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The Other Wise Man - Violin 2
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Luther: Out of the Depths for Bassoon & Piano
2 Bassoons (duet)
Instrumental Duet Bassoon,Instrumental Duet - Level 1 - Digital Download SKU: A0.548710…
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Instrumental Duet Bassoon,Instrumental Duet - Level 1 - Digital Download SKU: A0.548710 Composed by Martin Luther. Arranged by James M. Guthrie. Easter,Instructional,Standards. Score and parts. 4 pages. Jmsgu3 #3411733. Published by jmsgu3 (A0.548710). Out of the Depths I Cry to You by Martin Luther arranged for bassoon & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.5 €
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2 Bassoons (duet)
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Martin Luther
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piano
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Luther: Out of the Depths for Bassoon & Piano
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jmsgu3
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SheetMusicPlus
The Fool On The Hill
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.554034
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.554034 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Contemporary,Pop. 16 pages. RayThompsonMusic #6517979. Published by RayThompsonMusic (A0.554034). The Fool on the Hill is a song by the English rock band the Beatles from their 1967 EP and album Magical Mystery Tour. It was written and sung by Paul McCartney and credited to the Lennon–McCartney partnership. The lyrics describe the titular fool, a solitary figure who is not understood by others, but is actually wise. McCartney said the idea for the song was inspired by the Dutch design collective the Fool, who derived their name from the tarot card of the same name, and possibly by Maharishi Mahesh Yogi.The song's segment in the Magical Mystery Tour television film was shot separately from the rest of the film and without the other Beatles' knowledge. Accompanied by a professional cameraman, McCartney filmed the scene near Nice in France. In 1968, Sérgio Mendes & Brasil '66 recorded a cover version of the song that reached the top ten in the US. By the late 1970s, The Fool on the Hill was one of McCartney's most widely recorded ballads. A solo demo and an outtake of the song were included on the Beatles' 1996 compilation album Anthology 2.Arranged for standard brass quintet, the melody is shared between both trumpetsInteresting parts for horn, trombone and tuba.The mp3 extract is of verse 2
$19.95
17.99 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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The Beatles
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The Fool On The Hill
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RayThompsonMusic
#
SheetMusicPlus
WAYFARING STRANGER (Poor Wayfaring Stranger)
Choral TTBB
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522333 Composed by Unknown…
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Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 pages. Paul A. Jorg #5869331. Published by Paul A. Jorg (A0.522333). This song is public domain, written in the 1850's, during a time - pre-civil war - when the nation was being torn apart. The writer calms his anxiety by holding on to God's promises. Here are some lyric notes: I am a poor, wayfaring stranger - Wayfaring: traveling especially on foot; peripatetic country preachers; a poor wayfaring stranger. Wandering through this world of woe - Matthew 18:7: Woe to the world because of the things that cause people to sin! Such things must come, but woe to the man through whom they come! And there's no sickness, toil or danger - John 11:4: When he heard this, Jesus said, This sickness will not end in death. No, it is for God's glory so that God's Son may be glorified through it. Ecclesiastes 2:18-19: I hated all the things I had toiled for under the sun, because I must leave them to the one who comes after me. Acts 14:22: strengthening the disciples and encouraging them to remain true to the faith. We must go through many hardships to enter the kingdom of God, In that bright land to which I go - James 1:17 Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.I'm going home to see my Father - John 6:40 - For my Father's will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise him up at the last day. I'm only going over Jordan - Joshua 22:4: Now that the LORD your God has given your brothers rest as he promised, return to your homes in the land that Moses the servant of the LORD gave you on the other side of the Jordan. Yet though dark clouds will gather round me - 2 Corinthians 12:10: That is why, for Christ's sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong. I know my way is rough and steep - Psalm 16:11: You have made known to me the path of life; you will fill me with joy in your presence, with eternal pleasures at your right hand. Proverbs 15:24: The path of life leads upward for the wise to keep him from going down to the grave.But beauteous fields lie just before me - Numbers 13:25: We arrived in the land you sent us to see, and it is indeed a magnificient country, a land flowing with milk and honey. Where God's redeemed their vigil's keep - Exodus12:42: Because the LORD kept vigil that night to bring them out of Egypt, on this night all the Israelites are to keep vigil to honor the LORD for the generations to come. I'm going home to see my mother - Mark 10:29-31: I tell you the truth, Jesus replied, no one who has left home or brothers or sisters or mother or father or children or fields for me and the gospel will fail to receive a hundred times as much in this present age (homes, brothers, sisters, mothers, children and fields-and with them, persecutions.
