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Where Or When - Trombone
Sheetmusic to print
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Where Or When
Choral SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1016460 By Dion and The Be…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1016460 By Dion and The Belmonts. By Richard Rodgers. Arranged by William J. Bullock. 20th Century,Broadway,Chamber,Musical/Show,Pop,Standards. Octavo. 8 pages. William Bullock #5732909. Published by William Bullock (A0.1016460). A Bullock Editions publication for SATB chorus, string quartet and piano: Where or When-Full Score & Parts. Music: Richard Rodgers. Lyrics: Lorenz Hart. Arrangement: William J. Bullock. Duration: 2:35. Arranger’s Note: Verse and AABA refrain included; rich harmonies; string quartet and piano accompany together and separately; second A section unaccompanied; program note included. Formats: Full Score & Parts (H0.782537-SC001291310); Chorus & Piano Reduction (H0.782547-SC001291310).
$2.25
2.02 €
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Choral SATB
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Dion and The Belmonts
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Parts.
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Where Or When
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William Bullock
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SheetMusicPlus
Where Or When
Choral SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1016458 By Dion and The Be…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1016458 By Dion and The Belmonts. By Richard Rodgers. Arranged by William J. Bullock. 20th Century,Broadway,Chamber,Musical/Show,Pop,Standards. Octavo. 19 pages. William Bullock #5732899. Published by William Bullock (A0.1016458). A Bullock Editions publication for SATB chorus, string quartet and piano: Where or When-Full Score & Parts. Music: Richard Rodgers. Lyrics: Lorenz Hart. Arrangement: William J. Bullock. Duration: 2:35. Arranger’s Note: Verse and AABA refrain included; rich harmonies; string quartet and piano accompany together and separately; second A section unaccompanied; program note included. Formats: Full Score & Parts (H0.782537-SC001291310); Chorus & Piano Reduction (H0.782547-SC001291310).
$14.99
13.43 €
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Choral SATB
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Dion and The Belmonts
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Parts.
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Where Or When
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William Bullock
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SheetMusicPlus
Where Or When
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1103339 By Dion and The Belm…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1103339 By Dion and The Belmonts. By Lorenz Hart and Richard Rodgers. Arranged by David Lee Gingras and John E. Dosher. Broadway,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #706600. Published by DAVID LEE GINGRAS (A0.1103339). Where or When is a show tune from the 1937 Rodgers and Hart musical Babes in Arms. It was first performed by Ray Heatherton and Mitzi Green. That same year, Hal Kemp recorded a popular version. The song also appeared in the film version of Babes in Arms two years later. This version features a root-based chord blocking that John and I have used in many of our arrangements and we've included a few left-hand fills to keep the tempo going! We hope you like what we've done with the song!
$4.99
4.47 €
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Piano, Voice
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Dion and The Belmonts
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Where Or When
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DAVID LEE GINGRAS
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SheetMusicPlus
Where Or When
Piano solo
Piano - Level 1 - Digital Download SKU: A0.1455512 By Dion and The Belmonts. By Lor…
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Piano - Level 1 - Digital Download SKU: A0.1455512 By Dion and The Belmonts. By Lorenz Hart and Richard Rodgers. Arranged by DecPlay Ltd. Broadway,Musical/Show,Standards. DecPlay Piano. 3 pages. DecPlay Ltd #1034601. Published by DecPlay Ltd (A0.1455512). You have great taste - this is a great song! If you’re not a DecPlay student yet, you might be wondering why the song sheet isn’t using traditional notation or chord names …..This patented form of song sheet from DecPlay® enables songs to be learnt much quicker and more easily than using traditional notation or guitar chords. The simple numbers, colours and patterns method enables rapid results on piano.The same song sheet enables beginner and advanced playing styles, in any musical key.For more details and a FREE video lesson go to https://decplay.com(This type of sheet music is known as piano tabs or PianoTabz and includes lyrics, melody and chords).
