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You've selected:
The Nativity Voices
Sheetmusic to print
58 sheet music found
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51
The Little Drummer Boy
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1316341 By Gloria Gaynor. By Harr…
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Concert Band - Level 3 - Digital Download SKU: A0.1316341 By Gloria Gaynor. By Harry Simeone, Henry Onorati, and Katherine K. Davis. Arranged by Brendan James Elliget MAGA 537. Christmas. 55 pages. BJE Music #905083. Published by BJE Music (A0.1316341). The Little Drummer Boy (originally known as Carol of the Drum) is a popular Christmas song written by American composer Katherine Kennicott Davis in 1941.  First recorded in 1951 by the Trapp Family, the song was further popularized by a 1958 recording by the Harry Simeone Chorale; the Simeone version was re-released successfully for several years, and the song has been recorded many times since. In the lyrics, the singer relates how, as a poor young boy, he was summoned by the Magi to the Nativity of Jesus. Without a gift for the Infant, the little drummer boy played his drum with approval from Jesus' mother, Mary, recalling, I played my best for him and He smiled at me.This is an arrangement for the Concert Band and SATB Choir – Would work with Solo or unison voices instead.  There is an optional Piano part.  There are parts for both Horns in F and Eb, Euphonium in BC and TC, Tubas in C, Eb, and Bb… The MP3 was recorded with NotePerformer 4. Grade = 3 Duration = 2:45 mins.
$49.99
44.8 €
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Concert band
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Gloria Gaynor
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The Little Drummer Boy
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BJE Music
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SheetMusicPlus
Sing, O Sing, This Blessed Morn — SATB voices, organ
Choral SATB
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1493730 Compos…
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Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1493730 Composed by Todd Marchand. Christian,Christmas,Sacred. 4 pages. Con Spirito Music #1070393. Published by Con Spirito Music (A0.1493730). Sing, O Sing, This Blessed Morn is a hymn commemorating the birth of Jesus Christ. Written by Anglican bishop, scholar, author, and poet Christopher Wordsworth (1807-1885), it was published in his collection, The Holy Year; or Hymns for Sundays and Holy-Days, and Other Occasions (1862). Rather than a retelling of the Nativity story, the hymn is more a statement of beliefs about the nature and work of Christ, echoing elements of the Nicene Creed in phrases such as: God from God, and Light from LightGod himself comes down from heav'nOne with us in human birthGod with us ... deigns forever now to dwellborn for us that we born again in him may bewith thy Spirit may [we] be ... with the Father and with theeThis joyful, medium-easy setting of Sing, O Sing, This Blessed Morn for SATB voices and organ is mostly unison, with SATB on the first half of stanzas 3 and 5, and on the concluding alleluias.Voices realized by Cantamus (https://cantamus.app/); organ realized by NotePerformer (https://www.noteperformer.com)©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, patriotic, and popular music for instruments and voices, visit www.conspiritomusic.com
$2.99
2.68 €
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Choral SATB
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Todd Marchand
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Sing, O Sing, This Blessed Morn — SATB voices, organ
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Con Spirito Music
#
SheetMusicPlus
It's Christmastime (or Hear the Bells Ring)
Choral SATB
Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.935511 Composed by Shaun …
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Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.935511 Composed by Shaun Parry. A Cappella,Christian,Christmas,Traditional. Octavo. 7 pages. MusicforMillions #4994317. Published by MusicforMillions (A0.935511). Written in the style of classic Christmas carols with fun, memorable melody and lyrics, this new Christmas song will quickly become a part of everyone's caroling canon. By and large, Christmas music is either sacred or secular, about Jesus, Mary, the shepherds and angels or about presents and parties and Santa Claus. We live them both simultaneously. This carol represents that, with the first verse being a patter of excitement and the second more lyrical, focusing on the Advent of the Savior. Then, just as in life, they are sung together, complimenting each other. We end in unison with a glorious and memorable refrain Nativity mangers make friends out of strangers with peace on earth, good will to all men. * Bells/Chimes sound beautiful but it can also be performed with just piano and the voices singing the bell parts.