$4.59
4.14 €
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Choral TTBB
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Unknown - traditional
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peripatetic country preachers
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WAYFARING STRANGER
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Paul A. Jorg
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SheetMusicPlus
In the Bleak Midwinter (Brass Quintet): Three Trumpets and Two Trombones
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Ensemble Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1141685 Compos…
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Brass Ensemble Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1141685 Composed by Gustav Holst, Christina Rossetti. Arranged by John A. Dempsey. Celtic,Christian,Christmas,Holiday,Irish,Sacred. Score and parts. 20 pages. John A. Dempsey #742047. Published by John A. Dempsey (A0.1141685). A wintry landscape, a miracle, a wondrous season: all these are evoked in this traditional English Christmas carol that's also popular among Celtic music fans.  Arranged as a jubilant brass quintet for three Bb trumpets and two trombones, this snowy, atmospheric music is recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events.  Suggested worship uses: a prelude, postlude, an offertory, interlude, Christmas play overture, special music and silent prayer accompaniment.  Concert Key: F major. 16 pages of music (that includes the score and separate two-page parts for trumpet 1, trumpet 2, trumpet 3, trombone 1 and trombone 2)   What can I give Him, poor as I am?   If I were a shepherd, I would give a lamb.   If I were a wise man, I would do my part   But what can I give Him?  Give Him my heart.
$14.00
12.63 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Gustav Holst, Christina Rossetti
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In the Bleak Midwinter
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John A. Dempsey
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SheetMusicPlus
In the Bleak Midwinter (Brass Quintet): Two Trumpets, Horn in F and Two Trombones
Brass Quartet: 2 trumpets, horn, trombone
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1141707 C…
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1141707 Composed by Gustav Holst, Christina Rossetti. Arranged by John A. Dempsey. Celtic,Christian,Christmas,Holiday,Irish,Sacred. Score and parts. 20 pages. John A. Dempsey #742085. Published by John A. Dempsey (A0.1141707). A wintry landscape, a miracle, a wondrous season: all these are evoked in this traditional English Christmas carol that's also popular among Celtic music fans.  Arranged as a jubilant brass quintet for two Bb trumpets, horn in F and two trombones, this snowy, atmospheric music is recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events.  Suggested worship uses: a prelude, postlude, an offertory, interlude, Christmas play overture, special music and silent prayer accompaniment.  Concert Key: F major. 16 pages of music (that includes the score and separate two-page parts for trumpet 1, trumpet 2, French horn, trombone 1 and trombone 2)   What can I give Him, poor as I am?   If I were a shepherd, I would give a lamb.   If I were a wise man, I would do my part   But what can I give Him?  Give Him my heart.
$14.00
12.63 €
#
Brass Quartet: 2 trumpets, horn, trombone
#
Gustav Holst, Christina Rossetti
#
In the Bleak Midwinter
#
John A. Dempsey
#
SheetMusicPlus
In the Bleak Midwinter (Brass Quintet): Two Trumpets, Horn in F, Trombone and Tuba
Brass Quintet: 2 trumpets, horn, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1161534 Composed by…
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Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1161534 Composed by Gustav Holst, Christina Rossetti. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. 20 pages. John A. Dempsey #761890. Published by John A. Dempsey (A0.1161534). A wintry landscape, a miracle, a wondrous season: all these are evoked in this traditional English Christmas carol that's also popular among Celtic music fans.  Arranged as a jubilant brass quintet for two Bb trumpets, horn in F, trombone and tuba, this snowy, atmospheric music is recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events.  Suggested worship uses: a prelude, postlude, an offertory, interlude, Christmas play overture, special music and silent prayer accompaniment.  Concert Key: F major. 16 pages of music (that includes the score and separate two-page parts for trumpet 1, trumpet 2, French horn, trombone and tuba)What can I give Him, poor as I am? If I were a shepherd, I would give a lamb. If I were a wise man, I would do my part But what can I give Him?  Give Him my heart.