$3.99
3.58 €
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Piano solo
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Dion and The Belmonts
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Where Or When
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DecPlay Ltd
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SheetMusicPlus
When The Party's Over for flute quintet or small flute ensemble
Flute Quintet : 5 flutes
Flute, Woodwind Quintet, Woodwind Choir or Ensemble, Choir, Orff instruments, c flut…
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Flute, Woodwind Quintet, Woodwind Choir or Ensemble, Choir, Orff instruments, c flute 1, c flute 2, c flute 3, c flute 4, and alto flute in G - Intermediate - Digital Download By Billie Eilish. Arranged by a " do Ray me " flute studio production, Ray-Michael Kauffman. Individual Part, Lead Sheet, Octavo, Score, Set of Parts, Sheet Music Single, Solo Part. 29 pages. Published by a " do Ray me " flute studio production
When the Party's over for flute quintet or small flute ensemble<br> <br> https://youtu.be/-yE2CbZcCQg<br> <br> https://youtu.be/lP6zqU_irNg<br> <br> <br> <br> by billie eilish, and arranged by me, ray-michael kauffman.<br> this is part of my " Compositions that care" and all money this piece takes in, will be donated to a charity for recovery from addition.<br> When i first herd this song, for me this was painting a picture of someone who was an addict, where they seemed the life of the party , and was having such a good time, however , using to feel a certain way -whether that be normal, happy, to fit in, loved,.. how ever, addiction cripples those persons effected may truly feel lonely and empty .<br> I debated with myself if this is what cause i wanted to support and hopefully shed some light on, addiction and everything and every person this effects.It was the next day , i had learned a friend and former co-worker had committed suicide after a long struggle with addition. I knew then that this decision was the right one.<br> To purchase and support this cause, or " Compositions that care", please visit SheetMusicPlus.com or direct link to my music available ;<br> https://www.sheetmusicplus.com/publishers/a-do-ray-me-flute-studio-production/7545<br> and check my website out, www.doRaymeflute.com<br> thank you for taking something so precious, as your time for me and this cause.
$13.99
12.54 €
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Flute Quintet : 5 flutes
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Billie Eilish
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do Ray me "
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When The Party's Over for flute quintet or small flute ensemble
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a " do Ray me " flute studio production
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SheetMusicPlus
Together Wherever We Go (from Gypsy): 2nd B-flat Trumpet
Trumpet (band part)
2nd B-flat Trumpet - Digital Download SKU: AX.00-PC-0001294_T2 2nd B-flat Trumpe…
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2nd B-flat Trumpet - Digital Download SKU: AX.00-PC-0001294_T2 2nd B-flat Trumpet. Composed by Jule Styne and Stephen Sondheim. Arranged by Jay Althouse. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001294_T2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001294_T2). UPC: 038081294360.It's the ultimate friends song from the musical Gypsy, arranged in an accessible style for today's choirs. Wherever we go, whatever we do, we're gonna go through it together. Great for spring and end-of-year concerts, or whenever you just want to say music makes us friends.Movement and Staging.
$3.00
2.69 €
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Trumpet (band part)
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Jule Styne and Stephen Sondheim
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Together Wherever We Go
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Together Wherever We Go (from Gypsy): E-flat Alto Saxophone
Saxophone (band part)
E-flat Alto Saxophone - Digital Download SKU: AX.00-PC-0001294_AX1 E-flat Alto S…
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E-flat Alto Saxophone - Digital Download SKU: AX.00-PC-0001294_AX1 E-flat Alto Saxophone. Composed by Jule Styne and Stephen Sondheim. Arranged by Jay Althouse. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001294_AX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001294_AX1). UPC: 038081294360.It's the ultimate friends song from the musical Gypsy, arranged in an accessible style for today's choirs. Wherever we go, whatever we do, we're gonna go through it together. Great for spring and end-of-year concerts, or whenever you just want to say music makes us friends.Movement and Staging.
$3.00
2.69 €
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Saxophone (band part)
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Jule Styne and Stephen Sondheim
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Together Wherever We Go
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Together Wherever We Go (from Gypsy): B-flat Tenor Saxophone
Saxophone (band part)
B-flat Tenor Saxophone - Digital Download SKU: AX.00-PC-0001294_TX1 B-flat Tenor…
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B-flat Tenor Saxophone - Digital Download SKU: AX.00-PC-0001294_TX1 B-flat Tenor Saxophone. Composed by Jule Styne and Stephen Sondheim. Arranged by Jay Althouse. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001294_TX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001294_TX1). UPC: 038081294360.It's the ultimate friends song from the musical Gypsy, arranged in an accessible style for today's choirs. Wherever we go, whatever we do, we're gonna go through it together. Great for spring and end-of-year concerts, or whenever you just want to say music makes us friends.Movement and Staging.
