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158480
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119930
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75970
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37334
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10834
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6846
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5358
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5218
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5037
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1937
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1273
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892
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640
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342
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312
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223
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209
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206
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198
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157
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113
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89
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50
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44
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33
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22
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17
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16
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12
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8
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7
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29361
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14200
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4915
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1390
2 Guitars (duet)
1346
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727
Piano, Guitar (duet)
704
4 Guitars (Quartet)
641
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612
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489
Dulcimer
408
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280
Band Scores
280
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181
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165
Lap Steel Guitar
155
Ukulele Ensemble
115
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56
Guitar, Violin, Cello (trio)
38
Dobro
36
Mandolin, Guitar (duet)
26
2 Dulcimers (duet)
25
2 Ukuleles
19
Guitar, Flute, Clarinet
14
Zither
7
Guitar, Orchestra
7
2 Mandolins (duet)
5
Guitar, String Quartet
5
Plectrum Orchestra
4
Lute
3
Guitar, Harp
2
Guitar Tab, Voice, Bass, Drum
2
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1
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Choral SATB
39099
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16171
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11430
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7062
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6391
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4926
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3557
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2988
Voice solo
1554
Vocal duet
1282
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844
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482
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469
Voice, Guitar
260
Medium Voice
240
Tenor voice, Piano
237
Alto voice, Piano
235
Medium voice, Piano
221
Choral SSATB
121
Tenor voice
117
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112
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104
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83
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71
Soli, Mixted choir and accompaniment
68
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59
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50
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42
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42
Choral SSATTB
42
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31
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19
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17
Choral SSAB a cappella
13
Choral SSAATB
11
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10
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9
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7
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5
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4
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4
Lyrics only
3
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2
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17787
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9215
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7154
Saxophone Quartet: 4 saxophones
7091
Clarinet and Piano
5882
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5415
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
5329
2 Saxophones (duet)
5309
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5236
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4639
2 Flutes (duet)
4610
Flute, Oboe, Clarinet, Bassoon
4562
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4414
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4000
2 Clarinets (duet)
3934
Flute (band part)
3633
Tenor Saxophone
3275
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2600
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2296
Saxophone
2254
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2068
3 Clarinets (trio)
1896
3 Saxophones (trio)
1713
Flute and Guitar
1656
Flute, Clarinet (duet)
1600
Clarinet Ensemble
1395
Flute Trio: 3 flutes
1337
Oboe
1187
Flute ensemble
1121
Recorder
1021
Baritone Saxophone, Piano
972
2 Oboes (duet)
933
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889
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885
Saxophone ensemble
882
English horn, Piano
861
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830
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700
Flute, Violin
667
2 Recorders (duet)
656
Clarinet, Violin (duet)
622
Descant (Soprano) Recorder
583
Saxophone, Clarinet (duet)
556
Harmonica
525
Flute, Clarinet and Bassoon.
482
Flute, Oboe, Clarinet (trio)
461
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448
