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The Old Pier
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751
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainer…
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Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
10.75 €
#
Various
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Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
#
Wold Meridian
#
SheetMusicPlus
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervais…
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Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
10.75 €
#
Various
#
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
#
Wold Meridian
#
SheetMusicPlus
The Old Pier
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1358164 By Suzanne Herman. By Suzan…
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Piano Solo - Level 4 - Digital Download SKU: A0.1358164 By Suzanne Herman. By Suzanne Herman. Classical,Contemporary,Contest,Festival,New Age. Score. 7 pages. Suzanne Herman Music #942647. Published by Suzanne Herman Music (A0.1358164). Anna Maria Island is located in the Tampa Bay area. Along the incredible north shoreline of the island, where Tampa Bay meets the Gulf of Mexico, is an old historical pier. The name of the pier is The Rod and Reel. People are constanly fishing, relaxing, or enjoying the awesome view of the Sunshine Skyway Bridge that can be admired across the bay. The old historical Rod and Reel Pier has seen many tropical storms and hurricanes. Yes, the pier has been damaged over the years, but it has always been repaired and lives on. This is the setting of The Old Pier. The relaxed mood of this piece is conveyed through a flowing left-hand pattern and an easy-going right-hand melody that uses the interval of a sixth. Amidst the gentle flow are some dramatic 32nd note passages that again give way to the calming and peaceful theme. The Old Pier is in the key of F major and contains some accidentals adding a gorgeous harmonic variation. Tha Old Pier, from the solo piano album and songbook A Seaside View, can be found worldwide on all major listening platforms including Spotify, Pandora, Apple Music, SoundCloud, etc.Suzanne Herman Links:Website Facebook Instagram YouTube Channel Register for Newsletter
$5.50
4.93 €
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Piano solo
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Suzanne Herman
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The Old Pier
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Suzanne Herman Music
#
SheetMusicPlus
Rosary Sonatas: The Crucifixion
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1081697 Composed by Heinrich Ig…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1081697 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Easter,Sacred. Score and parts. 95 pages. JMJ Arrangements #685818. Published by JMJ Arrangements (A0.1081697). [S]tanding by the cross of Jesus were his mother, and his mother’s sister, Mary the wife of Clopas, and Mary Magdalene. When Jesus saw his mother, and the disciple whom he loved standing near, he said to his mother, 'Woman, behold, your son!' Then he said to the disciple, 'Behold, your mother!' And from that hour the disciple took her to his own home. After this Jesus, knowing that all was now finished, said (to fulfil the scripture), 'I thirst.' A bowl full of vinegar stood there; so they put a sponge full of the vinegar on hyssop and held it to his mouth. When Jesus had received the vinegar, he said, 'It is finished'; and he bowed his head and gave up his spirit. Since it was the day of Preparation, in order to prevent the bodies from remaining on the cross on the sabbath (for that sabbath was a high day), the Jews asked Pilate that their legs might be broken, and that they might be taken away. So the soldiers came and broke the legs of the first, and of the other who had been crucified with him; but when they came to Jesus and saw that he was already dead, they did not break his legs. But one of the soldiers pierced his side with a spear, and at once there came out blood and water. He who saw it has borne witness—his testimony is true, and he knows that he tells the truth—that you also may believe. For these things took place that the scripture might be fulfilled, 'Not a bone of him shall be broken.' And again another scripture says, 'They shall look on him whom they have pierced.' --John 19:25-37.
$34.99
31.36 €
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Orchestra
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Heinrich Ignaz Franz von Biber
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Rosary Sonatas: The Crucifixion
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JMJ Arrangements
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SheetMusicPlus
Chording to the Dance Masters 44 Renaissance Dance Consort pieces Omnibus Full Score version
Level 2 - Digital Download SKU: A0.1411172 Composed by Anonymous, Claude Gervaise, …
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Level 2 - Digital Download SKU: A0.1411172 Composed by Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, John Dowland, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, Thoinot Arbeau, and Tielman Susato. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 93 pages. Wold Meridian #993504. Published by Wold Meridian (A0.1411172). A selection of 44 Dance Consort pieces from publications dating from 1500 to 1620 in three, four or five part scores and fully chorded with lyricsRenaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments.  They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.The 44 pieces that first  appeared in the publication Chording to the Dance Masters, are  presented in full score and with separate parts for each of the lines.  What is more, a number of the pieces have been re-edited to include their lyrics, should you wish to perform them vocally.  They represent some of the best known secular pieces of the Renaissance repertoire.What makes this Wold Meridian edition of these pieces different  from others is that they have been created to make performing them as accessible as possible.  Chords have been provided so that the piece can be played with just the melody line and a simple accompaniment.  It also means that keyboard players or fretted strings can join in with ensembles, giving extra sparkle to performances.Each piece can be heard in a video on YouTube with illustrations and historical background information.  Even more helpful for players who are less experienced in reading harmony lines, there is a YouTube video link featuring each part, where it is heard initially on its own with the chords, on repeats with the melody line added and finally together with all the parts in the whole ensemble.  If you have not had the pleasure of playing in consort with other people, you could not do better than start with these Wold Meridian editions.
