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You've selected:
The Question - Bb Clarinet 1,2
Sheetmusic to print
48 sheet music found
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1
26
Six Forays for Flute & Clarinet
Flute, Clarinet (duet)
Instrumental Duet Clarinet,Flute,Instrumental Duet - Digital Download SKU: A0.981221
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Instrumental Duet Clarinet,Flute,Instrumental Duet - Digital Download SKU: A0.981221 Composed by Judith Cloud. Contemporary. Score and parts. 1 pages. Judith Cloud #6690315. Published by Judith Cloud (A0.981221). Six Forays for Flute and Clarinet1. Questioning with hesitation2. Slowly and freely with rubato3. Snappy and perky!4. Tenderly, with much sensitivity5. Nagging relentlessly6. Aggressively insistentThe genesis of this diminutive composition, and its subsequent title Six Forays for Flute and Clarinet had its inception at a dinner party held by flutist, Emily McKay. Jeremy and Emily were planning a collaboration including a CD recording featuring flute and clarinet music, and wanted me to compose a piece for them. I decided against a formal plan, and began in a sense, to unravel sound organization from the inside out. Imagining myself an audience participant, I wanted to hear clarity through brevity. I definitely did not want to impose gimmickry, but did choose to play with slight pitch bending-something to arouse the listener, but not to bore her with 20th century musical clichés. The result is a six-movement piece, around six minutes long. Organizing the music through titles allows for imagination for both the listener and the performers.Beauty of tone, magnificent musicianship, and virtuosity-these qualities in instrumentalists inspire all who create music. I am very grateful to Emily McKay and Jeremy Reynolds for commissioning me to write this music for them.
$6.99
6.24 €
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Flute, Clarinet (duet)
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Judith Cloud
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Six Forays for Flute & Clarinet
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Judith Cloud
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SheetMusicPlus
"On the beaches of Tijuana"
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1029901 Composed by Luis Car…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1029901 Composed by Luis Carlos Diaz. Arranged by Luis Carlos Diaz. 20th Century,Contemporary,Film/TV. Score and parts. 67 pages. Azdi #5983045. Published by azdi (A0.1029901). On the beaches of Tijuana August 2018 It is a sound work for chamber orchestral ensemble based on the traditional and anonymous Son Istmeño La Llorona. Developed under a minimalist aesthetic influenced by ambient and experimental music. It fuses the themes of the traditional son with melodic and rhythmic motifs of popular Mexican rock songs also inspired by this traditional rhythm: La muerte chiquita by Café Tacuba and Llorona by Caifanes. It is structured similar to the format of a rock song. Start with a long base note or drone. Introduction (intro) about a descending harmony in the key of La Menor. A melody as a verse and a different melody as choir. Both melodies are presented and performed by different instruments with variations and different combinations of accompaniment and instrumentation. Variations of the thematic patterns and the ¨intro¨. A rhythmic-melodic experiment towards the end on the same descending harmonic progression as the solo part in a rock song. It ends with a fading orchestral atmosphere (outro). All oriented towards a minimalist style setting focused on melodic lines and emotional expressiveness. For a chamber orchestra. Ideally a string septet consisting of: 2 violins. 2 violas. 2 cellos. 1 double bass. Breaths: 1 trombone. 1 trumpet. 1 transverse flute. 1 Picollo flute. 1 Clarinet. 1 Oboe. Percussion of a determined note. It can be a vibraphone. Xylophone (preferably) or marimba. If it is not possible to use this type of instrument, that part is played an octave up on a piano. The number of instruments can be increased for each of the parts if needed and be convenient for the chamber orchestra in question. The Tempo can vary between 95 and 115 bpm. The work is designed so that it can be performed mainly by youth and children's orchestras. Dedicated to Tijuana beaches. pre.cjk { font-family: WenQuanYi Micro Hei Mono, monospace; }p { margin-bottom: 0.1in; line-height: 115%; }
$22.00
19.65 €
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Chamber Orchestra
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Luis Carlos Diaz
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}p { margin-bottom: 0.1in
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"On the beaches of Tijuana"
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azdi
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SheetMusicPlus
Minuet in G Major - J.S.Bach - 2 B Flt Clarinets and Piano
2 Clarinets (duet)
Clarinet Duet Clarinet - Level 3 - Digital Download SKU: A0.760259 Composed by Joha…
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Clarinet Duet Clarinet - Level 3 - Digital Download SKU: A0.760259 Composed by Johann Sebastian Bach. Arranged by Raymond Fenech. Baroque,Christmas,Contest,Festival,Holiday,Instructional. 2 scores. 7 pages. Raymond Fenech #3545501. Published by Raymond Fenech (A0.760259). The Minuet in G major is found in the 1725 Notebook for Anna Magdalena Bach, where it appears with its companion piece, Minuet in G minor, as a pair to be performed da capo. The notebook in question, which belonged to Johann Sebastian Bach's second wife Anna Magdalena, is a compilation of music by various composers of the late 17th and early 18th century. The Level is Intermediate and the duration is approximately 1.40 minutes. It could be played in any type of recital/concert.