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420
3 Recorders (trio)
418
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411
Treble (Alto) Recorder
408
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394
Flute, Violoncello
387
Ocarina
369
Flute Quintet : 5 flutes
363
Bass Clarinet, Piano
347
Piccolo
329
Clarinet, Trumpet (duet)
324
Soprano Saxophone
314
Oboe, Clarinet, Bassoon (trio)
301
Flute, Clarinet, Piano (trio)
291
Oboe, Flute
285
English Horn
285
Flute, Viola (duet)
273
Clarinet and Viola
266
Flute, Saxophone (duet)
258
5 Recorders
258
Clarinet, Harp (duet)
257
Flute, Oboe (duet)
256
Flute, Cello, Piano (trio)
239
Clarinet, Cello (duet)
235
Flute, Violin and Violoncello
227
Flute, Violin, Piano
225
Recorder Ensemble
213
2 Saxophones, Piano
207
Flute, Trumpet (duet)
165
Bass Clarinet
163
3 Oboes
160
Descent (Soprano) Recorder, Piano
160
Saxophone and Piano
145
2 Clarinets, Piano
145
Treble (Alto) Recorder, Piano
143
Oboe, Cello
141
Flute, Oboe, Violin
122
Saxophone and Guitar
117
Recorder, Piano
110
Flute, Bassoon, and Piano
110
Pennywhistle
109
2 Flutes, Piano
109
Flute, Clarinet, Violin (trio)
104
Flute, Trombone (duet)
102
English Horn, Guitar (duet)
100
Baritone Saxophone
96
Clarinet, Cello, Piano (trio)
91
Tenor Recorder
89
2 Clarinets, Bassoon
85
Wind ensemble
83
Flute, Harp and Cello
79
4 Oboes
72
Flute, Organ (duet)
69
Flute, harp and violin
67
Oboe and viola (duet)
65
Oboe, Violin (duet)
63
Recorder, Guitar (duet)
61
Saxophone and Organ
61
Clarinet, Trombone (duet)
57
Piccolo, Piano
56
Flute, Oboe, Piano (trio)
55
Bagpipe
55
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54
Flute, Violin, Violoncello and Piano
53
Oboe, Guitar (duet)
51
Flute, Viola and Piano
49
Oboe, Harp
43
Saxophone and Harp
42
Harmonica, Piano
42
Saxophone, Bassoon (duet)
41
Flute and Strings Trio
39
Treble (Alto) Recorder, Basso continuo
38
Oboe, Trombone (duet)
36
Clarinet, Bassoon, Piano (trio)
35
2 English horns and Pianoforte
35
Flute, trombone and piano
33
Clarinette, Viola and Piano (trio)
33
Clarinet, Tuba
29
Clarinet Quartet: Clarinet, Violin, Viola, Cello
29
Clarinet Quintet: Clarinet, String Quartet
28
Flute, Tuba (duet)
28
Flute, Violin, Guitar
26
Flute, French horn (duet)
25
Flute, Cello, Guitar
25
Clarinet, trumpet and piano
24
Clarinet, Organ
21
Flute, Orchestra
21
Oboe, Cello and Piano
20
Saxophone and cello
19
Saxophone, Violin (duet)
17
Flute and String Quartet
17
2 Oboes, Piano
17
Flute, Viola and harp
16
Oboe, Bassoon and Piano
16
Clarinet, Double bass (duet)
14
2 Recorders, Piano
13
Clarinet, Orchestra
13
2 Flutes and Guitar
13
Oboe, Violin, Piano
13
Oboe ensemble
11
Recorder, Harp
10
English horn, Harp (duet)
9
Saxophone, Tuba (duet)
9
Flute, Basso continuo
9
Oboe, Violin, Viola and Violoncello (Quartet)
8
Oboe, Organ
7
Flute, Viola and Cello
7
Pan Flute
6
Clarinet, String quartet and Piano
6
2 Oboes and English horn
5
Descant (Soprano) Recorder, Basso continuo
5
2 Oboes and Basson
4
2 Flutes, 2 Clarinets (Quartet)
3
2 Flutes and Harp
3
Oboe and Orchestra
2
Melodica
2
2 Recorders, Guitar
2
Oboe, Clarinet, Bassoon and Piano
2
Oboe and String quartet
2
2 Oboes, 2 Horns and 2 Bassoons
1
Flute, viola, cello and guitar
1
Flute, Guitar, Piano
1
2 Flutes, Basso continuo
1
2 clarinets, 2 bassoons
1
3 Recorders, Piano
1
Clarinet, Saxophone, Piano
1
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Trombone (band part)
11291
Trumpet
8447
Trumpet (band part)
7692
Brass Quintet: 2 trumpets, horn, trombone, tuba
6926
Trombone
6142
French horn
5052
Trumpet, Piano
4883
French horn (band part)
4197
Trombone and Piano
4139
Tuba (band part)
3544
Brass quartet : 2 trumpets, trombone, tuba
3026
French Horn and Piano
2828
2 Trumpets (duet)
2243
2 Trombones (duet)
1926
Tuba
1919
Brass Quartet: 2 trumpets, horn, trombone
1470
Tuba and Piano
1286
Brass Quartet
1166
Trumpet, Trombone (duet)
1040
Brass Quartet: 4 trombones
1022
Bass Clef Instruments
974
Bb Instruments
912
English horn, Piano
861
Euphonium, Piano (duet)
841
2 French horns (duet)
840
Euphonium
735
Brass Quartet: 4 horns
701
4 Tubas
532
Trumpet, Saxophone (duet)
515
Brass Trio
480
Trumpet, Horn (duert)
469
Trombone ensemble
403
Cornet
359
F Instruments
296
2 Tubas (duet)
287
English Horn
285
3 Trombones (trio)
235
3 Trumpets (trio)
234
Trumpet ensemble
225
2 Euphoniums and 2 Tubas
219
Brass Quartet: 4 trumpets
204
Tuba or Euphonium or Saxhorn
199
Horn Ensemble
181
Euphonium, Tuba (duet)
127
2 Trumpets, Keyboard (piano or organ)
126
English Horn, Guitar (duet)
100
Trumpet, Tuba (duet)
95
Brass Quartet: 2 trumpets, 2 trombones
94
Tuba and Organ
93
Trombone, Tuba (duet)
80
3 French horns (trio)
75
Trombone, Violin (duet)
75
2 Euphoniums (duet)
75
Trumpet, Cello (duet)
71
Bass Trombone and Piano
68
Tuba ensemble
66
Trombone, Horn (duet)
63
Trumpet, Bassoon (duet)
57
Trombone, Organ
57
Bass Trombone
55
French Horn and Harp
50
Horn, Tuba (duet)
44
Horn, Cello (duet)
39
Trumpet, violin (duet)
37
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
37
Trumpet, Harp
36
Trumpet, Trombone, Piano
35
2 English horns and Pianoforte
35
French horn and Basson (duet)
35
Clarinet, Horn (duet)
31
Horn and Organ
22
Trumpet, Cello, Piano
20
Horn, Trumpet, Trombone (trio)
19
Trumpet and Guitar
17
3 Tubas (trio)
15
Trombone, Viola (duet)
13
Trumpet, Orchestra
12
3 Euphoniums
11
Cornet and Piano
11
2 French horns, Piano
10
Brass Quintet: 2 trumpets, horn, 2 trombones
9
English horn, Harp (duet)
9
2 Trombones, Piano
8
Horn, Cello and Piano
6
Trombone and Orchestra
6
Trumpet, Euphonium (duet)
5
Instruments en Sol
4
4 Euphoniums
4
Horn and Orchestra
3
Euphonium (band part)
3
Euphonium or Saxhorn and Piano
2
Cornet and Orchestra
2
Bass Saxhorn or Euphonium or Tuba and Piano
2
Flgelhorn
2
Instrumentations suivantes
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STRINGS
String Quartet: 2 violins, viola, cello
18392
Violin and Piano
12650
Violin
12559
Cello, Piano
7841
Viola
7227
Harp
6145
Cello (band part)
5892
Viola, Piano
5725
Violin (band part)
5379
Cello
4175
2 Violins (duet)
4123
Violin, Cello (duet)
3835
Doublebass (band part)
3233
String Trio: violin, viola, cello
2873
2 Cellos (duet)
2862
Violin, Viola (duet)
1957
Viola (band part)
1856
2 Violas (duet)
1531
String Quintet: 2 violins, viola, cello, bass
1443
Double Bass
1291
Double bass, Piano (duet)
1061
String Trio: 2 violins, cello
949
Viola, Cello (duet)
802
4 Cellos
767
Piano Trio: Violin, Viola, Piano
703
Violin, Guitar (duet)
698
Harp, Flute (duet)
666
Cello, Guitar (duet)
519
String trio
511
String Trio: 3 violins
449
String Trio: 3 cellos
