 | Vox - Mvo Adio-air-bs - Enceinte Active Basse 2x25w + Bt New Product
Adio Air GT 50W amp that outperforms its size Though it is compact and lightweight, the...(+) Adio Air GT 50W amp that outperforms its size Though it is compact and lightweight, the Adio is equipped with a high-wattage power amp boasting 50W of stereo output. It delivers a startling sense of volume that outperforms other amps in its class. The 2 x 3 stereo speaker system makes for an incredible playing and listening experience. Because it is capable of such high-output, the Adio is equally effective as an at-home practice amp as it is a full-fledged performing amp. Proprietary chassis design ensures powerful and clear sound Adio provides both the hard-hitting cabinet resonance of a guitar/bass amp, and the high fidelity of home audio speakers. Thanks to new concepts used in its cabinet structure, the multi-purpose Adio excels in both scenarios. It features a bass reflex structure that delivers a sound density far exceeding the unit's size, and an inner box that emanates the sense of spatiality and depth you expect from stereo speakers. The speakers are contained in a sophisticated slant-body design, creating powerful and high-quality sound that shines for both performance and listening. A divided cabinet design To prevent unwanted cabinet resonance, the inner box that secures the speakers is completely separated from the rear cabinet. Additionally, the inner box separates L and R into independent spaces to produce stereo playback with an enhanced sense of spatiality. Rigidity is enhanced by a chassis design that minimizes parallel surfaces, suppressing unwanted vibration that would adversely affect the quality of the sound. Honeycomb-structure speaker frame The front grille uses a honeycomb structure that perforates the speaker area with a set of hexagons. This efficiently maintains strength, yet ensures maximum space. The high ratio of openness means that the speaker is not obstructed, allowing the sound to be clear and direct. Ported design further enhances low-frequency playback The bass reflex section uses a flair component that creates a smooth widening at the entry and exit of the cabinet s port. This minimizes unwanted noise and also enhances the bass reflex efficiency to further boost the low-frequency playback. Unique shape allows for enhanced listening experience The unique slanted design of the Adio allows you to position it with the speakers pointing diagonally upward so that the output reaches your ears directly even at short distances. This means that you can enjoy always performing or listening in the sweet spot. The chassis is designed to minimize parallel surfaces, delivering a smooth sound that suppresses any internal resonances. A handle that's integrated with the cabinet With a recessed slot built into the back of the cabinet, the Adio combines sleek looks with convenient portability. Battery-powered with eight hours of continuous operation Lightweight body is only 2.9 kg / 6.39 lb. In spite of its high output power, the Adio can also operate on batteries. Eight AA batteries allow up to eight hours of continuous operation. At a mere 2.9 kg / 6.39 lb. in weight, the Adio is also highly portable. You can take it with you to enjoy performing or listening anywhere. VOX's proprietary VET (Virtual Element Technology) modeling technology The Adio uses VET (Virtual Elements Technology). Instead of simply imitating the output sound of the original amp, VET meticulously models even its components and circuit design. Without relying on the ears of individual engineers, and without being influenced by the condition of a specific amp unit, VET perfectly reproduces the characteristics of the original amp. And it's equipped with a high-performance DSP to ensure high sound quality. In addition, the distortion algorithms on the Adio Air GT have been refined, allowing you to enjoy the ultimate touch response that reflects your finest picking nuances without obscuring them. Up to 23 types of realistic and wide-ranging amp models The total of 11 built-in amp models includes VOX's legendary AC30 as well as a variety of high-gain and clean amps. The models have been carefully tuned to take full advantage of the compact Adio's potential, so that all of them are truly usable high-quality amp models. By using the Tone Room software, you can choose from a total of 23 types of amp models. With