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You've selected:
Until I Stay
Sheetmusic to print
35 sheet music found
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1
26
Until I Found You
Violin, Cello (duet)
Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1165711 By Step…
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Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1165711 By Stephen Sanchez. By Emily Beihold and Stephen Sanchez. Arranged by Bridie Schnore. Contemporary,Pop,Singer/Songwriter,Wedding. 4 pages. Bridie Schnore #766081. Published by Bridie Schnore (A0.1165711). This is a perfect piece for a string duo to play at a ceremony or cocktail hour. Not too difficult with a mix of melody and accompaniment in each part. This piece will add a beautiful and romantic vibe while staying current! Lean into the Bridgerton pop/classical feel.
$10.00
8.93 €
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Violin, Cello (duet)
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Stephen Sanchez
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Until I Found You
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Bridie Schnore
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SheetMusicPlus
Until I Found You
Viola, Cello (duet)
Cello,Instrumental Duet,Viola - Level 4 - Digital Download SKU: A0.1165716 By Steph…
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Cello,Instrumental Duet,Viola - Level 4 - Digital Download SKU: A0.1165716 By Stephen Sanchez. By Emily Beihold and Stephen Sanchez. Arranged by Bridie Schnore. Contemporary,Pop,Singer/Songwriter,Wedding. 4 pages. Bridie Schnore #766086. Published by Bridie Schnore (A0.1165716). This is a perfect piece for a string duo to play at a ceremony or cocktail hour. A mix of melody and accompaniment in each part. This piece will add a beautiful and romantic vibe while staying current! Lean into the Bridgerton pop/classical feel.
$10.00
8.93 €
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Viola, Cello (duet)
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Stephen Sanchez
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Until I Found You
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Bridie Schnore
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SheetMusicPlus
Until I Stay
Trombone
Trombone Solo - Level 3 - Digital Download SKU: A0.1505643 By Jully Black. By Ian F…
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Trombone Solo - Level 3 - Digital Download SKU: A0.1505643 By Jully Black. By Ian Fletcher Thornley, Jully Black, Jullyann Inderia Gordon, and Keith Ernesto Harris. Arranged by David Lartey. R & B. Individual part. 2 pages. David Lartey #1081032. Published by David Lartey (A0.1505643).
$8.25
7.37 €
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Trombone
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Jully Black
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Until I Stay
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David Lartey
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SheetMusicPlus
I'll Never Fall In Love Again
C Instruments
C Instrument - Level 4 - Digital Download SKU: A0.1403900 By Dionne Warwick. By Bur…
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C Instrument - Level 4 - Digital Download SKU: A0.1403900 By Dionne Warwick. By Burt Bacharach and Hal David. Arranged by John Fries. 20th Century,Pop,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #987069. Published by John Fries (A0.1403900). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. In the fall of 1968, Bacharach and David were in Boston for previews of Promises, Promises, the new musical for which producer David Merrick had asked if they would write the score, and Merrick realized, We're missing a song in the middle of the second act, and what we need is something the audience can whistle on their way out of the theater. But around this time, Bacharach was hospitalized with pneumonia and wasn't able to sit at a piano to write the music until after he was released. By that time Hal had already come up with the lyrics to 'I'll Never Fall in Love Again,' and my hospital stay had inspired him to write, 'What do you get when you kiss a girl? You get enough germs to catch pneumonia. After you do, she'll never phone you.' When he finally sat with the lyrics in front of him, he recalls, I wrote the melody for 'I'll Never Fall in Love Again' faster than I had ever written any song in my life..
$3.99
3.56 €
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C Instruments
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Dionne Warwick
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I'll Never Fall In Love Again
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John Fries
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SheetMusicPlus
When I Said I Do
String Trio: 2 violins, cello
String Ensemble,String Trio Cello,Violin - Level 3 - Digital Download SKU: A0.1499401
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String Ensemble,String Trio Cello,Violin - Level 3 - Digital Download SKU: A0.1499401 Composed by Clint Black. Arranged by Homco/Crinion. Country,Wedding. 11 pages. Homco/Crinion #1075458. Published by Homco/Crinion (A0.1499401). When I Said I Do was written by American country music artist Clint Black, and recorded as a duet in 1999 with his wife Lisa Hartman Black. It is the perfect wedding song, since it reiterates the couple's vows to stay together until the end of their lives. It reminds us that the wedding vows are not to be taken lightly, as they are intended to withstand the test of time - the ups and downs; the trials and the triumphs.