* Perfect of school or church Christmas concerts or caroling. Also great for families around the fireplace or out Christmas caroling. * Written to be sung by two groups, however, there is a cut version (explained in print) that does not require splitting in two groups. It can be sung straight through without overlapping the verses. * Some harmony parts are indicated in the vocal line. Of course you can sing just the melody in unison all the way through, but there are ample opportunities to break out into fun 2,3 and (in some places) 4-part harmonies. Up to you. You can find me at @the_shaunparry or www.shaunparry.com
$3.99
3.58 €
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Choral SATB
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and large, Christmas music is either sacred or secular, about Jesus, Mary, the shepherds and angels or about presents and parties and Santa Claus
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Shaun Parry
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It's Christmastime
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MusicforMillions
#
SheetMusicPlus
The Christ Child's Lullaby — SATB voices and organ
Choral SATB
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1490482 Compos…
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Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1490482 Composed by Hebridean folk melody. Arranged by Todd Marchand. Christian,Christmas,Folk,Sacred,Traditional. 5 pages. Con Spirito Music #1067324. Published by Con Spirito Music (A0.1490482). “The Christ Child's Lullaby” is an English translation of the Scots Gaelic “Tàladh Chrìosda,” a Christmas carol adapted and popularized in the 20th century from a longer work written in 1855 by Catholic priest Ranald Rankin for his parishioners at Fort William in the Scottish Highlands.Rankin’s hymn, representing a lullaby for the Christ Child by the Virgin mother Mary, was intended for performance at Midnight Mass (the first mass of Christmas) and is still sung then at churches in the Outer Hebrides of Scotland today. Titled “Tàladh ar Slànaigheir” (“The Lullaby of our Savior”) and containing 29 verses, it is altogether a lullaby, a retelling of elements of the Nativity story, and an explication of the nature and work of Christ. The English text of “The Christ Child’s Lullaby” (containing three verses and alleluias) is one of many translations, adaptations, and variants of the original Scots Gaelic text. The tune, too, is one of many variants of a traditional Hebridean folk melody. It has been further adapted and newly harmonized in this medium-easy arrangement for SATB choir and organ, featuring solo soprano on verse 1, sopranos-altos in open harmonies on verse 2, and full SATB in rich harmonies on verse 3 and the concluding “Alleluias.”Voices realized by Cantamus (https://cantamus.app/); organ realized by NotePerformer (https://www.noteperformer.com)©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, patriotic, and popular music for instruments and voices, visit www.conspiritomusic.com
$2.99
2.68 €
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Choral SATB
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Hebridean folk melody
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The Christ Child's Lullaby — SATB voices and organ
#
Con Spirito Music
#
SheetMusicPlus
Mary's Lullaby Nativity Lullaby Song
Acoustic Guitar,Alto Saxophone,Bass Guitar,Clarinet,Cornet,Flute,High Voice,Horn,Piano,Syn…
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Acoustic Guitar,Alto Saxophone,Bass Guitar,Clarinet,Cornet,Flute,High Voice,Horn,Piano,Synthesizer,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.997132 Composed by Sarah Wilson. Christian,Christmas,Contemporary,Musical/Show,Sacred. 36 pages. Sarah Ruth Wilson #5315149. Published by Sarah Ruth Wilson (A0.997132). This is a piece of music from a musical I wrote with my father (he wrote the lyrics and I wrote the words) - a modern take on the nativity story. This is Mary's Lullaby, which is a duet between Mary and Joseph as they marvel at the gift of the baby and lull him to sleep with their voices. I hope you like it.It is scored for Soprano voice, Tenor voice, Flute, Clarinet, Alto Sax, French Horn, Cornet/Trumpet, Trombone, Acoustic or Electric Guitar (tab included), Bass Guitar, Piano, and Synthesizer for additional string support.It is almost 2.5 minutes long.