$4.99
4.46 €
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2 Clarinets (duet)
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Johann Sebastian Bach
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Minuet in G Major - J.S.Bach - 2 B Flt Clarinets and Piano
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Raymond Fenech
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SheetMusicPlus
Variants on a Sea Shanty: B-flat Bass Clarinet
Clarinet (band part)
Concert Band - Digital Download SKU: AX.00-PC-0016395_BC B-flat Bass Clarinet
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Concert Band - Digital Download SKU: AX.00-PC-0016395_BC B-flat Bass Clarinet. Arranged by Robert Sheldon. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016395_BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016395_BC). UPC: 038081482392.Drunken Sailor is among the best-known of the sea shanties and became a popular song among non-sailors during the 20th century. The infectious tune has lyrics that ask the question, What do we do with a drunken sailor early in the morning? Each subsequent verse suggests various forms of punishment for the poor chap. This spirited arrangement is sure to delight audiences with a sparkling and energetic setting of this familiar tune. (1:25) Variants on a Sea Shanty correlates to Book 2, Level 3 of Sound Innovations for Concert Band.Concert/Contest; Festival.
$3.00
2.68 €
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Clarinet (band part)
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Festival.
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Variants on a Sea Shanty: B-flat Bass Clarinet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Variants on a Sea Shanty: 1st B-flat Clarinet
Clarinet (band part)
Concert Band - Digital Download SKU: AX.00-PC-0016395_C1 1st B-flat Clarinet…
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Concert Band - Digital Download SKU: AX.00-PC-0016395_C1 1st B-flat Clarinet. Arranged by Robert Sheldon. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016395_C1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016395_C1). UPC: 038081482392.Drunken Sailor is among the best-known of the sea shanties and became a popular song among non-sailors during the 20th century. The infectious tune has lyrics that ask the question, What do we do with a drunken sailor early in the morning? Each subsequent verse suggests various forms of punishment for the poor chap. This spirited arrangement is sure to delight audiences with a sparkling and energetic setting of this familiar tune. (1:25) Variants on a Sea Shanty correlates to Book 2, Level 3 of Sound Innovations for Concert Band.Concert/Contest; Festival.
$3.00
2.68 €
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Clarinet (band part)
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Festival.
