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The Less I Know The Better - Violin
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The Less I Know The Better - Violin
Sheetmusic to print
68 sheet music found
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1
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51
The Story Of Reuben Clamzo & His Strange Daughter
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Choral TTBB
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EASY
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & H
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
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The Less I Know The Better - Original Version (Intermediate Level)
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Bass guitar
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INTERMEDIATE
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Rock
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Pop music
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Tame Impala
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The Less I Know The Better
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Tomplay
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The Less I Know The Better (Beginner Level)
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Bass guitar
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BEGINNER
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Rock
#
Pop music
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Tame Impala
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The Less I Know The Better
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Tomplay
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The Less I Know the Better (Easy/Intermediate Level, Rhythm Guitar)
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Guitar
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EASY
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Rock
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Pop music
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Tame Impala
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The Less I Know the Better
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Tomplay
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The Less I Know the Better
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Voice solo
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EASY
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Rock
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Pop music
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Tame Impala
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The Less I Know the Better
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Tomplay
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The Less I Know the Better (Easy Level, Rhythm Guitar)
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Guitar
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EASY
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Rock
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Pop music
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Tame Impala
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The Less I Know the Better
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Tomplay
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The Less I Know the Better (Very Easy Level, Rhythm Guitar)
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Guitar
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BEGINNER
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Rock
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Pop music
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Tame Impala
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The Less I Know the Better
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Tomplay
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THE MISSING LINK
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Piano solo
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Contemporary
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Monica Bergo
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THE MISSING LINK
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Moni Bergo
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SheetMusicPlus
Piano Solo - Digital Download SKU: A0.1012749 Composed by Monica Bergo. Contemporary. Score. 9 pages. Moni Bergo #5743669. Published by Moni Bergo (A0.10...
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Piano Solo - Digital Download SKU: A0.1012749 Composed by Monica Bergo. Contemporary. Score. 9 pages. Moni Bergo #5743669. Published by Moni Bergo (A0.1012749). Music and song composed by me, dedicated to my sister dead THE MISSING LINK I often still get surprised looking for you between people in a gesture in an instant in an evasive shadow and I remain hooked between past and present a recurring sensation alone among people. Lying and pretending than inside me nothing is missing a pathetic clown always happy and smiley I write music and words to tame the fire inside me because only we know where this pain is taking us where are you? where are you? my sweet missing link you will come back to fill my mind I step back once again and I am limbing next to you hand in hand resigned, while the grey was oppressing for the two of us at every awakening a battle would start I pushed that moment back I didn't wanna be awake but you always protected me even from a cruel child my fearless sister so storng and independent you used to talk to me about guys and how to kiss them I used to blush and my heart beating fast I will look for and call my missing ring and you will answer with the same silence used to ask me if you were beautiful with that storng make up on you looked like a sad Pierrot tired of being avoided you were uncomofortable and people used to push you away many ignorant hypocrits looking like saints and again the two of us together in the open abyss me climbing up slowly but you remain behind I give you my hand but your destiny was written you fall down deep and far in that damned hell it will shine, it will shine my missing ring I will show it proudly to the people and you flew away in that boiling July the freeze inside my heart you, unconscous and paralyzed and for your last travel few hopeless people for the life she used to live it's better that she s gone but they know nothing about it about your unheard shout of my diamonds ring dropped in the mud freedom is a meaningless word oh you, bling and deaf butterfly your wings are now open you will fly, I will fly and I will delete the distance I will find my missing ring.. Monica Bergo
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The Less I Know The Better
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Drums
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BEGINNER
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Tame Impala
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Drum Sheet MX
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The Less I Know The Better
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Drum Sheet MX
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SheetMusicPlus
Drum Set,Drums - Level 1 - Digital Download SKU: A0.1513659 By Tame Impala. By Kevin Parker. Arranged by Drum Sheet MX. Pop. Score. 1 pages. Drum Sheet M...
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Drum Set,Drums - Level 1 - Digital Download SKU: A0.1513659 By Tame Impala. By Kevin Parker. Arranged by Drum Sheet MX. Pop. Score. 1 pages. Drum Sheet MX #1088416. Published by Drum Sheet MX (A0.1513659).
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The Less I Know The Better - Cello
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Cello
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Pop music
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BSR
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The Less I Know The Better - C
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Brandon Sanchez Rojas
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SheetMusicPlus
Cello,Instrumental Solo - Interactive Download SKU: A0.491619 Composed by BSR. This edition: Interactive Download. Pop. Individual part. 1 pages. Duratio...
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Cello,Instrumental Solo - Interactive Download SKU: A0.491619 Composed by BSR. This edition: Interactive Download. Pop. Individual part. 1 pages. Duration 188. Published by Brandon Sanchez Rojas (A0.491619). Www.brandonsanchezrojas.com.