$5.99
5.37 €
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Sarah Wilson
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Mary's Lullaby Nativity Lullaby Song
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Sarah Ruth Wilson
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SheetMusicPlus
The Nativity - Mvt. III from Rosary Sonatas, trans. for solo clarinet
Clarinet
B-Flat Clarinet Solo - Level 4 - Digital Download SKU: A0.1350796 Composed by Heinr…
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B-Flat Clarinet Solo - Level 4 - Digital Download SKU: A0.1350796 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joel Denney. Baroque,Classical,Sacred. Individual part. 7 pages. Joel Denney Music #935623. Published by Joel Denney Music (A0.1350796). Originally composed for solo scordatura violin and continuo, this transcription for clarinet may be performed as an unaccompanied solo or with continuo parts available on IMSLP. The original violin part makes extensive use of double, triple, and quadruple stops, often to the extent of imitating multiple voices in counterpoint. This transcription attempts to imitate this effect through the use of grace notes and quick arpeggios. As in the original score, dynamics are not provided for the soloist, and may be freely added at the player’s discretion.Performers will immensely benefit from listening to one or more recordings of violinists performing this piece to compare interpretations and performance practices. While this transcription largely follows the interpretation given on violinist Lina Tur Bonet’s excellent recording with the Musica Alchemica ensemble, the transcription is by no means intended to exclude other interpretations. Players may change whatever ornamental and rhythmic elements they wish in order to accomplish their artistic goals. This transcription includes three options for key signature. Any of the three included versions may be played by any key/size of clarinet for unaccompanied performance. 1.   Written key of C# minor, for Clarinet in Bâ™â€”can be accompanied by the original continuo parts2.   Written key of D minor, for Clarinet in A—can be accompanied by the original continuo parts3.   Written key of B minor, for Clarinet in Bâ™ or A—only for unaccompanied performancePerformance notes, links to free IMSLP continuo parts, and links to recommended reference recordings are incuded in a separate page at the end of the PDF.©2023 Joel Denney Music. All Rights Reserved.
$2.99
2.68 €
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Clarinet
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Heinrich Ignaz Franz von Biber
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The Nativity - Mvt. III from Rosary Sonatas, trans. for solo clarinet
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Joel Denney Music
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SheetMusicPlus
As On the Night — SATB voices, organ
Choral SATB
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1492434 Compos…
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Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1492434 Composed by Orlando Gibbons. Arranged by Todd Marchand. Christian,Christmas,Renaissance,Sacred. 5 pages. Con Spirito Music #1069110. Published by Con Spirito Music (A0.1492434). As On The Night is a song text for Christmas Day by English poet, satirist, pamphleteer, and hymn-writer George Wither (1588-1667), whose life spanned the tumultuous period in English history that included the reigns of Elizabeth I, James I, and Charles I and the continuous tension between Catholic and Protestant faith and practice. Desiring to counter the practice of exclusively using psalms as texts for congregational singing in worship, Wither published in 1623 The Hymnes and Songs of the Church, with The First Part comprehend[ing] Hymns, and such parcels of Holy Scripture, as may properly be sung, with some other ancient Songs and Creeds, and The Second Part consist[ing] of Spiritual Songs, appropriated to the several Times and Occasions observable in the Church of England. As On The Night appears in part two as a song to commemorate Christmas Day. Its first stanza is a retelling of elements of the Nativity story as found in Luke 2:7-20; its second stanza is a consideration of the Incarnation and work of Christ (Our flesh he wore, our sin to wear away; Our curse he bore, that we escape it may; And wept for us that we might sing for aye.).The music accompanying As On the Night is Song 46, one of many tunes written for Wither's collection by English composer and keyboardist Orlando Gibbons (1583-1625). As Gibbons notated only the melody and bass lines of his tunes, the harmonization in this arrangement for SATB choir and organ is largely that of The English Hymnal (1906). ©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, patriotic, and popular music for instruments and voices, visit www.conspiritomusic.comVoices realized by Cantamus (https://cantamus.app/); organ realized by NotePerformer (https://www.noteperformer.com).