$3.00
2.69 €
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Saxophone (band part)
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Jule Styne and Stephen Sondheim
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Together Wherever We Go
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
A DREAM (SATB Chorus [divisi] and Piano or Orchestra) - Piano/Choral Score
Choral SATB
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1388554 Comp…
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1388554 Composed by Stanley M Hoffman. 21st Century,Classical. 24 pages. Stanleymhoffman.com #972055. Published by stanleymhoffman.com (A0.1388554). Program Notes: The fact that the text for this work even exists is a miracle. It was written by Abraham (Abramek) Koplowicz, a Jewish boy who was exterminated by the Nazis during the Holocaust. Abramek was born in 1930 in Lodz, Poland, and died 1944 in that country's infamous concentration camp at Auschwitz-Birkenau. He wrote this poem during the time that his family was trapped in the Lodz ghetto. This poem was not found until 1983 when Eliezer (Lolek) Grynfeld, the poet's half-brother, discovered it among their late father's belongings. Choristers who sing this work will be transported on a magical flight around the world through time and space along with their audiences. —A Dream (Marzenie)When I am twenty years of age,I will burst forth from this cageAnd begin to see our splendid EarthFor the first time since my birth!In my motorized bird I’ll soar so highAbove the world, up in the sky,Over rivers and the seas, With such stupefying ease,With my brother wind and sister cloud, I’llMarvel at the Euphrates and the Nile;The goddess Isis ruled the land that linksThe Pyramids and the massive Sphynx.I will glide above Niagara Falls,And sunbathe where the Sahara calls;If I want to escape the scorching heat,I will fly up north to an Arctic retreat.I will top the cloudy peaks of Tibetan fameAnd survey the fabled land whence the Magi came.From the Island of KangaroosI’ll take my time and cruiseTo the ruins of Pompeii      At the edge of Naples Bay,I’ll continue to the Holy Land, then seekThe home of Homer, the celebrated Greek.More and more astonished will I growAt the beauty of the Earth below.In all my travelling I’ll be twinnedWith my siblings, cloud and wind.—Abraham (“Abramekâ€) Koplowicz (b. 1930, Lodz, Poland, d. 1944, Auschwitz-Birkenau)Translation by Sarah Lawson and MaÅ‚gorzata Koraszewska© Copyright 1993 by Eliezer Grynfeld. All rights reserved.Used by permission of Eliezer Grynfeld.—Music: © Copyright 2024 by Stanley M. Hoffman.www.stanleymhoffman.comAll rights reserved.
$5.00
4.48 €
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Choral SATB
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Stanley M Hoffman
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A DREAM
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stanleymhoffman.com
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SheetMusicPlus
Gregory Sullivan Isaacs: The Death of Pyramus for bass buffo or baritone voice and piano
Small Ensemble - Level 4 - Digital Download SKU: A0.534549 Composed by Gregory Sull…
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Small Ensemble - Level 4 - Digital Download SKU: A0.534549 Composed by Gregory Sullivan Isaacs. Concert,Contemporary,Standards. Score and parts. 10 pages. Musik Fabrik Music Publishing #3627069. Published by Musik Fabrik Music Publishing (A0.534549). Text by William Shakespeare (A Midsummer Night's Dream Act V, Scene I)The ultimate overblown death scene for an actor of limited abilitiesIn the play, Nick Bottom thinks that he is the greatest actor alive. However, he is appallingly dreadful - he shamelessly overplays every line, mugs incessantly and makes word errors. He thinks that he is fabulous when, in fact, he is ridiculous. His suicide scene is one of the great moments for comic actors and it can take as long as the actor wishes - even up to 5 minutes. This aria is set in the same manner and many buffo singers immediately come to mind as models for such satire. This selection cannot be overplayed. It can be sung by any male voiceTEXT: Sweet Moon, I thank thee for thy sunny beams.I thank thee, Moon, for shining now so bright.For by thy gracious, golden, glittering gleams,I trust to take of truest Thisbe sight.—But stay, O spite!But mark, poor knight,What dreadful dole is here!Eyes, do you see?How can it be?O dainty duck! O dear!Thy mantle good,What, stained with blood?Approach, ye Furies fell!O Fates, come, come,Cut thread and thrum.Quail, crush, conclude, and quell!O wherefore, Nature, didst thou lions frame?Since lion vile hath here deflowered my dear,Which is—no, no—which was the fairest dameThat lived, that loved, that liked, that looked with cheer.Come, tears, confound!Out, sword, and wound!The pap of Pyramus— Ay, that left papWhere heart doth hop. (stabs himself)Thus die I, thus, thus, thus.Now am I dead.Now am I fled.My soul is in the sky.Tongue, lose thy light.Moon, take thy flight.Now die, die, die, die, die.(dies)
$11.95
10.71 €
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: The Death of Pyramus for bass buffo or baritone voice and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
You Can Always Say a Prayer - a sacred song for children or youth
Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.702247 Composed by Kevin G. P…
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Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.702247 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Children,Christian,Praise & Worship,Sacred. 2 pages. Kevin G. Pace #6009673. Published by Kevin G. Pace (A0.702247). A sacred song for children or youth about prayer. Music by Kevin G. Pace and text by Kathryn W. Hales. Text inspired by the Book of Mormon text found in Alma 35:4-11. See full text below:In your wilderness forlorn, When you wander far from home, In your fields where ‘ere you work, Wherever fearsome danger lurks, You can always say a prayer, For your God is always there. In your closet all alone, Keeping secrets all your own, With your family or friends, Places to pray never end. You can always say a prayer For your God is always there. Oppressed by your enemies, Those within or those you see, In the midst of congregations, Pray against all temptation. You can always say a prayer, For your God is always there.