436
2 Harps (duet)
398
Harp, Violin (duet)
357
String quartet: 4 violins
331
Viola, Guitar (duet)
310
2 Double basses (duet)
238
Cello, String Bass (duet)
237
String Quartet : 4 violas
214
String Trio: 2 violins, viola
155
String Trio: 3 violas
155
2 Violins, Piano
150
Violin, Bassoon (duet)
142
Harp, Cello (duet)
105
Viola and Bassoon
90
Cello Ensemble
80
String Quintet: 2 violins, 2 violas, cello
72
Viola and Harp
69
4 Double Basses
65
Harp, Voice
61
Violin, Organ
61
Violin, Clarinet, Piano (trio)
54
Cello, Organ
49
Harp (band part)
48
2 Cellos, Piano
48
Flute, Doublebass (duet)
40
Violin ensemble
40
Harp, Violin, Violoncello
39
Cello, Orchestra
34
Violin, Tuba (duet)
32
Viola ensemble
31
3 Harps
28
Harp and Piano
26
Harp and mandolin
23
3 double basses
20
Autoharp
18
2 Violas, Piano
17
Violin, Cello, Clarinet
15
Cello and Marimba
15
Viola, Organ
13
Viola and orchestra
11
4 Harps
10
Violin, Basso continuo
10
Violin, Trumpet and Piano
9
Harp, Trombone (duet)
8
Violoncello, Basso continuo
7
Harp, Orchestra
7
Harp and Organ
7
String Quintet: 2 violins, viola, 2 cellos
6
5 Harps
6
Harp, String quartet
5
Double basses ensemble
3
2 Violins and Basso
3
Violin, Double bass (duet)
2
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Concert band
35703
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13100
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11958
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8348
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4987
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4297
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4090
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2960
Marching band
2803
Chamber Orchestra
2727
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2415
Timpani (band part)
1583
Jazz combo
1423
Drum (band part)
1318
Percussion Ensemble
1023
Marimba
414
Xylophone
367
Timpani
282
Vibraphone
250
Snare drums
159
Woodwind Quintet
141
Xylophone, Piano
90
Piano and Orchestra
89
Woodwind Quartet: any 4 woodwinds
75
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
35
Big band
31
Orchestra, Violin
30
Vibraphone, Piano
27
Flexible Instrumentation
24
School Ensemble
23
Brass Quintet: other combinaisons
21
Vibraphone and Marimba
18
Xylophone or Marimba or Vibraphone
10
Marimba, Piano (duet)
10
2 Marimbas
10
3 Marimbas
8
Marimba and Organ
6
Bongos
6
Woodwind Trio: any 3 woodwinds
5
Mariachi
4
Cajon
4
3 Percussions
3
Voice and Orchestra
3
2 Snare Drums (duet)
3
Conga
2
Marimba or Xylophone and Piano
2
Bodhran
2
Vibraphone (band part)
2
2 Percussions
2
Symphonic Band
2
Snare drums, Piano
1
Voice Mezzo-Soprano, Orchestra
1
Xylophone (band part)
1
Marimba, Saxophone (duet)
1
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OTHERS
Musical course - Solfege
235
Music Theory
14
Stationery
5
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2726
Händel: The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings (Bb)
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1281935 By George Frideric H…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1281935 By George Frideric Handel. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Sacred,Wedding. Score and Parts. 43 pages. Flavio Regis Cunha #873288. Published by Flavio Regis Cunha (A0.1281935). Händel: The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings (Bb)Experience the power of composition with the classic 'The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings' composed by the masterful Georg Friedrich Händel. Brighten your church or school orchestra with the timeless beauty of this work. Professional orchestras can stand out with its unique combination of instruments and dazzling strings. Treat your audience to this masterpiece for a night that will not be forgotten. Get your sheet music today and create a moment in music history with 'The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings' by Händel.🎵 Introducing a Musical Masterpiece: The Trumpet Shall Sound Sheet Music! 🎵Are you ready to elevate your church, school, or professional orchestra performances to new heights of grandeur? Look no further! Unveil the majestic beauty of Georg Friedrich Händel's timeless composition with our meticulously crafted sheet music for The Trumpet Shall Sound.🎶 Experience the Elegance:Imagine the resounding harmony of a Bassoon and a Trumpet in Bb, accompanied by a captivating Bass Solo, the enchanting tones of a Harpsichord, and the lush backdrop of Strings. This composition is a celebration of musical artistry that will captivate hearts and souls.🌟 Elevate Your Performance:Whether you're aiming for a heavenly church performance, an educational masterpiece at your school, or a captivating showcase by your professional orchestra, The Trumpet Shall Sound offers a perfect blend of elegance, energy, and emotion. Leave your audience in awe as you bring this iconic piece to life.🎻 Immerse in Musical History:Georg Friedrich Händel's compositions have stood the test of time, enchanting generations with their unparalleled beauty. Now, you have the opportunity to immerse yourself in this rich musical heritage and deliver a performance that resonates with every listener.📚 Our Sheet Music:With utmost care, our sheet music has been transcribed to ensure accuracy and authenticity, capturing every intricate nuance of Händel's original masterpiece. Each note, each crescendo, and each glorious moment has been preserved for you to bring to life.🔥 Stand Out with Excellence:Set your performance apart with The Trumpet Shall Sound. Let the passion of Händel's music course through your ensemble, creating a lasting impact that will be talked about for years to come.🎉 Join the Musical Journey:Bring together the majestic harmonies of Bassoon, Trumpet in Bb, Bass Solo, Harpsichord, and Strings in a symphonic experience that will leave your audience mesmerized. Elevate your church, school, or professional orchestra's performance and become part of a musical journey that transcends time.👉 Get your The Trumpet Shall Sound sheet music today and prepare to deliver a performance that echoes through the ages. Unleash the power of Händel's genius and create a musical memory that will be cherished forever.Visit our website now to get your copy and embark on a transformative musical adventure! 🎼🌠Get Your Sheet Music Now#MajesticHarmony #MusicalElegance #HändelMagic🎵 Let the trumpets sound, and let your performance resound with brilliance! 🎵Advanced Intermediate LevelFormat: Concert, 9 x 12 inches43 pages.