$18.00
16.13 €
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Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, John Dowland, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, Thoinot Arbeau, and Tielman Susato
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Chording to the Dance Masters 44 Renaissance Dance Consort pieces Omnibus Full Score version
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Wold Meridian
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SheetMusicPlus
Chording to the Dance Masters - Melody and chords for 44 Renaissance Dance Consort pieces
C Instruments
C Instrument - Level 2 - Digital Download By Various. By Anonymous, Claudin de Sermis…
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C Instrument - Level 2 - Digital Download By Various. By Anonymous, Claudin de Sermisy, Henry VIII, Pierre Phalese, Thoinot Arbeau, John Dowland (1563- 1626), Michael Praetorius (1571-1621), Pierre Attaignant (1494-1553), Pierre Certon (1510-1572), William Cornysh (1470-1523), Juan Del Encina (1468-1530), Claude Gervaise (1540-1560), Giorgio Mainerio (1535-1582), Erasmus Widmann (1572-1634), and Tielman Susato (1500-1561). Arranged by Alastair Lodge. 151, 153, 162, Folk, Renaissance. Lead Sheet / Fake Book. 38 pages. Wold Meridian #727149. Published by Wold Meridian
Chording to the Dance Masters is a selection of dance tunes that were collected originally between about 1500 and 1620. Printing made many of these tunes popular throughout Europe during these times, some of them composed by the printer/publishers themselves, but many more of them existed previously as rustic dance tunes or popular chansons. The works were originally published to be played by three to five instrumentalists, with no particular instruments specified. They suited consorts or “choirs” of instruments that were depicted in the illustrations of Agricola, Mersenne and most notably Praetorius and are now preserved in museums around the world.<br> <br> Many editions exist in the 3, 4 or 5 parts as originally published, and these are an absolute joy to perform from, where the interweaving parts create interesting harmonies that demonstrate the skills of these renaissance composer/arranger/publishers. Playing with modern reproductions of the early instruments will recreate textures and sounds unique to this period. However, not everyone is lucky enough to either own these instruments or else have contact with others with whom they could form ensembles. This book aims to widen the experience out to those who would like to play these tunes on their own or with the accompaniment of a guitar, keyboard or other available chordal instrument. Fake books abound for those who wish to play Jazz, Folk, Classical and Popular music where the melody is annotated with chords so that players can access these tunes in their own way. As far as I am aware, this has not often been done for the player who wishes to busk their way through music of the Renaissance period.<br> <br> I have attempted to include all the chords implied by the polyphonic parts of the original publications, simply because it is in the transitions of the harmonies under the melodies where the genius of the original arranger/publisher resides. Those who go on to explore the original versions may look forward to the way in which each line presents the player with intrinsically beautiful counter melodies.<br> <br> At first, the rapidity of chord changing can be a bit daunting, so I have marked out what I consider to be the essential chords for accompaniment in boxes. Playing just these will provide adequate accompaniment, whilst leaving the more adventurous scope to enhance their performance by referencing some of the other chords. You can hear the chording arrangements together with the original 3, 4 or 5 part versions of all 44 pieces on a YouTube playlist which has been made as a companion to this volume at<br> <br> https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNS<br> <br> As well as the solo or player in a duo, this book would also be of value for someone who is used to reading chords rather than melody lines wishing to join in with a renaissance consort. The selection I have chosen represents quite a few of the “standards” that have become regularly played since the revival of renaissance music in the late 1960s. It is hoped that should this volume prove popular, companion volumes with all the parts provided for the same pieces could make essential repertoire for the budding renaissance dance consorts of the future.
$11.46
10.27 €
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C Instruments
#
Various
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Chording to the Dance Masters - Melody and chords for 44 Renaissance Dance Consort pieces
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Wold Meridian
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SheetMusicPlus
The Golden Pier
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1287444 Composed by Josh Trentadu…
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Concert Band - Level 3 - Digital Download SKU: A0.1287444 Composed by Josh Trentadue. Contest,Festival. Score and Parts. 80 pages. T.U.X. People's Music #878465. Published by T.U.X. People's Music (A0.1287444). Inspired by a famous Michigan landmark, composer Josh Trentadue has created a stunningly beautiful, lyrical work perfect to balance out any concert program.Piece 2 of the The Michigan Triptych.
$85.00
76.18 €
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Concert band
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Josh Trentadue
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The Golden Pier
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T.U.X. People's Music
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SheetMusicPlus
The Golden Pier
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1287489 Composed by Josh Trentadu…
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Concert Band - Level 3 - Digital Download SKU: A0.1287489 Composed by Josh Trentadue. Contest,Festival. Score and Parts. 82 pages. T.U.X. People's Music #878511. Published by T.U.X. People's Music (A0.1287489). Inspired by a famous Michigan landmark, composer Josh Trentadue has created a stunningly beautiful, lyrical work perfect to balance out any concert program.Piece 2 of the The Michigan Triptych.
$70.00
62.74 €
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Concert band
#
Josh Trentadue
#
The Golden Pier
#
T.U.X. People's Music
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SheetMusicPlus
Rosary Sonatas: The Presentation
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1081594 Composed by Heinrich Ig…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1081594 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and parts. 79 pages. JMJ Arrangements #685710. Published by JMJ Arrangements (A0.1081594). [W]hen the time came for their purification according to the law of Moses, they brought him up to Jerusalem to present him to the Lord (as it is written in the law of the Lord, 'Every male that opens the womb shall be called holy to the Lord') and to offer a sacrifice according to what is said in the law of the Lord, 'a pair of turtledoves, or two young pigeons.' Now there was a man in Jerusalem, whose name was Simeon, and this man was righteous and devout, looking for the consolation of Israel, and the Holy Spirit was upon him. And it had been revealed to him by the Holy Spirit that he should not see death before he had seen the Lord’s Christ. And inspired by the Spirit he came into the temple; and when the parents brought in the child Jesus, to do for him according to the custom of the law, he took him up in his arms and blessed God and said, 'Lord, now lettest thou thy servant depart in peace, according to thy word; for mine eyes have seen thy salvation which thou hast prepared in the presence of all peoples, a light for revelation to the Gentiles, and for glory to thy people Israel.' And his father and his mother marveled at what was said about him; and Simeon blessed them and said to Mary his mother, 'Behold, this child is set for the fall and rising of many in Israel, and for a sign that is spoken against (and a sword will pierce through your own soul also), that thoughts out of many hearts may be revealed.' ... And when they had performed everything according to the law of the Lord, they returned into Galilee, to their own city, Nazareth. And the child grew and became strong, filled with wisdom; and the favor of God was upon him. (Luke 2:22-35, 39-40 RSV-CE).