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Variants on a Sea Shanty: 1st B-flat Clarinet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Brown Skin Gal - Clarinet Quartet
Clarinet Quartet: 4 clarinets
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.974026…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.974026 Composed by Trad. West Indian/King Radio. Arranged by Alexander Bosrup Karlsen. Jazz,Latin,Standards,World. 4 pages. Alexander Bosrup Karlsen #6035461. Published by Alexander Bosrup Karlsen (A0.974026). Traditional famous calypso recorded by both Harry Belafonte and Sonny Rollins arranged for clarinet-quartet. Feel free to contact me on alexander.bosrup@gmail.com if you got any questions. Check out my other arrangements here: https://www.sheetmusicplus.com/publishers/alexander-bosrup-karlsen-sheet-music/3016025?ac=1 Backingtracks: https://www.youtube.com/channel/UCW_SF7NifB-ms_TTNhfRxuQ?disable_polymer=true
$10.00
8.93 €
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Clarinet Quartet: 4 clarinets
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Trad
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Brown Skin Gal - Clarinet Quartet
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Alexander Bosrup Karlsen
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SheetMusicPlus
Rondeau - Bourrée 1&2 - Menuet - Badinerie from Orchestral Suite no. 2, BWV 1067
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.697257 By EnsembleSheetMusic. By Johann Sebastian Bach. Arranged by Sjoerd van der Veen. Baroque,Classical. 28 pages. Sjoerd van der Veen #305852. Published by Sjoerd van der Veen (A0.697257). Four movements from the second Orchestral Suite by Johann Sebastiaan Bach. Original for flute, violin I, II, viola and continuo (cello, violone and harpsichord). The Badinerie from this suite is especially well-known. In this arrangement the flute has the leading role, of course, but it is not automatically doubled in the oboe, as is often the case in other arrangements. Where possible, the arranger has tried to expand the color palette, without losing sight of playability. Flute - Oboe - Clarinet - French Horn - Bassoon If you have any questions about this arrangement, mail to info@ensemblesheetmusic.com.
$16.49
14.73 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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EnsembleSheetMusic
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Rondeau - Bourrée 1&2 - Menuet - Badinerie from Orchestral Suite no. 2, BWV 1067
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Sjoerd van der Veen
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SheetMusicPlus
The King Is Coming
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.1236256 Composed by Bill Gaither,…
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Concert Band - Level 2 - Digital Download SKU: A0.1236256 Composed by Bill Gaither, Charles Millhuff, and Gloria Gaither. Arranged by Ewerton Rocha. Christian,Praise & Worship,Religious,Singer/Songwriter,Spiritual. Score and Parts. 19 pages. Ewerton Rocha #831769. Published by Ewerton Rocha (A0.1236256). A beautiful arrangement for Banda without strings. Perfect for playing in church with orchestra and congregational singing.The Formation of the Arrangement is for:Flute 1,2Clarinet 1,2,3,4soprano saxAlto Sax 1.2Tenor Sax 1.2baritone saxtrumpet 1,2Trombone 1,2Electric Bass (with chord for the entire base)Any questions, send me an email: mewertonrocha@gmail.com...Um lindo arranjo para Banda sem strings. Perfeito para tocar na igreja com orquestra e canto congregacional.A Formação do Arranjo é para:Flauta 1,2Clarinete 1,2,3,4Sax SopranoSax Alto 1,2Sax Tenor 1,2Sax BarÃtonoTrompete 1,2Trombone 1,2Baixo Elétrico (com cifra para toda a base)Qualquer dúvida, me envie um email: mewertonrocha@gmail.com.
$49.99
44.65 €
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Concert band
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Bill Gaither, Charles Millhuff, and Gloria Gaither
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The King Is Coming
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Ewerton Rocha
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SheetMusicPlus
Solar Dance - Clarinet Quartet
Clarinet Quartet: 4 clarinets
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.974015…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.974015 Composed by Alexander Bosrup Karlsen. African,Latin,Standards,World. 12 pages. Alexander Bosrup Karlsen #6025597. Published by Alexander Bosrup Karlsen (A0.974015). Solar Dance is an original piece inspired by african 12-rhythms.Feel free to contact me on alexander.bosrup@gmail.com if you got any questions. Check out my other arrangements here: https://www.sheetmusicplus.com/publishers/alexander-bosrup-karlsen-sheet-music/3016025?ac=1 Backingtracks: https://www.youtube.com/channel/UCW_SF7NifB-ms_TTNhfRxuQ?disable_polymer=true
$7.00
6.25 €
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Clarinet Quartet: 4 clarinets
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Alexander Bosrup Karlsen
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Solar Dance - Clarinet Quartet
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Alexander Bosrup Karlsen