$2.99
2.68 €
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Choral SATB
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Orlando Gibbons
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As On the Night — SATB voices, organ
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Con Spirito Music
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SheetMusicPlus
Missa Solemnis, op. 27 (vocal score)
Choral SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
78.86 €
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Choral SATB
#
Adrian Gagiu
#
Missa Solemnis, op. 27
#
Adrian Gagiu
#
SheetMusicPlus
Missa Solemnis, op. 27 - Score Only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagi…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
89.62 €
#
Orchestra
#
Adrian Gagiu
#
Missa Solemnis, op. 27 - Score Only
#
Adrian Gagiu
#
SheetMusicPlus
Come, Thou Long-Expected Jesus — SATB voices, organ
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1283376 Composed by Todd M…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1283376 Composed by Todd Marchand. Advent,Christian,Sacred. Octavo. 6 pages. Con Spirito Music #874560. Published by Con Spirito Music (A0.1283376). Charles Wesley’s (1707-1788) Advent hymn, “Come, Thou Long-Expected Jesus,†from Hymns for the Nativity of our Lord (1744), reflects the dual nature of Advent for Christians, in that it recalls the first coming and incarnation of the Messiah while also anticipating His return.Each stanza presents a different idea: Stanza 1, the longing for freedom from sin and fear; Stanza 2, attributes of or names for Christ; Stanza 3, the Messiah's birth, kingdom, and purpose; and Stanza 4, a prayer for Christ's rule in believers' hearts. Among the Scriptures referenced in the hymn are 2 Corinthians 4:14, Revelation 3:21, Isaiah 61:1-2, Luke 4:18-19, and Romans 6:22. In this setting of Wesley’s text to an original tune, a short introduction is followed by verse 1, presented by women’s voices (soprano, alto) and verse 2, presented by men’s voices (tenor, bass). Verse 3 is presented by SATB voices, unaccompanied; and following a short organ interlude and modulation from D minor to E minor, the concluding verse 4 is introduced by all voices in unison with organ, then expands both dynamically and in texture to SATB and ends on a glorious E major chord.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$2.00
1.79 €
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Choral SATB
#
Todd Marchand
#
Come, Thou Long-Expected Jesus — SATB voices, organ
#
Con Spirito Music
#
SheetMusicPlus
Carol of the Nativity
Choral SATB
SATB choir SKU: LO.S309 Composed by Robert Wetzler. Choral. Sacred Anthem, Christma…
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SATB choir SKU: LO.S309 Composed by Robert Wetzler. Choral. Sacred Anthem, Christmas. Octavo. Sacred Music Press #S309. Published by Sacred Music Press (LO.S309). UPC: 000308034561.William Kirkpatrick's captivating tune for Away in a Manger is used in this rich choral setting with eloquent accompaniment--ideally suited for combined choirs. The flowing melody for children's voices (or soloist) may also be performed without the SATB part. An unforgettable work--and one of this composer's most distinguished efforts.
$2.65
2.37 €
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Choral SATB
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Robert Wetzler
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Carol of the Nativity
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Sacred Music Press
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SheetMusicPlus
And a Star is Shining in the East (SAT Choir and piano)
Choral 3-part
Choral Choir,Choral (SAT) - Level 2 - Digital Download SKU: A0.1290985 Composed by …
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Choral Choir,Choral (SAT) - Level 2 - Digital Download SKU: A0.1290985 Composed by Colin Kirkpatrick. Advent,Christian,Christmas. 10 pages. Colin Kirkpatrick Publications #881675. Published by Colin Kirkpatrick Publications (A0.1290985). This Christmas song has a lovely melody in 3/4 time, quietly reflective with a short a cappella section in the middle. Colin Kirkpatrick’s setting of the text by Danny Alorean is sure to please and quite easy to sing. The text looks at Bethlehem and the nativity story through the eyes of the shepherds. This piece would make an excellent addition to your Christmas concert or service. The SAT voicing makes this arrangement suitable for high-school or college choirs in which there are no bass voices. The voice ranages are well within the high-school norms: Soprano C4-F5; Alto A3-D5; Tenor C3-D4. (Duration: 02:50).
