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Transcendence
Sheetmusic to print
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Waves of Transcendence: Anarchy and the Fleeting Buffalo
1 Piano, 4 hands
1 Piano,4 Hands,Cello,Timpani,Viola,Violin - Level 5 - Digital Download SKU: A0.1217352…
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1 Piano,4 Hands,Cello,Timpani,Viola,Violin - Level 5 - Digital Download SKU: A0.1217352 Composed by Tyler Paul. 20th Century,Broadway,Chamber,Contemporary,Musical/Show. 28 pages. Tyler Paul #813896. Published by Tyler Paul (A0.1217352). Tonal and Atonal piece consisting of strings, piano, organ, and timpani. Emotionally consists of unknown while adding serenity and beauty in between. Delightful to the ear and appeasing to our nature. A story of elements of life. Movement 2 of Waves of Transcendence.
$50.00
47.03 €
#
1 Piano, 4 hands
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Tyler Paul
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Waves of Transcendence: Anarchy and the Fleeting Buffalo
#
Tyler Paul
#
SheetMusicPlus
Transcendent Hope
Piano Trio: piano, violin, cello
Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.8744…
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.874493 Composed by Gavin Koh. Contemporary,New Age,Standards. Score and parts. 20 pages. Gavin Koh #5210121. Published by Gavin Koh (A0.874493). This is an original composition and is essentially a short piano trio lasting close to 5 minutes. It is scored for piano, violin, and cello. Hope you will like this.With so many worries currently afflicting our world, here is hoping music can help to heal our world, even if it is only a tiny bit. This song is dedicated to all the medical staff around the world helping to keep the Wuhan Corona Virus at bay.You can listen to Transcendent Hope on my Soundcloud channel at https://soundcloud.com/gavinkoh/transcendent-hopeListen to the composer's works and other arrangements at https://soundcloud.com/gavinkoh
$5.95
5.6 €
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Piano Trio: piano, violin, cello
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Gavin Koh
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Transcendent Hope
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Gavin Koh
#
SheetMusicPlus
Transcend
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1323125 By Two Lanes. By Leonard Sc…
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Piano Solo - Level 3 - Digital Download SKU: A0.1323125 By Two Lanes. By Leonard Schmid and Rafael Schmid. Arranged by M. Galka. Classical,Contemporary. Score. 2 pages. Magdalena Galka #911391. Published by Magdalena Galka (A0.1323125). Transcend by TWO LANES | Piano Sheet Music, arranged for Piano Solo, 2 pagesCheck out my social media for more!♬ YouTube♬ Spotify ♬ Apple Music♬ Amazon Music♬ Instagram♬ TikTok♬ Soundcloud
$4.99
4.69 €
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Piano solo
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Two Lanes
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Transcend
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Magdalena Galka
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SheetMusicPlus
Transcend
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1073227 By Emilee Yates. By Emilee …
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Piano Solo - Level 5 - Digital Download SKU: A0.1073227 By Emilee Yates. By Emilee Yates. Classical,Contemporary,Film/TV,New Age,Romantic Period. Score. 4 pages. Emilee Yates #677486. Published by Emilee Yates (A0.1073227). This piece, rich with impressionistic and classical nuances, will guide you on an aural journey through personal healing and spiritual awakening. Beautiful melodies, varying thematic material, and emotional climaxes will leave you with a deepened connection to possibilities that transcend all understanding. Performance time: 5:30.
