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36
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26
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1896
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1714
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1659
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1600
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1336
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973
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933
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891
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885
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656
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420
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394
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387
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369
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258
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239
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235
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228
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209
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165
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145
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143
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141
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122
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117
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110
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104
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91
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Flute, Violin, Guitar
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845
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480
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127
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20
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16
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13
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12
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11
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10
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9
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9
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6
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Instruments en Sol
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4 Euphoniums
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3
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6155
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5896
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5726
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5380
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4172
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4124
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3232
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2874
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2862
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1956
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1856
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1532
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1446
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1060
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950
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802
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767
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703
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698
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665
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519
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511
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449
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436
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399
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357
String quartet: 4 violins
330
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310
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238
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237
String Quartet : 4 violas
214
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155
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155
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150
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142
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106
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90
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80
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72
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69
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65
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61
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61
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54
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49
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48
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48
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2965
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1314
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1025
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415
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367
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159
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141
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90
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75
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35
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1001
In My Room (Jacob Collier) for Percussion Ensemble
Percussion Ensemble
Drums, Marimba, Vibraphone, Multi-Percussion, Hand Percussion, Percussion Ensemble, …
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Drums, Marimba, Vibraphone, Multi-Percussion, Hand Percussion, Percussion Ensemble, Bass Guitar - Early Intermediate - Digital Download By The Beach Boys (as performed by Jacob Collier). Arranged by Ryan Jonker. Score, Set of Parts. 26 pages. Published by Ryan Jonker Music
Here is a 2-mallet arrangement of "In My Room," as performed by Jacob Collier. Please watch the attached video to see and hear the score! Props to June Lee for the original transcription. Enjoy!
https://youtu.be/hban0d9QihE
More music like this can be found by searching "Ryan Jonker Music" on this website, or by visiting https://www.ryanjonkermusic.com
$29.99
28.19 €
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Percussion Ensemble
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The Beach Boys
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In My Room
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Ryan Jonker Music
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SheetMusicPlus
Four Forces (First movement) I. Strong Forces
Percussion Ensemble
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
282.01 €
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Percussion Ensemble
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Four Forces (Second movement) II. Weak Forces
Percussion Ensemble
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
141 €
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Percussion Ensemble
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Two Dreams for solo Trombone and 8-part Percussion Ensemble
Percussion Ensemble
Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcíaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
47 €
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Percussion Ensemble
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Antonio J
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Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Gordon Cherry
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SheetMusicPlus
Alexandriana for Percussion Ensemble
Percussion Ensemble
Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Hes…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Great’s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The music’s sectional nature parallels the library’s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the score’s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$9.99
9.39 €
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Percussion Ensemble
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Dan Heslink
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Alexandriana for Percussion Ensemble
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Pharaoh Publications
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SheetMusicPlus
Forever
Percussion Ensemble
Percussion Ensemble - Level 2 - Digital Download SKU: A0.941720 By The Beach Boys. …
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.941720 By The Beach Boys. By Dennis Wilson and Gregg Jakobson. Arranged by Derrick Crawford. Pop,Rock. Score and parts. 24 pages. Derrick Crawford #3875777. Published by Derrick Crawford (A0.941720). This powerful love song was written by Beach Boys drummer, Dennis Wilson, and his close friend Gregg Jakobson in 1970. In 1992, John Stamos, a.k.a. Uncle Jesse on the sitcom Full House, did a cover of the song with his group Jesse and the Rippers. The song was performed on the sitcom three times. Written for percussion ensemble, this arrangement will sweep you with nostalgia for the 90s!