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The Less I Know The Better - Viola
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Viola
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Pop music
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BSR
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The Less I Know The Better - V
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Brandon Sanchez Rojas
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SheetMusicPlus
Instrumental Solo,Viola - Interactive Download SKU: A0.491620 Composed by BSR. This edition: Interactive Download. Pop. Individual part. 1 pages. Duratio...
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Instrumental Solo,Viola - Interactive Download SKU: A0.491620 Composed by BSR. This edition: Interactive Download. Pop. Individual part. 1 pages. Duration 188. Published by Brandon Sanchez Rojas (A0.491620). Www.brandonsanchezrojas.com.
$4.99
The Less I Know The Better
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Contemporary
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Tame Impala
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Nikita Abramenko
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The Less I Know The Better
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Nikita Abramenko
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SheetMusicPlus
Small Ensemble Flute,Guitar,Piano,Voice - Level 2 - Digital Download SKU: A0.978671 By Tame Impala. By Kevin Parker. Arranged by Nikita Abramenko. Contem...
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Small Ensemble Flute,Guitar,Piano,Voice - Level 2 - Digital Download SKU: A0.978671 By Tame Impala. By Kevin Parker. Arranged by Nikita Abramenko. Contemporary. Score and parts. 3 pages. Nikita Abramenko #6347369. Published by Nikita Abramenko (A0.978671). Full lead sheet with lyrics and chords.
$4.99
The Less I Know The Better
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Contemporary
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Tame Impala
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Nikita Abramenko
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The Less I Know The Better
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Nikita Abramenko
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SheetMusicPlus
Small Ensemble Flute,Guitar,Piano,Voice - Level 1 - Digital Download SKU: A0.978674 By Tame Impala. By Kevin Parker. Arranged by Nikita Abramenko. Contem...
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Small Ensemble Flute,Guitar,Piano,Voice - Level 1 - Digital Download SKU: A0.978674 By Tame Impala. By Kevin Parker. Arranged by Nikita Abramenko. Contemporary. Score and parts. 3 pages. Nikita Abramenko #6347373. Published by Nikita Abramenko (A0.978674). Easy version of full Lead Sheet with Lyrics and Chords.
$4.99
The Less I Know The Better - Guitar Tab
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Guitar notes and tablatures
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Pop music
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BSR
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The Less I Know The Better - G
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Brandon Sanchez Rojas
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SheetMusicPlus
Composed by BSR. This edition: Interactive Download. Pop. Individual part. 2 pages. Duration 188. Published by Brandon Sanchez Rojas...
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Composed by BSR. This edition: Interactive Download. Pop. Individual part. 2 pages. Duration 188. Published by Brandon Sanchez Rojas
$4.99
Tame Impala - The Less I Know The Better (Full Song)
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Guitar notes and tablatures
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EASY
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Alternative/Rock
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Tame Impala
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Nikita Abramenko
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Tame Impala - The Less I Know
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Nikita Abramenko
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SheetMusicPlus
By Tame Impala. Arranged by Nikita Abramenko. Lead Sheet, Score, Solo Part, Tablature. 5 pages. Published by Nikita Abramenko...
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By Tame Impala. Arranged by Nikita Abramenko. Lead Sheet, Score, Solo Part, Tablature. 5 pages. Published by Nikita Abramenko
$6.99
The Less I Know The Better (Easy Guitar)
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Guitar notes and tablatures
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EASY
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Alternative/Rock
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Tame Impala
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Nikita Abramenko
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The Less I Know The Better
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Nikita Abramenko
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SheetMusicPlus
By Tame Impala. Arranged by Nikita Abramenko. Lead Sheet, Score, Solo Part, Tablature. 3 pages. Published by Nikita Abramenko...
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By Tame Impala. Arranged by Nikita Abramenko. Lead Sheet, Score, Solo Part, Tablature. 3 pages. Published by Nikita Abramenko
$4.99
The Less I Know The Better (Guitar)
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Guitar notes and tablatures
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EASY
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Alternative/Rock
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Tame Impala
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Nikita Abramenko
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The Less I Know The Better
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Nikita Abramenko
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SheetMusicPlus
By Tame Impala. Arranged by Nikita Abramenko. Lead Sheet, Score, Solo Part, Tablature. 3 pages. Published by Nikita Abramenko...