$4.99
4.69 €
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Piano solo
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Emilee Yates
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Transcend
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Emilee Yates
#
SheetMusicPlus
Balcony Scene
Piano solo
Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.1262572 By Claire Jone…
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Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.1262572 By Claire Jones The Claire Jones String Ensemble. By Craig Armstrong, Desree Weekes, Marius Devries, Nellee Hooper, and Tim Atack. Arranged by Mav Duo. Broadway,Classical,Musical/Show. Score and individual part. 2 pages. Musicial #855589. Published by Musicial (A0.1262572). Introducing a Melodic Masterpiece: The Enchanting Cello and Piano Arrangement of Balcony Scene from Craig Armstrong's Romeo and Juliet FilmAre you a true connoisseur of musical beauty? A lover of timeless melodies that whisk you away to ethereal realms of emotion? If so, we have a mesmerizing treasure in store for you – an exquisitely simple cello and piano arrangement of the enchanting Balcony Scene from Craig Armstrong's unforgettable score for the iconic Romeo and Juliet film.Immerse yourself in the tender love story of Shakespeare's star-crossed lovers like never before, as the hauntingly delicate strains of the cello entwine with the elegant piano harmonies, transporting you to the very heart of Verona. This exceptional arrangement, designed to be accessible to musicians of all levels, captures the essence of the film's most poignant and passionate moments, painting a musical tableau of love, longing, and the thrill of forbidden romance.Crafted by acclaimed musicians and meticulously transcribed with utmost care, this arrangement is a true testament to the power of music to evoke profound emotions. The simplicity of the arrangement ensures that even beginners can embrace the beauty of Balcony Scene and bring it to life through their own musical journey. It provides an ideal opportunity for aspiring musicians to develop their skills and for seasoned performers to showcase their interpretation.The velvety timbre of the cello, resonating with warmth and depth, dances gracefully with the piano's gentle touch, creating an enchanting synergy that will captivate your senses. Regardless of your skill level, this arrangement allows you to explore the depths of your musical expression and connect with the soul-stirring emotions that lie within Balcony Scene.Whether you're a beginner seeking a captivating piece to embark on your musical journey, an intermediate player looking for an enjoyable challenge, or an advanced musician seeking an elegant addition to your repertoire, this cello and piano arrangement is an absolute must-have. Its simplicity allows for personal interpretation and adaptability, ensuring that musicians of all levels can revel in the joy of playing this beautiful composition.Indulge in the richness of this musical gem, and experience the magic of Balcony Scene like never before. Let the music weave its spell, transporting you to a world of romance and transcendence. Each note resonates with longing, each chord exudes a profound depth of emotion, and every phrase carries you on a breathtaking journey through the hearts of Romeo and Juliet themselves.Don't miss this extraordinary opportunity to own a piece of musical history. Order your cello and piano arrangement of Balcony Scene today and let the sublime melodies breathe life into your every day. Immerse yourself in the pinnacle of musical expression and create your own personal love story with this unique, unforgettable masterpiece, designed to inspire musicians of all levels.Keywords: cello and piano arrangement, Balcony Scene, Romeo and Juliet film, Craig Armstrong, musical beauty, timeless melodies, emotional journey, passionate moments, forbidden romance, captivating performance piece, musical gem, romance and transcendence, musical history, sublime melodies, personal love story, simple arrangement, accessible to all levels.
$5.00
4.7 €
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Piano solo
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Claire Jones The Claire Jones String Ensemble
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Balcony Scene
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Musicial
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SheetMusicPlus
Missa Solemnis, op. 27 (vocal score)
Choral SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque” (which would still fit the rhythm of the repeated „qui ex Patre”, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nations”, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the King of Kings), „rex caelestis” and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis” gesture at „Gloria in excelsis Deo”, „et ascendit in caelis”, „in remissionem peccatorum” and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus est”, a cross-shaped texture at „crucifixus”, and some word-painting (hushed sonorities at „et invisibilium”, anticipations between orchestra and chorus at „et exspecto” etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie” is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria” begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo” has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange lingua”, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria” and „Credo” end with extended, powerful and elaborate fugues („in gloria Dei Patris” and „et vitam venturi saeculi”, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei” end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctus”). „Judicare” quotes the beginning of the well-known „Dies irae” plainchant tune, and the Consecration between the „Sanctus” and „Benedictus” sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Dei”, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi” and „dona nobis pacem”). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison” theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