$20.00
18.8 €
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Percussion Ensemble
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The Beach Boys
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In 1992, John Stamos, a
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Forever
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Derrick Crawford
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SheetMusicPlus
Gravity for Septet
Percussion Ensemble
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by Mohamm…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
15.97 €
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Percussion Ensemble
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
Power Line for Two or More Energetic Drummers)
Percussion Ensemble
Percussion Ensemble - Level 1 - Digital Download SKU: A0.1012689 Composed by Brian …
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.1012689 Composed by Brian Monroe. Instructional,Standards. Score and parts. 9 pages. BLM Music Publications (https://brianmonroemusic.com) #6890089. Published by BLM Music Publications (https://brianmonroemusic.com) (A0.1012689). Power Line: for 2 or More Energetic Percussionists is a two part ensemble for first year percussionist. Performed on a drum pad, the work explores the sound a percussionist can make by playing on the head and rim of the pad and the metal stand on which the pad sits, and stick clicks In addition, there are also vocal effects. The performs say tzzzz imitating the sound or an electrical arc. Rhythms include quarter note and eighth note patterns and a few instances of four sixteenth notes grouped into one beat (1e&a). The performs are also asked to play flams, paradiddles and multi bounce rolls. Finally there is a small section which features a drum to drum section where the performers will play on the pads on each side of the performer. This is a fun and exciting work for your first year percussionist! Enjoy!
$5.99
5.63 €
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Percussion Ensemble
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Brian Monroe
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Power Line for Two or More Energetic Drummers)
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BLM Music Publications
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SheetMusicPlus
Pops Standards Holiday Concert Series: Ukrainian Bell Carol (For Percussion Ensemble)
Percussion Ensemble
Percussion Ensemble - Digital Download SKU: A0.924257 Arranged by Forte Press. Chri…
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Percussion Ensemble - Digital Download SKU: A0.924257 Arranged by Forte Press. Christian,Christmas. Score. 14 pages. Forte Press #3243055. Published by Forte Press (A0.924257). This well-known Holiday Piece can be heard almost anywhere. This arrangement from Pops Standards gives the Percussion section of the Orchestra, a quick yet colorful arrangement of the famous carol. A perfect start to any Holiday Concert, as well as a great tool for practicing percussion instrument changes. Deluxe Score OnlyPerformance Time: 1'35Arranged By: Caleb SwiftPublished under Forte Press
$9.99
9.39 €
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Percussion Ensemble
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Pops Standards Holiday Concert Series: Ukrainian Bell Carol
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Forte Press
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SheetMusicPlus
Pops Standards Holiday Concert Series: Ukrainian Bell Carol (For Percussion Ensemble)
Percussion Ensemble
Percussion Ensemble - Level 3 - Digital Download SKU: A0.924256 Arranged by Caleb S…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.924256 Arranged by Caleb Swift. Contemporary. Score and parts. 28 pages. Forte Press #3243059. Published by Forte Press (A0.924256). This well-known Holiday Piece can be heard almost anywhere. This arrangement from Pops Standards gives the Percussion section of the Orchestra, a quick yet colorful arrangement of the famous carol. A perfect start to any Holiday Concert, as well as a great tool for practicing percussion instrument changes.Deluxe Score OnlyPerformance Time: 1'35Arranged By: Caleb SwiftPublished under Forte Press
$19.99
18.79 €
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Percussion Ensemble
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Pops Standards Holiday Concert Series: Ukrainian Bell Carol
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Forte Press
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SheetMusicPlus
Minuet in G (in the Key of Cool!) - Boomwhackers
Percussion Ensemble
Percussion Ensemble - Level 1 - Digital Download SKU: A0.891145 Composed by Christi…