$1.99
1.78 €
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Kevin G
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You Can Always Say a Prayer - a sacred song for children or youth
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Kevin G. Pace
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SheetMusicPlus
Somewhere Out There
Easy Piano
Easy Piano - Level 2 - Digital Download SKU: A0.541447 By Linda Ronstadt & James In…
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Easy Piano - Level 2 - Digital Download SKU: A0.541447 By Linda Ronstadt & James Ingram. By Barry Mann and James Horner. Arranged by Cindy Blevins. Film/TV. Score. 4 pages. Cindy Blevins #3112321. Published by Cindy Blevins (A0.541447). My easy piano arrangements are clean and uncluttered on the page. They are piano solos. They do not include the lyrics or chord symbols. This arrangement is three pages of music.Keep in mind that easy means different things to different people. When I do easy arrangements, I generally make them less notey and simplify melodies and rhythms where appropriate.My website: https://www.blevinsmusic.com.
$4.99
4.47 €
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Easy Piano
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Linda Ronstadt & James Ingram
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Somewhere Out There
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Cindy Blevins
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SheetMusicPlus
Scooby Doo, Where Are You?
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.997249 Composed by Ben Ral…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.997249 Composed by Ben Raleigh and David Monk. Arranged by Alex Frank. A Cappella. Octavo. 5 pages. Alex Frank #5218187. Published by Alex Frank (A0.997249). This arrangement is a unique take on the Scooby Doo theme song, as it is to be sung by just 4 voices together in close harmony in the style of Barbershop, a type of A Capella music. It is designed for an all-male barbershop quartet to sing at competitions, shows, parties, and many other kinds of gatherings. It may be sung by a larger Barbershop chorus, with 4 distinct parts and multiple people on each part, but works best when sung as a quartet. The arrangement is based off of the theme song to a Saturday morning animated cartoon series titled Scooby Doo, Where Are You!, which debuted in 1969 and ran actively until 1976. The premise of the show is a gang of five mystery-solving teenagers and their Great Dane dog, Scooby Doo investigating the various spooky occurrences in the area caused by supernatural creatures that terrorize the people in the area. While the gang is overall very intelligent and adept at finding clues which always leads to success at apprehending any suspects involved, their key to success lies in Scooby-Doo, whom the gang depends on for his waggish nature and the tricks he plays on the monsters or villains. While Scooby Doo is often filled with trepidation at the thought of being near any monsters or haunted houses, he often overcomes that fear when his team needs it the most, especially when his favorite treat is promised for coming through: Scooby Snacks. The theme song seeks to instill this message that the main character comes through when needed most. Contact me for any further questions at frankalexander92@gmail.com.
$12.99
11.64 €
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Choral TTBB
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Ben Raleigh and David Monk
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Scooby Doo, Where Are You?
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Alex Frank
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SheetMusicPlus
Where Is My Mind?
Orff instruments Orff instruments - Level 2 - Digital Download SKU: A0.1279068 By P…
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Orff instruments Orff instruments - Level 2 - Digital Download SKU: A0.1279068 By Pixies. By Frank Black. Arranged by Fletcher Planert. Film/TV,Grunge,Pop,Punk,Rock. 4 pages. Fletcher Planert #870614. Published by Fletcher Planert (A0.1279068). This is an arrangement I made of Where Is My Mind by the Pixies for my Grade 3s using Orff Instrumentation. Inside you will find Glockenspiel, Alto Xylophone, and Bass Xylophone parts. You will need a Bb key for your BX.It is in F major to facilitate the singing range of the children. Depending on your class, you may choose to have a soloist or choir do the vocal line. I have not included the second verse in this arrangement.You can use this as a springboard for your own arrangement. I removed the B section from the original to make it strictly ostinato-based, thus being accessible to a younger ensemble. When I performed it with my students we were on a short timeline on stage so we faded out using the ostinatos. Make choices that honour your ensemble and the expectations of your administration and community.I included a Ukulele chart & tab for teachers that may use ukulele in their program. The Bb chord is a little tricky, but if you have a motivated or experienced uku section they might enjoy the challenge.The drum has been split into bass & snare. When I performed it I consolidated it into a single Djembe part with a bass tone and a slap. Choose Non-pitched percussion available in your school.
$4.99
4.47 €
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Pixies
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Where Is My Mind?