82.76 €
#
Choral SATB
#
Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
The Ritual - A Folk Fantasia (score and parts)
Large Ensemble Celesta,Cello,Clarinet,Double Bass,Flute,Guitar,Hand Percussion,Harp,Violin…
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Large Ensemble Celesta,Cello,Clarinet,Double Bass,Flute,Guitar,Hand Percussion,Harp,Violin - Level 3 - Digital Download SKU: A0.942952 Composed by Aris Antoniades. Contemporary,Folk,World. Score and parts. 92 pages. Aris Antoniades #4996771. Published by Aris Antoniades (A0.942952). The Ritual - A Folk Fantasia (2015) for Chamber Ensemble Composed by Aris AntoniadesInstrumentation: Flute, Clarinet, Bendir, Guitar, Harp, Celesta, Violin, Violoncello, ContrabassRunning time: approx. 10'The Ritual is a fantasia based on Greek folk rhythms and idioms. The piece tries to musically depict the experience of a traveler who witnesses a pagan ritual. The strange ceremony takes place around a bonfire at a cold and distant mountain settlement. Masked people burst into a frenzy of dance and ecstatic priests pray to their gods. As the ritual progresses, the traveler’s mind becomes misty. Soon he transcends reality and enters a strange world-a world of dreams, a world of fantasy. There he discovers hidden spiritual treasures that will change his life forever. Finally, his spirit gets pulled back into his body while the natives continue their dance and end the ritual. The piece combines heterophonic dance elements (representing the secular part of the ritual) with strict contrapuntal writing, including a double canon (representing transcendence to the spiritual world).Cover Design - Dimitris I. StivarosWebsite: www.arisantoniades.com
$40.00
37.62 €
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Aris Antoniades
#
The Ritual - A Folk Fantasia
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Aris Antoniades
#
SheetMusicPlus
Somebody To Love
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.759097
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.759097 By Queen. By Freddie Mercury and Frederick Mercury. Arranged by Tim Olt. Rock. Score and parts. 27 pages. Olt Music #4283177. Published by Olt Music (A0.759097). Queen remains one of the all-time greatest rock bands, transcending styles and genres. This tune is indicative of that transcendence. Everyone has something interesting to do, and the audience has a lot to listen to. This will definitely up your game.
$15.00
14.11 €
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Brass quartet : 2 trumpets, trombone, tuba
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Queen
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Somebody To Love
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Olt Music
#
SheetMusicPlus
Missa Solemnis, op. 27 (parts)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1277141 Composed by Adrian Gagi…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1277141 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Score and Parts. 282 pages. Adrian Gagiu #868829. Published by Adrian Gagiu (A0.1277141). Missa Solemnis in B major, op. 27 (orchestral parts). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque” (which would still fit the rhythm of the repeated „qui ex Patre”, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nations”, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the King of Kings), „rex caelestis” and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis” gesture at „Gloria in excelsis Deo”, „et ascendit in caelis”, „in remissionem peccatorum” and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus est”, a cross-shaped texture at „crucifixus”, and some word-painting (hushed sonorities at „et invisibilium”, anticipations between orchestra and chorus at „et exspecto” etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie” is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria” begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo” has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange lingua”, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria” and „Credo” end with extended, powerful and elaborate fugues („in gloria Dei Patris” and „et vitam venturi saeculi”, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei” end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctus”). „Judicare” quotes the beginning of the well-known „Dies irae” plainchant tune, and the Consecration between the „Sanctus” and „Benedictus” sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Dei”, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi” and „dona nobis pacem”). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison” theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$160.00
150.49 €
#
Orchestra