$18.99
17.82 €
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Chamber Orchestra
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George Frideric Handel
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Händel: The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings
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Flavio Regis Cunha
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SheetMusicPlus
Carson Cooman: Piano Concerto (2005) for solo piano and strings, score only
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533630 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533630 Composed by Carson Cooman. Classical,Contemporary. Score and parts. 31 pages. Musik Fabrik Music Publishing #3033833. Published by Musik Fabrik Music Publishing (A0.533630). Piano Concerto (2005) for solo piano and strings was commissioned by Nathaniel Blume andSymphonic Underground. The work was written in celebration of the Mozart Year 2006.Unlike most recent piano concerti, this work is a concerto designed for small performingforces. It sits between typical chamber music and the typical piano concerto.The work was inspired by the various Mozart concerti (such as K. 449) which are oftenperformed with very small string sections. Thus, this concerto may be performed with as fewas single strings on each part, or a larger full string orchestraThe work is cast in one movement, containing two large sections (sub-movements).Structurally, the piece is a highly condensed version of Classical period symphonic form.The first section of the work is an exposition-development/sonata allegro combined with aslow movement. The second section is a combination of a triple-meter scherzo and a rondofinale.The musical material throughout derives tonally from the three notes of a D-major triad (D,F#, and A). Those three pitches serve as transformation centers for the work's material andalso plot the tonal areas of each section. The musical material of the work thus ranges fromhighly Classical melodies (although all original) and textures to more Romantic andmodernist elements that transform out of the initial material.
$25.95
24.35 €
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Chamber Orchestra
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Carson Cooman
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Carson Cooman: Piano Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Piano Concerto (2005) for solo piano and strings, score and parts
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533631 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533631 Composed by Carson Cooman. Classical,Contemporary. Score and parts. 65 pages. Musik Fabrik Music Publishing #3033835. Published by Musik Fabrik Music Publishing (A0.533631). Piano Concerto (2005) for solo piano and strings was commissioned by Nathaniel Blume andSymphonic Underground. The work was written in celebration of the Mozart Year 2006.Unlike most recent piano concerti, this work is a concerto designed for small performingforces. It sits between typical chamber music and the typical piano concerto.The work was inspired by the various Mozart concerti (such as K. 449) which are oftenperformed with very small string sections. Thus, this concerto may be performed with as fewas single strings on each part, or a larger full string orchestraThe work is cast in one movement, containing two large sections (sub-movements).Structurally, the piece is a highly condensed version of Classical period symphonic form.The first section of the work is an exposition-development/sonata allegro combined with aslow movement. The second section is a combination of a triple-meter scherzo and a rondofinale.The musical material throughout derives tonally from the three notes of a D-major triad (D,F#, and A). Those three pitches serve as transformation centers for the work's material andalso plot the tonal areas of each section. The musical material of the work thus ranges fromhighly Classical melodies (although all original) and textures to more Romantic andmodernist elements that transform out of the initial material.
$64.95
60.95 €
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Chamber Orchestra
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Carson Cooman
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Carson Cooman: Piano Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella” (2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the sea”) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.” The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out” in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning” – as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.” After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning” again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet” sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95
24.35 €
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Chamber Orchestra
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Carson Cooman
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Carson Cooman: Symphony No. 3, “Ave Maris Stella”
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Musik Fabrik Music Publishing
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SheetMusicPlus
Three Laments of Heloise for Chamber Orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McK…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
93.84 €
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Chamber Orchestra
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Dosia McKay
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Three Laments of Heloise for Chamber Orchestra
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Gavia Music
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SheetMusicPlus
The Star Spangled Banner (US National Anthem) for Chamber Orchestra - Set of Parts
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1088281 Composed by John Sta…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1088281 Composed by John Stafford Smith. Arranged by Yoon Jae Lee. Classical,Instructional,Patriotic,Standards,Traditional. Set of parts. 17 pages. Ondine Press #692535. Published by Ondine Press (A0.1088281). Instrumentation: 2. 2. 2. 2 – 2. 2. 0. 0 – tp – str This is a set of parts to Yoon Jae Lee's arrangement of the Star Spangled Banner for chamber orchestra. The full score is available separately. Throughout history, popular tunes have been adapted to suit the changing tastes and styles of the times. The US national anthem is no different. Originally based on a popular tune called “The Anacreontic Song” in a brisk 6/4 meter, it gradually transformed into the solemn 3/4 meter anthem we now so commonly hear. This newly orchestrated arrangement of the Star Spangled Banner for classical chamber orchestra is in the period style of the late 18th century and based on the first printed edition of the anthem in 1814. Upbeat and refreshing, it reflects the optimistic spirit of a young nation with a bright future ahead of it. Audiences everywhere will be delighted by this historically informative yet entertaining rendition of the US national anthem! Perusal Score: https://issuu.com/ondinepress/docs/the_star_spangled_banner_chamber_orchestra.
$20.00
18.77 €
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Chamber Orchestra
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John Stafford Smith
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The Star Spangled Banner
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Ondine Press
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SheetMusicPlus
The Star Spangled Banner (US National Anthem) for Chamber Orchestra - Score Only
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1088278 Composed by John Sta…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1088278 Composed by John Stafford Smith. Arranged by Yoon Jae Lee. Classical,Instructional,Patriotic,Standards,Traditional. 7 pages. Ondine Press #692531. Published by Ondine Press (A0.1088278). Instrumentation: 2. 2. 2. 2 – 2. 2. 0. 0 – tp – str This is a full score to Yoon Jae Lee's arrangement of the Star Spangled Banner for chamber orchestra. The set of parts is available separately. Throughout history, popular tunes have been adapted to suit the changing tastes and styles of the times. The US national anthem is no different. Originally based on a popular tune called “The Anacreontic Song” in a brisk 6/4 meter, it gradually transformed into the solemn 3/4 meter anthem we now so commonly hear. This newly orchestrated arrangement of the Star Spangled Banner for classical chamber orchestra is in the period style of the late 18th century and based on the first printed edition of the anthem in 1814. Upbeat and refreshing, it reflects the optimistic spirit of a young nation with a bright future ahead of it. Audiences everywhere will be delighted by this historically informative yet entertaining rendition of the US national anthem! Perusal Score: https://issuu.com/ondinepress/docs/the_star_spangled_banner_chamber_orchestra.