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By Tame Impala. Arranged by Nikita Abramenko. Lead Sheet, Score, Solo Part, Tablature. 3 pages. Published by Nikita Abramenko
$4.99
The Village
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Flute ensemble
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INTERMEDIATE/ADVANCED
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Wrabel
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a do Ray me flute studio pro
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The Village
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as do Ray meflute studio production
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo,Soprano Flute - Level 4 - Digital Download SKU: A0.1242493 By Wrabel. By Andrew Jackson, Andr...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo,Soprano Flute - Level 4 - Digital Download SKU: A0.1242493 By Wrabel. By Andrew Jackson, Andrew Pearson, and Stephen Wrabel. Arranged by a do Ray me flute studio production Ray-Michael Kauffman. 21st Century,Contemporary,Film/TV,Pop,Singer/Songwriter. 53 pages. As do Ray meflute studio production #837642. Published by as do Ray meflute studio production (A0.1242493). The Village by Wrabel, arranged for flute choir /ensemble arranged by me, Ray-Michael Kauffman. This beautiful and poignant song is part of my Compositions that care series, meaning all profits from thios arrangemnt goes to a charity. This charity is for LGBTQ+. ( about the song meaning)Wrabel, the composer, stated the song is about the LGBTQ+ community and all the hardships they face.The song is directed and to encourage and give hope to a trans person who is being treated poorly and ostracized , and to let that perosn struggling know that there is absolutely Nothing wrong with you and there's soemthing wrong with the village.Too many of the trans/LGBTQ+ comminity are struggling , especially in todays political climate. All around the world LGBTQ+ persons are being bullied, discriminated against , attacked, thrown in jail , and even killed with liitle to no laws to protect people.in my own personal life, as a victim of a horrible hate crime where the person involved attmepted to beat me and kill me , unfortuanelty i found out very qucikly how laws even in the USA do not protect me , how many cops ignored me and/or attmepted to make the attack my fault , and how laywers did not want to help and judges either ,and beacsue of the laws i was not protected as a minority and the crime wasn't a hate crime even though the criminals admitted this as the reason of the attack.I was told that this was not a hate crime , unless the criminals made me a victim of S.A., used a car/vehicle , or a gun, or actually ended my life. I also wanted to add , this brutal attack ( recorded on video by the criminals ) which caused such serious bodily harm, had me in the hospital for surgeries, and required months of long and painful rehab and therapy.As a country, as a society, as a planet , we all need to do better, and have to have more protections for such a discriminated group of persons.I did want to add , all the issues happening around the world, and even here in the USA, such as the awful and fascist discrimitory laws in Florida and other states it's no wonder the statistics of LGBTQ+ that contemplate ending their person or even attempting the act .I ask respectfully that every one please go to law makers and demand better laws and treatments of people no matter what community there are of. All people deserve respect, proper medcial care, and to have the same rights as every other human being. We all can and must be the change you wish to see in the world. ( Ganhdi)Thank you for checking my special arrangement out, and please check out my other arrangements on SheetMusicPlus and my Website @ doRaymeflute.comÂ
$17.99
Playing with Scales
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Richard Hirsch
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Playing with Scales
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Richard Hirsch
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SheetMusicPlus
Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Pu...
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Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Published by Richard Hirsch (A0.1314698). Many amateur guitarists and beginning students of guitar are ‘stuck in the first position’. The rest of the fretboard is ‘terra incognita’. They don’t know where the notes are and they don’t know how to get to them and use them in playing melodies. To help remedy this situation, I offer a collection of scales and exercises I have developed over the years that have helped me master the fretboard of the guitar and that I have used to warm up my left and right hands before practicing or playing proper pieces. Guitarists afraid to move up the fretboard miss out on all the tonal nuances that the guitar has to offer. They also often have undeveloped left hand technique with a little finger that flies around helplessly and uselessly. These scales and exercises will, if played regularly, put the little finger to good use and guide the left hand to orient to the fretboard properly, staying close to the fretboard with fingers that move as little and as efficiently as possible. They are also relaxing and fun to play around with. I read somewhere a while back that medical science had found that pianists were less likely to develop brain diseases. The scientists attributed this to the many hours pianists spend playing scales, as this is like a gentle brain massage. So scales are not only good warm up exercises for the fingers but also good warm-ups for the brain.The scale exercises written here in the keys of G and C should be played in different keys in higher positions on the fretboard. Students can try to see just how far up the neck they can go to reach the highest notes. After a while, what seemed challenging and strange will start to feel comfortable and familiar. Don’t hesitate to develop new variants of the scales when you grow tired of playing them as I propose here. Have fun playing and playing with the scales!The exercises often start in one position and move toward other higher or lower positions on the fretboard. When moving from one position to another, follow the suggested fingerings to utilise what is called a lead finger to move the hand to the next position. This will make the movement smooth and not interrupt the flow of the scale. In the end all movement should look and feel seamless and effortless.I have chosen scales in major keys I think are particularly good to play on the guitar. To practice a scale in a minor key, start the exercise in the related major key from the fundamental of the minor key, for example, to play an E minor scale start the G major exercise on an E and play from there. This is one way of creating new variants of these scales. Another way to vary the exercises is to play the scales in different time signatures or rhythms.I believe these exercises are particularly helpful for amateur guitarists who play in ensembles of different kinds, duos, trios, quartets, where the guitarist often only has one melodic line to play. Such melodies often sound much better played in higher positions where the guitar can be made to sing, rather than in the first position where the same tones, especially on open strings, often sound rather dull. From my own experience, I find that when I play a melody in a higher position using all the fingers of the left hand, the melody not only sounds better, the fingers remember the melody better.Â
$4.99
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