#
Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Missa Solemnis, op. 27 - Score Only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque” (which would still fit the rhythm of the repeated „qui ex Patre”, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nations”, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the King of Kings), „rex caelestis” and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis” gesture at „Gloria in excelsis Deo”, „et ascendit in caelis”, „in remissionem peccatorum” and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus est”, a cross-shaped texture at „crucifixus”, and some word-painting (hushed sonorities at „et invisibilium”, anticipations between orchestra and chorus at „et exspecto” etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie” is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria” begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo” has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange lingua”, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria” and „Credo” end with extended, powerful and elaborate fugues („in gloria Dei Patris” and „et vitam venturi saeculi”, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei” end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctus”). „Judicare” quotes the beginning of the well-known „Dies irae” plainchant tune, and the Consecration between the „Sanctus” and „Benedictus” sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Dei”, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi” and „dona nobis pacem”). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison” theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$85.99
80.88 €
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Orchestra
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score Only
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Adrian Gagiu
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SheetMusicPlus
Transcendence by Lindsey Stirling - Violin Solo
Violin
Sheet Music for Transcendence by Lindsey Stirling arranged for Instrumental Solo in A Mino…
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Sheet Music for Transcendence by Lindsey Stirling arranged for Instrumental Solo in A Minor. Digital sheet music from Musicnotes. --
$5.99
5.63 €
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Violin
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Violin Solo
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Musicnotes
Collection: Transcendence - Violin & Piano [Simplified Version] by Lindsey Stirling - Instrumental Parts
Transcendence - Violin & Piano [Simplified Version] Digital sheetmusic collection - in…
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Transcendence - Violin & Piano [Simplified Version] Digital sheetmusic collection - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Parts;Solo & Accompaniment, instruments: Piano Accompaniment;Violin --
$8.99
8.46 €
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Violin & Piano [Simplified Version] by Lindsey Stirling
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Musicnotes
Transcendence - Violin Part [Simplified] by Lindsey Stirling - for Violin
Violin (band part)
Performed by: Lindsey Stirling: Transcendence - Violin Part [Simplified] Digital Sheetmusi…
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Performed by: Lindsey Stirling: Transcendence - Violin Part [Simplified] Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo;Instrumental Part, instruments: Violin; 2 pages -- Instrumental Pop~~Contemporary Instrumental~~Classical~~Pop Rock~~Classical Pop~~Crossover
$3.99
3.75 €
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Violin (band part)
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Lindsey Stirling
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Violin Part [Simplified] by Lindsey Stirling
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Musicnotes
Transcendence - Violin & Piano by Lindsey Stirling - Solo & Accompaniment
Violin and Piano
Performed by: Lindsey Stirling: Transcendence - Violin & Piano Digital Sheetmusic - in…
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Performed by: Lindsey Stirling: Transcendence - Violin & Piano Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Solo & Accompaniment, instruments: Violin;Piano; 10 pages -- Classical~~Instrumental Pop~~Crossover~~Contemporary Instrumental~~Pop Rock~~Classical Pop
$8.99
8.46 €
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Violin and Piano
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Lindsey Stirling
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Violin & Piano by Lindsey Stirling
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Musicnotes
Transcendence by Lindsey Stirling - Easy Piano
Easy Piano
Performed by: Lindsey Stirling: Transcendence Digital Sheetmusic - instantly downloadable …
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Performed by: Lindsey Stirling: Transcendence Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 5 pages --
$5.25
4.94 €
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Easy Piano
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Lindsey Stirling
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Easy Piano
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Musicnotes
Transcendence by Lindsey Stirling - Piano Solo
Piano solo
Performed by: Lindsey Stirling: Transcendence Digital Sheetmusic - instantly downloadable …
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Performed by: Lindsey Stirling: Transcendence Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 5 pages -- Classical~~Instrumental Pop~~Crossover~~Contemporary Instrumental~~Pop Rock~~Classical Pop
$5.50
5.17 €
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Piano solo
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Lindsey Stirling
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Piano Solo
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Musicnotes
Transcendence - Violin Duet & Piano by Lindsey Stirling - Duet+Accompaniment
2 Violins, Piano