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Fletcher Planert
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SheetMusicPlus
When A Child Is Born
Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.797797 By Andrea Bocell…
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Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.797797 By Andrea Bocelli. By Alberto Salerno, Ciro Damicco, Ciro Dammicco, Dario Baldan Bembo, Francesco Specchia, Fred Jacobson, Maurizio Seymandi, and Zacar. Arranged by Derek Hasted. Christmas,Contemporary. Score and parts. 17 pages. Derek Hasted #6096055. Published by Derek Hasted (A0.797797). WHEN A CHILD IS BORN - GUITAR TRIO or LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This charming Christmas Song was made famous by the effortless singing of Johnny Mathis and recently came back to everyone's awareness with a new version by Andrea Bocelli.There are two versions of my arrangement in this one edition.The first arrangement is in conventional “SATB styleâ€, where the three guitars play tune, harmony and bass lines. It would suit a mixed ability ensemble where the tune player is comfortable to move up the neck and the bass player has the least experience.The second arrangement rotates the roles so that each player takes a different role in every verse and each player has the tune at one point. It would suit a more evenly matched ensemble as the tune deserves a consistent tone and volume across the three verses.The two versions share the same notes.There’s no fingering on the score. This is because a more skilled ensemble might enjoy taking the parts up the neck to achieve a rounder and more lyrical tone.I hope you enjoy playing this piece! This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
4.47 €
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Andrea Bocelli
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When A Child Is Born
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Derek Hasted
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SheetMusicPlus
When You Say Nothing At All
Flute and Guitar
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.7…
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.797825 By Keith Whitley. By Don Schlitz and Paul Overstreet. Arranged by Derek Hasted. Contemporary,Pop. Score and parts. 12 pages. Derek Hasted #6411785. Published by Derek Hasted (A0.797825). WHEN YOU SAY NOTHING AT ALL - FLUTE and GUITARFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This lovely melody, first made famous by Alison Krauss, and more recently by Ronan Keating, makes a delightful concert piece for flute and guitar.My arrangement is based on Ronan Keating’s version, where the guitar part is a little different to the original. The music doesn’t have the slow fade-out of Keating’s piece - it’s not that easy for a flute and guitar duo on stage to emulate that! But it does have all the rest of the thematic material, including the strange but seldom noticed fact that verse two is one measure shorter than verse one. The key is the same as Keating’s version and includes the rather lovely key changes - both seem to go up slightly in pitch, yet the second key change actually returns back to the starting key.Much of the guitar part can be played in the lower positions where there’s just a little bit more sustain to help support the flute part. Where the guitar part needs sustain across the bar-lines, I have used “ties to nothing†rather than formal ties. Ties generate a lot more black on the page and make the music harder to read. I hope you enjoy performing this!
$4.99
4.47 €
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Flute and Guitar
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Keith Whitley
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When You Say Nothing At All
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Derek Hasted
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SheetMusicPlus
Three Pieces for Beginner Guitarists (Acoustic or Electric)
Guitar notes and tablatures
Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1047465 By Dan Jones (w…
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Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1047465 By Dan Jones (www.danjonesguitarist.com). By Dan Jones. Blues,Folk,Rock. Tablature. 5 pages. DanJonesGuitarist #652027. Published by DanJonesGuitarist (A0.1047465). Three Pieces for Beginner Guitarists (Acoustic or Electric) by Dan Jones Presented in notes, TAB and easy chords (www.danjonesguitarist.com) As an active guitar teacher, I find that many beginner pupils want to learn either acoustic (steel string) guitar or electric guitar. I have also found a lack of quality resources in these styles which have musical interest, and which lay out some of the necessary technical and musical foundations for future learning. I composed these three little pieces for my own young students. They are played by those using their right-hand fingers, and a plectrum and I’ve found them to be very popular in both lessons and performance. The pieces can be learnt in any order (I have a slight preference for starting my pupils with D-Day Rock - the third in the collection). Below is an outline of the pedagogy behind them (1) Sore Finger Blues This is a simple twelve-bar blues which uses a combination of open strings and notes at the third and second frets. It can be played with a straight or swung rhythm. It is effective at a slow tempo for those needing time to place the fretting hand fingers. The main technical challenge is in bars 10 and 22 where the player moves the third finger between the G and A on string 1. Although this is traditionally an advanced technique, I’ve found my students find it comfortable, as long as the fingering outlined in the notes is followed. The chords are dominant (with major thirds). These clash against the minor pentatonic scale in a way which is typical of the style. The chords are quite simple for beginners. I have opted for a D5 power-chord in bars 9 & 21 which is easier than the usual D chord (which also works perfectly well). Plectrum players should be sure to anchor the plucking hand, either with the side of the hand resting on the bridge, or a finger against the scratch plate of the guitar. Fingerstyle players can anchor either with a finger touching the scratch plate of the guitar, or by resting the thumb on a bass string when the fingers are plucking, or vice versa. This is more typical of classical style. (2) Cross-String Traffic This piece was conceived as a fingerstyle piece, although it can be played using a plectrum. The challenge for plectrum players is to cross the strings smoothly. It is for this reason that the fretting hand is relatively simple so that learners can concentrate on the plucking hand. Players are also encouraged to press down the index finger on string 2 at the correct angle to allow the first string to resonate. Chords have once again been chosen to suit less-experienced fingers; therefore, I have opted for Dm6 instead of the more common Dm (a very tricky chord for beginners). Players should go for maximum resonance and notes played at fret 3 could be fretted with either fingers 3 or 4. (3) D-Day Rock This piece is made nearly entirely of open strings and third fret notes. Where there is string crossing, the music allows the player ‘thinking time’ to change accordingly. Teachers and learners can decide with which finger to press the third fret notes. The rhythmic complexities from bar 13 to the end pose no problems once players have the sound of the piece in their ear. Once again, chords have been selected for ease of playing. The Gm/D chord can be played with a 3-string barre (often quite easy for beginners where no fretted bass note is required) or using three separate fingers. The pedal D sounds effective musically. I have presented these pieces as ensemble works with large groups of beginners. Players and audiences alike have been very receptive! For a wealth of music for beginners, ensembles and advanced players, please visit www.danjonesguitarist.com. A YouTube link to a film of the pieces will be uploaded before the end of June 2022.