just this single unit, you can enjoy a variety of amp sounds ranging from classic vintage amps to costly boutique amps. A full complement of effects is also provided: four modulation-type effects, such as chorus and tremolo (FX1) and four ambience-type effects, such as delay and reverb (FX2), are built in. Appropriately for the Adio with its stereo speakers, it is also equipped with high-quality stereo effects, and you can simultaneously use a total of three effects including noise reduction. As with the amp models, using the Tone Room software lets you choose from a total of 19 types of effect: 11 for FX1 and 8 for FX2. Via Bluetooth, via USB Tone Room software draws out the essence of the Adio Tone Room editor/librarian software is provided, which lets you choose from an even richer selection of amp models and effects, and also lets you take advantage of the Adio's full potential by customizing detailed parameters and audio EQ settings. Up to eight customized amps and effects can be saved in the Adio. Tone Room runs on multiple platforms: Windows, Mac, iOS, and Android. The Adio Air additionally supports Bluetooth MIDI, so you can control parameters wirelessly, allowing you to effortlessly design your sound using your favorite device. Via Bluetooth, via AUX Superb performance as a speaker for listening The Adio performs equally as well as an audio speaker, delivering pure, analog-quality sound. With a high output of 50W, the Adio gives you an extremely clear sound that's well balanced from the low to the high ranges. The Adio Air also supports Bluetooth audio. You can connect it to your computer or smartphone via Bluetooth, and use it to play back your favorite music from either device. Whether for personal enjoyment in your living room or bedroom, for playing background music in a store, or for outdoor use, you can enjoy the ultimate listening experience in a variety of situations that take advantage of this unit's high output power, battery operation, and compact size. Of course, an AUX input jack is also provided. This is a convenient way to enjoy jam sessions while you listen to your favorite songs. Experience virtual surround with Acoustage The Adio is equipped with Acoustage virtual surround technology. Simply by turning on this function, you can obtain a startlingly wide stereo effect. This function is particularly impressive when used in conjunction with a stereo effect, giving you a guitar/bass amp that lets you feel as though you're on a wide stage, or experience an unmatched surround space as if you're inside a lavish multi-channel audio speaker setup. * What is Acoustage (Virtual Surround Technology by KORG) This is revolutionary virtual surround technology developed by KORG, allowing the creation of a unique personal acoustic space. Using just front stereo speakers, it can produce an unprecedented three-dimensional acoustic experience. It provides the best possible result because it performs an acoustical analysis of the actual playback system, and optimizes various aspects of the system accordingly. Multiple functions to support the player Audio equalizer The unit provides four preset EQ settings for you to select as desired. Additionally, you can use the Tone Room software to make detailed adjustments to each frequency band of the parametric equalizer. Furthermore, you can use Tone Room to make settings for VOX's original Bassilator circuit which covers the low-frequency range not reached by the EQ, letting you enjoy ultra-low sounds that you would not expect from a unit of this size. Up to four of the EQ settings you've made can be stored onboard. Noise reduction A noise reduction function is provided to reduce unwanted noise when using high-gain sounds. This can be adjusted in five steps. Auto tuner that also supports dropped tunings The Adio also provides a tuning function that's indispensable for guitar/bass playing. The tuner also supports half-down tuning mode USB audio interface Since the Adio is equipped with a USB port, you can connect it to your computer or tablet and use Tone Room software, or use the Adio as a USB audio interface to record and play back your performance. The Tone Room software lets you switch between three types of routing: monaural/stereo recording or re-amp. JamVOX III modeling software is bundled Since JamVOX III modeling software is bundled, you can easily enjoy playing guitar on your PC. You can take advantage