$2.20
1.97 €
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Choral 3-part
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Colin Kirkpatrick
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Alto A3-D5
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And a Star is Shining in the East
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Colin Kirkpatrick Publications
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SheetMusicPlus
A Hymn on the Nativity of My Savior (SSA)
Choral 3-part
Choral Choir,Choral (SSA) - Level 3 - Digital Download SKU: A0.1315184 By Christoph…
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Choral Choir,Choral (SSA) - Level 3 - Digital Download SKU: A0.1315184 By Christopher Alexander. By Christopher Alexander. Christian,Christmas,Holiday,Religious,Sacred. 12 pages. Christopher Alexander #903930. Published by Christopher Alexander (A0.1315184). The definitive opening hits from the piano begin this triumphant work appropriate for the Christmas season. Â The echoic texture of the voices illustrates the resounding nature of the text before the chorus expands to traditional harmonic chords. Â A contrasting middle section gives more motion to the work before building to a recapitulation of the opening stanza. Â This will be a great opener for your choirs at your holiday concert or worship service.Also available in: SATB, SAB, and TTB.
$2.25
2.02 €
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Choral 3-part
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Christopher Alexander
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A Hymn on the Nativity of My Savior
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Christopher Alexander
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SheetMusicPlus
A Hymn on the Nativity of My Savior (SATB)
Choral SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1315179 By Christop…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1315179 By Christopher Alexander. By Christopher Alexander. Christian,Christmas,Holiday,Religious,Sacred. 12 pages. Christopher Alexander #903925. Published by Christopher Alexander (A0.1315179). The definitive opening hits from the piano begin this triumphant work appropriate for the Christmas season. Â The echoic texture of the voices illustrates the resounding nature of the text before the chorus expands to traditional harmonic chords. Â A contrasting middle section gives more motion to the work before building to a recapitulation of the opening stanza. Â This will be a great opener for your choirs at your holiday concert or worship service.Also available in SAB, SSA, and TTB.
$2.25
2.02 €
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Choral SATB
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Christopher Alexander
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A Hymn on the Nativity of My Savior
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Christopher Alexander
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SheetMusicPlus
A Hymn on the Nativity of My Savior (SAB)
Choral 3-part
Choral Choir,Choral (SAB) - Level 3 - Digital Download SKU: A0.1315182 By Christoph…
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Choral Choir,Choral (SAB) - Level 3 - Digital Download SKU: A0.1315182 By Christopher Alexander. By Christopher Alexander. Christian,Christmas,Holiday,Religious,Sacred. 12 pages. Christopher Alexander #903928. Published by Christopher Alexander (A0.1315182). The definitive opening hits from the piano begin this triumphant work appropriate for the Christmas season. Â The echoic texture of the voices illustrates the resounding nature of the text before the chorus expands to traditional harmonic chords. Â A contrasting middle section gives more motion to the work before building to a recapitulation of the opening stanza. Â This will be a great opener for your choirs at your holiday concert or worship service.Also available in: SATB, SSA, and TTB.
$2.25
2.02 €
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Choral 3-part
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Christopher Alexander
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A Hymn on the Nativity of My Savior
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Christopher Alexander
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SheetMusicPlus
A Hymn on the Nativity of My Savior (TTB)
Choral 2-part
Choral Choir,Choral (TB) - Level 3 - Digital Download SKU: A0.1315187 By Christophe…
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Choral Choir,Choral (TB) - Level 3 - Digital Download SKU: A0.1315187 By Christopher Alexander. By Christopher Alexander. Christian,Christmas,Holiday,Religious,Sacred. 12 pages. Christopher Alexander #903933. Published by Christopher Alexander (A0.1315187). The definitive opening hits from the piano begin this triumphant work appropriate for the Christmas season. Â The echoic texture of the voices illustrates the resounding nature of the text before the chorus expands to traditional harmonic chords. Â A contrasting middle section gives more motion to the work before building to a recapitulation of the opening stanza. Â This will be a great opener for your choirs at your holiday concert or worship service.Also available in: SATB, SAB, and SSA.