$14.99
13.39 €
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String Trio: 2 violins, cello
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Clint Black
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the trials and the triumphs
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When I Said I Do
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Homco/Crinion
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SheetMusicPlus
I Did Not See Temple Spires - an original hymn for SATB voices
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701457 Composed by Kevin G…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701457 Composed by Kevin G. Pace, Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G. Pace #3125371. Published by Kevin G. Pace (A0.701457). An original hymn with text by Kathryn Hales below.YouTube video: https://youtu.be/w68JlvntMjcI did not see the vision, Nor dream a prophet’s dream, I only saw the barren desert Stretch forth upon the scene. I was not there when Brigham’s cane Touched the virgin ground Naming the spot the Lord had shown Where a temple would be found. I did not hear the Lord’s own voice As over ocean waves I tossed, Nor spared the death of loved ones dear As the vast plains I crossed. I only felt the Holy Spirit Telling me the work was true, So I obeyed the prophetic words Until my trek was through. I helped dig the rocky soil Before the foundation was laid Then with shovel filled the gaping hole Before Johnston’s army stayed. I did not see the temple’s spires I only saw the walls, I only shaped the granite stones With hammer, chisel, maul. I coaxed oxen through the mud To move stones down a mountain side, I watched our leaders grow old in years, No temple finished before they died. Now soon I too will join them Though I’ve labored oh so long, I’ll not see the rising spires Or sing praises in Hosanna song. I’m just a common earthly man, A laborer in a cause so great, To generations yet unborn, I’m not one you’ll appreciate. Through the years I’ve toiled and sweat, Shared blood and grief and tears, Obeyed the prophet’s call to serve Listened in faith, not fear. Please do not take for granted As you walk through these carved doors, Or hear the echo of carpenters From stairs or roof or floors The love and work that went into Many years of toil and prayer, Feel our spirits in the halls As you enter there. Though the structure’s end I’ll not see, To others who this path may trod, Go forth with diligence and faith Till we finish the work of God.
$1.99
1.78 €
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Choral SATB
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Kevin G
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I Did Not See Temple Spires - an original hymn for SATB voices
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Kevin G. Pace
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SheetMusicPlus
When I Survey the Wondrous Cross - Orchestration
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Wat…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
53.6 €
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Chamber Orchestra
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Isaac Watts / Lowell Mason
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When I Survey the Wondrous Cross - Orchestration
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WheatMyer Music
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SheetMusicPlus
When I Survey the Wondrous Cross
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.976711 Composed by Isaac W…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.976711 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Easter,Sacred. Octavo. 31 pages. WheatMyer Music #4775085. Published by WheatMyer Music (A0.976711). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The piano/organ accompaniments are straightforward yet very colorful. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet does not compromise on artistic expression.The parts provided in this version include a full score, a piano-vocal octavo (which may be performed alone), and organ and timpani/percussion parts. Neither organ or timpani are required but adding either or both provides a deep and rich experience. Parts for reduced orchestra (strings and single winds) are available separately.
$2.50
2.23 €
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Choral SATB
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Isaac Watts / Lowell Mason
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When I Survey the Wondrous Cross
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WheatMyer Music
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SheetMusicPlus
Celestial Skies
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.991810 Composed by MK Mangum. C…
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Full Orchestra - Level 5 - Digital Download SKU: A0.991810 Composed by MK Mangum. Contemporary. Score and parts. 46 pages. MK Mangum #4615837. Published by MK Mangum (A0.991810). Orchestral Music for Solo Viola and Orchestra. Inspiration for this song started when I was in high school, around Twinkle Twinkle Little Star. Over the years it's stayed with me until I was finally able to compose the piece in 2017/2018.