of the GXT function that lets you cancel or extract/emphasize a specific part from an existing song; you can also use the music player function to play back a loop from a song that you're learning or practicing, and even change its tempo. ASIO drivers are supported, so you can also record and play back via software other than JamVOX III, such as a DAW or guitar amp simulator. Number of Amp Models 11 (23 when using Tone Room) Number of Effects Effects 1 types Modulation: 4 (11 when using Tone Room) Effects 2 types Delay/Reverb: 4 (8 when using Tone Room) Number of User Programs 8 (two banks x four programs) Wide Stereo Effect (Virtual Surround) Off, On Noise Reduction Off, 1 - 4 steps Audio Equalizer Off, Loud, Bass Boost, Mid Boost, Treble Boost Input/Output Jacks INPUT Jack, AUX IN Jack, PHONES Jack, USB (Type B) Port Wireless Method Bluetooth (A2DP Sink) Bluetooth low energy (MIDI) Power Amp Output Maximum approx. 25 W x 2 RMS @ 8 ohms When Using Batteries: Maximum approx. 2.5 W x 2 @ 8 ohms Speakers 3, 8 ohms x 2 Signal Processing Sample Rate: 44.1 kHz A/D Conversion:24-bit D/A Conversion:24-bit Power Supply AA batteries (alkaline batteries or nickel hydride batteries): 8 batteries Or the included AC adapter (DC 19V) Current Consumption 3.42 A When Using Batteries: 200 mA Battery Life Maximum 8 hours (when using alkaline batteries) Dimensions (W x D x H) 360 x 165 x 163 mm / 14.17 x 6.50 x 6.42 Weight 2.9 kg / 6.39 lb. (excluding batteries) Included Items AC adapter, Power cord, JamVOX III download card Amp Models (Total 23 types) When Using Alone (11 types): DELUXE CL (NORMAL), AC30, BOUTIQUE CL, AC30TB, BOUTIQUE OD, TEXAS LEAD, BRIT 1959 (NORMAL), BRIT 800, BRIT VERB, DOUBLE REC, FLAT When Using Tone Room (12 types added): DELUXE CL VIBRATO, TWEED 4x10 BRIGHT, TWEED 4x10, BRIT 1959 TREBLE, BRIT VM, SL-OD, CALI ELATION, ERUPT III CH2, ERUPT III CH3, BOUTIQUE METAL, ORIGINAL CL, ACOUSTIC SIMULATOR Effect 1 Types Modulation (Total 11 types) When Using Alone (4 types): CHORUS (STEREO CHORUS), FLANGER (BLACK FLANGER), PHASER (ORG PHASER 1), TREMOLO (TWIN TREM) When Using Tone Room (7 types added): CE CHORUS, STEREO FLANGER, ORG PHASER 2, SMALL PHASE, DUO PHASE (FREE), DUO PHASE (SYNC), HARMONIC TREM Effect 2 Types Delay/Reverb (Total 8 types) When Using Alone (4 types): ANALOG DELAY, WIDE DELAY, SPRING, HALL When Using Tone Room (4 types added): TAPE, CROSS DELAY, ROOM, PLATE * Bluetooth is a registered trademark of Bluetooth SIG, Inc. * Apple, Mac, iPad, iPhone, iPod touch, iTunes and Mac are registered trademarks of Apple Inc. * Android and Google Play are registered trademarks of Google Inc. * All product, company, and standard names are trademarks or registered trademarks of their respective holders. * Appearance and specifications of products are subject to change without notice.  |
 | |
 | YAMAHA STAGEPAS 1K MKII
Système colonne Yamaha Stagepass 1K MKIIPlus pratique. Plus professionnel. Plus puissantL...(+) Système colonne Yamaha Stagepass 1K MKIIPlus pratique. Plus professionnel. Plus puissantLe STAGEPAS 1K mkII est un système de sonorisation portable tout-en-un qui vous permet de transformer rapidement et facilement n\'importe quel endroit en votre scène, offrant des performances audio de niveau professionnel avec une installation simple qui permet aux artistes en herbe de se concentrer sur leur musique et de tirer le meilleur parti de leurs performances. Avec un niveau de pression acoustique encore plus élevé et des fonctions de télécommande plus souples que son prédécesseur, le STAGEPAS 1K mkII de deuxième génération offre la même combinaison de conception de caisson léger, de fonctions de mixage professionnelles et de simplicité d\'utilisation, qui a élevé le STAGEPAS tout-en-un au-dessus de tous les autres systèmes de sonorisation portables. En adoptant une table de mixage et un haut-parleur de qualité concert, nous avons relevé la barre de la sonorisation portable en utilisant l\'expérience et le savoir-faire uniques de Yamaha, développés au cours de décennies de production d\'équipements audio professionnels innovants, de toutes les étapes de l\'ingénierie et de la production musicale.Une installation et un contrôle simples vous permettent de vous concentrer sur votre performance.Le STAGEPAS 1K mkII est équipé d\'une multitude de fonctions de réglage du son, notamment l\'égaliseur à 1 bouton pour effectuer plusieurs processus d\'égalisation