Performed by: Lindsey Stirling: Transcendence - Violin Duet & Piano Digital Sheetmusic…
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Performed by: Lindsey Stirling: Transcendence - Violin Duet & Piano Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Duet+Accompaniment, instruments: Violin 1;Violin 2;Piano; 13 pages -- Classical~~Instrumental Pop~~Crossover~~Contemporary Instrumental~~Pop Rock~~Classical Pop
$8.99
8.46 €
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2 Violins, Piano
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Lindsey Stirling
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Violin Duet & Piano by Lindsey Stirling
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Musicnotes
Transcendence - Alto Saxophone Duet & Piano by Lindsey Stirling - Duet+Accompaniment
2 Saxophones, Piano
Performed by: Lindsey Stirling: Transcendence - Alto Saxophone Duet & Piano Digital Sh…
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Performed by: Lindsey Stirling: Transcendence - Alto Saxophone Duet & Piano Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Duet+Accompaniment, instruments: Alto Saxophone 1;Alto Saxophone 2;Piano; 13 pages -- Classical~~Instrumental Pop~~Crossover~~Contemporary Instrumental~~Pop Rock~~Classical Pop~~Dubstep
$8.99
8.46 €
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2 Saxophones, Piano
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Lindsey Stirling
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Alto Saxophone Duet & Piano by Lindsey Stirling
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Musicnotes
Transcendence - Cello Duet & Piano by Lindsey Stirling - Duet+Accompaniment
2 Cellos, Piano
Performed by: Lindsey Stirling: Transcendence - Cello Duet & Piano Digital Sheetmusic …
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Performed by: Lindsey Stirling: Transcendence - Cello Duet & Piano Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Duet+Accompaniment, instruments: Cello 1;Cello 2;Piano; 13 pages -- Classical~~Instrumental Pop~~Crossover~~Contemporary Instrumental~~Pop Rock~~Classical Pop
$8.99
8.46 €
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2 Cellos, Piano
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Lindsey Stirling
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Cello Duet & Piano by Lindsey Stirling
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Musicnotes
Transcendence - Viola Duet & Piano by Lindsey Stirling - Duet+Accompaniment
2 Violas, Piano
Performed by: Lindsey Stirling: Transcendence - Viola Duet & Piano Digital Sheetmusic …
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Performed by: Lindsey Stirling: Transcendence - Viola Duet & Piano Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Duet+Accompaniment, instruments: Viola 1;Viola 2;Piano; 13 pages -- Classical~~Instrumental Pop~~Crossover~~Contemporary Instrumental~~Pop Rock~~Classical Pop
$8.99
8.46 €
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2 Violas, Piano
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Lindsey Stirling
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Viola Duet & Piano by Lindsey Stirling
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Musicnotes
Transcendence - Clarinet Duet & Piano by Lindsey Stirling - Duet+Accompaniment
2 Clarinets, Piano
Performed by: Lindsey Stirling: Transcendence - Clarinet Duet & Piano Digital Sheetmus…
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Performed by: Lindsey Stirling: Transcendence - Clarinet Duet & Piano Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Duet+Accompaniment, instruments: Clarinet 1;Clarinet 2;Piano; 13 pages -- Classical~~Instrumental Pop~~Crossover~~Contemporary Instrumental~~Pop Rock~~Classical Pop
$8.99
8.46 €
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2 Clarinets, Piano
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Lindsey Stirling
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Clarinet Duet & Piano by Lindsey Stirling
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Musicnotes
Sonata No. 6 for Piano "Meditation"
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1397079 By Sean A. Moore. By Sean A…
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Piano Solo - Level 4 - Digital Download SKU: A0.1397079 By Sean A. Moore. By Sean A. Moore. 21st Century,Classical,Contemporary. Score. 9 pages. Sean A Moore #979133. Published by Sean A Moore (A0.1397079). Sonata for Piano No. 6 Meditation is in two movements. The two movements are titled River's Flow and Prayer. The shorter first movement is both lyrical and motivic using some added tone harmony and the full expanse of the keyboard. The reference to the opening main idea played very softly at the end of the movement creates a sense of return to the movement's beginnings. The gentle opening of the second movement begins with a chant-like melody played in the lower register of the instrument. The movement grows from this point drawing its musical material from the opening melody and building to the climactic section of the work. Three staves are used to notate this section of the movement with the full expanse of the keyboard again being explored. Like the first movement, the second movement ends softly. However, the second movement ends with every note in the D natural minor scale (or D Aeolian mode) sounding together, creating a darker ending and a contrast to the conclusion of the first movement. Both movements feature expressive playing and mostly slow tempos and are intended to convey the “Meditation” part of the title by painting a picture of both introspection and transcendence.