$8.00
7.51 €
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Chamber Orchestra
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John Stafford Smith
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The Star Spangled Banner
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Ondine Press
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SheetMusicPlus
Music Mosaic (for a Variety Orchestra)
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.979602 Composed by Nikolay R…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.979602 Composed by Nikolay Rozhko. Jazz,World. Score and parts. 32 pages. Mykola Rozhko #2151221. Published by Mykola Rozhko (A0.979602). Duration of work: appr. 4.5 min. Difficulty: advanced intermediate. Performance Practice Suggestions: a piece for a variety symphonic orchestra of 20-30 performers. Scores for the following groups of instruments: 2 flutes, 2 clarinets, 1 soprano sax, 3 alto sax, 1 tenor sax, 3 trumpets, 1 trombone, 1 xylophone, 1 drum set, 1 percussion, 1 guitar, 1 bass guitar, 1 piano, 2 violins, 2 cellos. Contact Information: Nikolay Rozhko, info.fortamusic@gmail.com.
$5.99
5.62 €
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Chamber Orchestra
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Nikolay Rozhko
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Music Mosaic
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Mykola Rozhko
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SheetMusicPlus
Joseph White: La Bella Cubana for chamber orchestra - Score Only
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.939439 Composed by Joseph Wh…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.939439 Composed by Joseph White. Arranged by Robert Debbaut. Classical,Contest,Festival,Latin,Multicultural,Romantic Period,World. Score and parts. 66 pages. ROBERT DEBBAUT #6363105. Published by ROBERT DEBBAUT (A0.939439). The talents of Afro-Cuban violinist Joseph White were recognized by the American pianist and composer Louis Moreau Gottschalk (1829-1869) who had performed with him on an early recital. Gottschalk raised money so he could go to Paris and study with Jean-Delphin Alard (1815-1888), one of the great violinists of his day. White won the Paris Conservatory’s Premier Prix in 1856 and received high accolades from such musical giants as Auber, Berlioz, Gounod, Rossini, and Saint-Saëns, as well as German violin virtuosi Ferdinand David and Joseph Joachim. He was a major force in the cultural life of Paris as well as Europe for the next twenty years, performing on his Stradivarius violin nicknamed The Swansong. La Bella Cubana was among the original compositions s he performed on his recitals. This volume includes the new arrangement for chamber orchestra, the original transcribed score for two violins and piano, as well as extensive biographical and background information. For those seeking more information about the greatest violinist of whom you have NEVER heard, this is a great starting point. Adapted from a published lead sheet, this traditional carol is adapted for young string orchestra. If you purchase the score, please write to the arranger at debbaut@gmail.com, subject White LBC and I will send you a copy of the parts for $30 via Venmo or personal check.
$9.99
9.37 €
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Chamber Orchestra
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Joseph White
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Joseph White: La Bella Cubana for chamber orchestra - Score Only
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ROBERT DEBBAUT
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SheetMusicPlus
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude D…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
15.91 €
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Chamber Orchestra
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Forrest Gump - Score
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.597203 Composed by Alan Silv…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.597203 Composed by Alan Silvestri. Arranged by Flávio Régis Cunha. 20th Century,Contemporary,Contest,Festival,Film/TV,Instructional. Score and parts. 24 pages. Flavio Regis Cunha #4405850. Published by Flavio Regis Cunha (A0.597203). This is a beautiful arrangement for acoustic guitar, percussion and string orchestra. This music is of extreme beauty and simplicity. While the guitar performs the main melody, the string orchestra performs simple figurations, occasionally in divisi. Two lines of cellos were added to take better advantage of the instrument. Intermediate.Format: Concert, 9 x 12 inches.FULL SCOE AND ORCHESTRAL PARTS16 pages. Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunha
$49.99
46.91 €
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Chamber Orchestra
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Alan Silvestri
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Forrest Gump - Score
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Flavio Regis Cunha
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SheetMusicPlus
Cadenza for 3rd Mvmt of Piano Concerto in C Major #21 by W.A.Mozart, by Rozalina Gutman, for little
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1018475 Composed by Rozalina…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1018475 Composed by Rozalina Gutman. 20th Century,Children,Classical,Contemporary,Standards. Score and parts. 5 pages. Foundation C.H.A.R.I.S.M.A.: Community Helps to Assure the Rescue, Inspiration $ Support for Music & the Arts #4718069. Published by Foundation C.H.A.R.I.S.M.A.: Community Helps to Assure the Rescue, Inspiration $ Support for Music & the Arts (A0.1018475). MOZART, SYMPHONIC PERCEPTION OF REALITY & EFFECTIVE LEADERSHIP Rozalina Gutman’s Flow-based secret recipe that defies the common expectations of young students’ ability to achieve uncommon heights on their most satisfying path towards Higher Human Potential, is now OUT! No more waiting to grow up for having hands-on FUN-driven experiential interaction with complex and sophisticated piano/orchestra compositional mindset of Mozart! Thanks to this new publication release of CADENZA FOR THE 3RD MOVEMENT OF CONCERTO FOR PIANO & ORCHESTRA #21 IN C MAJOR BY W.A.MOZART, (K467) FOR LITTLE FUN-LOVING GENIUSES WITH SMALL AND FAST-MOVING HANDS, shared generously (in Limited Edition) by int’ly recognized master piano instructor Rozalina Gutman, now young performers can utilize her creative form of scaffolding during developmentally-critical time of their childhood. Her emotionally/intellectually balanced approach allows for the multi-dimensional engagement of child’s brain, fostering synaptic network growth for the symphonic perception of the reality - the crucial for the effective leadership ability to grasp complexities of balancing multiple priorities with no oversimplification, to help avoid the minds’s blind spots... (Read & see more inside, including Photo: Mihaly Csikszentmihalyi, Professor Flow, visionary Hungarian-born Research Psychologist who coined the term Flow & initiated paradigm shifting studies, shows his support for Rozalina Gutman’s innovations in the area of infusing children’s learning process with authentic narrative & fun, to help them achieve the state of Flow. )This publication affirms Rozalina Gutman’s outstanding lifelong commitment to advocacy for Music and Arts Education and Expressive Arts Therapy, to raise awareness for their evident high efficacy transformative impact on the human mind. And her Flow-infused teaching magic illustrates well this undeniable fact.(See inside Photo: Rozalina Gutman’s advocacy for Music Education message receives enthusiastic support from Maestro Gustavo Dudamel, proud music educator and passionate advocate for Music Education, conductor of famed Simon Bolivar National Youth Orchestra of Venezuela & Youth Orchestra of Los Angeles, conductor of LA Philharmonic.)Rozalina Gutman launched her campaign for Advocacy for Music Education through Brain/Music Research at the time of her presentation on her unique holistic teaching method (while showcasing this Cadenza) at the 17th International Seminar for the Commission on Education of Professional Musicians (CEPROM), ISME, under auspices of UNESCO. The head of Chinese delegation personally invited her to 29th World Conference of ISME in Beijing, China, where she led Int’l Symposium on this subject. ...Rozalina Gutman’s method revolves around encouraging students to invent narratives, relating to content and structure of the classical music pieces they are learning. Motivation for the child to enjoy the experience of learning... comes through personal investment in the meaning of the music being studied... Michael Hannan, Editor of Peer-Reviewed CEPROM Proceedings & Chair of 17th Int’l Seminar of CEPROM, ISME, under auspices of UNESCO(See more Photos of Rozalina Gutman inside: with celebrity supporters: Prof. Mihaly Csikszentmihalyi (Professor Flow), LA Philharmonic Conductor Gustavo Dudamel, Sen. Nancy Pelosi, Dr. Alexander (Sugar Tax on coke), Quincy Jones, celebrities’ producer, Dr. Deepak Chopra, among many others celebrities! )And now, you too can team up with this visionary strive - JOIN NOW! the initiated by her multi-disciplinary international campaign to advocate for the transformative power of Music & the Arts, to utilize this ancestral gift for propelling the spread of the human mind evolution during our time: www.CHARISMAfoundation.org Rozalina Gutman, int’ly recognized music educator and presenter, multidisciplinary scholar, concert.
