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WOODBRASS
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STRINGS
String Quartet: 2 violins, viola, cello
537
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Violin
225
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Viola
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String Quintet: 2 violins, viola, cello, bass
103
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97
Harp
95
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86
Violin, Viola (duet)
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2 Violas (duet)
75
Cello
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String Trio: violin, viola, cello
66
Double bass, Piano (duet)
56
Double Bass
55
2 Harps (duet)
47
Viola, Cello (duet)
31
String Trio: 2 violins, cello
26
Violin, Guitar (duet)
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Viola (band part)
22
String Trio: 3 violins
21
2 Double basses (duet)
20
String quartet: 4 violins
18
Harp, Violin (duet)
17
2 Violins, Piano
16
Piano Trio: Violin, Viola, Piano
14
Violin (band part)
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2 Cellos, Piano
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Cello, Guitar (duet)
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Harp, Flute (duet)
10
String Trio: 3 cellos
8
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8
Doublebass (band part)
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4 Cellos
7
String trio
6
String Trio: 3 violas
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Viola ensemble
5
Violin ensemble
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String Quartet : 4 violas
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4 Double Basses
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Violin, Bassoon (duet)
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Harp, Cello (duet)
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Viola and Harp
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2 Violas, Piano
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String Quintet: 2 violins, 2 violas, cello
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Cello, Organ
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String Trio: 2 violins, viola
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PERCUSSION & ORCHESTRA
Concert band
583
Orchestra
224
Handbells
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String Orchestra
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114
Jazz Ensemble
96
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Musical course - Solfege
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201
EASY RENAISSANCE GUITAR MUSIC - Volume 3
Guitar
Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. …
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Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. 77 pages. Socrates Arvanitakis #889149. Published by Socrates Arvanitakis
This collection contains sixty easy Renaissance pieces from various European countries, and from works of well known, but also obscure or anonymous composers, transcribed for the classical guitar mainly from lute, vihuela, and bandore sources. The pieces will be published in three volumes, each volume containing twenty pieces.
I have tried to include pieces of varied difficulty in all three volumes and also to keep the upper level of technical difficulty to the contemporary grade IV level of the A.B.R.S.M. which takes the student to the intermediate level (grades IV-VI).
The pieces in each volume are given in two versions, first as decorated pages in ordinary notation, and then the same pieces are again given in undecorated pages of notation and tablature. Therefore each volume contains two books in one and the choice is left to the user whether to keep the volume as presented, or to construct his own book by inclusion or deletion of unwanted pages, blank pages, etc, for use either as a printed or a tablet-screen book version. The addition of tablature of course results in doubling the number of pages needed for the presentation of the pieces, therefore the staff sizes are here reduced to an appropriate degree which can maintain the two-page view principle of any piece without need for automatic or manual page turners, foot pedals etc.
The inclusion of tablatures which shows a preference for open string combinations whenever that is possible, clarifies sufficiently the left hand playing positions without need for additional fingerings.
Having said that, my professional advice to all guitar students is to abandon completely their reliance on tablatures and study seriously through many easy collections of music such as the present one in order to familiarise themselves to all aspects of musical notation. And always have in mind that tablatures were invented and still are in use only for fretted instruments, and only due to commercial (publisher?s) considerations primarily, while other string instrumentalists neither have them available, nor need them in order to study/play music.
Metronome marks are only suggestions that need not be taken too literally and are placed mainly for guiding a score writer programme such as Sibelius for performance and extraction of audio and video files. To this end many other expression and/or technique and tempo marks may have been added to the score and made invisible.
NAVIGATION INDEXES ? External and Internal links
The second page in every volume is an index divided into three columns. The first column has the titles of the pieces as active invisible links which take the user to the relevant tablature page. The header of that page brings the user back to this index.
The second column has visible links (in frames) to live performances of the pieces either by professional guitarists or students, which are only for getting familiar with the music, but not as suggestions that particular performances should be followed for study purposes.
The third column contains active links to information about particular composers, found mainly in Wikipedia, but sometimes also in other external sources.
The third page in every volume contains a thematic index of active links to the decorated (without tablatures) pages of the pieces. The header of every decorated page brings the user back to this index.
Finally, the titles of all decorated and tablature pages are active links of interconnection between these pages.