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SheetMusicPlus
James Bond Theme
Flute, Oboe, Clarinet, Bassoon
Woodwind Ensemble,Woodwind Quartet - Level 1 - Digital Download SKU: A0.1013085 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 1 - Digital Download SKU: A0.1013085 Composed by Monty Norman. Arranged by Yu-Tai Cheng. Contemporary. 14 pages. Flute Gamer Studio #6450961. Published by Flute Gamer Studio (A0.1013085). This arrangement's idea comes from the Twinkle Twinkle Little Star melody, this is the most attractive children's song that still singing by many kids around the world, it's a common song memory of human's world. I included the theme song melody of James Bond 007 to create an adventure spirit, accidentally the mixture of these two different kinds of music together creates an incredible effect of sound, it brings the energy into beatbox flute's performance. Flute choir includs:Beatbox Flute 1, Beatbox Flute 2, Beatbox Flute 3, Beatbox Flute 4, PianoI always suggest teachers to play the flute 4 part, it contains not only the most complexity and difficult part, but also the harmonious effect and BIGGER and DEEPER sound when kids' ensemble playing.If you have any question about the notation of beatbox. Don't hesitate to contact me via:E-mail: myrllincheng@gmail.comOfficial Website: https://myrflute.comFacebook: https://facebook.com/myrflute
$19.99
17.85 €
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Flute, Oboe, Clarinet, Bassoon
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Monty Norman
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James Bond Theme
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Flute Gamer Studio
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SheetMusicPlus
Nothing but the Blood (Orchestra and Rhythm Section)
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.492450 By Scott Harris. By Robe…
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Full Orchestra - Level 3 - Digital Download SKU: A0.492450 By Scott Harris. By Robert Lowry. Arranged by Scott Harris. Contemporary,Pop,Praise & Worship,Sacred,Spiritual. Score and parts. 52 pages. Scott Harris Music #107711. Published by Scott Harris Music (A0.492450). Modern arrangement of this classic hymn for Full Orchestra and Rhythm Section. Instrumentation: flutes, oboe, clarinet 1&2, bass clarinet, bassoon, horns 1&2 (alto sax double), trumpet 1&2, trombone 1-4, percussion 1-3, timpani, harp, electric guitar, rhythm section, drum set, violin 1&2, viola, cello, string bass, keyboard string reduction. Sheet Music Direct: Click HERE for Accompaniment Perc./Loop track!Sheet Music Plus: Click HERE for Accompaniment Perc./Loop track!Approximate Performance time: 2:38 For comments, questions, or special requests, please email me at scott@scottharrismusic.com or visit my website at www.ScottHarrisMusic.com.
$59.99
53.58 €
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Orchestra
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Scott Harris
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Nothing but the Blood
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Scott Harris Music
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SheetMusicPlus
Concertino - for clarinet, mandolin and symphony orchestra
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Con…
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Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029. Published by The Composer's Own Press (A0.944032). CONCERTINO, for Clarinet, Mandolin, and Orchestra CONCERTINO was officially commissioned in 2011 by the Geneva Chamber Orchestra. The composition explores the sound combination of two, seemingly opposing, instruments and sound characters: the clarinet and the mandolin. Thus, the three-movement work is a short double-concerto for clarinet and mandolin, accompanied by a chamber orchestra. The first movement, titled Psalm 148 and is a mixture of a coronation fanfare and a wild improvisatory-like dance. The music is based on the structure and ideas expressed in the 148th Psalm. For the transformation of this Psalmodic text into music I was concerned with two elements: first, the linguistic pulse of the ancient Biblical Hebrew gives the music its ever-changing meters and vibrant rhythms. The second element was the poetic concept presented in the text: Heaven vs. Earth, Universe vs. Planet, or Heights vs. Depths. The contrasting nature of these elements is described in the following verses: Hallelujah, Praise ye the LORD from the heavens; praise Him in the heights. (Psalm 148, verse 1) Praise the LORD from the earth, ye sea-monsters, and all deeps. (Psalm 148, verse 7) Finally, both Heaven and Earth join in praise together: Let them praise the name of the LORD, for His name alone is exalted; His glory is above the earth and heaven. (Psalm 148, verse 13) The musical expression of these contraries is reflected and the use of high-range and soprano instruments (flutes, clarinet, trumpets, violins) versus low-range instruments (trombone, bassoons, cellos and basses.) The second movement, Romacero Viejo (and old love song) is a slow, lyrical dirge-like melody in a Sephardic Judeo-spanish style. In this movement the mandolin plays in the manner of an Oud – a traditional pear-shaped Arabic lute. The harmony sits mostly on a single pedal note while the clarinet imitates the chant with rhythmically free ornatmental patterns. The third and final movement, Allegro con brio, is a festive klezmer dance with a traditional Bulgar (or Freylech) rhythm, where the regular 8/8 meter is constantly divided into the irregular count of: 3+3+2. In the middle of this movement the two soloists play a cadenza, which allows them to present their contrasting yet complementary instrumental characters. The movement is titled The Geneva Bulgar in honor of the City of Geneva and the wonderful memories I have been carrying with me ever since my time there as a young student at the Conservatoire de Musique. Total duration: ca. 23 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