$40.00
35.73 €
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Orchestra
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MK Mangum
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Celestial Skies
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MK Mangum
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SheetMusicPlus
Twice on Sunday
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1380997 By Cheryl Prazak. By…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1380997 By Cheryl Prazak. By Jon Burr. Arranged by Jon Burr. Country,Pop,Wedding. Score. 9 pages. JbQ Media #965725. Published by jbQ Media (A0.1380997). Piano/vocal arrangement of Twice On SundayGrade 3 pop for alto voice and pianoThis compelling song is a reminiscence of a long, successful marriage, which would work especially well at a wedding anniversary celebration.Composed by Jon Burr, with lyrics by Cheryl Prazak, with vocal on the video and mp3 by Samantha Jane. The lyric is: Just your smile, was when our love began.Don’t know how it happened, it wasn’t in my planKnowing now what I didn’t know way back then,Would I do it all again?Every day of the week and twice on Sunday.When I looked into your eyes, I saw something more than blue,My reflection in your eyes told me you saw something, too.Knowing now what I didn’t know way back thenWould I do it all again?Every day of the week and twice on Sunday.Would I take you again, to be my dearest friend?My buddy and my love right through until the end,Knowing now what I didn’t know way back then,Would I do it all again?Every day of the week and twice on Sunday..At first I didn't know, I was very unsurewhen you asked for my hand, I felt so insecureTook it on faith, somehow I just knewit could work out getting married to youFrom the moment when we danced, when I put my trust in you,Magic came into my heart, I knew our love would stay true.Knowing now what I didn’t know way back then,Would I do it all again?Every day of the week and twice on SundayEvery day of the week and twice on Sundayon Sundayon Sunday Â
$4.99
4.46 €
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Piano, Voice
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Cheryl Prazak
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Jon Burr, with lyrics by Cheryl Prazak, with vocal on the video and mp3 by Samantha Jane
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Twice on Sunday
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jbQ Media
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SheetMusicPlus
Eternal Bridge For Oboe Harp And Strings
Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download SK…
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Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream
$25.00
22.33 €
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Luis Anjos Teixeira
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Eternal Bridge For Oboe Harp And Strings
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Luis Anjos Teixeira
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SheetMusicPlus
Tarry a Little Longer, a sacred hymn
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1231757 Composed by Kevin …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1231757 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christmas,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 2 pages. Kevin G. Pace #827460. Published by Kevin G. Pace (A0.1231757). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text: Tarry a little longer with Me in prayer.Tarry a little longer; you will know I care.My eyes will see you kneeling; my heart is filled.I know you need my comfort ’til your soul is stilled.Tarry a little longer with gratitude.Tarry a little longer; you are in my view.Know I will keep the secrets you share with Me.I love to hear your longings and your tender pleas.Tarry a little longer; I’ll give you light.Tarry a little longer in my open sight.O, how I sense your waiting so patiently.I love to grant your wishes as I set you free.Tarry a little longer, O stay with Me.My greatest joy is giving everything you need.Tarry until you love Me as I love you.Tarry a little longer; I will make you new.
$1.99
1.78 €
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Choral SATB
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Kevin G
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you will know I care
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Tarry a Little Longer, a sacred hymn
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Kevin G. Pace
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SheetMusicPlus
Chiedi al vento di me
Piano solo
Piano Solo - Digital Download SKU: A0.976871 Composed by Monica Bergo. Contemporary…
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Piano Solo - Digital Download SKU: A0.976871 Composed by Monica Bergo. Contemporary. Score. 5 pages. Monica Bergo #3241863. Published by Monica Bergo (A0.976871). 2017 Holiday Contest EntryASK AT WIND OF ME If it will touch you The breeze of summer that It ends and goes away And leave it inside you Melancholy Ask at wind of me Ask at wind of me If you will walk Between the anonymous crowd of this city And you seem to notice me You'll miss a beat Ask the wind if you want Remember us Ask him where I live and if I keep my smile Ask the wind if I understand everything I've lost Of the open-air nights Pray and hope for the best for you Ask at wind of me the Ask at wind if I could make peace with the past Ask him if I realized that my dream so wrapped up He will talk about time When I looked so much like you You will listen to it And you will understand Even mud does not hide the glow Of bright stars It does not cover the flare Remember your name is sun rising and as a phoenix you have a thousand resources It was January, but there was sun, and it was Sunday, special day That's why you were born with the fire inside To melt the ice, it's your sixth sense Crow that flies, bad omen We in our body, an eternal discomfort You look in the mirror and you find yourself beautiful You are how I see you, there is light shining If you do not find the person who looks like you in the world And you will only fool yourself In unnecessary research Because you're unique Do not let them ever change Awesome as you are And you do not have to be satisfied The semblance of a love You're a ray of sunshine Always look for his heat If no one can understand That thin sorrow Look for me Ask at wind of me Reminding me hurt you Try to forget If my name makes you suffer Try to let me go But if in a corner of the heart Allow me to stay I'll be with you in the wind ... I'm the wind that laughs It wraps you up until the summer returns ... Monica Bergo
