Playing Piano Is Fun Book 3

Playing Piano Is Fun Book 2 est une série tuteur clavier pour les débutants. Il est conçu pour répondre aux besoins de développement des enfants dans leur voyage à travers le monde merveilleux de la musique. Les mélodies sont spécialement composée par Alice Chua, et sont basés sur les personnages et les sujets des histoires classiques de Alice au pays des merveilles et De l'autre côté du miroir de Lewis Carroll. l'expérience littéraire est traduite dans la langue de la musique avec l'intention d'éveiller les goûts musicaux des enfants.Playing Piano Is Fun est une nouvelle approche développée par l'expérience pratique de l'auteur dérivée de l'interaction enseignant-élève. La taille grande musique police capte l'attention des élèves et leur permet de se concentrer. Pendant ce temps, les pages sont intentionnellement laissée sans photos pour encourager les élèves à exprimer davantage leur créativité en fournissant des exemples pour les chansons elles-mêmes. De nouveaux éléments sont introduits progressivement et sont intégrés progressivement. L'accompagnement de l'enseignant est encouragé à améliorer l'expérience musicale, ainsi inspirer et de motiver les élèves. Quelques suggestions pour la mise en valeur des éléments d'enseignement peut être trouvé à l'intérieur du capot avant. En plus de jouer du piano, l'approche unique de cette série comprend écoute, le chant, la transposition, l'harmonisation, l'improvisation et la composition à un stade précoce. / Piano

Another great volume in the Dip In series, this collection of classical favourites is arranged for Piano Solo and specially graded to suit a wide range of playing levels. The book has been specially bound to help the pages lie flat whilst you are playing. / Piano

Fully revised and updated, this brand new edition of Book One of the renowned John Thompson's Adult Piano Course is intended for the adult beginner who is learning the basics of Piano playing. The book and download card will give you a quick and thorough grasp on the fundamentals of playing the Piano.John Thompson's Piano Course is most often associated with younger beginners, but the adult course has been equally successful, proving that it's never too late to introduce vast numbers of older beginners to the joys of playing the Piano. With authoritative instructions and clear practical advice, this Piano tutor explains the essential techniques and musical forms for any beginner, laying the foundation for further development in later books in the series.The Adult Piano Course introduces the pupil to the notes of the Piano, the fundamentals of notation, different types of notes and varying rhythms, while also ensuring that sight-reading is introduced from the very beginning. From there, the student is taken through intervals, chords, phrasing and beginning scales, all interspersed with enjoyable and melodic practice pieces that put the theoretical concepts into a musical context.Throughout this adult Piano tutor, there is a great balance between developing musical knowledge and practical musical skills. If you also have a teacher, many of the pieces feature accompanying music, allowing you to play as a duet which will give you hugely beneficial experience playing with another musician. Similarly, one of the most unique things about this book is the included Download Card, featuring example demonstrations of the exercises so that you will be able to hear how each one should sound, allowing you to get it note-perfect.For decades, the timeless John Thompson's Piano Course has been helping beginners to grasp the basics of Piano playing. Now, with this updated edition of the Adult Course, the essential information and practical exercises have been revamped for modern readers, while the addition of the download card is an easy-to-use and helpful way to get the most out of learning to play. / Piano

Par LANG. Mastering the piano is the first series of books to be launched in the Lang Lang Piano Academy, a major new piano programme from Faber Music encompassing a range of materials for pianists of all levels. Comprising five progressive books, mastering the piano captures Lang Lang's passion, drive and extraordinary mastery of the piano. Each book gives students the chance to learn from this exceptional talent who has impressed the world, containing: 8 units that develop key aspects of piano technique specially devised exercises and studies focusing on each technical area a diverse selection of piano repertoire including Lang Lang's best-loved works beautiful arrangements of music from around the world inspirational commentary and guidance from Lang Lang himself stunning photo section of the pianist and examples of art that has inspired his own playing. / Méthode / Piano

This latest, classically-flavoured songbook for John Thompson's Easiest Piano Course introduces easy works by one of the greatest composers ever to have lived, Ludwig Van Beethoven. Featuring some very fine compositions, First Beethoven is perfect for pupils reaching parts 2 to 4 of the world-renowned Piano course.These fun repertoire books contain some amazing pieces that have been specially collected and graded to be used in conjunction with the Easiest Piano Course. Pieces like Minuet In G Major, Rondo In C, the sublime Moonlight Sonata, 1st Movement and the classic Für Elise will reinforce essential technical ability, while simultaneously enhancing a general sense of musicality and melodic playing. First Beethoven is therefore ideal for pupils who've worked through the course at levels 2 to 4, but it's also a great set of pieces for sight reading practice for more advanced students.The pieces in this songbook become progressively more difficult, and, to this end, dynamics and phrasing have been omitted for the earlier pieces, since they're not introduced until Part 3 of the course. Early pieces like Ode To Joy and Turkish March help to reinforce what pupils learn in the beginning of the John Thompson Method, with a focus on playing notes and rhythms accurately. Towards of the end of the songbook, more challenging pieces like Eroica Symphony and Sonata Pathétique will help pupils to enhance their technical skills, play more melodically, and, most importantly, enjoy playing!Generally, these pieces stay in the 5-finger position, with handy hints and suggestions when a different fingering is called for. The pieces in this songbook are beautiful to hear and to play, making First Beethoven a really great beginner's songbook for pupils who want to learn some of the finest music ever composed. As an introduction for beginners to classical music and Beethoven in particular, this songbook is rewarding and enjoyable, these pieces being timeless and never going out of fashion.The John Thompson's Easiest Piano Course First Beethoven songbook is the ideal beginning book for classical music fans. It's tailor-made for pupils working through the renowned and revered Piano method, so it's authoritative and accurate, helping you to enhance your technique and learn some amazing music at the same time. / Piano

