Song List:
Introduction
Fretboard Diagrams
Tablature (TAB)
Swing Feel
Major Scale Theory
The Minor Pentatonic Scale
Soloing with the Minor Pentatonic Scale
Soloing Over Two-Chord Progressions
Soloing Over a Blues Progression
F Blues Progression
Soloing Over a Minor Blues Progression
C Minor Blues
The Blues Scale
Soloing Over a Blues Progression with the Blues Scale
G Blues Progression
Soloing Over a Minor Blues Progression with the Blues Scale
Bb Minor Blues Progression
The Major Pentatonic Scale
Soloing Over a Blues Progression with the Major Pentatonic Scale
C Blues Progression
Soloing Over a ii-V-i Progression with the Major Pentatonic Scale
Phrasing
Play/Rest
Repetition
Call and Response
Motivic Development
Sequences
The Major Scale
Soloing Over a ii-V-i Progression with the Major Scale
Soloing Over a I-vi-ii-V Progression with the Major Scale
Identifying Key Center Changes
Soloing Over Modulating Progressions
In the Style of Tune Up
Modes of the Major Scale
Intro to the Dorian Mode
Using the Dorian Mode in Improvisation
In the Style of So What
Intro to the Mixolydian Mode
Using the Mixolydian Mode in Improvisation
Mixolydian Improvisation
Using the Relative Dorian Minor to Improvise Over a Dominant 7th Chord
Improvising With Arpeggios
Using Arpeggios in Improvisation
Arpeggio Blues
Intro to Target Tones
Use of Approach Tones
Combining Target Tones and Approach Tones
The Harmonic Minor Scale
Diatonic Harmony of the Harmonic Minor Scale
The Minor ii-V-i Progression
Soloing Over the Minor Blues with the Harmonic Minor Scale
C Harmonic Minor Blues
Combining Scales, Arpeggios, and Concepts
Getting a Jazz Sound in Your Improvised Lines
The Final Bar