$14.00
12.63 €
#
Brass Quintet: 2 trumpets, horn, trombone, tuba
#
Gustav Holst, Christina Rossetti
#
In the Bleak Midwinter
#
John A. Dempsey
#
SheetMusicPlus
Recordare (from "Requiem") (F) (Brass Septet - 3 Trp, 2 Hrn, 2 Trb)
Brass Quartet: 2 trumpets, horn, trombone
Brass Ensemble Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1111644 C…
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Brass Ensemble Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1111644 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. Score and Parts. 37 pages. Regis Bookshar #713938. Published by Regis Bookshar (A0.1111644). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Brass Septet - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Brass Septet, consisting of 3 Bb Trumpets, 2 French Horns and 2 Trombones, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (37 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Brass Septet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$36.00
32.47 €
#
Brass Quartet: 2 trumpets, horn, trombone
#
Wolfgang Amadeus Mozart
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Recordare
#
Regis Bookshar
#
SheetMusicPlus
Recordare (from "Requiem") (F) (Brass Quintet - 2 Trp, 2 Hrn, 1 Trb)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1108142 Composed by Wolf…
(+)
Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1108142 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 25 pages. Regis Bookshar #710765. Published by Regis Bookshar (A0.1108142). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Brass Quintet - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Brass Quintet, consisting of 2 Bb Trumpets, 2 French Horns and 1 Trombone, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (25 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Brass Quintet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$28.00
25.25 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Wolfgang Amadeus Mozart
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Recordare
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Regis Bookshar
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SheetMusicPlus
Recordare (from "Requiem") (F) (Brass Quintet - 2 Trp, 2 Trb, 1 Tuba)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1108143 Composed by Wolf…
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Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1108143 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 25 pages. Regis Bookshar #710766. Published by Regis Bookshar (A0.1108143). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Brass Quintet - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Brass Quintet, consisting of 2 Bb Trumpets, 2 Trombones and 1 Tuba, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (25 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Brass Quintet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$28.00
25.25 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
#
Wolfgang Amadeus Mozart
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Recordare
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Regis Bookshar
#
SheetMusicPlus
Recordare (from "Requiem") (F) (Brass Quintet - 2 Trp, 1 Hrn, 2 Trb)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1108140 Composed by Wolf…
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Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1108140 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 25 pages. Regis Bookshar #710763. Published by Regis Bookshar (A0.1108140). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Brass Quintet - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Brass Quintet, consisting of 2 Bb Trumpets, 1 French Horn and 2 Trombones, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (25 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Brass Quintet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$28.00
25.25 €
#
Brass Quintet: 2 trumpets, horn, trombone, tuba
#
Wolfgang Amadeus Mozart
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Recordare
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Regis Bookshar
#
SheetMusicPlus
Recordare (from "Requiem") (F) (Brass Quintet - 3 Trp, 2 Hrn)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Horn,Trumpet - Level 4 - Digital Download SKU: A0.1108151 Composed by Wolfgang Amad…
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Horn,Trumpet - Level 4 - Digital Download SKU: A0.1108151 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 25 pages. Regis Bookshar #710775. Published by Regis Bookshar (A0.1108151). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Brass Quintet - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Brass Quintet, consisting of 3 Bb Trumpets and 2 French Horns, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (25 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Brass Quintet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$28.00
25.25 €
#
Brass Quintet: 2 trumpets, horn, trombone, tuba
#
Wolfgang Amadeus Mozart
#
Recordare
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Regis Bookshar
#
SheetMusicPlus
Recordare (from "Requiem") (F) (Brass Quintet - 2 Trp, 3 Trb)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1108145 Composed by Wolfgang …
