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1
Trois Mouvements Perpetuels
2 Marimbas
Marimba duet - Digital Download Composed by Francis Poulenc (1899-1963). Arranged by …
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Marimba duet - Digital Download Composed by Francis Poulenc (1899-1963). Arranged by Jeff Gorbski. Score and Parts. 20 pages. Imagine Music Publishing #PES185. Published by Imagine Music Publishing
Francis Poulenc (1899-1963) was born to a wealthy industrialist family in Paris on January 7, 1899. His mother was an amateur pianist and piano teacher, and as such musical soirees at the home were a regular occurrence. She gave Poulenc his first piano lessons, which led him to become a capable pianist himself.
Poulenc quickly became caught up in the intellectual currents of early twentieth century Paris, and eventually became part of a group of fellow Parisian composers known as Les Six. The name originated in response to (or in competition with) the 'Russian Five' (which included Rimsky-Korsakov), and the lightness and playfulness of the music of Les Six was a marked contrast to the large scale, and sometimes bombastic, Russian orchestrations. However, even though Les Six was dedicated to turning music away from the syrupy and amorphous world of Impressionism, the members of the group insisted they were simply friends with no communal musical aims.
Without any formal lessons in composition initially, Poulenc nonetheless gained success and notoriety as a composer by the time he was 18 years old, with no less than Stravinsky himself promoting his works. In 1918, while serving in the military, he composed perhaps his most popular piano piece, Trois Mouvements Perpetuels.
As will be obvious while listening to this two marimba arrangement, Poulenc's music is direct and tuneful, considered by many to be his major strength. His music combines wit and irony juxtaposed with the sentimental and melancholy. Using conventional harmonies in unique and clever ways, he produced fresh and appealing melodies consisting of bright colors and clear rhythm.
In Mouvements 1, we hear an ostinato in the lower marimba, while the upper marimba plays a sprightly, albeit quirky, melody. Mouvements 2 is a more moody construction, perhaps even introspective. Yet, in the first two Mouvements, there are no real performance difficulties associated with the music.
Practice time on these two pieces would be well spent on nuancing balance and phrasing. Mouvements 3, however, requires agile 4-mallet technique from both players. The opening bars in the Marimba 1 part, the rhythmic coordination in measures 8-11, 16-19, and 24-27, as well as maintaining the driving and spirited melodic lines are all areas of concern for the performers in this movement.
This piece is dedicated to John Monday and Yu-Yun Chiang, two of the most talented marimbists with whom I have had the pleasure of working.
$16.00
15.19 €
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2 Marimbas
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Francis Poulenc (1899-1963)
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Trois Mouvements Perpetuels
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SheetMusicPlus
Beethoven: Sonata Op. 49 No. 2 for Flute Quartet
Flute Quartet: 4 flutes
Flute Quartet Instrumentation: 2 concert flutes, 1 alto flute, 1 bass flute - Interm…
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Flute Quartet Instrumentation: 2 concert flutes, 1 alto flute, 1 bass flute - Intermediate - Digital Download Composed by Ludwig van Beethoven (1770-1827). Arranged by James M. Guthrie, ASCAP. Classical Period, Repertoire, European, Wedding, Recital. Score, Set of Parts. 52 pages. Published by jmsgu3
Beethoven Sonata Op. 49 No. 2 arranged for flute quartet. Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate nuances of the flute quartet.
Sonata Op. 49 No. 2
Arranged from Beethoven?s Piano Sonata No. 20, this isa simple but interesting work in two movements showing the composers sense ofhumor. The first movement ?Allegro ma non troppo? and the second movement?Tempo di Menuetto? are both in the key of G. Both Sonatas 19 and 20 (op. 49,No. 1 & 2) are named ?Easy Sonatas? because they are technically easierthan the usual Beethoven Sonatas. This makes them very popular among studentsand teachers alike.
BeethovenBackground
Ludwig vanBeethoven (1770 ?1827) was certainly a German pianist. Aboveall, he was probably one of the greatest composers in history. As a result, heis a pivotal character in the progress between the Classical and Romantic periods.He is certainly one of the most famous and hence important of all composers.Seems like his most familiar and noteworthy works include symphonies 1-9; pianoconcertos 1-5; and furthermore, the violin concerto. Also, certainly of extremeimportance are the noteworthy 32 sonatas for the piano; the string quartets1-16; the Missa solemnis; and likewise, his only opera, Fidelio.