$2.25
2.02 €
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Choral 2-part
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Christopher Alexander
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A Hymn on the Nativity of My Savior
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Christopher Alexander
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SheetMusicPlus
Kontakion of the Nativity of Christ
Choral TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1182169 Composed by Tradit…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1182169 Composed by Traditional. Arranged by Johannes H. Hindriks. A Cappella,Christian,Christmas,Praise & Worship,Religious. Octavo. 19 pages. Johannes H. Hindriks #781934. Published by Johannes H. Hindriks (A0.1182169). The canonical Church Slavonic text of this Slavic Orthodox Christmas chant is offered both in Russian Cyrillic type and English transliteration. The traditional Russian Znamenny Chant melody, set to new harmony by Johannes H. Hindriks, is found in the upper voice. Instead of following a strict meter, the music freely follows the words in a recitative manner. Suitable as a hymn or recital piece. The 19-page PDF document includes: Full Score in 4 Staves, Full Score in 2 Staves, Parts, Background Information, and basic Pronunciation Guidelines. Duration: 1 min. 40 secs. Skill Level: Medium/Advanced. Also available for Mixed Voices SATB.
$4.99
4.47 €
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Choral TTBB
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Traditional
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Kontakion of the Nativity of Christ
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Johannes H. Hindriks
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SheetMusicPlus
The Saviour Boy Is Here
Choral Unison
Choral Choir (Unison) - Digital Download SKU: A0.1038737 Composed by Roger Hart. Ch…
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Choral Choir (Unison) - Digital Download SKU: A0.1038737 Composed by Roger Hart. Children,Christmas. Octavo. 39 pages. Roger Hart #643715. Published by Roger Hart (A0.1038737). The Saviour Boy Is Here is a Christmas cantata for children's voices with piano accompaniment. Written originally as a concert item for my junior school choir the nine songs tell the story of the Nativity from the first appearance of the angel to Mary up to the arrival of the wise men in the stable. Run time is about 20 minutes. The work could be expanded by the inclusion of readings between the songs. The download contains the full score plus vocal sheets and the separate optional recorder part for The Shepherds' Journey.
$3.00
2.69 €
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Choral Unison
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Roger Hart
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The Saviour Boy Is Here
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Roger Hart
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SheetMusicPlus
In the bleak mid-winter
Choral SATB
Mixed choir (SATB) and organ - intermediate to advanced - Digital Download SKU: S9.Q713…
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Mixed choir (SATB) and organ - intermediate to advanced - Digital Download SKU: S9.Q7137 For SATB choir and organ. Composed by John Casken. This edition: choral score. Choral Music of Our Time. Downloadable, choral score. Duration 6 minutes. Schott Music - Digital #Q7137. Published by Schott Music - Digital (S9.Q7137). English.Composed for the Alwinton and Holystone Church Choir near the composer's home in Northumberland, John Casken sets Christina Rossetti's In the bleak mid-winter - a poem popularised by Gustav Holts' setting of the same name for SATB choir and organ. A traditional carol based on the nativity it paints a vivid picture of the chill of winter and is ideal for choirs wishing to move away from the well-known whilst retaining an element of tradition. Constantly flowing organ lines create a sense of unease but this is uplifting music with subtle crescendos and powerful homophonic writing for the voices.
$6.99
6.26 €
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Choral SATB
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John Casken
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In the bleak mid-winter
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Schott Music - Digital
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SheetMusicPlus
The Wexford Carol - SATB with piano accompaniment
Choral SATB
Choral Choir (SATB) - Digital Download SKU: A0.972784 Composed by Traditional, Iris…
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Choral Choir (SATB) - Digital Download SKU: A0.972784 Composed by Traditional, Irish. Arranged by J A Sandford. Christian,Christmas,Classical. Octavo. 3 pages. John A Sandford #3382675. Published by John A Sandford (A0.972784). Good People All is the first line of a traditional Irish carol dating from the 12th century known as the Wexford Carol. It tells of the nativity of Jesus Christ so is suitable for a program of Christmas music. This version, composed in 2016, maintains the melodic line, key and tempo of the original tune but has more variety of accompaniment styles, featuring lilting piano accompaniment with unison voices and an unaccompanied SATB section. It is suitable for adult mixed choirs of modest ability. .