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.891145 Composed by Christian Petzold. Arranged by Shelly Davis. Baroque,Instructional,Jazz. Score and parts. 7 pages. Shelly Davis #3507305. Published by Shelly Davis (A0.891145). This arrangement takes this familiar Baroque tune and arranges it to be played with three sets of Boomwhackers (plus a fourth B if you have one). After the familiar tune is established, the arrangement changes time signatures and offers a fun swinging version of the melody. The original melody is transposed from G Major to C Major (the Key of Cool) so that the arrangement can be played on a regular classroom set of diatonic Boomwhackers, without the need for the chromatic set. Minuet in G (in the Key of Cool!) can be performed with as few as nine players.In this arrangement, you will receive the conductor’s score and one copy of each of the individual parts: melody, harmony, and bass. The purchase of this set permits the owner to create enough copies for each performer in their group to have their own music to mark and study.I would love to see videos of your group performing this piece! You can find me on Facebook at Shelly Davis Piano Studio and on Instagram @pianoparentpodcast or email me at shelly@pianoparentpodcast.com
$8.88
8.35 €
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Percussion Ensemble
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Christian Petzold
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Minuet in G
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Shelly Davis
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SheetMusicPlus
Holiday Bolero for Percussion Ensemble
Percussion Ensemble
Percussion Ensemble - Digital Download SKU: A0.935382 Arranged by Dan Heslink. Chri…
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Percussion Ensemble - Digital Download SKU: A0.935382 Arranged by Dan Heslink. Christian,Christmas,Contemporary. Score and parts. 27 pages. Pharaoh Publications #5212785. Published by Pharaoh Publications (A0.935382). Holiday Bolero for percussion ensemble arr. by Dan Heslink This arrangement is available in two versions, a quintet for xylophone and four marimbas and a percussion ensemble octet for orchestra bells, vibes, 3 marimbas, snare drum, timpani and multiple percussion. These comments refer to the percussion ensemble arrangement. While the term Bolero can be applied to a variety of slow-tempo Latin dances, for most orchestral performers the title will evoke the stirring rhythms of Ravel’s famous Bolero. Similarities include the driving 3/4 bolero rhythm, the building of tension over one long-range crescendo, and the climactic conclusion. The pitch content is based on O Holy Night, the well-known Christmas carol composed by Adolphe Adam in 1847. The difficulty level in terms of executing notes and rhythms is medium-easy. At the same time, the dynamic planning and control of the crescendo requires considerable musical judgment, particularly in the snare drum part. All of the keyboard parts require only two mallets per player, with the exception of the vibe part’s necessity of 3 or 4 mallets. There are no key changes, or mallet and hand independence. Pedaling on the vibes for the most part is suggested by the harmonic rhythm and is not notated. Setup of the general percussion part in the manner of a multiple percussion solo, where all playing surfaces are comfortably accessible. Holiday Bolero is sure to be an audience pleaser during a winter concert, especially close to Christmas. It would serve equally well in a percussion recital or a church service. In church this work would be appropriate as special music or as an offertory. Duration is 2:52. The arranger, Dan Heslink, can be contacted at dan@dheslink.com.
$9.99
9.39 €
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Percussion Ensemble
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Holiday Bolero for Percussion Ensemble
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Pharaoh Publications
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SheetMusicPlus
Christmas Calypso for Percussion Sextet
Percussion Ensemble
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Hes…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
4.69 €
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Percussion Ensemble
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Christmas Calypso for Percussion Sextet
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Pharaoh Publications
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SheetMusicPlus
Christmas Calypso for Marimba Quartet
Percussion Ensemble
Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Chri…
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Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
4.69 €
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Percussion Ensemble
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Christmas Calypso for Marimba Quartet
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Pharaoh Publications
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SheetMusicPlus
Concerto for Violin and Percussions Op.110
Percussion Ensemble