$3.99
3.56 €
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Piano solo
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Monica Bergo
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Chiedi al vento di me
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Monica Bergo
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SheetMusicPlus
Norwegian Wood (this Bird Has Flown)
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1201501 By The Beatles. By John Len…
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Piano Solo - Level 4 - Digital Download SKU: A0.1201501 By The Beatles. By John Lennon and Paul McCartney. Arranged by Timothy Stapay. Film/TV,Pop,Rock,Singer/Songwriter,Standards. Score. 6 pages. Timothy Stapay #800122. Published by Timothy Stapay (A0.1201501). This is an arrangement of Norwegian Wood, composed by John Lennon and Paul McCartney. It is written in a bright improvisational style; with changes of key.Norwegian Wood (This Bird Has Flown) is a song by the English rock band the Beatles from their 1965 album Rubber Soul. It was written mainly by John Lennon, with lyrical contributions from Paul McCartney, and credited to the Lennon–McCartney songwriting partnership. Influenced by the introspective lyrics of Bob Dylan, the song is considered a milestone in the Beatles' development as songwriters. The track features a sitar part, played by lead guitarist George Harrison, that marked the first appearance of the Indian string instrument on a Western rock recording. The song was a number 1 hit in Australia when released on a single there in 1966, coupled with Nowhere Man. Norwegian Wood Lyrics:[Verse 1: John Lennon]I once had a girlOr should I say, she once had me?She showed me her roomIsn't it good, Norwegian wood?[Bridge: John Lennon & Paul McCartney]She asked me to stay and she told me to sit anywhereSo I looked around and I noticed there wasn't a chair[Verse 2: John Lennon]I sat on the rugBiding my time, drinking her wineWe talked until twoAnd then she said, It's time for bed[Guitar Solo][Bridge: John Lennon & Paul McCartney]She told me she worked in the morning and started to laughI told her I didn't and crawled off to sleep in the bath[Verse 3: John Lennon]And when I awokeI was alone, this bird had flownSo I lit a fireIsn't it good, Norwegian wood?
$6.99
6.24 €
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Piano solo
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The Beatles
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with changes of key
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Norwegian Wood
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Timothy Stapay
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SheetMusicPlus
Tarry a Little Longer, sacred music for SATB choir
Choral SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1294041 Composed by…
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1294041 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 9 pages. Kevin G. Pace #884524. Published by Kevin G. Pace (A0.1294041). A beautiful, sacred choral composition with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text: Tarry a little longer with Me in prayer.Tarry a little longer; you will know I care.My eyes will see you kneeling; my heart is filled.I know you need my comfort ’til your soul is stilled.Tarry a little longer with gratitude.Tarry a little longer; you are in my view.Know I will keep the secrets you share with Me.I love to hear your longings and your tender pleas.Tarry a little longer; I’ll give you light.Tarry a little longer in my open sight.O, how I sense your waiting so patiently.I love to grant your wishes as I set you free.Tarry a little longer, O stay with Me.My greatest joy is giving everything you need.Tarry until you love Me as I love you.Tarry a little longer; I will make you new.
$1.99
1.78 €
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Choral SATB
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Kevin G
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you will know I care
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Tarry a Little Longer, sacred music for SATB choir
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Kevin G. Pace
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SheetMusicPlus
You Are Always On My Mind
C Instruments
C Instrument - Level 4 - Digital Download SKU: A0.546075 Composed by Isabelle Wakki…
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C Instrument - Level 4 - Digital Download SKU: A0.546075 Composed by Isabelle Wakkinen. Arranged by arr. by John Fries. 20th Century,Country,Jazz,Pop,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #156183. Published by John Fries (A0.546075). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. The song has been a crossover hit, charting in both the country and western and pop categories. Always On My Mind did not see completion until late 1971. Songwriter-guitarist Wayne Carson had about two verses done, with the working title You Were Always On My Mind. He had been occupied in Memphis on a project that required him to stay ten days longer, and he phoned his wife in Springfield, Missouri, to apologize for the delay. She was angry, and he replied: Well, I know I’ve been gone a lot, but I’ve been thinking about you all the time. His words struck him as potential song material, and he quickly ended the call so he could capture the idea on paper.