$137.78
129.3 €
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Chamber Orchestra
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Rozalina Gutman
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EFFECTIVE LEADERSHIP
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Cadenza for 3rd Mvmt of Piano Concerto in C Major #21 by W.A.Mozart, by Rozalina Gutman, for little
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Foundation C.H.A.R.I.S.M.A.: Community Helps to Assure the Rescue, Inspiration $ Support for Music & the Arts
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SheetMusicPlus
INTREPID: A Fantasy for Oboe/English Horn Soloist and Chamber Orchestra (Parts Only)
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.800343 Composed by Sarah Wal…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.800343 Composed by Sarah Wallin Huff. Contemporary. Score and parts. 55 pages. Novel Soundtrax #484973. Published by Novel Soundtrax (A0.800343). Evoking the driving forces of metamorphosis and migration, INTREPID is a cinematic Fantasy for soloist on oboe and english horn, with small chamber orchestra accompaniment. It is rich in color and texture, persistently forward-moving on its sweeping journey. --Instrument List: 2 Flutes / 1 Piccolo (doubled by Flute II) 1 Clarinet in Bb (or 1 part for Bb/A Clarinets) Bassoon Solo Oboe and English Horn in F (doubled by soloist) 2 Horns in F 2 Tenor Trombones 1 Percussionist: Suspended Cymbal, Triangle, Maracas, and Cabasa Piano Harp Strings (vln 1, vln 2, vla, cello, bass).
$45.00
42.23 €
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Chamber Orchestra
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Sarah Wallin Huff
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INTREPID: A Fantasy for Oboe/English Horn Soloist and Chamber Orchestra
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Novel Soundtrax
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SheetMusicPlus
Fauré: Pavane Op. 50 for Piano Sextet
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.550171 Composed by Gabriel F…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.550171 Composed by Gabriel Faure. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. 29 pages. Jmsgu3 #4597213. Published by jmsgu3 (A0.550171). Pavane * павана * パヴァーネ * Παβάνε * פאבאנה * Gabriel Fauré, Op. 50. Duration ca. 5:10Gabriel Fauré's Pavane Op. 50 is a short work originally composed for piano in 1887 but is better known in Fauré's version for orchestra and chorus. The piece is a pavane, a slow processional court dance that took hold in Spain in the 16th and 17th centuries and which the aristocracy used as a showcase for fancy ball gowns and ceremonial feasts. The piece's stately pace, which lends the melody its halting grace, has much to do with its frequently cited calming effect. Although Fauré described the report as carefully crafted but not otherwise important, it has become one of his most famous and commonly performed works. The Pavane is a typically frank and straightforward piece of music by Fauré, and it is around seven minutes long. The restrained use of harmony creates a delightful air of subtlety and simplicity. The piece has been reused by other composers, such as Ravel's Pavane pour une infante défunte. The Pavane Op. 50 speaks directly to the heart in its calm and collected manner. Fauré's Pavane has been used in popular culture in various ways. The piece's melody is well-known worldwide for its frequent use in films, advertising, and sporting events like the 1998 FIFA World Cup, which the BBC covered using the Pavane. The piece has also been used in popular music, with pop artists like Eric Clapton and Jon Lord using Pavan-inspired themes in songs and instrumental compositions. The Pavane Op. 50 has been featured in several films, including The Conformist (1970), The Great Beauty (2013), and The King's Speech (2010). The piece has also been used in television shows like The Crown (2016). The Pavane Op. 50 has been arranged for various instruments, including guitar, harp, and cello. The piece's haunting musical qualities that percolate directly from the orchestra through the chorus in a straight line of solemnity and reverence have made it a standard part of the concert repertoire.
$46.95
44.06 €
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Chamber Orchestra
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Gabriel Faure
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Fauré: Pavane Op. 50 for Piano Sextet
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jmsgu3
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SheetMusicPlus
Der Zigeunerbaron Ouverture - arr. for chamber orchestra
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.927844 Composed by Johann St…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.927844 Composed by Johann Strauss Jr. Arranged by Gianmaria Griglio. Romantic Period. Score and parts. 92 pages. Gianmaria Griglio #4988065. Published by Gianmaria Griglio (A0.927844). The Gypsy Baron (German: Der Zigeunerbaron) is an operetta in three acts by Johann Strauss II which premiered at the Theater an der Wien on 24 October 1885. During the composer's lifetime, the operetta enjoyed great success, second only to the popularity of Die Fledermaus (The bat). The Ouverture is a very popular piece, often performed during concerts but it normally requires large orchestral forces: hence the present arrangement, which only requires 1 flute, 1 oboe, 1 clarinet, 1 bassoon, 1 horn, 2 percussion players, and strings.P.S.: if you want to listen to a beautiful performance of this Ouverture check out the Vienna Philharmonic with Carlos Kleiber. It's absolutely brilliant!