Percussion Ensemble - Level 5 - Digital Download SKU: A0.885973 Composed by Kohei K…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.885973 Composed by Kohei KONDO. 20th Century,Contemporary,World. Score and parts. 30 pages. Kohei KONDO #37799. Published by Kohei KONDO (A0.885973). Composed by Japanese composer Kohei KONDOConcerto for Violin and Percussions Op.110 Solo Violin and 3 percussion players Premiered at Tokyo Opera City Recital Hall on 10th Nov. 2010 Violin／Kumi NAKAJIMA Percussion／Dotten Hakubutsukan 2nd performance at Xebec Hall (Kobe, Hyogo Pref. Japan) Violin／Kumi NAKAJIMA Percussion／Makoto NOMURA. Chika SURUTA. Yusuke KATAOKA European Premiere:Budapest (BFO Rehearsal Hall in Selmeci utca ) Budapest Festival Orchestra The Sunday chamber music concerts Violin／Levente Szabo Percussion／Istvan Kurcsak, Boglarka Fabry, Gabor Pusztai (Members of Budapest Festival Orchestra) Duration : 12 min.YouTube: https://youtu.be/6cdsVtS37Bg Tokyo Opera City Recital Hall on 10th Nov. 2010 Violin/ Kumi NAKAJIMA Percussion/ Dotten Hakubutsukan This concerto is for violin solo and 3 percussion players. The concept is Portable concerto. Small percussion instruments and violin are portable. You can perform this portable violin concerto with original instrumentation in concert hall, salon, street, café, outdoor and various places. For performance or other use and more information. please visit koheikondo.com. http://koheikondo.com/
$8.00
7.52 €
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Percussion Ensemble
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Kohei KONDO
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Concerto for Violin and Percussions Op.110
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Kohei KONDO
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SheetMusicPlus
When All Radiant Forces Combine, op. 85
Percussion Ensemble
Percussion Ensemble - Level 4 - Digital Download SKU: A0.938774 Composed by Michael…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.938774 Composed by Michael A Yenny. Concert,Contemporary,Standards. Score and parts. 17 pages. Michael A Yenny #50787. Published by Michael A Yenny (A0.938774). Wow! A brilliant fanfare for percussion ensemble. Score outline played here. E-flat major. Features a talented HS or college xylophonist. Instrumentation: xylophone, bells, SD, timpani (3). Duration: 1 minute 30 seconds. C) 2005. Level: Late Intermediate. Score and parts complete are available.
$5.95
5.59 €
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Percussion Ensemble
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Michael A Yenny
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When All Radiant Forces Combine, op. 85
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Michael A Yenny
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SheetMusicPlus
"Travel to the source of the Kamo-gawa River" Version for piano with left-hand and percussion with
Percussion Ensemble
Percussion Ensemble - Level 3 - Digital Download SKU: A0.886012 Composed by Kohei K…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.886012 Composed by Kohei KONDO. 20th Century,Contemporary,New Age,World. Score and parts. 7 pages. Kohei KONDO #1942927. Published by Kohei KONDO (A0.886012). Kamo-gawa River is a famous river in KYOTO, JAPAN. https://en.wikipedia.org/wiki/Kamo_River Travel to the source of the Kamo-gawa River Version for piano with left-hand and percussion with right-hand Op.150-b Composed:5th.Apr.2015~1st Sep. 2015 Duration 7′~8′ Premiered in Takarazuka-city Hyogo JAPAN Piano and Percussion by the composer April 19th 2015 Piano with left-hand and percussion with right-hand This work can be performed by one player. This work may be performed by one pianist and one percussion player. Please visit the composer's website for more information. E-Mail:contact@koheikondo.com Please visit composer's website. http://koheikondo.com .
$8.00
7.52 €
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Percussion Ensemble
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Kohei KONDO
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"Travel to the source of the Kamo-gawa River" Version for piano with left-hand and percussion with
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Kohei KONDO
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SheetMusicPlus
Troll's Beard from Forgotten Lands
Percussion Ensemble
Percussion Ensemble - Level 4 - Digital Download SKU: A0.713171 Composed by Doug Cl…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.713171 Composed by Doug Clyde. Contemporary. Score and parts. 23 pages. ALBEDO MUSIC #2550391. Published by ALBEDO MUSIC (A0.713171). Song: Troll's Beard. Composer: Doug Clyde. Album: Forgotten Lands. Artist: ALBEDO. © 2011 by ALBEDO MUSIC. AMSM50. Soundtrack to the video game Forgotten Lands VIII: The Legend of Shadow Lake by TBC Productions. Nominated for Best Soundtrack Album by the 12th Annual Independent Music Awards. Percussion Ensemble. Bass Drum, Timpani, Snare Drum, Cymbals, Hi-Hat, Tom-Toms, Cow Bell, Tambourine, Gong, Triangle, Maracas, Vibraslap, Guiro.