$19.99
17.92 €
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Orchestra
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Heinrich Ignaz Franz von Biber
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Rosary Sonatas: The Presentation
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JMJ Arrangements
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SheetMusicPlus
L'Espoir Que Jay and Branle - Pierre Attaignant - Paris 1529, 1530 (with lyrics)
Level 2 - Digital Download SKU: A0.1447150 Composed by Pierre Attaignant. Arranged …
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Level 2 - Digital Download SKU: A0.1447150 Composed by Pierre Attaignant. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 10 pages. Wold Meridian #1026929. Published by Wold Meridian (A0.1447150). Renaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments. They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.Also appearing in the publication Chording to the Consort, this individual piece is presented in full score and with separate parts for each of the lines. Wold Meridian editions of these pieces have been created to make performing them as accessible as possible. Chords have been provided so that the piece can be performed with just the melody line and a simple accompaniment. Each piece can be heard in a video on YouTube with illustrations and historical background information. Even more helpful for players who are less experienced in reading harmony lines, there is a YouTube video link featuring each part, where it is heard initially on its own with the chords, on repeats with the melody line added and finally together with all the parts in the whole ensemble. If you have not had the pleasure of playing in consort with other people, you could not do better than start with these Wold Meridian editionsYou can hear the piece in a linked YouTube video at https://www.youtube.com/watch?v=Mf3HSjh6_DgAs a help for players who are not so familiar with playing harmony and inner linesLine 2 is featured at https://www.youtube.com/watch?v=bswT9dNVWRMLine 3 is featured at https://www.youtube.com/watch?v=lMw3JHA-yIYLine 4 is featured at https://www.youtube.com/watch?v=4q1RO1i9zUw
$2.50
2.24 €
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Pierre Attaignant
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L'Espoir Que Jay and Branle - Pierre Attaignant - Paris 1529, 1530
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Wold Meridian
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SheetMusicPlus
Alor s Que Mon Coeur S'Engage - Pierre Bonnet -Airs et Villanelles, 1600 Paris (with lyrics)
Level 2 - Digital Download SKU: A0.1454703 Composed by Pierre Bonnet. Arranged by A…
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Level 2 - Digital Download SKU: A0.1454703 Composed by Pierre Bonnet. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 10 pages. Wold Meridian #1033778. Published by Wold Meridian (A0.1454703). Renaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments. They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.Also appearing in the publication Chording to the Consort, this individual piece is presented in full score and with separate parts for each of the lines. Wold Meridian editions of these pieces have been created to make performing them as accessible as possible. Chords have been provided so that the piece can be performed with just the melody line and a simple accompaniment. Each piece can be heard in a video on YouTube with illustrations and historical background information. Even more helpful for players who are less experienced in reading harmony lines, there is a YouTube video link featuring each part, where it is heard initially on its own with the chords, on repeats with the melody line added and finally together with all the parts in the whole ensemble. If you have not had the pleasure of playing in consort with other people, you could not do better than start with these Wold Meridian editions.You can hear the piece in a linked YouTube video at https://www.youtube.com/watch?v=RoZRkjNCIo0As a help for players who are not so familiar with playing harmony and inner linesLine 2 is featured at https://www.youtube.com/watch?v=qWBAum8TfNwLine 3 is featured at https://www.youtube.com/watch?v=ACEvcQuC1DsLine 4 is featured at https://www.youtube.com/watch?v=9UWvpvlT-C8
$2.50
2.24 €
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Pierre Bonnet
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Alor s Que Mon Coeur S'Engage - Pierre Bonnet -Airs et Villanelles, 1600 Paris
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Wold Meridian
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SheetMusicPlus
Basse Dance La Brosse - Pierre Attaignant - Paris 1530
Level 2 - Digital Download SKU: A0.1438867 Composed by Pierre Attaignant. Arranged …
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Level 2 - Digital Download SKU: A0.1438867 Composed by Pierre Attaignant. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 10 pages. Wold Meridian #1018944. Published by Wold Meridian (A0.1438867). Renaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments. They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.Also appearing in the publication Chording to the Consort, this individual piece is presented in full score and with separate parts for each of the lines. Wold Meridian editions of these pieces have been created to make performing them as accessible as possible. Chords have been provided so that the piece can be performed with just the melody line and a simple accompaniment. Each piece can be heard in a video on YouTube with illustrations and historical background information. Even more helpful for players who are less experienced in reading harmony lines, there is a YouTube video link featuring each part, where it is heard initially on its own with the chords, on repeats with the melody line added and finally together with all the parts in the whole ensemble. If you have not had the pleasure of playing in consort with other people, you could not do better than start with these Wold Meridian editions.You can hear the piece in a linked YouTube video at https://www.youtube.com/watch?v=d0IjPiK77SUAs a help for players who are not so familiar with playing harmony and inner linesLine 2 is featured at https://www.youtube.com/watch?v=sigUgTvF5O4Line 3 is featured at https://www.youtube.com/watch?v=RZR2KxXyuVwLine 4 is featured at https://www.youtube.com/watch?v=mSlYnJyJOZw