48.23 €
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Chamber Orchestra
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Ofer Ben-Amots
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praise Him in the heights
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Concertino - for clarinet, mandolin and symphony orchestra
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The Composer's Own Press
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SheetMusicPlus
Anitra's Dance and In the Hall of the Mountain King from Peer Gynt for Woodwind Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.74…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.747417 Composed by Edvard Grieg. Arranged by Darrell Goforth. Instructional,Romantic Period. Score and parts. 21 pages. Darrell Harrison Goforth #3507099. Published by Darrell Harrison Goforth (A0.747417). Anitra's Dance and In the Hall of the Mountain King are the last 2 movements from Grieg's Peer Gynt Suite No. 1. Written in 1888, these pieces have been a favorite for players and audiences. The first movement, Morning Mood, has been presented separately. They can be played together or separately as your needs suit. Your comments and questions are always welcome at dgoforth2@comcast.net Like me on Facebook at https://www.facebook.com/goforthmusic/ and visit my Youtube channel at https://www.youtube.com/user/dgoforth2
$21.99
19.64 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Edvard Grieg
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Anitra's Dance and In the Hall of the Mountain King from Peer Gynt for Woodwind Quintet
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Darrell Harrison Goforth
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SheetMusicPlus
Carol of the Bells
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.1487104 Composed by Traditional…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1487104 Composed by Traditional Ukrainian Carol. Arranged by Constance Clark. Children,Christmas,Classical,Holiday. 22 pages. Constance Clark #1064079. Published by Constance Clark (A0.1487104). Carol of the Bells, a holiday favorite, is perfect for your Christmas or winter themed concert. This charming arrangement features 2 glockenspiels and the flute section (including piccolo). Duration: 1'30It is arranged at a easy level for symphonic orchestra (woodwinds, brass, percussion, strings). Instrumentation is semi-flexible, so it can be performed without some of the instruments or with substitutions. Notes for the director: The piccolo part is required. (Could possibly be replaced by another flute playing 8va when possible.) The flute parts are the hardest. (Range: E4-E6) If you have an oboe, it can double or replace flute 2 with parts taken down the octave as needed. Viola and Cello parts are identical, other than octaves. This arrangement can be done without one of them, but not without both. Bassoon or trombone/tuba could be put on the either part at your discretion. This arrangement can be done without Trumpet/Clarinet.I’d love to hear from you if you are considering or playing this piece. Any questions or feedback are welcome. Email: constance@constanceclarkflute.com
$15.99
14.28 €
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Orchestra
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Traditional Ukrainian Carol
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Carol of the Bells
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Constance Clark
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SheetMusicPlus
Variants on a Sea Shanty: 2nd B-flat Clarinet
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0016395_C2 2nd B-flat Clarinet…
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Concert Band - Digital Download SKU: AX.00-PC-0016395_C2 2nd B-flat Clarinet. Arranged by Robert Sheldon. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016395_C2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016395_C2). UPC: 038081482392.Drunken Sailor is among the best-known of the sea shanties and became a popular song among non-sailors during the 20th century. The infectious tune has lyrics that ask the question, What do we do with a drunken sailor early in the morning? Each subsequent verse suggests various forms of punishment for the poor chap. This spirited arrangement is sure to delight audiences with a sparkling and energetic setting of this familiar tune. (1:25) Variants on a Sea Shanty correlates to Book 2, Level 3 of Sound Innovations for Concert Band.Concert/Contest; Festival.
