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T.M.I.
Choral TTBB
Sheetmusic to print
11 sheet music found
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1
I'm Just Ken
Choral TTBB
Choral Choir,Choral (TTBB) - Level 5 - Digital Download SKU: A0.1337977 By Ryan Gos…
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Choral Choir,Choral (TTBB) - Level 5 - Digital Download SKU: A0.1337977 By Ryan Gosling. By Andrew Wyatt and Mark Ronson. Arranged by Jacob Klingsten. 21st Century,A Cappella,Comedy,Contemporary,Pop. 13 pages. Jacob Klingsten #923723. Published by Jacob Klingsten (A0.1337977). I'm Just Ken from Barbie is a show-stopping broadway style song with key changes, flare, pink, and just Ken all over. This arrangement is for TTBB Acapella groups. While there isn't a Vocal Percussionist part in the score, it is recommended to perform this arrangement with one, as there is a VP Solo/Feature in this piece!This arrangement features a soloist, Ken, who is highly encouraged along with the rest of the ensemble to be as theatrical as possible. The harmonies are full in texture, making every part of the piece over-the-top while being comical at the same time. As mentioned, this piece features a Vocal Percussionist Solo, where the soloist gets 'carried away,' which distracts the ensemble and causes them to stop and give the VP the stage. Once they finish, they 'realize' that they went a bit too far and pitch is given for the new, final key of the song. You can't go wrong with just a little bit of Ken!Additional Details:Keys: F# Major (with b7), Db Minor, Ab major (with b7), E minor, C minor/Eb Major13 PagesLength: 3m 40sRange (All Parts): Eb2-B4(C5).
$2.99
2.76 €
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Choral TTBB
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Ryan Gosling
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I'm Just Ken
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Jacob Klingsten
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SheetMusicPlus
I'm A Fool To Want You
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.979948 By Chet Baker. By F…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.979948 By Chet Baker. By Frank Sinatra, Jack Wolf, and Joel Herron. Arranged by Larry Triplett. A Cappella,Jazz,Standards. Octavo. 5 pages. Larry Triplett #6219635. Published by Larry Triplett (A0.979948). A cappella harmony in the barbershop style for men's voices.So many times you broke my heart, why can’t I move on? Sinatra delivered the answer.
$3.99
3.69 €
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Choral TTBB
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Chet Baker
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I'm A Fool To Want You
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Larry Triplett
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SheetMusicPlus
I'm Just Ken
Choral TTBB
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1309145 By Ryan Gos…
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1309145 By Ryan Gosling. By Andrew Wyatt and Mark Ronson. Arranged by Robert Lane. A Cappella,Comedy,Film/TV. 15 pages. Robert Lane #898330. Published by Robert Lane (A0.1309145). 4-part T/B a cappella arrangement of this fun and hilarious song from Barbie the movie. Features a couple of soloists, but most of the time the melody is sung by one of the parts. It is recommended that you add vocal percussion or a drum set to the performance to enhance the Kenergy. Costumes not included!
$2.50
2.31 €
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Choral TTBB
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Ryan Gosling
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I'm Just Ken
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Robert Lane
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SheetMusicPlus
I'm Yours
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.973077 By Jason Mraz. By J…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.973077 By Jason Mraz. By Jason Mraz. Arranged by Arranged by James Morgan. Pop,Rock. Octavo. 16 pages. James Morgan #4776637. Published by James Morgan (A0.973077). This is a fun chart that was originally written for a barbershop quartet with ukulele accompaniment. If you don't happen to have a ukulele handy, this can also be performed with any other chorded instrument, such as a piano, or guitar.