$2.50
2.24 €
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Pierre Attaignant
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Basse Dance La Brosse - Pierre Attaignant - Paris 1530
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Wold Meridian
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SheetMusicPlus
Aria from the Opera Orfeo ed Euridice for Brass Quintet (French Horn solo)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1446054
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1446054 Composed by Christoph Willibald Gluck,. Arranged by Keith Terrett. Classical,Contest,Festival,Historic,Instructional,Opera. 16 pages. Keith Terrett #1025876. Published by Keith Terrett (A0.1446054). Orfeo ed Euridice is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the azione teatrale, meaning an opera on a mythological subject with choruses and dancing.The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. Orfeo ed Euridice is the first of Gluck's reform operas, in which he attempted to replace the abstruse plots and overly complex music of opera seria with a noble simplicity in both the music and the drama.The opera is the most popular of Gluck's works, and was one of the most influential on subsequent German operas. Variations on its plot—the underground rescue mission in which the hero must control, or conceal, his emotions—can be found in Mozart's The Magic Flute, Beethoven's Fidelio, and Wagner's Das Rheingold.Though originally set to an Italian libretto, Orfeo ed Euridice owes much to the genre of French opera, particularly in its use of accompanied recitative and a general absence of vocal virtuosity. Indeed, twelve years after the 1762 premiere, Gluck re-adapted the opera to suit the tastes of a Parisian audience at the Académie Royale de Musique with a libretto by Pierre-Louis Moline. This reworking was given the title Orphée et Eurydice, and several alterations were made in vocal casting and orchestration to suit French tastes.Ther picture is Count Francesco Algarotti, an Italian polymath, philosopher, poet, essayist, anglophile, art critic and art collector. He was a man of broad knowledge, an expert in Newtonianism, architecture and opera. He was a friend of Frederick the Great and leading authors of his times: Voltaire, Jean-Baptiste de Boyer, Marquis d'Argens, Pierre-Louis de Maupertuis and the atheist Julien Offray de La Mettrie. Lord Chesterfield, Thomas Gray, George Lyttelton, Thomas Hollis, Metastasio, Benedict XIV and Heinrich von Brühl were among his correspondents.''The Sicilienne and Rigaudon is one of the many pieces that violin virtuoso Fritz Kreisler composed in the style of other composers. When he first presented and published these pieces, he offered them as recently discovered works by those other composers, newly adapted and arranged by himself. In the case of Sicilienne and Rigaudon, it is eighteenth-century French violinist/composer François Francoeur whose name is on the title sheet, though the piece really has nothing to do with Francoeur's style.The piece is a simple and a charming one, however. The Sicilienne is a binary-form miniature that sweeps along on a characteristic dotted rhythm, with a rather melancholy melody. Think old French ballet. The constant 16th notes of the Rigaudon, give it a character quite unlike that of a traditional rigaudon-a cheerful Baroque dance movement in duple meter.
$8.99
8.06 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Christoph Willibald Gluck,
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Aria from the Opera Orfeo ed Euridice for Brass Quintet
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Keith Terrett
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SheetMusicPlus
Cape Breton and Prince Edward Island Fiddle Tunes for Clawhammer Banjo 136 Note-for-Note Authentic Banjo Arrangements in Clear Tablature
Banjo
Banjo - Beginning; Intermediate; Advanced - Digital Download SKU: M0.31054MEB Folk.…
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Banjo - Beginning; Intermediate; Advanced - Digital Download SKU: M0.31054MEB Folk. Old Time. Ebook and online audio. 185 pages. Mel Bay Publications - Digital Sheet Music #31054MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.31054MEB). ISBN 9781513477107. 8.75X11.75 inches.The island of Cape Breton and its close neighbor, Prince Edward Island in eastern Canada are home to two of the oldest, strongest, and most vibrant fiddling traditions in North America. Cape Breton gave rise to a professional Celtic-based fiddling scene to rival anything coming out of Scotland and Ireland. Prince Edward Island’s traditional fiddlers developed lively, idiosyncratic styles every bit as musically compelling as anything you’ll hear on archival recordings of iconic American old-time fiddlers from the Appalachians. This book features 136 tunes from these two distinct but related fiddling traditions, collected by the author directly from master fiddlers, and arranged note-for-note for clawhammer banjo with as much flavor and nuance as possible. These settings of reels, hornpipes, jigs, marches, strathspeys, airs, and other fiddle tunes are all eminently playable and fully benefit from the author’s half-century of experience playing banjo, arranging for banjo, writing banjo instruction books, and researching fiddle-music traditions. Here’s what you’ll find in this volume. 136 fiddle tunes arranged for clawhammer banjo in clear tablatureOver 40 musical examples and exercisesInstruction on basic and advanced techniquesFingering diagrams and detailed fingering suggestionsA systematic approach to playing up-the-neckA thorough treatment of playing triplets, grace notes, and other characteristic ornaments in clawhammerGuides on how to approach playing various kinds of fiddle tunesA framework for understanding the modes encountered in fiddle musicHistorical notes on the tunes and musical traditionsBiographical information on source fiddlers169 audio illustrations available online Note: Most audio illustrations for the tunes in this book are drawn directly from the author’s CDs, Devil in the Kitchen, Frails and Frolics, Island Boy, and Northern Banjo.