Beethoven Overview
First of all, Beethoven was born andconsequently raised in Bonn. Upon turning 21 he moved to Vienna probablyto study composition with Haydn. That?s when he consequently grew areputation as a brilliant pianist. Furthermore, he probably stayed in Viennathe rest of his life. In his late 20s it seems like his hearing certainly beganto decline. It slowly declined until consequently he was nearly totally deafprobably by the last decade of his life. As a result, he stopped conducting andperforming. Nevertheless, he continued to compose. As a result, some of hisgreatest works probably come from this period.
First Period
Seems like we often divideBeethoven?s life into three periods. Period 1 begins with Beethoven?s arrivalin Vienna. Hence, during this period, he mastered the Viennese style of Haydn& Mozart. He consequently began increasing the size and scale of his works.Furthermore, he experimented with extreme dynamics, and likewise extreme tempi.He worked similarly with chromatic harmony. His First and Second Symphoniestherefore belong to this period. Other important works also belong here: the firstsix string quartets and the Sonata Pathétique, Op. 13.
Second Period
His second period probably began assoon as he realized that he was going deaf. During this period, it seems likehe became obsessed with the idea of heroism. His works consequently become evenlarger and more massive. The most noteworthy of these include the symphonies 3? 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas(Waldstein and Appassionata), the Kreutzer violinsonata, the violin concerto and his only opera: Fidelio.
Third Period
In contrast, Beethoven's thirdperiod is branded above all by works of incredible intellectual depth, formalinnovation, and penetrating expression. It seems like he continued to expandhis works. Consequently, the string quartet Op. 131 spills over into sevenconnected movements. Likewise, in the Ninth Symphony he adds choral forcesto his orchestra probably for the first time in history. Even more, otherworks from this period include his Missa solemnis, the final 5string quartets (including the enormous Große Fuge) and the finalfive sonatas for piano.
$59.95
56.9 €
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Flute Quartet: 4 flutes
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Ludwig van Beethoven
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Beethoven: Sonata Op. 49 No. 2 for Flute Quartet
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SheetMusicPlus
Summertime (solo piano)
Piano solo
Piano Solo - Advanced Intermediate - Digital Download By George Gershwin. Arranged by R…
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Piano Solo - Advanced Intermediate - Digital Download By George Gershwin. Arranged by Rupert Austin. 8 pages. Published by Rupert Austin
An arrangement of Gershwin's famous melody for solo piano, using both jazz ballad and up-tempo bebop jazz styles. Performance duration is about 4 minutes 45 seconds, and a performance can be viewed at youtube.com/c/rupertaustin/videos.
The arrangement begins in a slow moody jazz ballad style with a four bar introduction and two presentations of the 16 bar melody; with the second (from bar 21) exploring aspects of the melody in improvisatory syle. The performer can optionally omit the extensive up-tempo section that follows, and jump from end of bar 34 to bar 136, providing a fairly brief ballad performance. Alternatively the tempo picks up at bar 35 and six up-tempo improvisatory explorations of the melody, with much use of syncopation, are given (double bar lines marking beginning of each of the six sections). This is followed by a slowing of the tempo from bar 134 and a quiet close of the piece. Swinging quavers should be used between bars 35 and 135, with the final two bars returning to straight quavers.
$6.99
6.63 €
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Piano solo
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George Gershwin
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Summertime
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Rupert Austin
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SheetMusicPlus
The Classical Piano Method
Easy Piano
Piano - very easy - Digital Download Method Book 1. This edition: Sheet music. The Cl…
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Piano - very easy - Digital Download Method Book 1. This edition: Sheet music. The Classical Piano Method. Downloadable. Schott Music - Digital #Q53576. Published by Schott Music - Digital
English.
This exciting new teaching method, by the renowned piano pedagogue Hans-Gunter Heumann is ideal for adults and young people looking to learn the piano from scratch, or for those returning to the piano after a break from playing. Using classical music as a basis for learning, this method introduces interesting, varied and well-known pieces right from the outset. The two method books have been carefully designed to progress in small manageable steps, beginning with simple fingering patterns and exercises, onto some of the most beautiful melodies and pieces from the baroque, classical and romantic eras, such as the Ode to Joy, Fur Elise and the Blue Danube Waltz. Leading the student through a range of exercises, repertoire pieces, theory checks, tips on practicing, playing and technique, and composer biographies, the process of learning is made interesting, informed and fun.