$4.95
4.44 €
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Guitar notes and tablatures
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Dan Jones
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Three Pieces for Beginner Guitarists
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DanJonesGuitarist
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SheetMusicPlus
On the Ground Where We Live
Digital Download SKU: A0.1071145 Composed by Greg Bartholomew. 20th Century,Contemp…
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Digital Download SKU: A0.1071145 Composed by Greg Bartholomew. 20th Century,Contemporary. Full Performance. Duration 727. Burke & Bagley #2880415. Published by Burke & Bagley (A0.1071145). On the Ground Where We Live evokes the sense of walking through the community of an old town or city, where new sights and experiences are discovered around each corner. We sense a generally benign social-political environment in which individuals and small groups may interact harmoniously, although at times the world becomes ominous or chaotic. Individual voices are at turns confident, reflective, insistent or celebratory. As the ensemble builds, we may be entering a popular plaza. When the crowd gets too boisterous, we follow a pair of individual voices as they retreat for refuge in a quiet passage, but soon the larger forces return and build to a climatic conclusion.ERM Media awarded On the Ground Where We Live the Masterworks Prize. The work was recorded by the Czech Philharmonic in October 2005 for Volume 10 of the Masterworks of the New Era CD series. Duration approximately 12 minutes.For more information: www.gregbartholomew.com/groundindex.html  
$3.99
3.58 €
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Greg Bartholomew
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On the Ground Where We Live
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Burke & Bagley
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SheetMusicPlus
Persecuted Then Crucified SATB flute or violin or cello with piano
Alto Voice,Bass Voice,Cello,Flute,Piano Accompaniment,Soprano voice,Tenor Voice,Violin - L…
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Alto Voice,Bass Voice,Cello,Flute,Piano Accompaniment,Soprano voice,Tenor Voice,Violin - Level 3 - Digital Download SKU: A0.1343035 Composed by Connie Boss. Arranged by Connie Boss. Easter,Holiday,Lent,Religious,Sacred. 34 pages. Connie Boss #928546. Published by Connie Boss (A0.1343035). This song can be used for Lent or on Good Friday. Jesus was persecuted, then crucified to save us from our sins.This arrangement is in the key of G and is for SATB, flute or violin or cello and piano. Parts are included with purchase. I will have it in a lower range in key of C for mezzon soprano and alto or alot and tenor as well.questions or requests, email cdboss@cvalley.netLyrics:Persecuted then CrucifiedRefrain:Persecuted, then crucifiedUp to the moment when he diedVerse 1:They stripped him of all His clothesThen they gave Him a scarlet robe A crown of thorns placed on His headBlood ran down His face until His deathRefrain:Verse 2:He Carried the cross to CalvaryWhere it was His destinyThey nailed His feet and then His handsAmong two thieves the cross would standRefrain:Bridge 1:He saved others but he can’t save himself! He says He is the king of Israel! Let him come down from the cross, Then, we will believe in him.Refrain:Verse 3:They put sour wine to His mouthHe did not drink it but spat it outThey divided up all His clothesWith the dice that they had rolledRefrain 2:Persecuted, then crucifiedUp to the moment when he diedThen He gave His final cry“Father please forgive   themâ€Bridge 2:Then he hung his head to dieThen the sky grew dark and dimTerrified, the people then realizedHe truly was the son of God Final ending:Persecuted, then crucifiedUp to the moment when he died.