$3.99
3.56 €
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C Instruments
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Isabelle Wakkinen
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You Are Always On My Mind
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John Fries
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SheetMusicPlus
Psalm 57 (56):1--SATB
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1029476 Composed by Anne M…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1029476 Composed by Anne M. H. Patterson. Sacred. Octavo. 2 pages. A. Patterson #4984277. Published by A. Patterson (A0.1029476). This is an SATB setting of the first verse of Psalm 57 (Psalm 56 in the Vulgate). The translation of the text is Have mercy on me, my God, have mercy on me, for in you I take refuge. I will take refuge in the shadow of your wings until the disaster has passed. I believe that it would be appropriate for a Church service (perhaps as a Communion meditation piece). It is not technically advanced and would most likely be doable for a beginner-intermediate choir.Hopefully, I will have a recording of this piece ready and uploaded to a YouTube channel in the near future. Stay tuned! If you have any questions, comments, or any other constructive feedback, contact me at amhpatterson.music@gmail.com.
$3.99
3.56 €
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Choral SATB
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Anne M
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Psalm 57
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A. Patterson
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SheetMusicPlus
Adoro Te Devote (Godhead Here in Hiding)
Cello,Organ Accompaniment,Viola,Violin - Level 1 - Digital Download SKU: A0.1391193…
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Cello,Organ Accompaniment,Viola,Violin - Level 1 - Digital Download SKU: A0.1391193 By Traditional. By St. Thomas Aquinas. Arranged by TONY TRIPP. Chamber,Christian,Classical,Easter. 7 pages. Tony Tripp Music #974722. Published by Tony Tripp Music (A0.1391193). This is my own arrangement of a traditional eucharistic hymn - Adoro Te Devote. The Tune is also used for GodHead Here in Hiding. The idea behind the arrangement is to allow the piece to breathe and for the words to be heard. How I like to perform it is to have the organ enter first with the vocals. Then I add in each string instrument in this order - Cello, Viola, Violin II, Violin I. (Each instrument is stacked on one another.) Once all instruments are in, they stay in until the end of the piece. It can be played with all instruments throughout. It can also be played as an instrumental for meditation after communion. The last 4 bars can be used as an intro or a tag at the end.
$5.00
4.47 €
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Traditional
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Adoro Te Devote
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Tony Tripp Music
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SheetMusicPlus
Mysterious Moment for alto flute and string trio
String Trio: violin, viola, cello
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
7.15 €
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String Trio: violin, viola, cello
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David Warin Solomons
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Mysterious Moment for alto flute and string trio
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David Warin Solomons
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SheetMusicPlus
Mysterious Moment for oboe and string trio
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 …
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
7.15 €
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David Warin Solomons
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Mysterious Moment for oboe and string trio
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David Warin Solomons
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SheetMusicPlus
Suite for a Bright Day
Viola (band part)
Viola Solo - Level 4 - Digital Download SKU: A0.1023649 Composed by Ben Ledochowski…
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Viola Solo - Level 4 - Digital Download SKU: A0.1023649 Composed by Ben Ledochowski. 20th Century,Contemporary,New Age. Individual part. 9 pages. Ben Ledochowski #6217599. Published by Ben Ledochowski (A0.1023649). This suite for solo viola was written for the 2020 University of British Columbia Solo Premieres Series as a counterpart to my other piece for the series, Music for a Darkened Theatre (so if you haven't seen or heard that piece yet, go check it out so you can get the complete story). Where Music for a Darkened Theatre serves to illustrate the struggles brought on by the COVID-19 pandemic, this piece depicts the bright future awaiting the world in an era after the majority of the population has been vaccinated. I hope you enjoy, and stay safe until then!
$4.99
4.46 €
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Viola (band part)
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Ben Ledochowski
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Suite for a Bright Day
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Ben Ledochowski
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SheetMusicPlus
March On, Friends
Concert band
Concert Band - Digital Download SKU: IZ.CBW227-S Composed by Michael Francis Smith.…
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Concert Band - Digital Download SKU: IZ.CBW227-S Composed by Michael Francis Smith. Score. 11 pages. Imagine Music - Digital #CBW227-S. Published by Imagine Music - Digital (IZ.CBW227-S). 9 x 12 inches.Stronger……..Every Day is actually the motto of the rehabilitation center I attend twice a week for physical therapy. Their philosophy is simple: it's not the amount of progress you make each day, it's the total sum of all the small steps taken. Setting goals and perseverance is what is important. The idea is actually universal: Take things one day at a time, stay consistent and you will meet your goals. It applies perfectly to playing a musical instrument. You practice each day, repeat exercises until they are mastered, and then move forward.This piece is built upon a repeated eight-bar motif. In between these motifs are symphonic excursions, but always returning to the original motif. This represents the concept of practicing through repetition. The excursions are the new goals. Multiple syncopation and dynamics keep the music interesting for both the player and listener.