Song List: Andy Renwick's Ferret Angus Campbell Archie Menzies The Banks Hornpipe Bear River Jig Bee's Wing Hornpipe, The Belfast hornpipe, The Belfast Jig Big John McNeil Bonaparte Crossing The Alps Bonniest Lass in a' the World, The Bonny Lass of Fisherrow, The Bonny Lea Rig, The Brae Reel, The Braes of Auchtertyre, The Brenda Stubbert's Reel Caber Feidh Cape Breton Wedding Reel, The Captain Campbell Carleton County Breakdown Carnie's Canter Chaisson Reel, The Cheticamp Reel, The Chorus Jig Come Under My Plaidie Compliments To Buddy Macmaster Cutting Ferns Darlin' Don't You Meddle Me Delphine's Reel Democratic Rage, The Devil In The Kitchen Dillon Brown Dinkie's Reel Don't Be Teasing Dr Keith, Aberdeen Dragger's Reel, The Drunken piper, The Dublin Porter Duke of Gordon's Birthday, The Durang's Hornpipe East Neuk of Bear River, The Emil Gaudet's Reel Farmer's Daughter, The Farmer's Reel, The Fay's Hornpipe Fermoy Lasses Fig For A Kiss Fisher's Hornpipe (F Setting) Fred Wilson's Hornpipe Glencoe March Green Meadow Reel Haggis, The Hector's Fancy Hector's New Dance Hall High Level Hornpipe, The Homeward Bound Honeymoon, The Inverness Jig Irishman's Heart To The Ladies Iron Man, The Island Boy Jack Webster's Reel Jackson's Jig Jenny Dang The Weaver JEROME'S FAREWELL TO GIBRALTAR Jerry Holland's Jig Joe Kearney's Reel Joe MacInnis' March Kenmure's On and Awa', Willie Killiecrankie Koehler's Hornpipe Lad O'beirne's Reel Lasses of Glenaladale, The Levantine's Barrel Light and Airy Little Donald In The Pigpen Little Jack's Reel Londonderry Hornpipe Lord Gordon Lord MacDonald's Reel Macdonald's March Reel Mackinnon's Rant Marchioness of Tullibardine, The Marie ? Pierre Marquis of Huntly, The Meeting of Waters, The Miller o' Drone, The Miller's Reel Miramichi Fire, The Miss Barker's Hornpipe Miss Georgina Campbell Miss Gordon Miss Lyall Strathspey Miss Maxwell Mr. Murray Munlochy Bridge Munster Lass, The North Side of the Grampians, The Northside Tune Orange and Blue, The Ottawa Valley Reel Paddy On The Turnpike Pigeon On The Gatepost Plains of Boyle, The Poppy Leaf, ThePride of the Ball Prince Edward Island Wedding Reel Princess Reel River Bend Jig Robert Cormack, Aberdeen Robert Stubbert Rock Valley Jig Rose in the Garden, The Rose of Tennessee, The Rothiemurchus Rant, The Royal Circus Jig Shandon Bells Shores of Lough Gowna, The Silver and Gold Sleepy Maggie Souris Breakwater Southern Melody St Anne's Reel -Original Version St Anne's Reel -Prince County Version St Kilda Wedding Stack Of Barley Stella's Trip To Kamloops Stool of Repentance, The Teviot Bridge Trip To Windsor West Point Jig When I Go Out the Door Where the North River Flows Whiskey Jig Wilfred's Fiddle You Married My Daughter, and Yet
$24.99
22.4 €
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Banjo
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Intermediate
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Cape Breton and Prince Edward Island Fiddle Tunes for Clawhammer Banjo 136 Note-for-Note Authentic Banjo Arrangements in Clear Tablature
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Star of the East and the Carols of Christmas for Beginner Piano
Easy Piano
Easy Piano - Level 1 - Digital Download SKU: A0.1320857 Composed by Traditional Chr…
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Easy Piano - Level 1 - Digital Download SKU: A0.1320857 Composed by Traditional Christmas Carols. Arranged by SilverTonalities. Children,Christian,Christmas,Instructional. Score. 54 pages. SilverTonalities #909294. Published by SilverTonalities (A0.1320857). Traditional Christmas Carols for Beginner Pianists by SilverTonalities!Including fingering tips and the letter names embedded into each notehead. This makes reading music a breeze, especially for beginners and allows you to quickly associate the correct notes and effortlessly recognize the pitch.- ANGELS FROM THE REALMS OF GLORY, is a Scottish Hymn first published in 1816 and is an invitation to “Come Unto Christâ€, pages 1-2AWAY IN A MANGER, celebrates the birth of Jesus surrounded by gentle animals and adoring angels, pages 3-5BOARS HEAD CAROL, is a 15th Century English Carol, also known as “The Boars Head in Hand Bear I†which represents the Yuletide feast, 6-7CAROL OF THE BELLS, with its origins deeply rooted in the Ukraine, this instrumental Carol was composed by Mykola Leontovych in 1916, pages 8-10DRIVE THE COLD WINTER AWAY, is a 17th Century English Carol, also known as “All Hail to the Days†and/or, “The Praise of Christmasâ€, pages 11-13FIRST NOEL, is a traditional English Carol for Epiphany possibly dating back to the 13th Century, pages 14-16GATHER AROUND THE CHRISTMAS TREE, is an American Carol by the clergyman John Henry Hopkins Jr ,who also wrote the modern lyrics for the “The First Noelâ€, pages 17-19GOLDEN CAROL, is an Old English Carol, representing the Three Wisemen of the Magi on their way to Bethlehem, pages 20-22HOLLY AND THE IVY, is an English Carol representing the Christmas custom of decking houses and churches with Evergreen, pages 23-25IT CAME UPON A MIDNIGHT CLEAR, is a Carol and Poem written in 1849 by the American Pastor, Edmund Sears, pages 26-28JINGLE BELLS, the iconic Carol written by James Lord Pierpont in 1857 and published under the title of “One Horse Open Sleigh†in 1857, pages 29-31O CHRISTMAS TREE, is a traditional German Carol, also known as “O Tannenbaumâ€, pages 32-33ONCE IN ROYAL DAVID’S CITY, is an English Anglican Carol, representing that Christ has ascended once again to glory, pages 34-35PAT A PAN, also known as “Willie Take Your Little Drumâ€, is a Carol originating from the Burgundy region of France, pages 36-37SANS DAY CAROL, is similar to the Holly and the Ivy, in which the holly is used as a symbol of Jesus, pages 38-39SILENT NIGHT, this classic Austrian Carol was composed in 1818 by Franz Xaver Gruber, capturing the spirit of peace and harmony, pages 40-41SKATER’S WALTZ, or “Les Patineurs†Opus 183, written by the French Composer, Emile Waldteufel in 1882, pages 42-43STAR OF THE EAST, composed by Amanda Kennedy in 1890, was Ispired by the biblical story of the Star of Bethlehem leading the Wise Men to Jesus, pages 44-46WATCHMAN TELL US OF THE NIGHT, is an American Carol composed by Lowell Mason, reflecting Isaiah 21:11, pages 47-49WHILE SHEPHERDS WATCHED THEIR FLOCKS BY NIGHT, also known as the “Song of the Angels at the Nativity of our Blessed Saviourâ€, pages 50-52
$9.99
8.95 €
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Easy Piano
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Traditional Christmas Carols
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Star of the East and the Carols of Christmas for Beginner Piano
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SilverTonalities
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SheetMusicPlus
Thérèse Brenet : Boustrophédon for flute, clarinet, violin, violoncello and piano
Small Ensemble Cello,Clarinet,Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.5…
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Small Ensemble Cello,Clarinet,Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.532825 Composed by Therese Brenet. Contemporary,Standards. Score and parts. 67 pages. Musik Fabrik Music Publishing #44847. Published by Musik Fabrik Music Publishing (A0.532825). The word Boustrophédon is a 16th century expression which refers to an archaic type of writing in which, after having written a line from left to right, one continues the next line from right to left and then alternates directions. This is the way the oldest known latin inscriptions are written, as well as in the traditional writing of the Touaregs The etymology comes from the Greek “bous†or ox and the verbal form “trophéin†or the verb “to turnâ€. These two elements give the image that this writing is traced in the same way that the ox pulled the plow in the fields In the sub-title, there is an evocation of Rimbaud‘s famous “Vowel“ sonnet : : Oh, sublime trumpet full of strange piercing sounds The author wanted to suggest both musically and technically the manner of this style of writing in boustrophedon. The work begins thus with a sonorous strange sonorous background which suggests this type of writing. This strange atmosphere is created by glissandi on the piano strings as well as on the strings of the violin and the violoncello. These alternating movements create “strange piercing sounds†against which the flute and clarinet alternately play brief sequences which create the outline of a melody. Then the atmosphere changes : the violin, the cello and the piano come together in a percussive violent outburst, which creates a tragic, passionate feeling which may also be considered “strange piercing soundsâ€. Several long aleatoric phrases are then presented like a sonorous halo which intensify to bring the lister to an intense Chorale-like phrase which serves as the central pillar of the work. This phrase is repeated several times, each time gaining in intensity to bring the work to its summit. At the conclusion, the theme is presented again with a great violence, this time without the boustropedon but perhaps with “strange piercing soundsâ€. https://www.youtube.com/watch?v=-SdwCOr-wzA.