$14.99
14.07 €
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Chamber Orchestra
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Johann Strauss Jr
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Der Zigeunerbaron Ouverture - arr. for chamber orchestra
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Gianmaria Griglio
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SheetMusicPlus
Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1283479 By Johann Sebastian …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 51 pages. Flavio Regis Cunha #874665. Published by Flavio Regis Cunha (A0.1283479). Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra from the St Matthew Passion (BWV 244).Discover timeless music with the Bach classic - 'Mache dich, mein Herze, Rein'! Enjoy the intricate and vibrant performance of the piece from the renowned Netherlands Bach Society. Perfect for both professional orchestras and soloists – as well for the joy of schools performing the revered composer's masterpiece. Get the perfect accompaniment for your performance with the authentic sheet music available now!The aria 'Mache dich, mein Herze, rein' from the St Matthew Passion (BWV 244), performed here by the Netherlands Bach Society and conducted by Jos van Veldhoven for All of Bach. The St Matthew Passion tells the story of the last days of Jesus. He is betrayed, tried, crucified and buried. The lyrics were compiled by Picander (the pseudonym of Christian Friedrich Henrici), probably in close consultation with Bach himself. For their theme, they took the story as told by St Matthew the Evangelist. As different groups or people have their say, the singers get different roles – Christ, Judas, Peter, a slave girl, the pupils, the high priests, the people and the soldiers, etc. At key moments in the story, Bach and Picander added chorales and arias as a reflection of the biblical story. The action is suspended and the events are placed in the theological context of Bach’s day. The chorale lyrics and melodies come from the Lutheran hymn book, and were well known to the congregation in Leipzig. Even though Bach’s harmonies were new, everyone would have recognised the melody and the words. The lyrics for the opening and closing choruses and the arias were brand new, however. Both the arias and the chorales often link up seamlessly with the evangelical words. Advanced IntermediateFormat: Concert, 9 x 12 inches51 pagesProgram NotesMache dich, mein Herze, rein is a deeply poignant and emotional piece from the renowned work by Johann Sebastian Bach, St Matthew Passion (BWV 244). Written as a part of the 16th passion oratorio as a love song sung by Jesus to his disciples, this piece brilliantly conveys the struggle of redemption and longing for peace.Accompanied by a chamber baroque orchestra, the stark vocal line is delivered with an intense intricacy by the bass solo. Each note is carefully laden with sincere emotion, imbuing within the words a sense of longing and deep sorrow. As the piece progresses, the reprise of the chorus adds a layer of reflection to the message, driving home the power of the connection between Christ and his disciples.Mache dich, mein Herze, rein is a highly moving and truly remarkable piece of music that has rightly earned a place amongst Bach's most renowned works. Mache dich, mein Herze, rein is one of the most stunningly tender and moving chorales from Johann Sebastian Bach's monumental oratorio the St Matthew Passion (BWV 244). Originally written with a full choral accompaniment for the Easter Week Vespers of 1729, Bach's skilful reworking of the melody for bass and chamber baroque orchestra in the St Matthew Passion gives the solo voice a unique poignancy and fragility. The Lutheran chorale on which Bach based his composition speaks of hearts needing to be cleansed of sin and sorrow as they prepare to meet the Savior - an idea timeless in its poignancy and universality. Bach's arrangement is akin to a prayer of reflection and contemplation, the music's restrained dynamics and sighing counterpoint creating an atmosphere of resignation and acceptance. Mache dich, mein Herze, rein is a sublime masterpiece of sacred music, truly embodying the spirit of Easter.
$18.99
17.82 €
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Chamber Orchestra
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Johann Sebastian Bach and Netherlands Bach Society
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Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
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Flavio Regis Cunha
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SheetMusicPlus
Where Have I Danced With You Before
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1275397 By Return To Forever…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1275397 By Return To Forever. By Chick Corea. Arranged by Jeff Tincher. Contemporary,Jazz. Score and Parts. 26 pages. Jeff Tincher #867324. Published by Jeff Tincher (A0.1275397). Here is a short lively composition from Jazz Fusion artists Return To Forever. It highlights Chick Corea's composition and playing styles. In the original key from their Where Have I Known You Before LP. Duration = 1:18. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$50.00
46.92 €
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Chamber Orchestra
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Return To Forever
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Where Have I Danced With You Before
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Jeff Tincher
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SheetMusicPlus
Concerto Grosso (2017) for chamber orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869525 Composed by Thomas Ob…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869525 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 78 pages. Thomas Oboe Lee #3112103. Published by Thomas Oboe Lee (A0.869525). Instrumentation: 2222-2200-timp-stringsSteve Laven, cellist with the Boston Pro Arte Chamber Orchestra, contacted me a month ago and asked if I would be interested in writing a work to help celebrate the 40th Anniversary of the founding of the Pro Arte Chamber Orchestra. I said, Sure!!! He said it would be nice if I would consider a concerto grosso in which the principal players of the orchestra would each get a feature. I agreed that that would be a fine idea. So, on June 18th, 2017, I started working on it. And since I am on summer vacation from teaching I was able to finished the 557-measure work on July 2nd, fifteen days after I started. In 2018 just before I made plans to get the work recorded I made some revisions. One major change was that I cut the fourth movement out completely. It is now a mere 482 measures long. The work is now in three movements. 1. Introduction; Allegro 2. Presto 3. Largo Duration: ca. 17 minutes.YouTube link: https://youtu.be/xIMSFEd0p8oBandcamp link: https://thomasoboelee.bandcamp.com/album/concerto-grosso-2017PS: This is the sixth work that the PACO has performed of my music. 1. Phantasia for Elvira Shatayev (1981) with soprano Judith Kellock and Newell Hendricks.2. Harp Concerto (1985) with Ann Hobson-Pilot and Gunther Schuller.3. Symphony No. 1 ... Fallen Angels (1993, rev. 1995) with Gunther Schuller.4. Forró (1998) with Gunther Schuller.5. Daphne ... An Imaginary Ballet (2015) with Beatrice Affron.6. Concerto Grosso (2017) with Kevin Rhodes.
