of breathing) to help organize the flow of the music. In this way both metabolism and the written note cooperate to make music. There are three movements, Rhythm of Speech - Rhythm of Sight - Rhythm of Breath. Total 10 minutes. (Audio Sample of movement I is for oboe; YouTube Link of movement III is an arrangement for the Turkish ney.).

Small Ensemble Bass Clarinet,Pipa - Level 5 - Digital Download SKU: A0.982536 Composed by William Grosvenor Neil. Contemporary. Score and parts. 41 pages. TheComposerStudio.Com, LLC #6701343. Published by TheComposerStudio.Com, LLC (A0.982536). Other Echoes Inhabit the Garden (2009) for clarinet, bass clarinet, pipa, and erhu (score and parts) I composed this piece imagining myself in a garden of images, sonorities, and aromas that all merge in an idyllic moment in time. I have taken a line from one of T.S.Eliot’s poems in the Four Quartets, for my title, Other Echoes Inhabit the Garden. The poem, Burnt Norton, concludes with the poignant truth that humankind cannot bear very much reality. I often wonder whether my work as a composer really has any significance or meaning beyond helping my listeners temporarily escape their personal realities. In recalling Eliot’s line, What might have been and what has been/ point to one end, which is always present I am reminded that a melody, a single line of lyric pitch flow evokes memory in the mind of the listener and that rhythm and accent often draws our attention to the present moving towards the future. So, with these inherent powersof music in mind, it was my goal to create a piece of vibrant and engaging music that relentlessly draws the listener into the present moment. Eliot also alludes to a timeless merging of present and past in this poem. His line, then a cloud passed and the pool was empty brought back memories of being a child watching clouds almost unnoticeably move across the sky. I was similarly inspired to conclude Other Echoes Inhabit the Garden with music that evokes an ecstatic stillness tempered with a longing for the past. WGN

Between Times for clarinet, viola and piano

Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano,Viola - Level 5 - Digital Downloa…(+)

Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano,Viola - Level 5 - Digital Download SKU: A0.886685 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and parts. 52 pages. Panagiotis Theodossiou #3573129. Published by Panagiotis Theodossiou (A0.886685). Between Times Time past and time future... for clarinet, viola and piano (2017) op.73Work written within the framework of composer's postgraduate studies on Composition for Vocal and Instrumental Ensembles in Ionian university and dedicated to the professor Josef Papadatos. Based on an excerpt from the Four Quartets by T.S.Eliot is polystilistic in idiom and in concertante style. Time present and time past Are both perhaps present in time future And time future contained in time past. If all time is eternally present All time is unredeemable. What might have been is an abstraction Remaining a perpetual possibility Only in a world of speculation. What might have been and what has been Point to one end, which is always present. (T.S.Eliot, Four Quartets)Τα μέρη:I.Adagio misterioso (Outer Space, Gravity Zero)II.Allegro (Into a time vortex)III.L'istesso tempo (Escape) to Antonio Vivaldi & Dmitri ShostakovitchIV.Andante rubato (Tranquillity Nebula) to Olivier MessiaenV.Allegro (Gravitational Disorder) to Keith EmersonVI.Adagio misterioso (Eternal Present)Premier by Ionian Islands Festival Ensemble (Alexandros Michailidis, Helias Sdoukos, Stefanos Nassos) at Ionian Academy Theater in 2017.The work was chosen by International Society for the Contemporary Music to represent Greece in 2018 ISCM World New Music Days in BeijingModern Music Festival, China. Performance by Trio Clavino (Doris Hall - Gulati, Simon Maurer, Xun Pan).
$30.00 28.07 € #Panagiotis Theodossiou #Dmitri Shostakovitch
IV #Between Times for clarinet, viola and piano #Panagiotis Theodossiou #SheetMusicPlus

Spring Can Really Hang You Up The Most C Instruments

C Instrument - Level 4 - Digital Download SKU: A0.500150 Composed by Fran Landesman…(+)

C Instrument - Level 4 - Digital Download SKU: A0.500150 Composed by Fran Landesman and Tommy Wolf. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #113333. Published by John Fries (A0.500150). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. You can also type John Fries in the searchbar to see all I have to offer. Spring Can Really Hang You Up the Most (1955) is a popular song with lyrics by Fran Landesman, set to music by Tommy Wolf. The title is a jazz rendition of the opening line of T.S. Eliot's The Waste Land, April is the cruellest month. The song describes how somebody feels sad and depressed despite all the good things associated with spring. The song was featured in the 1959 Broadway musical The Nervous Set, but was written in 1955 before this musical and was incorporated into it.
$3.99 3.73 € #C Instruments #Fran Landesman and Tommy Wolf #Spring Can Really Hang You Up The Most #John Fries #SheetMusicPlus

Spring Can Really Hang You Up The Most Piano solo

Piano Solo - Level 4 - Digital Download SKU: A0.1274945 Composed by Fran Landesman …(+)

Piano Solo - Level 4 - Digital Download SKU: A0.1274945 Composed by Fran Landesman and Tommy Wolf. Arranged by John Fries. 20th Century,Blues,Broadway,Jazz,Musical/Show,Standards. Score. 3 pages. John Fries #867059. Published by John Fries (A0.1274945). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. Spring Can Really Hang You Up the Most (1955) is a popular song with lyrics by Fran Landesman, set to music by Tommy Wolf. The title is a jazz rendition of the opening line of T.S. Eliot's The Waste Land, April is the cruellest month. The song describes how somebody feels sad and depressed despite all the good things associated with spring. The song was featured in the 1959 Broadway musical The Nervous Set, but was written in 1955 before this musical and was incorporated into it.
$5.99 5.61 € #Piano solo #Fran Landesman and Tommy Wolf #Spring Can Really Hang You Up The Most #John Fries #SheetMusicPlus

Spring Can Really Hang You Up The Most Piano, Vocal and Guitar

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1200032 Composed by F…(+)

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1200032 Composed by Fran Landesman and Tommy Wolf. Arranged by John Fries. 20th Century,Jazz,Standards. Score. 3 pages. John Fries #798844. Published by John Fries (A0.1200032). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. You can also type John Fries in the searchbar to see all I have to offer. Spring Can Really Hang You Up the Most (1955) is a popular song with lyrics by Fran Landesman, set to music by Tommy Wolf. The title is a jazz rendition of the opening line of T.S. Eliot's The Waste Land, April is the cruellest month. The song describes how somebody feels sad and depressed despite all the good things associated with spring. The song was featured in the 1959 Broadway musical The Nervous Set, but was written in 1955 before this musical and was incorporated into it.
$4.99 4.67 € #Piano, Vocal and Guitar #Fran Landesman and Tommy Wolf #Spring Can Really Hang You Up The Most #John Fries #SheetMusicPlus