$2.99
2.68 €
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Choral SATB
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Traditional, Irish
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The Wexford Carol - SATB with piano accompaniment
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John A Sandford
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SheetMusicPlus
Softly the Night is Sleeping — SATB voices, organ, solo instrument
Choral SATB
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1318475 Composed by…
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Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1318475 Composed by Todd Marchand. Christian,Christmas,Sacred. 10 pages. Con Spirito Music #907143. Published by Con Spirito Music (A0.1318475). “Softly the Night is Sleeping†is a Nativity poem by the Rev. Edward Abiel Washburn (1819-1881), a noted American Episcopal clergyman who studied at both Harvard and Yale, and who served parishes in Newburyport, Massachusetts; Hartford, Connecticut; Philadelphia, Pennsylvania; and New York City. A noted preacher, he also translated Latin hymns as well as authoring a number of his own poems.In three verses, Washburn’s poem recalls the Bethlehem hillside where shepherds watched their flocks by night, the virgin mother Mary, the infant Jesus in the manger, the heavenly host singing “Gloria,†the bright star shining above, the arrival of the Magi, and more. Each unison verse, which may be assigned as written or at the director’s discretion, is followed by a chorus with full SATB voices singing “Glory to God! Peace on the earth, good will to men.†Includes parts for solo C instrument (oboe, flute, violin) or solo Bb clarinet.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$2.00
1.79 €
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Choral SATB
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Todd Marchand
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Hartford, Connecticut
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Softly the Night is Sleeping — SATB voices, organ, solo instrument
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Con Spirito Music
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SheetMusicPlus
Nativity of the Blessed Virgin Mary (Ave Maria) (2-part choir)
Choral 2-part
Choral Choir (2-Part) - Level 2 - Digital Download SKU: A0.1104355 By Stephen DeCes…
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Choral Choir (2-Part) - Level 2 - Digital Download SKU: A0.1104355 By Stephen DeCesare. By Stephen DeCesare. Christian,Christmas,Contemporary,Praise & Worship,Sacred. Octavo. 7 pages. Exultet Music #707570. Published by Exultet Music (A0.1104355). Tender and moving piece using the words of the Ave Maria. Scored for a 2-part choir (Part 1: High Voices (Sop. & Ten), Part 2: Low Voices (Alto & Bass) with Piano accompaniment. Can be used for many times throughout the liturgical year but especially when there is a Marian theme. An accompaniment track is also available.
$3.99
3.58 €
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Choral 2-part
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Stephen DeCesare
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Nativity of the Blessed Virgin Mary
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Exultet Music
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SheetMusicPlus
Nativity of the Blessed Virgin Mary (Ave Maria) (2-part choir) (Easy choir version)
Choral 2-part
Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.1104367 By Stephen DeCes…
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Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.1104367 By Stephen DeCesare. By Stephen DeCesare. Christian,Christmas,Contemporary,Praise & Worship,Sacred. Octavo. 7 pages. Exultet Music #707584. Published by Exultet Music (A0.1104367). Tender and moving piece using the words of the Ave Maria. Scored for a 2-part choir (Part 1: High Voices (Sop. & Ten), Part 2: Low Voices (Alto & Bass) with Piano accompaniment. Can be used for many times throughout the liturgical year but especially when there is a Marian theme. An accompaniment track is also available.
$3.99
3.58 €
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Choral 2-part
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Stephen DeCesare
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Nativity of the Blessed Virgin Mary
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Exultet Music
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SheetMusicPlus
Just in Time for Christmas (An Original Christmas Anthem for Unison Choir)
Choral Unison
Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.781383 Composed by Joann…
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Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.781383 Composed by Joanna Mills. Broadway,Children,Christmas,Holiday,Musical/Show,Sacred. Octavo. 8 pages. Joanna Mills Music #5324631. Published by Joanna Mills Music (A0.781383). This is one song from the complete children's musical Just in Time for Christmas - also available here. This thoughtful and lovely unison Christmas anthem is perfect for church soloists, children's choirs, or congregational singing. It explores the idea of looking past the commercial trappings of Christmas, and learning the true reason for the season. Set in an accessible key for most voices, this pretty song is perfect for Advent services, Lessons & Carols services, Christmas Eve services, and nativity plays or pageants. Approximate performance time is 2:54. Guitar chords included. Also available for 2-part choir, and a piano accompaniment track is also available on Sheet Music Plus.
$1.99
1.78 €
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Choral Unison
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Joanna Mills
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Just in Time for Christmas
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Joanna Mills Music
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SheetMusicPlus
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