$8.99
8.46 €
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Piano solo
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Sean A
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Sonata No. 6 for Piano "Meditation"
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Sean A Moore
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SheetMusicPlus
Forest and Fen
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.1391903 By …
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.1391903 By Kari Cruver Medina. By Kari Cruver Medina. 21st Century,Classical,Contemporary,Contest,Festival. 34 pages. Kari Medina Music #975379. Published by Kari Medina Music (A0.1391903). Forest and Fen is one of four movements in a larger series titled Wanderings, that walks us through different environs in the natural world. It seeks to capture the wonder of the imagination when exploring the natural world, and celebrates the whimsy, delight, humor, and calming transcendence of our planet’s sublime beauty. The piece is an invitation to enter the woods and wetlands with the fresh eyes of a child. Laid out in an ABA format, the first and last sections are characterized by a buoyant, adventurous ascending dotted-note theme tossed back and forth between instruments. The contrasting middle section is characterized by a lyrical calm.Instrumentation: Flute, Oboe, Clarinet in Bb, Horn in F, BassoonParts and Full Score includedapprox 4. 45 - 5.00 Min. total time.
$12.99
12.22 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Kari Cruver Medina
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Forest and Fen
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Kari Medina Music
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SheetMusicPlus
Love For Laina
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1379250 Composed by Horatio Sp af…
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Concert Band - Level 3 - Digital Download SKU: A0.1379250 Composed by Horatio Sp afford / Philip Bliss. Arranged by Jonathan L Nelson. Contest,Festival,Spiritual. 122 pages. Jonathan Nelson #963930. Published by Jonathan Nelson (A0.1379250). A Message from her father, Leander (Andy) Bridges III would not have you to be ignorant brethren concerning them who are asleep as we do not sorrow as those who have no hope. It is with this paradoxical emotion that we present a commissioned work that is dear to our hearts.On May 20, 2022, our lives were changed forever as our daughter, Laina Michelle Bridges, passed away in a car accident. My wife and I as well as our extended family have chosen to not focus on the tragic passing of our daughter but on the exceptional eleven years that she graced us with her presence.It is as a result of her dynamic life that the title of this commissioned piece is so aptly appropriate. Love for my daughter has caused a transcendence beyond race, ethnicity, religious and political affiliation. And with the paradoxical emotion of sorrow filled joy, I humbly present a commissioned work by Dr. Jonathan Nelson in honor of the late Laina Michelle Bridges, Love for Laina.
$90.00
84.65 €
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Concert band
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Horatio Sp afford / Philip Bliss
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Love For Laina
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Jonathan Nelson
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SheetMusicPlus
KRAVITOR
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1016053 Composed by Gunter…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1016053 Composed by Gunter Scholler. Arranged by Gunter Scholler. 20th Century,New Age. Octavo. 4 pages. Scholler #5214423. Published by Scholler (A0.1016053). Dive into the captivating world of powerful new age choir music. This extraordinary composition mesmerizes with its celestial harmonies and ethereal vocal arrangements. Evoking a sense of awe and transcendence, it takes you on a profound journey of spiritual exploration. Perfect for choirs and vocal ensembles seeking a unique and impactful repertoire, this music ignites emotions and uplifts souls, leaving a lasting impression on both performers and listeners alike. Unleash the power of voices united and experience the transformative beauty of this remarkable new age choir music. SPOTIFY https://open.spotify.com/track/4iIngPmjgbNbuy3UetYaOy?si=zFRjlbd5RbuZZLixHw6lvw APPLE MUSIC https://geo.music.apple.com/us/album/_/1167568422?i=1167568427 DEEZER https://www.deezer.com/track/134632000Embrace the transformative power of musichttps://linktr.ee/schollermusic
$2.99
2.81 €
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Choral SATB
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Gunter Scholler
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KRAVITOR
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Scholler
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SheetMusicPlus
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