$9.99
9.39 €
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Percussion Ensemble
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Doug Clyde
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Troll's Beard from Forgotten Lands
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ALBEDO MUSIC
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SheetMusicPlus
Hark The Herald Angels Sing - For Orff Ensemble
Percussion Ensemble
Percussion Ensemble - Level 1 - Digital Download SKU: A0.767883 Composed by Felix B…
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.767883 Composed by Felix Bartholdy Mendelssohn. Arranged by Yvonne Johnson. Christmas,Instructional,Standards. Score and parts. 16 pages. Yvonne Johnson #2890917. Published by Yvonne Johnson (A0.767883). A fairly easy arrangement of this lovely carol by Mendelssohn, with some dotted quarter note, eighth note rhythms. In this arrangement Alto Met performs dual roles, at times providing the bass part and at other times joining in with the melody or harmony.
$3.95
3.71 €
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Percussion Ensemble
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Felix Bartholdy Mendelssohn
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Hark The Herald Angels Sing - For Orff Ensemble
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Yvonne Johnson
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SheetMusicPlus
33 Tears (for percussion trio)
Percussion Ensemble
Percussion Ensemble - Level 4 - Digital Download SKU: A0.977040 Composed by Paul Sa…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.977040 Composed by Paul SanGregory. Contemporary. Score and parts. 18 pages. Distant Engraver Music #3539349. Published by Distant Engraver Music (A0.977040). (For this piece, both score and parts are included in a single PDF file.)This quietly beautiful music began as a simple piano piece in memory of the composer’s late wife. Because her ‘English’ name, Sansan, sounds like the number 33 in Mandarin Chinese, the piece is based on the numbers 3, 33 and various multiples of them. The numbers were used to shape all aspects of the music, but in performance the piece still flows simply and naturally. It is technically not difficult for performers, but they do need good ears for color and balance, and they must work carefully as an ensemble. Instrumentation:Perc. 1: vibraphone and crotales (or glockenspiel)Perc. 2: vibraphonePerc. 3: Marimba (with low C)
$8.00
7.52 €
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Percussion Ensemble
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Paul SanGregory
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33 Tears
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Distant Engraver Music
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SheetMusicPlus
Forbidden Friendship
Percussion Ensemble
Percussion Ensemble - Level 4 - Digital Download SKU: A0.901552 Composed by John Po…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.901552 Composed by John Powell. Arranged by Anja Goller. Contemporary. Score and parts. 20 pages. Anja Goller #4355179. Published by Anja Goller (A0.901552). Arrangement for 3 marimba-players.
$12.99
12.21 €
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Percussion Ensemble
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John Powell
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Forbidden Friendship
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Anja Goller
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SheetMusicPlus
Russian Dance for Percussion Quartet
Percussion Ensemble
Percussion Ensemble - Level 3 - Digital Download SKU: A0.923877 Composed by Peter I…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.923877 Composed by Peter Ilyich Tchaikovsky. Arranged by Kevin A. Worley. Christmas. Score and parts. 15 pages. Kevin Worley #4890219. Published by Kevin Worley (A0.923877). Quartet for Percussion Ensemble. Part of Nutcracker Nuggets - Three Percussion Quartets from The Nutcracker Suite. A fairly straight forward adaptation of the ballet classic with its structure altered slightly. Intermediate keyboard percussion parts with a fairly simple percussion toys accompaniment.
