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You've Selected:
Turning Me Up
Piano solo
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1
Summertime (solo piano)
Piano solo
Piano Solo - Advanced Intermediate - Digital Download By George Gershwin. Arranged by R…
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Piano Solo - Advanced Intermediate - Digital Download By George Gershwin. Arranged by Rupert Austin. 8 pages. Published by Rupert Austin
An arrangement of Gershwin's famous melody for solo piano, using both jazz ballad and up-tempo bebop jazz styles. Performance duration is about 4 minutes 45 seconds, and a performance can be viewed at youtube.com/c/rupertaustin/videos.
The arrangement begins in a slow moody jazz ballad style with a four bar introduction and two presentations of the 16 bar melody; with the second (from bar 21) exploring aspects of the melody in improvisatory syle. The performer can optionally omit the extensive up-tempo section that follows, and jump from end of bar 34 to bar 136, providing a fairly brief ballad performance. Alternatively the tempo picks up at bar 35 and six up-tempo improvisatory explorations of the melody, with much use of syncopation, are given (double bar lines marking beginning of each of the six sections). This is followed by a slowing of the tempo from bar 134 and a quiet close of the piece. Swinging quavers should be used between bars 35 and 135, with the final two bars returning to straight quavers.
$6.99
6.63 €
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Piano solo
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George Gershwin
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Summertime
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Rupert Austin
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l?acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893?1902 and the ballet Jeux for Diaghilev?s Ballets Russes in 1912?13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902?03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908?17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912?13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ?angel of corrections? [?l?ange des Corrections?] André Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy?s ?compulsive achievement? could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure?s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ?write a ballet for him that he would sign? on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy?s lost potential masterpieces from his existing sketches and drafts?then orchestrating them in Debussy?s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
36.97 €
#
Piano solo
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ?L?Histoire de Tristan?
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893?1902 and the ballet Jeux for Diaghilev?s Ballets Russes in 1912?13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902?03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908?17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912?13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ?angel of corrections? [?l?ange des Corrections?] André Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy?s ?compulsive achievement? could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure?s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ?write a ballet for him that he would sign? on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy?s lost potential masterpieces from his existing sketches and drafts?then orchestrating them in Debussy?s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
36.97 €
#
Piano solo
#
Claude Debussy/Robert Orledge
#
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
The Classical Piano Method
Piano solo
Finger Fitness 3. This edition: Sheet music. The Classical Piano Method. Downloadabl…
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Finger Fitness 3. This edition: Sheet music. The Classical Piano Method. Downloadable. Schott Music - Digital #Q42533. Published by Schott Music - Digital
English.
Finger Fitness 3 is an ideal supplement to The Classical Piano Method: Method Book 3 (ED 13536). It contains easy to intermediate technical exercises, suitable for pianists who have completed Method Book 2 of the series, or for those returning to the instrument after a break. This book includes 44 elementary finger exercises, studies and etudes for developing finger strength and independence, evenness, accuracy and speed of playing, as well as articulation and general musicality. The pieces are presented in a progressively graded format, providing you with relevant repertoire as your playing develops.
$10.99
10.43 €
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Piano solo
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The Classical Piano Method
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Schott Music - Digital
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SheetMusicPlus
Hymns from Childhood - Set 1 (piano solo)
Piano solo
Composed by Various. Arranged by Curtis Hanson. Sacred. Score. 7 pages. Curtis Hanson #…
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Composed by Various. Arranged by Curtis Hanson. Sacred. Score. 7 pages. Curtis Hanson #4357389. Published by Curtis Hanson
As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. A caveat: I have no delusions, and offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy and comfort to other technically challenged yet serviceable pianists such as myself. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include "He Leadeth Me", "Savior, Like a Shepherd Lead Us", and "O Master, Let Me Walk with Thee".
$4.99
4.74 €
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Piano solo
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Various
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Hymns from Childhood - Set 1
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Curtis Hanson
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SheetMusicPlus
Beach Spring - Piano Solo by Eric Carlson
Piano solo
Piano Solo - Intermediate - Digital Download Composed by B.F. White (1844). Arranged by …
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Piano Solo - Intermediate - Digital Download Composed by B.F. White (1844). Arranged by Eric L. Carlson (ASCAP). Romantic Period, Christian, Sacred, General Worship, New Age. Sheet Music Single. 5 pages. Published by Uplifting Music
A sweet arrangement of a popular hymn, this version begins in 4/4 for 1 verse, then modulates to a new key while also returning to the traditional 3/4 time signature.
Beach Spring can be found in 160 different hymnals of many different Christian denominations. Most common hymn names are "Lord, Whose Love Through Humble Service" and "Wash, O God, Our Sons and Daughters."
Perfect for prelude, offertory, or as a recital piece.
To receive updates on new releases from Eric Carlson, please subscribe to Eric's YouTube Channel (above) and "Like" his Facebook page: https://www.facebook.com/EricCarlsonMusic/
Eric Carlson (ASCAP) is a composer/pianist/arranger from Wisconsin, and has composed/arranged several piano solos, SATB choral works, and Psalm settings.
Similar to Mark Hayes, Fred Bock, Jim Brickman, David Lanz, George Winston, David Nevue, Enya, Piano Guys, Michele McLaughlin, Yiruma, Dino, Church Pianist
$4.99
4.74 €
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Piano solo
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B
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Beach Spring - Piano Solo by Eric Carlson
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Uplifting Music
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SheetMusicPlus
U Know What's Up by Christina - Piano Solo
Piano solo
Sheet Music for U Know What's Up from Turning Red arranged for Instrumental Solo in F…
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Sheet Music for U Know What's Up from Turning Red arranged for Instrumental Solo in F# Minor. Digital sheet music from Musicnotes. --
$3.99
3.79 €
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Piano solo
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Piano Solo
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Musicnotes
U Know What's Up [easy] by Chrissy Ricker - Piano Solo
Piano solo
Sheet Music for U Know What's Up [easy] from Turning Red arranged for Instrumental So…
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Sheet Music for U Know What's Up [easy] from Turning Red arranged for Instrumental Solo;Piano/Vocal in E Minor. Digital sheet music from Musicnotes. --
$3.99
3.79 €
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Piano solo
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Piano Solo
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Musicnotes
Reminiscence
Piano solo
Piano Solo - Digital Download Composed by April Shi. Romantic Period, Classical Perio…
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Piano Solo - Digital Download Composed by April Shi. Romantic Period, Classical Period, Contemporary Classical, Jazz, Movies. Individual Part. 6 pages. Published by April Shi
From a #1 international junior award-winning composer, this statewide first-place solo piano piece combines a melancholy but hopeful melody with accentuating chords and a variety of different note structures. Movie soundtrack-esque, this feels like a warm memory of something since lost. It combines the traditional classical sound with jazz-inspired chords and rhythms.
The peaceful running notes flow into an optimistic, whimsical B section before returning to the original melody, now with a twist. Upon repeating the A section, a new melody is introduced in the left hand, juxtaposing against the right hand's familiar notes. Starting in E minor, the piece flows between different keys, leaving the listener and player wanting more.
There is a loose tempo marking and, while pedal is recommended, the exact pedaling pattern is left up to interpretation. The notes are there for the pianist to make their own.
$9.98
9.47 €
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Piano solo
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April Shi
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Reminiscence
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April Shi
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SheetMusicPlus
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Turning Me Up