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Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1108145 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 25 pages. Regis Bookshar #710768. Published by Regis Bookshar (A0.1108145). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Brass Quintet - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Brass Quintet, consisting of 2 Bb Trumpets and 3 Trombones, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (25 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Brass Quintet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$28.00
25.25 €
#
Brass Quintet: 2 trumpets, horn, trombone, tuba
#
Wolfgang Amadeus Mozart
#
Recordare
#
Regis Bookshar
#
SheetMusicPlus
Recordare (from "Requiem") (F) (Brass Quintet - 3 Trp, 2 Trb)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1108152 Composed by Wolfgang …
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Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1108152 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 25 pages. Regis Bookshar #710776. Published by Regis Bookshar (A0.1108152). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Brass Quintet - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Brass Quintet, consisting of 3 Bb Trumpets and 2 Trombones, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (25 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Brass Quintet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$28.00
25.25 €
#
Brass Quintet: 2 trumpets, horn, trombone, tuba
#
Wolfgang Amadeus Mozart
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Recordare
#
Regis Bookshar
#
SheetMusicPlus
Recordare (from "Requiem") (F) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tuba)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1108139 Composed by…
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Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1108139 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 25 pages. Regis Bookshar #710762. Published by Regis Bookshar (A0.1108139). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Brass Quintet - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Brass Quintet, consisting of 2 Bb Trumpets, 1 French Horn, 1 Trombone and 1 Tuba, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (25 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Brass Quintet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$28.00
25.25 €
#
Brass Quintet: 2 trumpets, horn, trombone, tuba
#
Wolfgang Amadeus Mozart
#
Recordare
#
Regis Bookshar
#
SheetMusicPlus
King Of The Road for Classical Brass Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet - Intermediate - Digital Download By Randy Travis, Roger Miller. Arranged …
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Brass Quintet - Intermediate - Digital Download By Randy Travis, Roger Miller. Arranged by Keith Terrett. Individual Part, Score, Set of Parts. 8 pages. Published by Music for all Occasions
An arrangement of the evergreen top hit song from 1964 ''King of the Road'', set for classical Brass Quintet. "King of the Road" is a song written by country singer Roger Miller, who first recorded it in November 1964. The lyrics tell of the day-to-day life of a hobo who, despite being poor (a "man of means by no means"), revels in his freedom, describing himself humorously and cynically as the "king of the road". It was Miller's fifth single for Smash Records. The popular crossover record hit No. 1 on the US Country chart, No. 4 on the Billboard Hot 100, and No. 1 on the Easy Listening surveys. It was also No. 1 in the UK Singles Chart, and in Norway. Miller recalled that the song was inspired when he was driving and saw a sign on the side of a barn that read, "Trailers for sale or rent".[6] This would become the opening line of the song. The song has been covered by many other artists, including George Jones, Dean Martin, Val Doonican, Jack Jones, James Booker, The Fabulous Echoes, Boney M., R.E.M., Johnny Paycheck, Glen Campbell, Alvin and the Chipmunks, Boxcar Willie, Randy Travis, Rangers, James Kilbane, John Stevens, the Statler Brothers, Rufus Wainwright and Teddy Thompson, Giant Sand, Peligro, The Proclaimers, Ray Conniff Singers, The Reverend Horton Heat, Jerry Lee Lewis, and Jim White. James "The King" Brown (an Elvis impersonator) performed the song for a 2001 Audi commercial on German TV.[7] Of R.E.M.'s version, a shambolic, drunken, offhand rendering, guitarist Peter Buck would later comment, "If there was any justice in the world, Roger Miller should be able to sue for what we did to this song." "King of the Road" was performed live by Merle Haggard, Willie Nelson, Marty Stuart, Dwight Yoakam and Dolly Parton during Miller's posthumous induction into the Country Music Hall of Fame at the 1995 CMA Awards ceremony. The song is featured in Wim Wenders' 1976 film Im Lauf der Zeit (In the Course of Time; English title Kings of the Road). It is also played at the beginning of Talladega Nights: The Ballad of Ricky Bobby, Brokeback Mountain, Into the Wild (2007), Traveller (1997), and Swingers (1996). Miller performs it in the concert film The Big T.N.T. Show. The recording by The Proclaimers is included in the film The Crossing (1990). Near the end of their official music video, the pair are shown reading a newspaper whose headline is "Roger Miller, King of Plugs". Miller's recording appears in an episode of the Super Dave TV show, where Super Dave Osborne (Bob Einstein) sings along while sitting at a piano mounted on top of his tour bus. The bus eventually goes into a low tunnel, slamming into the piano and Osborne and pushing them off the bus and onto the ground. A send-up version by English entertainer Billy Howard was a British chart hit in 1976. A German take by the band Wise Guys exists, the parody referring to speeding on the Autobahn.