$3.99
3.75 €
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Percussion Ensemble
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Peter Ilyich Tchaikovsky
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Russian Dance for Percussion Quartet
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Kevin Worley
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SheetMusicPlus
Dance of the Reed Flutes for Percussion Quartet
Percussion Ensemble
Percussion Ensemble - Level 3 - Digital Download SKU: A0.923878 Composed by Peter I…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.923878 Composed by Peter Ilyich Tchaikovsky. Arranged by Kevin A. Worley. Christmas. Score and parts. 18 pages. Kevin Worley #4896969. Published by Kevin Worley (A0.923878). Quartet for Percussion Ensemble. Part of Nutcracker Nuggets - Three Percussion Quartets from The Nutcracker Suite. A fairly straight forward adaptation of the ballet classic with its structure altered slightly. Intermediate keyboard percussion parts with a modest percussion toys accompaniment.
$3.99
3.75 €
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Percussion Ensemble
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Peter Ilyich Tchaikovsky
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Dance of the Reed Flutes for Percussion Quartet
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Kevin Worley
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SheetMusicPlus
Silent Night Prelude for percussion octet
Percussion Ensemble
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz X…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. Pharaoh Publications #5363007. Published by Pharaoh Publications (A0.935383). Silent Night Prelude for Percussion Octet arr. by Dan Heslink This work is based on the well-loved Christmas carol, composed in 1818 by Franz Xaver Gruber. This theme is so popular that it was declared an intangible cultural heritage by UNESCO in 2011. And the version sung by Bing Crosby in 1935 is the fourth best-selling single recording of all-time. It’s sure to motivate your audience close to Christmas. The Prelude begins with a brisk tempo. Although notated in 3, as is customary in more modern renditions (the original theme was notated in 6), the tempo must be fast enough that two measures of 3 create a binary pairing (like 6/4 in two). It may be necessary to slightly slow down the roll speed to avoid a frenetic sound. The difficulty level is easy. There are no changes of key, and the timpani part requires only two drums (Bb, F) with no tuning changes. The vibe part could be played with two mallets, but might execute more comfortably with three. The other keyboard parts use only two mallets each. The expression of this beautiful tune will be greatly enhanced by exaggerating the contrasts of dynamics. Accompaniment and ornamental figures must at all times be sublimated to the familiar theme. At the last strain, players should sing the well-known words in order to lead the audience or congregation in group singing. It would be helpful for the conductor to turn and face the audience at this point. This closing passage may be repeated for any number of sung verses. Use a smooth, relaxed stroke to elicit as much legato as possible. At points a continuous arpeggio accompaniment is divided among the instruments. Care must be taken to keep the sixteenth note speed consistent. The opening runs should be performed half-pedal on the vibes for clarity. Prelude on Silent Night would serve equally well in recital or in a church service. Duration is 3:10. The arranger, Dan Heslink, can be contacted at dan@dheslink.com
$4.99
4.69 €
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Percussion Ensemble
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Franz Xaver Gruber
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Silent Night Prelude for percussion octet
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Pharaoh Publications
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SheetMusicPlus
Desert Fortress - Percussion Quintet for Marimbas, Vibraphones, and Glockenspiel
Percussion Ensemble
Percussion Ensemble - Level 2 - Digital Download SKU: A0.870522 Composed by Ryan Jo…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.870522 Composed by Ryan Jonker. Contemporary. Score and parts. 18 pages. Ryan Jonker #5802361. Published by Ryan Jonker (A0.870522). Beginner/intermediate mallet ensemble for five or more players (marimba and vibe parts can be doubled). All parts can be played with 2 or 4 mallets. Please see YouTube link to see and hear the entire piece!
$14.99
14.09 €
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Percussion Ensemble
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Ryan Jonker
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Desert Fortress - Percussion Quintet for Marimbas, Vibraphones, and Glockenspiel
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Ryan Jonker
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SheetMusicPlus
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