$7.99
7.16 €
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Connie Boss
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Persecuted Then Crucified SATB flute or violin or cello with piano
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Connie Boss
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SheetMusicPlus
Persecuted Then Crucified duet, flute or violin or piano with piano key of G
Alto Voice,Flute,Piano Accompaniment,Soprano voice - Level 3 - Digital Download SKU: A0…
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Alto Voice,Flute,Piano Accompaniment,Soprano voice - Level 3 - Digital Download SKU: A0.1342281 Composed by Connie Boss. Arranged by Connie Boss. Easter,Holiday,Lent,Religious,Sacred. 21 pages. Connie Boss #927797. Published by Connie Boss (A0.1342281). This song can be used for Lent or on Good Friday. Jesus was persecuted, then crucified to save us from our sins.This arrangement is in the key of G and is for duet, flute or violin or cello and piano. Parts are included with purchase. I will have it in a lower range in key of C for mezzon soprano and alto or alot and tenor as well.questions or requests, email cdboss@cvalley.netLyrics:Persecuted then CrucifiedRefrain:Persecuted, then crucifiedUp to the moment when he diedVerse 1:They stripped him of all His clothesThen they gave Him a scarlet robe A crown of thorns placed on His headBlood ran down His face until His deathRefrain:Verse 2:He Carried the cross to CalvaryWhere it was His destinyThey nailed His feet and then His handsAmong two thieves the cross would standRefrain:Bridge 1:He saved others but he can’t save himself! He says He is the king of Israel! Let him come down from the cross, Then, we will believe in him.Refrain:Verse 3:They put sour wine to His mouthHe did not drink it but spat it outThey divided up all His clothesWith the dice that they had rolledRefrain 2:Persecuted, then crucifiedUp to the moment when he diedThen He gave His final cry“Father please forgive   themâ€Bridge 2:Then he hung his head to dieThen the sky grew dark and dimTerrified, the people then realizedHe truly was the son of God Final ending:Persecuted, then crucifiedUp to the moment when he died.
$7.99
7.16 €
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Connie Boss
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Persecuted Then Crucified duet, flute or violin or piano with piano key of G
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Connie Boss
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SheetMusicPlus
Home At Last, vocal solo for funeral or other occasion
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1317368 Composed by Kevin G.…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1317368 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Score. 8 pages. Kevin G. Pace #906029. Published by Kevin G. Pace (A0.1317368). A beautiful alto vocal solo with music by Kevin G. Pace and text by Mary Ann W. Snowball. Â This music was written to be used in funerals and other occasions.Text:1. Beyond the deep horizon and ever wand'ring hills, There is a holy heaven when mortal life has stilled. Beyond the clouds and rainbow, beyond each azure sky, There is a place of total rest where peace forever lies. 2. Beyond the ocean currents and endless sandy shores, There is a holy haven where strife will be no more. Beyond each ev'ning's moonlight and ev'ry numbered star, There is a place near heaven's view, a place which now seems far. 3. Beyond the reach of sunshine and warmth of summer days, There is a God in heaven, and He will ever stay. Beyond each earthly asking, where prayers are heaven sent, There is a place where He resides and perfect Love is met. Chorus: Home at last, to live in God's presence where all will be at peace. Home at last, where God's pure love will shine and never, ever cease.
$3.99
3.58 €
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Piano, Voice
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Kevin G
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Home At Last, vocal solo for funeral or other occasion
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Kevin G. Pace
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SheetMusicPlus
When Mary Looked Upon Her Child
Choral SATB
Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1406731 Compos…
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Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1406731 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Praise & Worship,Religious,Sacred. 3 pages. Kevin G. Pace #989487. Published by Kevin G. Pace (A0.1406731). A gorgeous Christmas hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:When Mary looked upon her Child, I wonder what she thought, While knowing she would share her Baby's life which would be, would be sought. I wonder if she asked for strength to master each new day, or did she know her Father would sustain her as she obeyed.When Mary looked upon her Child, I wonder if she viewed Herself as mother of God's Son . . . Him, who would be pursued. Or did she hold her Baby close, just wanting to protect?I wonder if her eyes had tears each day while sweet Jesus, while Jesus slept.When Mary looked upon her Child, I wonder if she prayed For greater faith to conquer all obstructions that would block the way. I wonder if she felt prepared for what was just ahead, And did she trust each day for help no matter where God led?When Mary looked upon her Child, I know she felt great love Because she had been given Him from God, our Father up above. She cared for our Lord all his life, throughout each mortal snare. Her gift would be a mother's special love; a deep love they always would share.