$29.95
26.84 €
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Therese Brenet
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Thérèse Brenet : Boustrophédon for flute, clarinet, violin, violoncello and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
The Gold Rush, vocal solo
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173897 Composed by Kevin G.…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173897 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Folk,Pop,Religious,Spiritual. Score. 6 pages. Kevin G. Pace #774051. Published by Kevin G. Pace (A0.1173897). A beautiful song about coming to the Savior with music by Kevin G. Pace and text by Kathryn W. Hales.Text:I went in the Gold Rush like many a man,To search for some nuggets or a flash in the pan.But few were the findings from a grand mother lode,I went for the Gold Rush, but I didn’t find gold.I found what was there, growing right from the ground,The flora and fauna, with trees that abound.I found the beauty of nature’s own place,I found the beauty shown by God’s grace.Like those in the Gold Rush, I’ve oft followed man,To search for the shiny, a flash in the pan,But the glamour soon ended when the glitzy wore thin,I went for the sparkly but found grace for my sins.The world cannot offer the true value of souls,For they are more precious than nuggets of gold.I found true wealth, not deep in a mine,But in the pierced hands of a Savior divine.I might lose my way, when guided by man,So, look to the heavens and follow God’s plan.The glitter of Fool’s Gold has many deceived__A glimmer of hope, then deep tears of grief.I’ll look for the riches only He can bestow,I’ll avoid that ol’ Gold Rush but seek for true gold.By seeking a life, eternal and pure,Seeking for Jesus, who gives gold that endures.
$3.99
3.58 €
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Piano, Voice
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seeking a life, eternal and pure,
Seeking for Jesus, who gives gold that endures
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Kevin G
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The Gold Rush, vocal solo
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Kevin G. Pace
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SheetMusicPlus
Making the Darkness Conscious
Tenor Saxophone and Piano
Instrumental Duet Instrumental Duet,Piano,Tenor Saxophone - Level 5 - Digital Download …
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Instrumental Duet Instrumental Duet,Piano,Tenor Saxophone - Level 5 - Digital Download SKU: A0.837493 Composed by Brett L. Wery. Concert,Contemporary. Score and parts. 38 pages. Sonata Grendel Publishing #5741825. Published by Sonata Grendel Publishing (A0.837493). Making the Darkness Conscious was commissioned by my friend, Jonathan Hulting-Cohen. Jonathan is the Professor of Saxophone at the University of Massachusetts, Amherst. He is an amazing artist and a technical wizard. The piece was premiered in its original version as a solo for tenor saxophone and wind ensemble. The present version for piano is not intended to be a reduction of the wind ensemble accompaniment but is a reworking of the piece as an addition to the saxophone/piano duo repertoire. The anti-heroes in film, TV, and literature who feel themselves pushed to do very bad things for very noble reasons inspired this sonata in one movement. These characters often are themselves corrupted by their efforts. One trope of scripted television anti-hero vehicles like Breaking Bad is the cold opening presented out of sequence. The main character is shown in the moment of highest tension or deepest desperation then the story backs up to explain the events that led to that moment. Making the Darkness Conscious uses the same device by starting with a mysterious, disoriented setting full of strange groans and weird echoes. The scene ends in a terrified scream and cuts directly to a happier, jolly portrayal of the solo tenor saxophone’s character. By the end of the piece, the soloist’s character is transformed into something more ruthless and tortured. One does not become enlightened by imagining figures of light, but by making the darkness conscious. The latter procedure, however, is disagreeable and therefore not popular. C.G. Jung
$14.95
13.4 €
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Tenor Saxophone and Piano
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the end of the piece, the soloist’s character is transformed into something more ruthless and tortured
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Brett L
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Making the Darkness Conscious
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Sonata Grendel Publishing
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SheetMusicPlus
Pierné: Album pour mes Petits Amis Op.14 (Complete) - wind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.553962 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.553962 Composed by Gabriel Pierne. Arranged by Ray Thompson. 20th Century,Children,Concert,Graduation,Romantic Period. 64 pages. RayThompsonMusic #6370067. Published by RayThompsonMusic (A0.553962). Gabriel Pierné was born in Metz. His family moved to Paris, after Metz and part of Lorraine were annexed to Germany in 1871 following the Franco-Prussian War. He studied at the Paris Conservatoire, gaining first prizes for solfège, piano, organ, counterpoint and fugue. He won the French Prix de Rome in 1882, with his cantata Edith. His teachers included Antoine François Marmontel, Albert Lavignac, Émile Durand, César Franck (for the organ) and Jules Massenet (for composition).He succeeded César Franck as organist at Sainte-Clotilde Basilica in Paris from 1890 to 1898. He himself was succeeded by another distinguished Franck pupil, Charles Tournemire. Associated for many years with Édouard Colonne's concert series, the Concerts Colonne, from 1903, Pierné became chief conductor of this series in 1910.His most notable early performance was the world premiere of Igor Stravinsky's ballet The Firebird, at the Ballets Russes, Paris, on 25 June 1910. He remained in the post until 1933 (when Paul Paray took over his duties). This arrangement is taken from his album of 6 short pieces: originally written for piano, and later transcribed by him, for small orchestra (English Translation: Album for my little friends (Children)Movts are:Pastorale FarandoleLa Veillée de l'ange gardien (The vigil of the Guardian Angel)Petite gavotteChanson d'autrefois (Song of olden times)Marche des petits soldats de plomb (March of the Lead Soldiers)The pastorale is the version arranged by Pierné, all other 5 mats are mine.Alternative bb and F horns are provided.