The four supplementary volumes present further material to help learning at each stage of the students' development, as well as offering up a wider range of beautiful pieces, for the solo pianist, or piano duet.
$11.99
11.38 €
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Easy Piano
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The Classical Piano Method
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Schott Music - Digital
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SheetMusicPlus
The Classical Piano Method
1 Piano, 4 hands
Duet Collection 2. This edition: Sheet music. The Classical Piano Method. Downloadab…
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Duet Collection 2. This edition: Sheet music. The Classical Piano Method. Downloadable. Schott Music - Digital #Q44443. Published by Schott Music - Digital
This exciting new teaching method, by the renowned piano pedagogue Hans-Gunter Heumann is ideal for adults and young people looking to learn the piano from scratch, or for those returning to the piano after a break from playing. Using classical music as a basis for learning, this method introduces interesting, varied and well-known pieces right from the outset. The two method books have been carefully designed to progress in small manageable steps, beginning with simple fingering patterns and exercises, onto some of the most beautiful melodies and pieces from the baroque, classical and romantic eras, such as the Ode to Joy, Fur Elise and the Blue Danube Waltz. Leading the student through a range of exercises, repertoire pieces, theory checks, tips on practicing, playing and technique, and composer biographies, the process of learning is made interesting, informed and fun.
The four supplementary volumes present further material to help learning at each stage of the students' development, as well as offering up a wider range of beautiful pieces, for the solo pianist, or piano duet.
$10.99
10.43 €
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1 Piano, 4 hands
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The Classical Piano Method
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Schott Music - Digital
#
SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l?acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893?1902 and the ballet Jeux for Diaghilev?s Ballets Russes in 1912?13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902?03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908?17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912?13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ?angel of corrections? [?l?ange des Corrections?] André Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy?s ?compulsive achievement? could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure?s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ?write a ballet for him that he would sign? on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy?s lost potential masterpieces from his existing sketches and drafts?then orchestrating them in Debussy?s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
36.97 €
#
Piano solo
#
Claude Debussy/Robert Orledge
#
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ?L?Histoire de Tristan?
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893?1902 and the ballet Jeux for Diaghilev?s Ballets Russes in 1912?13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902?03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908?17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912?13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ?angel of corrections? [?l?ange des Corrections?] André Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy?s ?compulsive achievement? could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure?s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ?write a ballet for him that he would sign? on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy?s lost potential masterpieces from his existing sketches and drafts?then orchestrating them in Debussy?s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
36.97 €
#
Piano solo
#
Claude Debussy/Robert Orledge
#
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Turning Me Up (hadal Ahbek)
Guitar notes and tablatures
By Issam Alnajjar X Loud Luxury X Ali Gatie. By Ali Gatie, Andrew Fedyk, Griffin Cla…
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By Issam Alnajjar X Loud Luxury X Ali Gatie. By Ali Gatie, Andrew Fedyk, Griffin Clawson, Issam Alnajjar, Issam Mohammad Hasan Aj Najjar, Joe De Pace, Joseph Depace, Nicholas Henriques, Sara Shalbi, and Stephen Puth. Arranged by Douglas Becker. 20th Century, Multicultural, Pop, Rock, World. Guitar Tab. 2 pages. Douglas Becker #745691. Published by Douglas Becker
$4.99
4.74 €
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Guitar notes and tablatures
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Issam Alnajjar X Loud Luxury X Ali Gatie
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Turning Me Up
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Douglas Becker
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SheetMusicPlus
The Classical Piano Method
Piano solo
Finger Fitness 3. This edition: Sheet music. The Classical Piano Method. Downloadabl…
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Finger Fitness 3. This edition: Sheet music. The Classical Piano Method. Downloadable. Schott Music - Digital #Q42533. Published by Schott Music - Digital
English.
Finger Fitness 3 is an ideal supplement to The Classical Piano Method: Method Book 3 (ED 13536). It contains easy to intermediate technical exercises, suitable for pianists who have completed Method Book 2 of the series, or for those returning to the instrument after a break. This book includes 44 elementary finger exercises, studies and etudes for developing finger strength and independence, evenness, accuracy and speed of playing, as well as articulation and general musicality. The pieces are presented in a progressively graded format, providing you with relevant repertoire as your playing develops.