$14.99
13.52 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Randy Travis, Roger Miller
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King Of The Road for Classical Brass Quintet
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Music for all Occasions
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SheetMusicPlus
O Come to the Stable
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1244634 By John van Gulik.…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1244634 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Christmas,Holiday,Religious. Octavo. 17 pages. John van Gulik #839588. Published by John van Gulik (A0.1244634). A simple setting to an original text by John van Gulik, this is arranged for 4 part men's choir. Suitable for Christmas concertsO come to the stable, O come to the BabeSee there in a manger, The Holy One is laid.O come to the stable, O come to the BabeA child like no other, A message of loveSinging Gloria in Excelcis, On a cold winter's breezeAngels guided the shepherds, To fall on their kneesO come to the stable. Whisper softly to findHis mother now resting, Sleeping Saviour of manThe wise men from asia, Being led by a starA call to come worship, The King of heaven's SonThe prophets of old days, Spoke a message of loveAnd mercy for all man, The Messiah has comeFor additional parts, accompaniment track, or other arrangements, contact me at vangulik.john@gmail.com or visit my website at https://jvgmusiconline.com.
$2.00
1.8 €
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Choral TTBB
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John van Gulik
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O Come to the Stable
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John van Gulik
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SheetMusicPlus
Gabrieli: Canzona in Echo Ch. 180 for Double Brass Choir
Brass Quartet: 2 trumpets, horn, trombone
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226488 C…
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226488 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #822490. Published by jmsgu3 (A0.1226488). Minimum instrumentation: 4 Trumpets (or Cornets), 4 French Horns, 2 Tenor Trombones, and 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.25 €
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Brass Quartet: 2 trumpets, horn, trombone
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Giovanni Gabrieli
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Gabrieli: Canzona in Echo Ch. 180 for Double Brass Choir
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Bassoon & Piano
2 Bassoons (duet)
Instrumental Duet Bassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.550922…
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Instrumental Duet Bassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.550922 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and parts. 12 pages. Jmsgu3 #4888319. Published by jmsgu3 (A0.550922). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
29.72 €
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2 Bassoons (duet)
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J
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Bach-Gounod: Ave Maria, Schwencke version for Bassoon & Piano
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jmsgu3
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SheetMusicPlus
Ther' Is No Rose
Choral 2-part
Choral Choir (SA) - Level 5 - Digital Download SKU: A0.1010862 Composed by Oliver B…
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Choral Choir (SA) - Level 5 - Digital Download SKU: A0.1010862 Composed by Oliver Bowes. A Cappella,Christian,Contemporary,Holiday,Wedding. Octavo. 3 pages. Oliver Bowes #3009749. Published by Oliver Bowes (A0.1010862). Choral (SSAA) - a capella - difficulty: AdvancedA setting for Double Sopranos and Altos of the famous English Marian carol There Is No Rose, by the young British composer, Oliver Bowes.Suitable for use in many Christian religious contexts, such as for Advent, Christmas, Mother's Day or the Annunciation; or otherwise as a concert piece for either School, University or Professional Choirs. Also suitable for Weddings.Piano reduction included for rehearsal purposes.