This product was created by a member of ArrangeMe, Hal Leonard?s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
$15.00
14.04 €
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Guitar
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Various
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EASY RENAISSANCE GUITAR MUSIC - Volume 3
#
Socrates Arvanitakis
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SheetMusicPlus
Suite Imaginaria
Guitar
Solo Guitar - Digital Download SKU: A0.962310 Composed by Sergio Roberto de Oliveir…
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Solo Guitar - Digital Download SKU: A0.962310 Composed by Sergio Roberto de Oliveira (1970 - 2017). 20th Century,Contemporary. Individual part. 14 pages. Sergio Roberto de Oliveira #3037195. Published by Sergio Roberto de Oliveira (A0.962310). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$17.02
15.93 €
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Guitar
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Sergio Roberto de Oliveira
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Suite Imaginaria
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Sergio Roberto de Oliveira
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SheetMusicPlus
RENAISSANCE GUITAR MUSIC - Volume 4 INTERMEDIATE
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1327548 Composed by Various. Arran…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1327548 Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. 83 pages. Socrates Arvanitakis #915591. Published by Socrates Arvanitakis (A0.1327548). FROM THE PREFACEThe fourth volume of Renaissance music for classical guitar contains twenty mostly well-known and a few more rare intermediate Renaissance pieces taken mainly from lute and vihuela sources. I have tried to keep the upper level of technical difficulty to the contemporary grade VI level of the A.B.R.S.M. which takes the student to the advanced level (grades VII-VIII).The pieces are given in two versions, first as decorated pages in ordinary notation, and then the same pieces are again given in undecorated pages of notation and tablature. Therefore each volume contains two books in one and the choice is left to the user whether to keep the volume as presented, or to construct his own book by inclusion or deletion of unwanted pages, blank pages, etc, for use either as a printed or a tablet-screen book version. The addition of tablature of course results in increasing the number of pages needed for the presentation of the pieces, therefore the staff sizes are here reduced to an appropriate degree which can maintain the two-page view principle of any piece without need for automatic or manual page turners, foot pedals etc.THEMATIC INDEX OF THIS VOLUME  & NAVIGATION BY ACTIVE LINKSThe thematic index following the cover page of this volume contains active links to the decorated pages of the pieces.The titles of the pieces are also active links interconnecting decorated and tablature pages of the same piece.The header in pages containing  the title of a piece is an active link bringing back to the thematic index. The YOUTUBE logo icons in the thematic index are external links to particular performances of these pieces by various artists.Socrates ArvanitakisLondon 2023CONTENTSPavana 1 Luys MilanPavana 2 L. MilanPavana 3 L. MilanPavana 4 L. MilanPavana 5 L. MilanPavana 6 L. MilanGallarda - Alonso de MudarraGuardame las Vacas I - Luis de NarvaezGuárdame las vacas II - Luis de NarvaezDance Of The Washerwomen - Hans NeusidlerTedesca - AnonymousAlmain - Richard AllisonGreensleeves 1-traditional/AnonymousGreensleeves 2- Francis CuttingAlman in Am - Robert Johnson The Round Battle Galliard - John DowlandThe King of Danemark's Galliard - John DowlandThe Night Watch - Anthony HolborneThe Cobbler - AnonymousGo From My Window - Anonymous.
$15.00
14.04 €
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Guitar
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Various
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RENAISSANCE GUITAR MUSIC - Volume 4 INTERMEDIATE
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Socrates Arvanitakis
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SheetMusicPlus
Music of the Masters
Guitar
Guitar - Level 2 - Digital Download SKU: A0.1236869 Composed by Various. Arranged b…
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Guitar - Level 2 - Digital Download SKU: A0.1236869 Composed by Various. Arranged by Donald Miller. Classical. 76 pages. Donald Miller Music #832400. Published by Donald Miller Music (A0.1236869). This volume contains ten selections from the great composers from various musical periods, and in settings for guitar ensemble . For both the classroom and performance, these selections represent an interesting variety of styles enjoyed by all levels of guitar players.
$15.00
14.04 €
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Guitar
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Various
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Music of the Masters
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Donald Miller Music
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SheetMusicPlus
Rag contra punkt for guitar solo
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.576097 Composed by David Warin Sol…
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Solo Guitar - Level 3 - Digital Download SKU: A0.576097 Composed by David Warin Solomons. 20th Century,Standards. Individual part. 2 pages. David Warin Solomons #2030531. Published by David Warin Solomons (A0.576097). One of a series of early compositions for guitar solo which I have transcribed from my old recordings. They are Classic crossover having some of the basic principles of Ragtime but containing various neo-Classical and neo-Renaissance ideas including the use of whole tones, unusual modes and even some additional counterpoint from time to time. They can be used for performance or as studies for various guitar techniques. It is performed here by Andras Csaki.