$10.99
10.43 €
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Piano solo
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The Classical Piano Method
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Schott Music - Digital
#
SheetMusicPlus
Upbeat Scales and Arpeggios
Clarinet
By Avrahm Galper. For Clarinet. All Styles. 72 pages. Published by Mel Bay Publications - …
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By Avrahm Galper. For Clarinet. All Styles. 72 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609743345. Practicing the exercises in this book can help you master the clarinet. The exercises will help refine your tone, improve your technique and enhance your musical expression ICo these are the cornerstones of great clarinet playing. The studies in this book evolved from the Baermann Scale studies. For impetus and melodic direction, each exercise begins on the upbeat. The studies are written using eighth notes in Alla Breve. All studies are re-ordered from the original to a more logical sequence, staying within a given key for each exercise. The studies cover a broad range of musical forms including simple, interrupted and returning scales; major, minor and broken chords; dominant sevenths, thirds and sixths; fifths and octaves and diminished sevenths. Includes many diagrams to aid in learning new fingerings.
$14.99
14.23 €
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Clarinet
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Avrahm Galper
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Upbeat Scales and Arpeggios
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Hymns from Childhood - Set 1 (piano solo)
Piano solo
Composed by Various. Arranged by Curtis Hanson. Sacred. Score. 7 pages. Curtis Hanson #…
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Composed by Various. Arranged by Curtis Hanson. Sacred. Score. 7 pages. Curtis Hanson #4357389. Published by Curtis Hanson
As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. A caveat: I have no delusions, and offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy and comfort to other technically challenged yet serviceable pianists such as myself. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include "He Leadeth Me", "Savior, Like a Shepherd Lead Us", and "O Master, Let Me Walk with Thee".
$4.99
4.74 €
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Piano solo
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Various
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Hymns from Childhood - Set 1
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Curtis Hanson
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SheetMusicPlus
Swiss Folk Song - Simelibärg
Brass Quintet: 2 trumpets, horn, trombone, tuba
Composed by Traditional. Arranged by Markus Plattner (*1952). World, European. Score, Set …
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Composed by Traditional. Arranged by Markus Plattner (*1952). World, European. Score, Set of Parts. 19 pages. Published by Markus Plattner Digital Sheetmusic (S0.146217). - Score,Set of Parts - World,European - Markus Plattner Digital Sheetmusic
Swiss Folk Song - Simelib?rg A beautiful traditional melody, describing heartache and loss of a man who went to war as a mercenary sometime in the 16th century, after he erroneously believed that he had killed a rival for the favours of a village girl. Upon returning home he found his rival alive but his beloved girl had died from heartache. Carefully arranged with some more modern arranging techniques. Easy playability for youth orchestras and ensembles.?
$12.00
11.39 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Traditional
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Swiss Folk Song - Simelibärg
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Markus Plattner Digital Sheetmusic
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SheetMusicPlus
Beach Spring - Piano Solo by Eric Carlson
Piano solo
Piano Solo - Intermediate - Digital Download Composed by B.F. White (1844). Arranged by …
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Piano Solo - Intermediate - Digital Download Composed by B.F. White (1844). Arranged by Eric L. Carlson (ASCAP). Romantic Period, Christian, Sacred, General Worship, New Age. Sheet Music Single. 5 pages. Published by Uplifting Music
A sweet arrangement of a popular hymn, this version begins in 4/4 for 1 verse, then modulates to a new key while also returning to the traditional 3/4 time signature.
Beach Spring can be found in 160 different hymnals of many different Christian denominations. Most common hymn names are "Lord, Whose Love Through Humble Service" and "Wash, O God, Our Sons and Daughters."
Perfect for prelude, offertory, or as a recital piece.
To receive updates on new releases from Eric Carlson, please subscribe to Eric's YouTube Channel (above) and "Like" his Facebook page: https://www.facebook.com/EricCarlsonMusic/
Eric Carlson (ASCAP) is a composer/pianist/arranger from Wisconsin, and has composed/arranged several piano solos, SATB choral works, and Psalm settings.
Similar to Mark Hayes, Fred Bock, Jim Brickman, David Lanz, George Winston, David Nevue, Enya, Piano Guys, Michele McLaughlin, Yiruma, Dino, Church Pianist
$4.99
4.74 €
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Piano solo
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B
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Beach Spring - Piano Solo by Eric Carlson
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Uplifting Music
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SheetMusicPlus
Old French Song
Harp
Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Perio…
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Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Period, Repertoire, Recital. Individual Part, Solo Part. 6 pages. Published by Luis Anjos Teixeira
The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him?.