$8.00
7.15 €
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Concert band
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Michael Francis Smith
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March On, Friends
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Imagine Music - Digital
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SheetMusicPlus
Woolly Mammoth March
Concert band
Concert Band - Digital Download SKU: IZ.CBW229 Composed by Britt Andrew Burns. Scor…
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Concert Band - Digital Download SKU: IZ.CBW229 Composed by Britt Andrew Burns. Score and Parts. 33 pages. Imagine Music - Digital #CBW229. Published by Imagine Music - Digital (IZ.CBW229). 9 x 12 inches.Stronger……..Every Day is actually the motto of the rehabilitation center I attend twice a week for physical therapy. Their philosophy is simple: it's not the amount of progress you make each day, it's the total sum of all the small steps taken. Setting goals and perseverance is what is important. The idea is actually universal: Take things one day at a time, stay consistent and you will meet your goals. It applies perfectly to playing a musical instrument. You practice each day, repeat exercises until they are mastered, and then move forward.This piece is built upon a repeated eight-bar motif. In between these motifs are symphonic excursions, but always returning to the original motif. This represents the concept of practicing through repetition. The excursions are the new goals. Multiple syncopation and dynamics keep the music interesting for both the player and listener.
$50.00
44.67 €
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Concert band
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Britt Andrew Burns
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Woolly Mammoth March
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Imagine Music - Digital
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SheetMusicPlus
Sonata for Piano Quintet
Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU…
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Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. 99 pages. James A. Yeager #1075356. Published by James A. Yeager (A0.1499301). Foreword:Each movement revisits classic paradigms—sonata form (I), ternary song form (II), and sonata rondo (III). The three movements of this piano quintet share a common element contained in the seed of a motivic idea—the interplay between the minor and the major 3rd : a tonal ambiguity or conflict of the minor 2nd. Stylistically, this Sonata pays modest homage to neo-classicism of 20th Century composers such as Poulenc (I), Prokofiev, Shostakovich (III), and perhaps even a touch of Gershwin (II). I hope this piano quintet will offer players and their audience chamber music that is a bit unusual yet worthwhile. The Sonata embraces the lightheartedness, the melancholy , and the whimsy of nostalgia. There is no separate piano part.Performance Notes:I Moderately fast, expresses dialogues of themes that move between piano and strings. The playfulness of the exposition (repeat is not optional) can give way to a more passionate building of the development to the climax at letter H. In the recapitulation the longer bridge remains steadily in tempo (no accelerando) relaxing just before letter N and theme two. The coda after letter O is a somber premonition of movement two.II Slowly, the bowings are ad libitum. The viola is chantlike and smooth. Violins glissando like the portamento of the Chinese stringed instruments, the Guqin or the Ehru type glissando leading to a very pure quiet long tones without any vibrato and the resulting fourth should be a pure tuning. The piano can use una corda ad libitum in softer passages, and the pedal (damper) ad libitum. In the B section (Letter D) pianist should treat the 64th notes like an ornament (upper mordent). Strings play the eighths after Letter G accents with strong bow changes. At the end, the piano lingers until the sound vanishes after the strings die away.III Introduction: Quick and spirited, the transition (Introduction) is measured and strict without alteration leading to letter A. The rondo theme, ‘A’ section, can slightly intensify in each successive repetition, but not slavishly. The small waltz or ‘B’ section, Letter C, the quartet might play to resemble a reed organ or harmonium—sweet, sonorous, and harmonious. The ‘C’ section, Letter G, big swell on short bridge passage, then pizz. strings become very rustic and like a peasant dance. Pianist can use una corda ad libitum in soft passages. Violins again after Letter I play similarly to non-vibrato of 2nd movement. The ‘B’ section at Letter L is now the grand waltz slightly faster and more indulgent with tiny rubatos tastefully allowed.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano (2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
$40.00
35.73 €
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James Albert Yeager
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Sonata for Piano Quintet
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James A. Yeager
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SheetMusicPlus
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