$7.00
6.55 €
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Guitar
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David Warin Solomons
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Rag contra punkt for guitar solo
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David Warin Solomons
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SheetMusicPlus
Umas coisas do coracao
Guitar
Solo Guitar - Digital Download SKU: A0.962347 Composed by Sergio Roberto de Oliveir…
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Solo Guitar - Digital Download SKU: A0.962347 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Individual part. 9 pages. Sergio Roberto de Oliveira #4794239. Published by Sergio Roberto de Oliveira (A0.962347). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$4.85
4.54 €
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Guitar
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Sergio Roberto de Oliveira
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Umas coisas do coracao
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Sergio Roberto de Oliveira
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SheetMusicPlus
Classical Guitar Expression & Fingering Techniques
Guitar
By Various. By Various. Arranged by Alan Plummer. 20th Century,Baroque,Classical. In…
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By Various. By Various. Arranged by Alan Plummer. 20th Century,Baroque,Classical. Individual part. 88 pages. Alan Plummer #739241. Published by Alan Plummer
$12.00
11.23 €
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Guitar
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Various
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Classical Guitar Expression & Fingering Techniques
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Alan Plummer
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SheetMusicPlus
Message of the Sea, Celtic Music for Guitar, vol. 1
Guitar
By Various. Arranged by David Russell. For solo guitar. Level 3. 12 pages. Published by Le…
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By Various. Arranged by David Russell. For solo guitar. Level 3. 12 pages. Published by Les Editions Doberman-Yppan (digital)
$11.95
11.18 €
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Guitar
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Various
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Message of the Sea, Celtic Music for Guitar, vol. 1
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Les Editions Doberman-Yppan
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SheetMusicPlus
Repertoire progressif pour la guitare, vol. 2
Guitar
By Various. For solo guitar. Level 1.5. Collection. Published by Les Productions d'OZ - Di…
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By Various. For solo guitar. Level 1.5. Collection. Published by Les Productions d'OZ - Digital
$10.95
10.25 €
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Guitar
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Various
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Repertoire progressif pour la guitare, vol. 2
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Les Productions d'OZ - Digital
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SheetMusicPlus
Le petit livre de guitare, vol. 2
Guitar
By Various. Arranged by Claude Gagnon. For solo guitar. Level 2.5. 28 pages. Published by …
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By Various. Arranged by Claude Gagnon. For solo guitar. Level 2.5. 28 pages. Published by Les Productions d'OZ - Digital
$8.95
8.38 €
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Guitar
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Various
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Le petit livre de guitare, vol. 2
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Les Productions d'OZ - Digital
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SheetMusicPlus
Wild Mountain Thyme
Guitar
By Various. Arranged by Luc Levesque. For guitar orchestra. Level 2. Published by Les Prod…
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By Various. Arranged by Luc Levesque. For guitar orchestra. Level 2. Published by Les Productions d'OZ - Digital
$10.95
10.25 €
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Guitar
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Various
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Wild Mountain Thyme
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Les Productions d'OZ - Digital
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SheetMusicPlus
La guitare dans tous ses etats, vol. 2
Guitar
By Various. For solo guitar. Level 1.5. Collection. Published by Les Productions d'OZ - Di…
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By Various. For solo guitar. Level 1.5. Collection. Published by Les Productions d'OZ - Digital
$10.95
10.25 €
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Guitar
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Various
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La guitare dans tous ses etats, vol. 2
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Les Productions d'OZ - Digital
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SheetMusicPlus
Repertoire progressif pour la guitare, vol. 3
Guitar
By Various. For solo guitar. Level 2. Collection. Published by Les Productions d'OZ - Digi…
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By Various. For solo guitar. Level 2. Collection. Published by Les Productions d'OZ - Digital
$11.95
11.18 €
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Guitar
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Various
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Repertoire progressif pour la guitare, vol. 3
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Les Productions d'OZ - Digital
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SheetMusicPlus
Le petit livre de guitare, vol. 1
Guitar
By Various. Arranged by Claude Gagnon. For solo guitar. Level 1.5. 28 pages. Published by …
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By Various. Arranged by Claude Gagnon. For solo guitar. Level 1.5. 28 pages. Published by Les Productions d'OZ - Digital
$8.95
8.38 €
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Guitar
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Various
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Le petit livre de guitare, vol. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Musique pour guitare seule, Vol. 1
Guitar
By Various. Arranged by Paul Gerrits. For solo guitar. Level 2.5. 16 pages. Published by L…