$9.99
9.37 €
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Chamber Orchestra
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Thomas Oboe Lee
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Allegro
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Concerto Grosso
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Thomas Oboe Lee
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SheetMusicPlus
Landscape before sunrise for chamber orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580942 Composed by David War…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.580942 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 15 pages. David Warin Solomons #2028849. Published by David Warin Solomons (A0.580942). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
14.08 €
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Chamber Orchestra
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David Warin Solomons
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Landscape before sunrise for chamber orchestra
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David Warin Solomons
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SheetMusicPlus
Song of the Forgotten Rose Trio for Marimba, Flute and Piano
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976943 Composed by Sabrina P…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.976943 Composed by Sabrina Pena Young. Children,Concert,Holiday,Love,Wedding. 9 pages. Sabrina Peña Young #3432533. Published by Sabrina Peña Young (A0.976943). Beautiful song for flute, marimba and piano about love, romance, and a forgotten rose found by her hero. A wedding song. Mythical tale. Truly a lovely work for intermediate to advanced musicians. A perfect work of repertoire for any music studio! Ideal for pedagogy, performance, or special event. Award-winning composer. Quite an exceptional work! Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerAward-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$8.99
8.44 €
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Chamber Orchestra
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Sabrina Pena Young
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Song of the Forgotten Rose Trio for Marimba, Flute and Piano
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Sabrina Peña Young
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SheetMusicPlus
Haydn's Symphony No. 104, 1st movement, for chamber orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.766989 Composed by Franz Jos…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.766989 Composed by Franz Joseph Haydn. Arranged by Bb Delfausse. Classical,Concert. Score and parts. 111 pages. Robert Delfausse #5324267. Published by Robert Delfausse (A0.766989). This is my favorite first movement of all of Haydn's symphonies. I reduced the forces required, so that a chamber orchestra with single winds (fl, ob, cl, bsn, trpt, horn, trbn) and fewer string players can perform it. There is a supportive piano part throughout. Level: advanced intermediate. Duration: 7 minutes, 5 seconds.
$20.00
18.77 €
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Chamber Orchestra
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Franz Joseph Haydn
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Haydn's Symphony No. 104, 1st movement, for chamber orchestra
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Robert Delfausse
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SheetMusicPlus
God's Grandeur (2012, rev. 2019) for chorus and chamber orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869215 Composed by Thomas Ob…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869215 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Sacred. Score and parts. 94 pages. Thomas Oboe Lee #2016287. Published by Thomas Oboe Lee (A0.869215). During the spring of the Millennial year 2000, music director John Finney and the Boston College University Chorale premiered my Mass for the Holy Year 2000 for chorus and orchestra in Trinity Chapel at Boston College. It was a large work, close to an hour long in duration. It was a momentous occasion and I was extremely pleased with the performance by John and the BC University Chorale. Ten years later in anticipation of the 150th Anniversary of the founding of Boston College, I decided that I wanted to write another choral work for the BC Chorale. This time the subject would be something directly connected to the Jesuit identity of Boston College. I chose for text the poems of Gerard Manley Hopkins, S.J. (1844-1889). This Manley Hopkins project would come in two parts. Part One would be a private uttering of faith in God, and Part Two would be a public declamation of the same topic. The private utterance would be in a chamber setting. I decided on a song cycle setting for soprano and piano. The public declamation would be the choral work with orchestra for the Boston College University Chorale. 1. Part The First … THOU mastering me God! (2010) for soprano and piano The ten poems for this song cycle came from GMH's The Wreck of the Deutschland, Part the First. This 30-minute song cycle was premiered in Bapst Library on March 31, 2011. The performers were Megan Stapleton, soprano, and Diane Braun, piano. 2. God's Grandeur (2012) for SATB chorus and chamber orchestra. For this work I chose five poems by GMH. Pied Beauty God's Grandeur The Habit of Perfection Thou Art Indeed Just, Lord. Inversnaid Why did I choose GMH's work besides the fact that he was a Jesuit? I was very surprised and thrilled that his poems are so fanciful, imaginative and abstract in form and content for someone who lived in the 19th century. These abstract poetic qualities are the very things that a composer in the 20th and 21st centuries would find inspiring when they are seeking texts for musical settings. I did indeed find the sound and silences of GMH's words quite inspirational. Hearing music in those words came directly and quickly as I was working on the piece. I hope the audience will enjoy the work as much as I did when I was creating it.
$9.99
9.37 €
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Chamber Orchestra
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Thomas Oboe Lee
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God's Grandeur
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Thomas Oboe Lee
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SheetMusicPlus
Concertino for Flute and Strings
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.814750 Composed by Richard E…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.814750 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 74 pages. Dacker Music #3129233. Published by Dacker Music (A0.814750). As the title (which means little concerto) indicates, Concertino for Flute and Strings closely follows sonata forms on a somewhat smaller scale. Tonality is an important part of sonata form, and in this composition, the tonal relationships within and between the movements are all based on thirds. The tempi, form, and keys of the 3 movements are as follows: 1. Allegro molto - sonata-allegro - E minor 2. Andante moderato - theme and variations - C major 3. Allegro energico - abridged sonata-rondo - E minor This composition is the composer's transcription of his Sonatina for Flute and Piano.The price includes license to make as many copies of each part as required.Grade 4 - Duration 7:45
$45.00
42.23 €
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Chamber Orchestra
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Richard E Brown
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Concertino for Flute and Strings
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Dacker Music
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SheetMusicPlus
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilus”), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…”, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit” (Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love” is an eighteenth century poem that e.
$25.95
24.35 €
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Chamber Orchestra
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Carson Cooman
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Carson Cooman: The Acts of the Apostles
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Musik Fabrik Music Publishing
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SheetMusicPlus
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