$14.95
13.4 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Gabriel Pierne
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Pierné: Album pour mes Petits Amis Op.14
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RayThompsonMusic
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SheetMusicPlus
Der Pier
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.996161 Composed by Michael Bufalini…
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Piano Solo - Level 4 - Digital Download SKU: A0.996161 Composed by Michael Bufalini. Concert,Contemporary,Halloween. Score. 4 pages. Michael Bufalini #4824151. Published by Michael Bufalini (A0.996161). Standing on a pier, a cold breeze with a salty taste of the sea blows in your face. What happens there is only up to your imagination. For intermediate to advanced players. .
$4.00
3.58 €
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Piano solo
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Michael Bufalini
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Der Pier
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Michael Bufalini
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SheetMusicPlus
Pierné: Album pour mes Petits Amis Op.14 - 6. Petits Soldats de Plomb - symphonic wind dectet
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.553950 Composed by Gabriel Pierne. Arranged by Ray Thompson. Christmas,Romantic Period. Score and parts. 29 pages. RayThompsonMusic #6345003. Published by RayThompsonMusic (A0.553950). Gabriel Pierné was born in Metz. His family moved to Paris, after Metz and part of Lorraine were annexed to Germany in 1871 following the Franco-Prussian War. He studied at the Paris Conservatoire, gaining first prizes for solfège, piano, organ, counterpoint and fugue. He won the French Prix de Rome in 1882, with his cantata Edith. His teachers included Antoine François Marmontel, Albert Lavignac, Émile Durand, César Franck (for the organ) and Jules Massenet (for composition).He succeeded César Franck as organist at Sainte-Clotilde Basilica in Paris from 1890 to 1898. He himself was succeeded by another distinguished Franck pupil, Charles Tournemire. Associated for many years with Édouard Colonne's concert series, the Concerts Colonne, from 1903, Pierné became chief conductor of this series in 1910.His most notable early performance was the world premiere of Igor Stravinsky's ballet The Firebird, at the Ballets Russes, Paris, on 25 June 1910. He remained in the post until 1933 (when Paul Paray took over his duties). This arrangement is taken from his album of 6 short pieces: originally written for piano, and later transcribed by him, for small orchestra (English Translation: Album for my little friends (Children)Movts are:PastoraleFarandole La Veillée de l'ange gardienPetite gavotteChanson d'autrefoisMarche des petits soldats de plomb (This one) (March of the Lead Soldiers)Arranged for double wind quintet and bass.Other movts are available.
$7.95
7.12 €
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Gabriel Pierne
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Pierné: Album pour mes Petits Amis Op.14 - 6. Petits Soldats de Plomb - symphonic wind dectet
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RayThompsonMusic
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SheetMusicPlus
BEHOLD HE IS COMING (SATB) – Revelation 1:7
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926664 Composed by Michael…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926664 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 8 pages. M.A. Morizio #3588427. Published by M.A. Morizio (A0.926664). The Apostle John’s visions in Revelation are nothing less than astounding to all readers. However, little is it known that another Hymn to Christ is neatly tucked into the very first seven verses of this last book of the Bible. John begins his Revelation (verses 1-3) with a prelude, introducing Jesus Christ and the apocalypse (revelation) that was made to him via the angel sent to describe all the things about which he was to write. He says, Blessed is the one who reads aloud the words of this prophecy, and blessed are those who hear, and keep what is written in it, for the time is near. After this short prelude, John delivers an epistolary opening (a greeting identifying the author and recipients), then pronounces a blessing upon the recipients-verses 4-6. After both the prelude and the opening, John immediately proceeds to another known Hymn to Christ, in verse 7, which I have called, Behold He Is Coming. When presented with the text in Revelation 1:7, I immediately thought, Where is the Gospel, the good news, in this piece? After several minutes of meditating on the text, I realized the Gospel message was right there in front of me-in the very last line: Yes, so be it [Lord], so be it, [Amen!] There will be peace! All will be known. Every single person will understand, at that point. The end, is the ushering in of a new beginning. The piece is scored in G minor for SATB with flute and Bâ™ clarinet accompaniment. In the opening phrase, we hear the clarinet on a sustained high (concert) G, which crescendos into a quick, descending sixteenth note pattern. There is urgency! The flute joins the clarinet in a duet to complete the introduction to the anthem. Then, the choir begins their haunting chant, Behold, He is coming with the clouds. Every eye will see Him, even those who pierced Him. Every eye will see Him and all the tribes of the earth will mourn over Him . Alas, there is peace! The two instruments dissolve into an a cappella four-part chorale where the choir creates the agreement between the text and the music, modulating to the relative major (Bâ™)-all is reconciled in a final Amen!