simultanément, et le MODE qui vous permet de régler des paramètres de compression optimisés commeSpeechouMusicpour correspondre à diverses applications. Tous les réglages peuvent être effectués simplement à l\'aide d\'un seul bouton, ce qui permet d\'obtenir un mixage parfait rapidement et facilement, sans flux de travail complexe, et vous permet de vous concentrer sur votre performance.Puissance compacte de premier ordreUn amplificateur de 1100 W alimente l\'enceinte array avec 10 unités de 1,5 pouce de petit diamètre, ainsi qu\'un subwoofer de 12 pouces, le meilleur de sa catégorie. L\'impressionnante zone de couverture horizontale de 170° et verticale de 30° offre des performances constantes sur de longues distances, projetant un son uniforme et de haute qualité de l\'avant à l\'arrière de l\'auditoire.Ensemble compact mais puissantMalgré la légèreté et la compacité de son coffret, le STAGEPAS 1K mkII est doté d\'un amplificateur à haut rendement de 1100 W alimentant un système de haut-parleurs en réseau haute fréquence avec 10 haut-parleurs de 1,5 pouce et un grand caisson de basses de 12 pouces, produisant les meilleurs niveaux de pression acoustique de sa catégorie, jusqu\'à 125 dB SPL. Une impressionnante couverture horizontale de 170° et verticale de 30° délivre un son clair et de haute qualité de manière constante dans une large zone d\'écoute.Groupement de lignes fines en courbe en JLe réseau de haut-parleurs haute fréquence est composé de 10 haut-parleurs de 1,5 pouce de petit diamètre. En adoptant une configuration de réseau en forme de J, l\'unité haute fréquence atteint une couverture de 170° à l\'horizontale et de 30° à la verticale. Avec une conception de réseau de 10 haut-parleurs aussi longue, le STAEGEPAS 1K mkII peut délivrer un son clair et de haute qualité de manière constante sur de plus longues distances, de l\'avant à l\'arrière de l\'audience.Subwoofercompactde 12 pouces à la pointe de la technologie.Yamaha STAGEPAS 1K mkII : le meilleur caisson de bassescompactde 12 pouces de sa catégorie.Le caisson de basses est doté d\'une unité de haut-parleurs de 12 pouces qui n\'est guèrecompacte, et qui est en fait la plus grande de sa catégorie. Bien qu\'il abrite une unité de haut-parleur de 12 pouces qui est la plus grande de sa catégorie, le STAGEPAS 1K mkII possède le plus petit coffret du marché pour un subwoofer de cette taille et de cette puissance.En incorporant la technologie Twisted Flare Port propre à Yamaha pour réduire le bruit de vent du port qui peut se produire avec les caissons de basses compacts bass-reflex, la sortie des basses est maximisée, produisant des basses très profondes, puissantes et sans distorsion.Amplificateur de 1100WÉgalement au sommet de sa catégorie pour la puissance de sortie, le module amplificateur de classe D de 1100W est capable de délivrer un impressionnant 125 dB SPL à partir du caisson d\'enceintes faussement compact. Et tout aussi important, nous avons tiré parti de l\'expérience de plusieurs décennies de Yamaha en tant que fabricant de produits audio professionnels, et innovateur de technologies connexes pour s\'assurer qu\'avec une grande puissance vient une grande stabilité, et que le STAGEPAS 1K mkII maintient le même son précis et de qualité supérieure, même à haute puissance.Fonctionnalités professionnelles avec une utilisation simple.Yamaha développe depuis des décennies des mixeurs numériques innovants pour les ingénieurs professionnels du monde entier. Le mixeur numérique du STAGEPAS 1K mkII intègre cette richesse d\'expertise, avec une interface utilisateur intuitive qui permet de composer des opérations autrement complexes à l\'aide d\'un seul bouton, ce qui réduit le temps de configuration et rationalise le fonctionnement du système, permettant aux utilisateurs de se concentrer sur leur performance.Mélangeur numérique avec entrée polyvalente.Yamaha STAGEPAS 1K mkII : Table de mixage numérique avec entrée polyvalenteAvec une flexibilité exceptionnelle pour un système de sonorisation de cette taille, le mélangeur numérique à 5 canaux dispose de trois canaux d\'entrées micro/ligne mono et d\'entrées stéréo, deux des canaux d\'entrée mono étant équipés d\'une connectivité Hi-Z pour l\'entrée directe de guitares acoustiques-électriques et autres instruments. En plus des prises Phone et mini jacks 1/8 pouces, les connexions stéréo prennent en charge la lecture avec des appareils Bluetooth ainsi