$4.50
4.06 €
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Choral 2-part
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Oliver Bowes
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Ther' Is No Rose
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Oliver Bowes
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SheetMusicPlus
Gabrieli: Canzon in Echo a 12 Ch. 192 for Triple Brass Choir
Brass Quartet: 2 trumpets, horn, trombone
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226321 C…
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 48 pages. Jmsgu3 #822323. Published by jmsgu3 (A0.1226321). Minimum instrumentation: 3 Brass Quartets - 6 trumpets in C (or cornets) 3 French Horns in F, and 3 trombones. InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.25 €
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Brass Quartet: 2 trumpets, horn, trombone
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Giovanni Gabrieli
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Gabrieli: Canzon in Echo a 12 Ch. 192 for Triple Brass Choir
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jmsgu3
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SheetMusicPlus
Jesu, Joy of Man's Desiring
Choral 2-part
2-part choir, Piano - Digital Download SKU: LX.15-3498H (By the Light of Day Beg…
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2-part choir, Piano - Digital Download SKU: LX.15-3498H (By the Light of Day Beginning). Arranged by Geoffrey Edwards. Educational. Octavo. 8 pages. Heritage Music Press #e15/3498H. Published by Heritage Music Press (LX.15-3498H). ISBN 9780787758042.One of J.S. Bach's most often performed works is made accessible for young voices and includes an alternate school-friendly text. Simple, step-wise harmony and other teachable moments with breath control, balance, and phrase-shaping make it the perfect choice for introducing part singing.
$2.40
2.16 €
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Choral 2-part
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the Light of Day Beginning)
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Jesu, Joy of Man's Desiring
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Heritage Music Press
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SheetMusicPlus
Luthermania
Organ with 2 players - advanced - Digital Download SKU: S9.Q21629 Composed by Enjot…
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Organ with 2 players - advanced - Digital Download SKU: S9.Q21629 Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 11 minutes. Schott Music - Digital #Q21629. Published by Schott Music - Digital (S9.Q21629). This frenetic assortment of familiar chorale melodies by Martin Luther was composed to mark the celebrations of Luther’s music (and the 800th anniversary of the choir of St Thomas in Leipzig) in 2012. Ein feste Burg ist unser Gott [A mighty fortress is our God] appears as a powerful ritornello theme, elaborated with tender lyricism just before the end. A chorale setting of Verleih uns Frieden gnädiglich [Lord, in thy mercy grant us peace] makes a calm middle section for this otherwise highly demanding organ piece. An organ with three manuals is required.
$23.99
21.64 €
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Enjott Schneider
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Luthermania
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Schott Music - Digital
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SheetMusicPlus
The Crown Main Theme
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1487431 Composed by Hans Zimmer, Lorne Balfe, and Rupert Gregson-Williams. Arranged by Rob Bushnell. 21st Century,Film/TV,Historic. Brass Band. 53 pages. Rob Bushnell #1064378. Published by Rob Bushnell (A0.1487431). The Crown is a Netflix Original Series, released between 2016 and 2023, that follows the reign of Queen Elizabeth II from 1947 to 2005.The six seasons cover historic events such as the abdication of Edward VIII, Queen Elizabeth’s coronation, the Suez Crisis, the Aberfan disaster, the Queen’s Silver Jubilee, the marriage of Lady Diana Spencer and Charles (Prince of Wales), Michael Fagan breaking into Buckingham Palace, the Annus Horribilis, the divorce of the Waleses, the death of Princess Diana, and stories concerning Prince William, Prince Harry and Kate Middleton.The series has been nominated for 457 awards, winning 132 of them, including 21 Primetime Emmy Awards, and 8 Golden Globe Awards.This arrangement is for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass. Other searchable terms: Elizabeth the Second, by the Grace of God, of the United Kingdom of Great Britain and Northern Ireland and of her other realms and territories Queen, Head of the Commonwealth, Defender