$9.99
9.24 €
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Choral TTBB
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Jason Mraz
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I'm Yours
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James Morgan
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.69 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
This Is Me
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.779366 Composed by Benj Pa…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.779366 Composed by Benj Pasek and Justin Paul. Arranged by Shelton Ridge Love. Contemporary. Octavo. 12 pages. Shelton Ridge Love #4593251. Published by Shelton Ridge Love (A0.779366). I am not a stranger to the dark.Hide away, they say, ’cause we don’t want your broken parts. I grew up in a very conservative, religious environment. My family, churches, and the Christian schools I attended always taught me that being gay was a sin. I hid that part of myself from everyone and fought so hard to make it go away. I didn’t want God to hate me. I didn’t want my sin to isolate me from my family or send me to hell. When the sharpest words wanna cut me down,I’m gonna send a flood, gonna drown them out.I am brave; I am bruised; I am who I’m meant to be.This is me. It took a long time for me to make the words of this song my own. Coming out was a long and often difficult process. But the day that same-sex marriage was legalized in South Carolina, I finally decided to come out publically on social media. I thought about that moment when I first heard this song-the moment that I was able to unashamedly tell the world: THIS IS ME! - Shelton
$1.99
1.84 €
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Choral TTBB
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Benj Pasek and Justin Paul
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I am bruised
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This Is Me
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Shelton Ridge Love
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SheetMusicPlus
I Still Haven't Found What I'm Looking For - 5 Prints by Peter Hollens feat. Sabrina Carpenter - Men's Choir A Cappella
Choral TTBB
Performed by: Peter Hollens feat. Sabrina Carpenter: I Still Haven't Found What I…
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Performed by: Peter Hollens feat. Sabrina Carpenter: I Still Haven't Found What I'm Looking for Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Men's Choir A Cappella, instruments: Choir; 27 pages -- Alternative Pop/Rock~~Post-Punk~~Choral~~Album Rock~~A cappella~~College Rock
$2.99
2.76 €
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Choral TTBB
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Peter Hollens feat. Sabrina Carpenter
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5 Prints by Peter Hollens feat. Sabrina Carpenter
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Musicnotes
Windy
Choral TTBB
Choral Choir,Choral (TTBB) - Level 4 - Digital Download SKU: A0.853883 By The Assoc…
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Choral Choir,Choral (TTBB) - Level 4 - Digital Download SKU: A0.853883 By The Association. By Ruthann Friedman. Arranged by Larry Wright. A Cappella,Barbershop. 7 pages. Larry Wright #4727619. Published by Larry Wright (A0.853883). A MEN'S 4-part, a cappella, barbershop arrangement of this popular tune by the 60's group The Association. Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available instrumentally played Learning Trax. If you want to get an idea of what the basic vocals sound like,... on my website store, listen to the FREE 1 minute audio sample in the women's key. Secondly, from my website store, you can also purchase the $2 full-length demo in the women's key. Thirdly, again from my website store, you can hear a MEN'S KEY vocal sample of Windy by listening to MEN'S KEY Association Medley arrangement... which starts with the Windy song. If you love the Windy arrangement, and need to have the MEN'S KEY learning TRAX, hang in there. I'm recording the MEN'S KEY TRAX in a few days.If you've FIRST purchased the COMBO from my website store and the SHEET MUSIC per-copy price on the SMP website store is anything more than $1.99, DON'T PAY IT!!!! Email me <larry@larrywrightmusic.com> for assistance. NOTE: SMP requires a minimum purchase of 10 copies for all choral selections. Sorry quartets!
$15.00
13.87 €
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Choral TTBB
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The Association
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for assistance
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Windy
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Larry Wright
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SheetMusicPlus
Please Don't Talk About Me When I'm Gone
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.776602 Composed by Sam H. …
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.776602 Composed by Sam H. Stept. Arranged by Tom Gentry. Contemporary. Octavo. 6 pages. Tom Gentry #6037585. Published by Tom Gentry (A0.776602).
$4.50
4.16 €
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Choral TTBB
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Sam H
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Please Don't Talk About Me When I'm Gone
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Tom Gentry
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SheetMusicPlus
I'm A Dreamer Aren't We All
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1008124 By Bobby Sherwood.…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1008124 By Bobby Sherwood. By B.G. DeSylva, Lew Brown, and Ray Henderson. Arranged by Nick Bryant. Contemporary. Octavo. 5 pages. Nick Bryant #4886075. Published by Nick Bryant (A0.1008124). Men's barbershop arrangement.
$2.50
2.31 €
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Choral TTBB
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Bobby Sherwood
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I'm A Dreamer Aren't We All
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Nick Bryant
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SheetMusicPlus
Still Haven't Found What I'm Looking For
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.507977 By Coco Freeman & U…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.507977 By Coco Freeman & U2. By Adam Clayton, David Evans, Larry Mullen, Paul David Hewson, Paul Hewson, and Victor Reina. Arranged by David Maddux. Contemporary,Pop,Rock. Octavo. 15 pages. David Maddux #4572257. Published by David Maddux (A0.507977). NOTE: This PDF file contains the piano-vocal part. The orchestration is sold separately. YOU ARE LEGALLY OBLIGATED TO PURCHASE ONE PIANO-VOCAL PDF PER SINGING MEMBER, INCLUDING CONDUCTORS AND ACCOMPANISTS.
$5.25
4.85 €
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Choral TTBB
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Coco Freeman & U2
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David Maddux
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