qu\'un large éventail de sources d\'entrée, des instruments aux CD, en passant par les PC et les smartphones.Contrôle professionnel avec un seul bouton.Yamaha STAGEPAS 1K mkII : Un contrôle professionnel avec un seul bouton.Le STAGEPAS 1K mkII est équipé d\'une multitude de fonctions de façonnage du son, notamment l\'égaliseur à 1 bouton pour un réglage optimisé de l\'égaliseur multibande, la réverbération SPX standard de l\'industrie et la commandeModepour des réglages de compression de la sortie principale qui correspondent à diverses applications telles queSpeechouMusic. Each of these functions can be set via a single knob, and have simplified many of the tough tasks like EQ and compression to get you great sound fast. In addition, the optional FC5 foot switch can also be used for on/off operation.1. SPX the standard digital reverbOne knob operation gives you access to four types of Yamaha\'s proprietary SPX reverb settings perfect for vocals and acoustic instruments. Simply turn the knob to change the reverb type and time, and then you re ready to apply just the right amount of high-resolution effect to each channel.2. 1-knob channel EQWhether turning to the left to cut unnecessary low-end frequencies for speeches, or turning to the right to emphasize the bottom and high end for band performances, this innovative equalizer can dial in the perfect sound adjustment with a simple turn of the knob.3. MODE for master outputThe multiband compressor adjusts optimized compression settings to suit various applications. En sélectionnant MUSIC, SPEECH ou CLUB MODE qui se rapproche le plus de votre application, vous pouvez ajouter un côté plus professionnel à votre son sans avoir à apprendre des principes difficiles de compression/ingénierie audio.Priorité DuckerLe STAGEPAS 1K mkII dispose de la fonctionPriority Ducker, qui peut être contrôlée depuis l\'application STAGEPAS Controller et également activée/désactivée directement depuis l\'appareil.Une fonction inestimable pour les applications qui nécessitent à la fois des interventions en public et de la musique de fond, Priority Ducker permet à un microphone de prendre automatiquement la priorité sur une autre source sonore, simplement en parlant dans le micro. Arrêtez de parler et l\'autre source sonore est ramenée à son niveau initial. Aucun opérateur de console n\'est donc nécessaire pour cette fonction simple mais précieuse. Vous pouvez même régler l\'atténuation du ducker de la source sonore en fonction de vos préférences.Contrôleur STAGEPASAvec une toute nouvelle interface, STAGEPAS Controller est une application de télécommande dédiée au STAGEPAS 1K mkII qui permet aux utilisateurs de régler le volume et l\'égaliseur à 1 bouton ou le PEQ à 4 bandes via Bluetooth pendant une répétition ou une performance. Vous pouvez également enregistrer les paramètres ajustés pour certaines chansons ou applications afin de raccourcir votre processus de configuration à l\'avenir et de maintenir la cohérence d\'une performance à l\'autre, et même contrôler le volume de plusieurs unités STAGEPAS 1K mkII à partir de l\'application.Utilité et portabilité supérieuresLe STAGEPAS 1K mkII est un système de sonorisation portable innovant tout-en-un qui est non seulement capable de remplir une large zone avec un son de haute qualité et uniforme, mais aussi suffisamment léger et durable pour être transporté, et assez simple pour être installé en une minute environ.Simple installationYamaha STAGEPAS 1K mkII : Installation simpleIl suffit de fixer les 2 entretoises et l\'unité de haut-parleur dans le caisson de basse et la configuration est essentiellement faite, sans câbles, support de haut-parleur ou matériel supplémentaire nécessaire en dehors de l\'unité principale. Tout ce dont vous avez besoin se trouve dans l\'emballage.Revêtement polyurée de haute qualitéYamaha STAGEPAS 1K mkII : revêtement en polyurée de haute qualitéLe caisson ABS léger du subwoofer est doté d\'un revêtement en polyurée de haute qualité pour éviter l\'usure pendant le transport. Il est suffisamment léger pour rendre le système extrêmement portable, mais aussi suffisamment robuste et résistant aux rayures pour supporter les environnements de performance difficiles.Expandable STAGEPAS systemsYamaha STAGEPAS 1K mkII: Expandable STAGEPAS systemsLinking two STAGEPAS 1K mkII or a STAGEPAS 1K mkII with a DXL1K provides greater coverage area and increased output power