$3.00
2.68 €
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Concert band
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Festival.
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Variants on a Sea Shanty: 2nd B-flat Clarinet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
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21.43 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Can You (point Your Finger & Do The Twist)
Flute, Oboe, Clarinet, Bassoon
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Download SKU: A0.585133 By The Wiggles. By Anthony Donald Field, Gregory John Page, Jeffrey Fatt, and Murray James Cook. Arranged by Jeff Tincher. Contemporary. 13 pages. Jeff Tincher #6189883. Published by Jeff Tincher (A0.585133). Here is another great classic song from The Wiggles that asks one of the more pertinent questions of the day. In the original key from their Movie Soundtrack CD. Duration = 1:38. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
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11.6 €
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Flute, Oboe, Clarinet, Bassoon
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The Wiggles
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Can You
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Jeff Tincher
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SheetMusicPlus
Edwardo The Barber
Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bass Saxophone,Bassoon,E…
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Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bass Saxophone,Bassoon,English Horn,Flute,Oboe,Piccolo,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.1495727 Composed by Danny Elfman. Arranged by Clayton Hamilton. 21st Century,Classical,Contemporary,Film/TV. 47 pages. Clayton Hamilton #1072253. Published by Clayton Hamilton (A0.1495727). Written for and Premiered by The Mid-Tennessee Woodwind Orchestra. Part 3 of 4 of their Edward Scissorhands Suite. A fast and comical tango with a virtuostic Alto Saxophone part. All parts include: Flute 1 & 2 (Fl. 1 doubles Piccolo)OboeEnglish HornBassoon 1 & 2Clarinet 1 & 1Bass Clarinet 1 & 2Soprano SaxAlto Sax 1 & 2Tenor SaxBaritone SaxBass SaxPianoPlease let me know if you perform my work, or if you have any questions or comments regarding the arrangement. You can reach me at clayton@hamiltonsaxophone.com. Thanks!
$12.99
11.6 €
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Danny Elfman
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2 (Fl
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Edwardo The Barber
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Clayton Hamilton
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SheetMusicPlus
Serenade for Winds No. 1, Op. 16
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 5 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 5 - Digital Download SKU: A0.878298 Composed by Sean A. Brown. Contemporary. 60 pages. SeanBrownMusic #556037. Published by SeanBrownMusic (A0.878298). This is a single-movement work for 13 winds. The piece has 3 contrasting sections: A march in a moderate tempo, an allegro, and an adagio, with a recurring march at the end. Instrumentation: 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 1 contrabassoon, 4 horns. Published by SeanBrownMusic, SeanBrownMusic.Weebly.com. Contact seanbrownmusic86@gmail.com for any questions or comments.
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20.54 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Sean A
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Serenade for Winds No. 1, Op. 16
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SeanBrownMusic
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SheetMusicPlus
Rockin' Candy Mountain: (wp) E-flat Contrabass Clarinet
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0001790_WPECBC (wp) E-flat Contrab…
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Concert Band - Digital Download SKU: AX.00-PC-0001790_WPECBC (wp) E-flat Contrabass Clarinet. Composed by John O'Reilly. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001790_wpECBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001790_WPECBC). UPC: 038081344430.The classic American Folk Song, Big Rock Candy Mountain, gets a fresh new treatment in this rock style arrangement by John O'Reilly. Simple but effective percussion patterns keep the rock feel going throughout and a question and answer section between the percussion and winds adds further interest. The original song describes a fantasy world where hens lay soft boiled eggs and there are peppermint trees in the Big Rock Candy Mountain. (2:15) Correlates with Book 1, Page 25.