$1.99
1.78 €
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Choral SATB
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Michael A
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BEHOLD HE IS COMING
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M.A. Morizio
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SheetMusicPlus
Pierné: Album pour mes Petits Amis Op.14 - 1.Pastorale - symphonic wind dectet
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.553951 Composed by Gabriel Pierne. Arranged by Ray Thompson. Romantic Period. Score and parts. 16 pages. RayThompsonMusic #6346461. Published by RayThompsonMusic (A0.553951). Gabriel Pierné was born in Metz. His family moved to Paris, after Metz and part of Lorraine were annexed to Germany in 1871 following the Franco-Prussian War. He studied at the Paris Conservatoire, gaining first prizes for solfège, piano, organ, counterpoint and fugue. He won the French Prix de Rome in 1882, with his cantata Edith. His teachers included Antoine François Marmontel, Albert Lavignac, Émile Durand, César Franck (for the organ) and Jules Massenet (for composition).He succeeded César Franck as organist at Sainte-Clotilde Basilica in Paris from 1890 to 1898. He himself was succeeded by another distinguished Franck pupil, Charles Tournemire. Associated for many years with Édouard Colonne's concert series, the Concerts Colonne, from 1903, Pierné became chief conductor of this series in 1910.His most notable early performance was the world premiere of Igor Stravinsky's ballet The Firebird, at the Ballets Russes, Paris, on 25 June 1910. He remained in the post until 1933 (when Paul Paray took over his duties). This arrangement is taken from his album of 6 short pieces: originally written for piano, and later transcribed by him, for small orchestra In addition Pierné also arranged this movement for wind quintet.(English Translation: Album for my little friends (Children)Movts are:Pastorale (This one)FarandoleLa Veillée de l'ange gardienPetite gavotteChanson d'autrefoisMarche des petits soldats de plomb (March of the Lead Soldiers)Arranged for double wind quintet and bass.Other movts are available.
$7.95
7.12 €
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Gabriel Pierne
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Pierné: Album pour mes Petits Amis Op.14 - 1.Pastorale - symphonic wind dectet
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RayThompsonMusic
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SheetMusicPlus
Pierné: Album pour mes Petits Amis Op.14 - 3.La Veillée de L'Ange Gardien - symphonic wind dectet
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.553955 Composed by Gabriel Pierne. Arranged by Ray Thompson. Romantic Period,Sacred. Score and parts. 14 pages. RayThompsonMusic #6349071. Published by RayThompsonMusic (A0.553955). Gabriel Pierné was born in Metz. His family moved to Paris, after Metz and part of Lorraine were annexed to Germany in 1871 following the Franco-Prussian War. He studied at the Paris Conservatoire, gaining first prizes for solfège, piano, organ, counterpoint and fugue. He won the French Prix de Rome in 1882, with his cantata Edith. His teachers included Antoine François Marmontel, Albert Lavignac, Émile Durand, César Franck (for the organ) and Jules Massenet (for composition).He succeeded César Franck as organist at Sainte-Clotilde Basilica in Paris from 1890 to 1898. He himself was succeeded by another distinguished Franck pupil, Charles Tournemire. Associated for many years with Édouard Colonne's concert series, the Concerts Colonne, from 1903, Pierné became chief conductor of this series in 1910.His most notable early performance was the world premiere of Igor Stravinsky's ballet The Firebird, at the Ballets Russes, Paris, on 25 June 1910. He remained in the post until 1933 (when Paul Paray took over his duties). This arrangement is taken from his album of 6 short pieces: originally written for piano, and later transcribed by him, for small orchestra (English Translation: Album for my little friends (Children)Movts are:Pastorale FarandoleLa Veillée de l'ange gardien (This one) (The vigil of the Guardian Angel)Petite gavotte Chanson d'autrefoisMarche des petits soldats de plomb (March of the Lead Soldiers)Arranged for double wind quintet and bass.Other movts are available.
$7.95
7.12 €
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Gabriel Pierne
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Pierné: Album pour mes Petits Amis Op.14 - 3.La Veillée de L'Ange Gardien - symphonic wind dectet
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RayThompsonMusic
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SheetMusicPlus
Pierné: Album pour mes Petits Amis Op.14 - 4.Petite Gavotte - symphonic wind dectet
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download
(+)
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.553954 Composed by Gabriel Pierne. Arranged by Ray Thompson. Romantic Period. Score and parts. 14 pages. RayThompsonMusic #6347723. Published by RayThompsonMusic (A0.553954). Gabriel Pierné was born in Metz. His family moved to Paris, after Metz and part of Lorraine were annexed to Germany in 1871 following the Franco-Prussian War. He studied at the Paris Conservatoire, gaining first prizes for solfège, piano, organ, counterpoint and fugue. He won the French Prix de Rome in 1882, with his cantata Edith. His teachers included Antoine François Marmontel, Albert Lavignac, Émile Durand, César Franck (for the organ) and Jules Massenet (for composition).He succeeded César Franck as organist at Sainte-Clotilde Basilica in Paris from 1890 to 1898. He himself was succeeded by another distinguished Franck pupil, Charles Tournemire. Associated for many years with Édouard Colonne's concert series, the Concerts Colonne, from 1903, Pierné became chief conductor of this series in 1910.His most notable early performance was the world premiere of Igor Stravinsky's ballet The Firebird, at the Ballets Russes, Paris, on 25 June 1910. He remained in the post until 1933 (when Paul Paray took over his duties). This arrangement is taken from his album of 6 short pieces: originally written for piano, and later transcribed by him, for small orchestra (English Translation: Album for my little friends (Children)Movts are:Pastorale FarandoleLa Veillée de l'ange gardienPetite gavotte (This one)Chanson d'autrefoisMarche des petits soldats de plomb (March of the Lead Soldiers)Arranged for double wind quintet and bass.Other movts are available.
$7.95
7.12 €
#
Gabriel Pierne
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Pierné: Album pour mes Petits Amis Op.14 - 4.Petite Gavotte - symphonic wind dectet
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RayThompsonMusic
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SheetMusicPlus
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