of the Faith, Lillibet, Sir Winston Churchill, Anthony Eden, Harold Macmillan, Margaret Thatcher, Mohamed Al-Fayed, Dodi Al-Fayed, Tony Blair, Clair Foy, Matt Smith, Philip, Duke of Edinburgh, Vanessa Kirby, Princess Margaret, Eileen Atkins, Queen Mary, Jeremy Northam, King George VI, Ben Miles, Group Captain Peter Townsend, Greg Wise, Lord Mountbatten, Jared Harris, King George VI, John Lithgow, Alex Jennings, Prince Edward, Duke of Windsor, Wallis Simpson, Lia Williams, Anton Lesser, Pip Torrens, Tommy Lascelles, Olivia Colman, Tobias Menzies, Helena Bonham Carter, Ben Daniels, Jason Watkins, Harold Wilson, Marion Bailey, Erin Doherty, Charles Dance, Josh O'Connor, Clancy Brown, Lyndon B. Johnson, Mark Lewis Jones, Edward Millward, Derek Jacobi, Edward Heath, Camilla Shand, Gillian Anderson, Emma Corrin, Stephen Boxer, Denis Thatcher, Emerald Fennell, Camilla Parker Bowles, Charles Dance, Tom Brooke, Tom Burke, Richard Roxburgh, Bob Hawke, Kevin McNally, Guy Siner, Imelda Staunton, Jonathan Pryce, Lesley Manville, Dominic West, Jonny Lee Miller, John Major, Olivia Williams, Claudia Harrison, Natascha McElhone, Penny Knatchbull, Lady Romsey, Marcia Warren, Elizabeth Debicki, Salim Daw, Khalid Abdalla, Timothy Dalton, Prasanna Puwanarajah, Martin Bashir, An Interview with HRH The Princess of Wales, Tsar Nicholas II of Russia, Anatoliy Kotenyov, Boris Yeltsin, Bertie Carvel, Ed McVey, Prince William of Wales, Luther Ford, Prince Harry of Wales, Meg Bellamy.
$44.99
40.58 €
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Hans Zimmer, Lorne Balfe, and Rupert Gregson-Williams
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The Crown Main Theme
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Rob Bushnell
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SheetMusicPlus
Sing We Now Of Christmas (Noël Nouvelet) (2-part choir)
Choral 2-part
Choral Choir,Choral (2-Part) - Level 2 - Digital Download SKU: A0.631136 Composed b…
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Choral Choir,Choral (2-Part) - Level 2 - Digital Download SKU: A0.631136 Composed by Traditional, John H. Hopkins Jr. Arranged by Stephen DeCesare. Christian,Christmas,Multicultural,Praise & Worship,Sacred,World. 8 pages. Exultet Music #6509243. Published by Exultet Music (A0.631136). The traditional Christmas hymn that highlights several of the most important parts of Christ’s birth; from the rejoicing of heaven and earth (with shepherds and angels), to the fulfilling of prophecies (the coming of the wise men) has been freshly arranged for a 2-part choir (Part 1: High Voices (Sop. & Ten), Part 2: Low Voices (Alto & Bass) with Piano accompaniment. This version also incorporates other Christmas carols within the piece to help tell the story (Patapan, O Come, O Come, Emmanuel and We Three Kings). Accessible and appropriate for any church or concert setting. An accompaniment track is also available.
$3.99
3.6 €
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Choral 2-part
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Traditional, John H
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Sing We Now Of Christmas
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Exultet Music
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SheetMusicPlus
Sing We Now Of Christmas (Noël Nouvelet) (2-part choir - (Soprano and Tenor)
Choral 2-part
Choral Choir,Choral (2-Part) - Level 2 - Digital Download SKU: A0.631133 Composed b…
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Choral Choir,Choral (2-Part) - Level 2 - Digital Download SKU: A0.631133 Composed by Traditional, John H. Hopkins Jr. Arranged by Stephen DeCesare. Christian,Christmas,Multicultural,Praise & Worship,Sacred,World. 8 pages. Exultet Music #6509227. Published by Exultet Music (A0.631133). The traditional Christmas hymn that highlights several of the most important parts of Christ’s birth; from the rejoicing of heaven and earth (with shepherds and angels), to the fulfilling of prophecies (the coming of the wise men) has been freshly arranged for a 2-part choir (Soprano and Tenor) with Piano accompaniment. This version also incorporates other Christmas carols within the piece to help tell the story (Patapan, O Come, O Come, Emmanuel and We Three Kings). Accessible and appropriate for any church or concert setting. An accompaniment track is also available.
$3.99
3.6 €
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Choral 2-part
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Traditional, John H
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Sing We Now Of Christmas
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Exultet Music
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SheetMusicPlus
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