Johannes Brahms:The Works for one Instrument and PianoJohannes Brahms' compositions for one instrument and piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless, we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual players who first performed these compositions, including Brahms himself.The New Urtext EditionsBärenreiter's pioneering new scholarly-critical editions of Brahms' works for one instrument and piano are edited by a team of musicologists who are also performers. They offer today's musicians not just a reliable musical text based on all known sources, but also a comprehensive approach to the works, which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.In addition to the musical text these editions offer an informative Introduction laying out the genesis, publication history and reception of the works. At the same time there is a complete list of the sources, an explanation of the editorial procedures and a Critical Commentary. Also, each volume contains a detailed discussion of specific performing practice issues raised by individual works.An integral part of Bärenreiter's Brahms publication complex is a text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo, rubato, rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato, portamento and bowing. Last but not least characteristics of Brahms' own piano playing as well as that of his circle and contemporaries are discussed.The violin and viola sonata editions come not only with an Urtext part freed from all editorial emendations, but also with an additional part including fingering and bowing based on the practices of Joseph Joachim and his colleagues. These markings especially draw on publications of the sonatas edited by Joachim's pupils Leopold Auer and Ossip Schnirlin as well as those by Brahms' associate Franz Kneisel. A similar approach has been used for the violoncello sonatas, drawing on performance markings by Robert Hausmann (for whom Brahms wrote the Sonata in F major), Hugo Becker, with whom Brahms performed it, and Julius Klengel who was also close to his circle.Bärenreiter's new Brahms complex also importantly brings two neglected works back into the player's hands, namely the splendid versions of the op. 120 sonatas, originally written for viola or clarinet and piano. Brahms' arrangements for violin and piano unaccountably disappeared from the standard repertoire early in the 20th century. In these versions Brahms did not simply adjust the solo part for the violin, he made many alterations to the piano part, casting thought-provoking light on the clarinet and viola versions.- A pioneering set of Urtext editions- String editions include an Urtext solo part and a second part with fingering as well as performance markings- Each edition offers a preface on performance practice aspects pertaining to the respective works- A separate text booklet includes pioneering texts on general issues of performance practice in the 19th century as well as on specific issues with regard to Johannes Brahms' chamber music / Violon Et Piano

12 Popular Piano Solos for Beginners. Beginners will love being able to play songs right away! Piano for Kids Songbook is a supplementary companion to the Piano for Kids Method Book as the songs begin with pre-staff notation (note names inside the note heads) and progress in like manner to reading notes on the staff. The pop arrangements reinforce concepts learned in the method book. From classic songs like Do Re Mi and Linus and Lucy to contemporary hits like All of Me or Can't Stop the Feeling kids will enjoy playing songs that everyone knows (even Mom and Dad). Includes audio tracks online for download or streaming.Beginners will love being able to play songs right away! Piano for Kids Songbook is a supplementary companion to the Piano for Kids Method Book as the songs begin with pre-staff notation (note names inside the note heads) and progress in like manner to reading notes on the staff. The pop arrangements reinforce concepts learned in the method book. From classic songs like 'Do Re Mi” and 'Linus and Lucy” to contemporary hits like 'All of Me” or 'Can't Stop the Feeling” kids will enjoy playing songs that everyone knows (even Mom and Dad). Includes audio tracks online for download or streaming. / Méthode / Recueil / Piano

Playing Piano Is Fun Book 4 is a keyboard tutor series for beginners. It is designed to meet the developmental needs of children as they journey through the wonderful world of music. The tunes are specially composed by Alice Chua, and are based on the characters and subjects from the classic stories of Alice's Adventures in Wonderland and Through the Looking-Glass by Lewis Carroll. The literary experience is translated into the language of music with the intention of awakening the musical interests of children.Playing Piano Is Fun is a novel approach developed through the author's practical experience derived from teacher-pupil interaction. The large music font size captures the students' attention and helps them to focus. Meanwhile, pages are left intentionally without pictures to encourage students to further express their creativity by providing illustrations for the songs themselves. New elements are introduced incrementally and are incorporated progressively. Teacher's accompaniment is encouraged to enhance the musical experience, thus inspiring and motivating students. Some suggestions for the enhancement of the teaching elements can be found inside the front cover. In addition to playing piano, this series' unique approach includes listening, singing, transposing, harmonising, improvising and composing at an early stage. / Piano

At last! A simple, easy-to-learn method for playing the melodies of your favorite tunes, using hip voicings as played by Bill Evans, Herbie Hancock, McCoy Tyner, Kenny Barron, etc. Famed jazz pianist and author of 'The Jazz Piano Book,? Mark Levine has created 'The Menu? - a succinct guide to learning a multitude of voicings so you can harmonize melodies on the spot.'So What' chords, upper structures, 4th chords, etc. are not only good for 'comping,' but are also ideal for voicing melodies. For example, the note G in the melody on top of a D-7 chord is the 4th of the chord. Did you know that a 'stacked 3rd' voicing, as well as the 'Kenny Barron chord' would be perfect for that? This book explains all of that, so you can instantly play jazz songs with the best available voicings. Using two standards and a bebop melody as examples, Mark breaks each tune up into four-bar sections, then shows the best voicings to use on each chord and why those choices were made. These voicings are all drawn from a one-page 'Menu' that, once internalized, will allow you to spontaneously create your own style of playing jazz piano, based on the masters of the art form. / Piano