In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s.
Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstück?. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children".
On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July.
By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom.
On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published.
P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition.
The first version is in the original key of g minor, the second is transposed to ?a minor?, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback.
A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts.
I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself.
May be the staccatos suites you best, and you should try it.
The score was written on Finale.
The sound file was produced with samplers from Garritan,
intended as an audio support for the presentation of the score.
A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself.
Thank you very much for taking your time to read this text and to listen to the file.
I hope you enjoy the music.
$4.99
4.74 €
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Harp
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Pyotr Ilich Tchaikovsky
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Old French Song
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Luis Anjos Teixeira
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SheetMusicPlus
Reminiscence
Piano solo
Piano Solo - Digital Download Composed by April Shi. Romantic Period, Classical Perio…
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Piano Solo - Digital Download Composed by April Shi. Romantic Period, Classical Period, Contemporary Classical, Jazz, Movies. Individual Part. 6 pages. Published by April Shi
From a #1 international junior award-winning composer, this statewide first-place solo piano piece combines a melancholy but hopeful melody with accentuating chords and a variety of different note structures. Movie soundtrack-esque, this feels like a warm memory of something since lost. It combines the traditional classical sound with jazz-inspired chords and rhythms.
The peaceful running notes flow into an optimistic, whimsical B section before returning to the original melody, now with a twist. Upon repeating the A section, a new melody is introduced in the left hand, juxtaposing against the right hand's familiar notes. Starting in E minor, the piece flows between different keys, leaving the listener and player wanting more.
There is a loose tempo marking and, while pedal is recommended, the exact pedaling pattern is left up to interpretation. The notes are there for the pianist to make their own.
$9.98
9.47 €
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Piano solo
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April Shi
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Reminiscence
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April Shi
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SheetMusicPlus
When The Leaves Turn
Guitar notes and tablatures
Guitar Tab - Advanced - Digital Download Composed by Keith Stevens. 21st Century, New…
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Guitar Tab - Advanced - Digital Download Composed by Keith Stevens. 21st Century, New Age. Solo Part, Tablature. 7 pages. Published by Andemil
An original composition for solo fingerstyle guitar, using a partial capo. Performance details included in the music. Composed for my mother's passing in October 2020. When I began writing this piece back in October, it was about the turning of the leaves during our colorful Fall season here in Central Virginia. But, when my mother went into Hospice care, the piece quickly turned to her. The short 16th note hammer-ons, which were originally supposed to represent the falling and dancing of the leaves, now represented the leaping of my mother in heaven, free from her earthly body that confined her in her last years. The piece takes a somber turn toward the end, fading out with harmonics that never resolve, much the same way one feels losing a loved one.
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$4.00
3.8 €
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Guitar notes and tablatures
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Keith Stevens
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When The Leaves Turn
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Andemil
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SheetMusicPlus
Star Trek: First Contact - Main Title / Locutus - Score Only
Orchestra
Full Orchestra - Level 5 - Digital Download Composed by Alexander Courage, Joel Goldsmit…
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Full Orchestra - Level 5 - Digital Download Composed by Alexander Courage, Joel Goldsmith, and Jerry Goldsmith. Arranged by Chris Siddall. Film/TV. 14 pages. Chris Siddall Music Publishing #810597. Published by Chris Siddall Music Publishing
It seems fitting that Jerry Goldsmith should be selected to compose the score for the Next Generation crew?s first solo movie outing, directed by the ship?s first officer himself, Jonathan Frakes. Having kicked off the original series crew?s offerings with Star Trek: The Motion Picture, and turning in a surprisingly excellent entry for Star Trek V: The Final Frontier (given that movie?s otherwise lacklustre reception), the director and producers made a specific point of budgeting Goldsmith into the production, and he was not going to turn down the opportunity to reinstate his themes into the franchise. 1996 saw a particularly busy schedule for Goldsmith though, with the late-running post production on The Ghost and the Darkness, and so Jerry called upon his son Joel to co-compose with him in the three weeks available to complete the score, with Joel handling most of the Borg-related material. Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$9.99
9.48 €
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Orchestra
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Alexander Courage, Joel Goldsmith, and Jerry Goldsmith
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Star Trek: First Contact - Main Title / Locutus - Score Only
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Chris Siddall Music Publishing
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SheetMusicPlus
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