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By Various. Arranged by Paul Gerrits. For solo guitar. Level 2.5. 16 pages. Published by Les Editions Doberman-Yppan (digital)
$8.95
8.38 €
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Guitar
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Various
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Musique pour guitare seule, Vol. 1
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Les Editions Doberman-Yppan
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SheetMusicPlus
Musique pour guitare seule, Vol. 3
Guitar
By Various. Arranged by Jacques Chandonnet. For solo guitar. Level 2.5. 14 pages. Publishe…
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By Various. Arranged by Jacques Chandonnet. For solo guitar. Level 2.5. 14 pages. Published by Les Editions Doberman-Yppan (digital)
$8.95
8.38 €
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Guitar
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Various
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Musique pour guitare seule, Vol. 3
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Les Editions Doberman-Yppan
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SheetMusicPlus
Musique pour guitare seule, Vol. 2
Guitar
By Various. Arranged by Paul Gerrits. For solo guitar. Level 2.5. 16 pages. Published by L…
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By Various. Arranged by Paul Gerrits. For solo guitar. Level 2.5. 16 pages. Published by Les Editions Doberman-Yppan (digital)
$8.95
8.38 €
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Guitar
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Various
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Musique pour guitare seule, Vol. 2
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Les Editions Doberman-Yppan
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SheetMusicPlus
Chansons et danses populaires
Guitar
By Various. Arranged by Claude Gagnon. For solo guitar. Level 1.5. 14 pages. Published by …
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By Various. Arranged by Claude Gagnon. For solo guitar. Level 1.5. 14 pages. Published by Les Editions Doberman-Yppan (digital)
$8.95
8.38 €
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Guitar
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Various
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Chansons et danses populaires
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Les Editions Doberman-Yppan
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SheetMusicPlus
Sakura
Guitar
By Various. Arranged by J.M. Raymond. For solo guitar. Level 3. 4 pages. Published by Les …
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By Various. Arranged by J.M. Raymond. For solo guitar. Level 3. 4 pages. Published by Les Productions d'OZ - Digital
$5.95
5.57 €
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Guitar
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Various
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Sakura
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Les Productions d'OZ - Digital
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SheetMusicPlus
Repertoire progressif pour la guitare, vol. 1
Guitar
By Various. For solo guitar. Level 1. Collection. Published by Les Productions d'OZ - Digi…
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By Various. For solo guitar. Level 1. Collection. Published by Les Productions d'OZ - Digital
$10.95
10.25 €
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Guitar
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Various
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Repertoire progressif pour la guitare, vol. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Musique baroque pour guitare seule
Guitar
By Various. Arranged by Lemay Chandonnet. For solo guitar. Level 3. 32 pages. Published by…
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By Various. Arranged by Lemay Chandonnet. For solo guitar. Level 3. 32 pages. Published by Les Productions d'OZ - Digital
$9.95
9.31 €
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Guitar
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Various
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Musique baroque pour guitare seule
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Les Productions d'OZ - Digital
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SheetMusicPlus
A Christmas Primer for Guitar
Guitar
Composed by Various. Arranged by Kevin Love. Christmas. Score. 9 pages. Published by Kevin…
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Composed by Various. Arranged by Kevin Love. Christmas. Score. 9 pages. Published by Kevin Love (S0.48921). - Score - Christmas - Kevin Love
$5.95
5.57 €
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Guitar
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Various
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A Christmas Primer for Guitar
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Kevin Love
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SheetMusicPlus
Quatre Negro Spirituals
Guitar
By Various. Arranged by Francois Leclerc. For solo guitar. Level 2.5. 8 pages. Published b…
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By Various. Arranged by Francois Leclerc. For solo guitar. Level 2.5. 8 pages. Published by Les Productions d'OZ - Digital
$5.95
5.57 €
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Guitar
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Various
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Quatre Negro Spirituals
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Les Productions d'OZ - Digital
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SheetMusicPlus
Santa Baby
Guitar
By Kellie Pickler, Various. Christmas, Holiday, Novelty, Oldies. GTLSHT. 2 pages. Publishe…
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By Kellie Pickler, Various. Christmas, Holiday, Novelty, Oldies. GTLSHT. 2 pages. Published by Hal Leonard - Digital Sheet Music (HX.327106). - GTLSHT - Christmas,Holiday,Novelty,Oldies - Hal Leonard - Digital Sheet Music
$2.99
2.8 €
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Guitar
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Kellie Pickler, Various
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Santa Baby
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Élégie
Guitar
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.7 €
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Guitar
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Francis Bebey
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
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