$3.00
2.68 €
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Concert band
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John O'Reilly
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Rockin' Candy Mountain:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Rockin' Candy Mountain: (wp) B-flat Contrabass Clarinet
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0001790_WPBCBC (wp) B-flat Contrab…
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Concert Band - Digital Download SKU: AX.00-PC-0001790_WPBCBC (wp) B-flat Contrabass Clarinet. Composed by John O'Reilly. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001790_wpBCBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001790_WPBCBC). UPC: 038081344430.The classic American Folk Song, Big Rock Candy Mountain, gets a fresh new treatment in this rock style arrangement by John O'Reilly. Simple but effective percussion patterns keep the rock feel going throughout and a question and answer section between the percussion and winds adds further interest. The original song describes a fantasy world where hens lay soft boiled eggs and there are peppermint trees in the Big Rock Candy Mountain. (2:15) Correlates with Book 1, Page 25.
$3.00
2.68 €
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Concert band
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John O'Reilly
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Rockin' Candy Mountain:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Rockin' Candy Mountain: (wp) E-flat Alto Clarinet
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0001790_WPAC1 (wp) E-flat Alto Cla…
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Concert Band - Digital Download SKU: AX.00-PC-0001790_WPAC1 (wp) E-flat Alto Clarinet. Composed by John O'Reilly. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001790_wpAC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001790_WPAC1). UPC: 038081344430.The classic American Folk Song, Big Rock Candy Mountain, gets a fresh new treatment in this rock style arrangement by John O'Reilly. Simple but effective percussion patterns keep the rock feel going throughout and a question and answer section between the percussion and winds adds further interest. The original song describes a fantasy world where hens lay soft boiled eggs and there are peppermint trees in the Big Rock Candy Mountain. (2:15) Correlates with Book 1, Page 25.
$3.00
2.68 €
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Concert band
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John O'Reilly
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Rockin' Candy Mountain:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Want to Want Me: B-flat Bass Clarinet
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0017411_BC B-flat Bass Clarinet
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Concert Band - Digital Download SKU: AX.00-PC-0017411_BC B-flat Bass Clarinet. By Jason Derulo. By Ian Kirkpatrick, Jason Desrouleaux, Lindy Robbins, and Sam Martin. Pop. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017411_BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017411_BC). UPC: 038081515830.From American singer, songwriter, and dancer Jason Derulo, this has become the most-added track in the history of Top 40 radio. Written in a true power-pop style, it has an irresistible robo-disco rhythmic structure that will definitely get your students and audience moving. This power-pop hit is unquestionably emotionally charged. (2:15).
$3.00
2.68 €
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Concert band
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Jason Derulo
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Want to Want Me: B-flat Bass Clarinet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Want to Want Me: 2nd B-flat Clarinet
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0017411_C2 2nd B-flat Clarinet…
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Concert Band - Digital Download SKU: AX.00-PC-0017411_C2 2nd B-flat Clarinet. By Jason Derulo. By Ian Kirkpatrick, Jason Desrouleaux, Lindy Robbins, and Sam Martin. Pop. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017411_C2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017411_C2). UPC: 038081515830.From American singer, songwriter, and dancer Jason Derulo, this has become the most-added track in the history of Top 40 radio. Written in a true power-pop style, it has an irresistible robo-disco rhythmic structure that will definitely get your students and audience moving. This power-pop hit is unquestionably emotionally charged. (2:15).
$3.00
2.68 €
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Concert band
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Jason Derulo
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Want to Want Me: 2nd B-flat Clarinet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Want to Want Me: 1st B-flat Clarinet
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0017411_C1 1st B-flat Clarinet…
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Concert Band - Digital Download SKU: AX.00-PC-0017411_C1 1st B-flat Clarinet. By Jason Derulo. By Ian Kirkpatrick, Jason Desrouleaux, Lindy Robbins, and Sam Martin. Pop. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017411_C1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017411_C1). UPC: 038081515830.From American singer, songwriter, and dancer Jason Derulo, this has become the most-added track in the history of Top 40 radio. Written in a true power-pop style, it has an irresistible robo-disco rhythmic structure that will definitely get your students and audience moving. This power-pop hit is unquestionably emotionally charged. (2:15).
$3.00
2.68 €
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Concert band
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Jason Derulo
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Want to Want Me: 1st B-flat Clarinet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
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