$1.99
1.78 €
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Choral SATB
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Kevin G
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When Mary Looked Upon Her Child
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Kevin G. Pace
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SheetMusicPlus
Whence Comes This Rush of Wings Afar
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.914282 Composed by Fr…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.914282 Composed by French Traditional Carol. Arranged by Laurie Jeanne Crockett. Christian,Christmas,World. Score. 3 pages. Laurie Crockett #3909169. Published by Laurie Crockett (A0.914282). Whence Comes This Rush of Wings Afar is a soprano/tenor vocal solo arrangement of this French traditional carol. It is ideal for the church setting during the Advent season. This arrangement by Laurie Jeanne Crockett (ASCAP) can be found on her album, Christmas Past Christmas Present, containing arrangements of several European carols such as Sans Day Carol and Coventry Carol, as well as several original pieces. Recorded at Subcat Studios in Syracuse, NY on their Yamaha C7 grand piano, the bass is rich and the treble sings. The sheet music is at the intermediate level which makes this tender, melodic music highly accessible. Laurie Jeanne is the two time recipient of the Individual Artist Grant, awarded by the Central New York Arts Council, and is a regular contributor to the online music library Pond5. She can also be heard on Spotify where you can check out her piano instrumental CD, A Simple Life: Contemporary Folk Piano Meditations. To learn more about Laurie Jeanne and her music, please visit her website, lauriejeanne.com or her youtube channel, Lauriejeanne Composer.
$3.99
3.58 €
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Piano, Vocal and Guitar
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French Traditional Carol
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Whence Comes This Rush of Wings Afar
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Laurie Crockett
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SheetMusicPlus
When I Grow Up
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.829234 Composed by Tim Minch…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.829234 Composed by Tim Minchin. Arranged by Brianne Lundberg. Broadway,Children,Contemporary,Film/TV,Musical/Show. Score. 6 pages. Brianne Lundberg #5288581. Published by Brianne Lundberg (A0.829234). This playful piece from Matilda the Musical explores how children see grown ups and all that they imagine they will be able to do when they’re grown up. With a driving beat and a perfect balance between lightheartedness and solemnity, “When I Grow Up†is a fantastic and engaging modern musical theatre piece.This is an intermediate piano arrangement with optional vocal solo, set in the original key (F major). 5 pages (plus cover); includes repeats with 1st and 2nd endings. It is written in the same style as the original, but simplified to make it playable for an early to mid intermediate pianist. Good for smaller hands (largest harmonic interval is minor 7th). Includes chord symbols. This arrangement is a great standalone musical solo piece and includes all lyrics up through the verse originally written for Miss Honey; ends after this section (does not include the final upbeat section where Matilda's lyrics begin with Just because you find that life's not fair...).May be performed as a piano solo or as a vocal accompaniment. If used for vocal accompaniment, the vocalist should read the Treble staff of the piano part. Lyrics indicate which notes to follow. Vocalist should adjust octaves as needed. Lower harmonies are generally meant to be played by the pianist (not sung).See more previews of this sheet music at www.MusicAndTheory.com/when-i-grow-up-matilda.Brianne Lundberg is a Composer, Arranger, and Piano Instructor. In addition to publishing with Hal Leonard, she has independently published many arrangements and original compositions for piano and a variety of other instruments and ensembles. For more of Brianne's music or to request a custom arrangement, visit www.MusicAndTheory.com.
$5.99
5.37 €
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Piano, Voice
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Tim Minchin
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When I Grow Up
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Brianne Lundberg
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SheetMusicPlus
Where Is Jesus
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1019372 Composed by Kevin …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1019372 Composed by Kevin Longley. Christian,Easter,Praise & Worship,Sacred. Octavo. 12 pages. Kevin Longley #6550433. Published by Kevin Longley (A0.1019372). Where Is JesusInspiration January 1st, 2021 was the start of my official retirement from a wonderful company that I had been employed at for 40+ years, Cirtronics Corporation. Where Is Jesus was my first retirement music so to speak. A 2 measure musical idea came to me in early January. Several weeks later I had the overall structure completed and started inputting the score into my music program. At this point I had no lyrical ideas, however with Easter approaching it occurred to me that the musics dramatic content leaned heavily towards Good Friday, in spirit. As I pondered that, I couldn't help but wonder what the disciples thought when Jesus was taken. Certainly they would question where he was, question what had happened. Thus was born Where is Jesus with the lyrical content asking and then answering. The Music The music is comprised of an A section which begins with the Tenors and Altos singing Where Is Jesus. The choir then responds (in chronological order, as recorded in the Gospels ) with lyrics that describe the brutality that Jesus endured. Here the weight of what has occurred is felt with the lyrics and music evoking great emotion. The B section follows; a retrospective look back sung by the soloist, stating that all had transpired as foretold, or as stated, by Jesus and the prophets. A C section is then introduced which contains the hope then, and the crux now, of our faith deaths chain cannot have its reign, he will rise, he will rise. After a short piano interlude we are returned to the A section, now modulated to a higher key; here the most emotional section of the music is felt with the raw truth of what has happened. He is nailed to the cross, he has died, we are lost. The piece then ends as it started Where Is Jesus, to be answered three days later.
$4.99
4.47 €
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Choral SATB
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Kevin Longley
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Where Is Jesus
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Kevin Longley
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SheetMusicPlus
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