for large-scale performances. Both stereo and mono playbacks are supported, and when set to mono, the inputs of the two linked units(*) can still be used.2x STAGEPAS 1K mkII: up to six mono inputs plus two stereo inputsA STAGEPAS 1K mkII and a DXL1K: up to five mono inputs plus one stereo inputFitted cover includedYamaha STAGEPAS 1K mkII: Fitted cover includedThe STAGEPAS 1K mkII comes with its own cover which, in addition to protecting the unit, has pouches for both spacers and speaker array as well as additional storage for accessories to further streamline system setup and teardown.DL-SP1K optional dollyYamaha STAGEPAS 1K mkII: Optional dolly (DL-SP1K)An optional dedicated dolly allows for more convenient transportation particularly useful for performers transporting additional gears and instruments. Featuring a simple, sturdy mechanism that locks down the speaker cover, the lightweight dolly enables smooth, reliable transportation.Caractéristiques techniques Système de sonorisation colonne actifTransducteurs HF : 10 x haut-parleurs de 1.5Diamètre du subwoofer : 12Amplification totale : 1100W en classe DConception du woofer : bass-reflexModes de diffusion : SPEECH / MUSIC / CLUBBluetooth 5.0 (A2DP) pour le streaming audioContrôle à distance via l\'application pour iOS / AndroidEntrée foot Switch commutateur de l\'effet de réverbérationRéponse en fréquence : 37 Hz - 20 kHzDispersion du son : 170° H x 30° VNiveau de sortie max. : 125 dB SPLTable de mixage 5 canaux3 x entrées mic/line sur combo jack/XLR (canaux 1 à 3)2 x entrées instruments Hi-Z (canaux 2 - 3)1 x entrée ligne stéréo sur jackSorties Link (pour autre STAGEPAS) et monitor via XLRPotentiomètre d\'EQ par canalRéverbération numérique 4 programmesDimensionsdu système (L x H x P) : 334 x 2000 x 418 mmPoids (kg) : 23  |
| |
 | Digital Stage Piano Roland Fp30 White Namm 2016 News
If you ve dreamed of having a piano in your home but don t have the space or budget for a ...(+) If you ve dreamed of having a piano in your home but don t have the space or budget for a full-sized instrument, your wait is over. The affordable FP-30 offers Roland s acclaimed sound, feel, and modern features in a top-quality 88-note instrument that fits any space with ease. Light and portable, it s a great fit for performing players and music classrooms as well. Adding in numerous sounds beyond the piano, built-in practice and recording functions, and Bluetooth® wireless support for working with popular music apps, the FP-30 delivers a premium musical experience previously unattainable in such a streamlined package. Specifications Keyboard Keyboard 88 keys (PHA-4 Standard Keyboard: with Escapement and Ivory Feel) Touch Sensitivity Key Touch: 5 types, fixed touch Keyboard Mode Whole Dual (volume balance adjustable) Split (split point adjustable, volume balance adjustable) Twin Piano Pedals Accessory pedal Damper Optional pedals Damper (capable of continuous detection) Soft (capable of continuous detection) Sostenuto (function assignable) Sound Generator Piano Sound SuperNATURAL Piano Sound MIDI Format Conforms to GM2, GS Max. Polyphony 128 voices Tones Piano: 6 Tones E.Piano: 7 Tones Other: 22 Tones Stretched Tuning (only for piano tones) Always On Master Tuning 415.3 Hz--466.2 Hz (adjustable in increments of .1 Hz) Transpose -6-- 5 (in semitones) Effects Ambience (Off, 1--4) Brilliance (Mellow, Normal, Bright) Only for Piano Tones: String Resonance (Always On) Damper Resonance (Always On) Key Off Resonance (Always On) Metronome Tempo Quarter note = 2--25 Beat /4, 2/4, 3/4, 4/4, 5/4, 6/4 Smf Recorder Parts 1 part Save Format Standard MIDI Files (Format ) Note Storage Approx. 3, notes Controls Song Select Play/Stop Rec Tempo Count-in Mix Balance All Song Play Tempo Quarter note = 2--25 Resolution 12 ticks per quarter note Rhythm Rhythms 8 types Controls Rhythm Select Start/Stop Tempo Tempo Quarter note = 2--25 Audio Playback File Format: Audio File (WAV 44.1 kHz, 16-bit linear format) Controls Song Select Play/Stop Internal Memory Save Song Standard MIDI Files (Format ) Songs Max. 1 song External Memory External Storage USB Flash Memory Playable Song Format Standard MIDI Files (Format , 1) Audio File (WAV, 44.1 kHz, 16-bit linear format) Save Format Standard MIDI Files (Format ) Bluetooth MIDI, Turning music sheet Bluetooth Ver 4. Other Internal Songs 3 songs Connectors DC In jack USB COMPUTER port: USB Type B USB MEMORY port: USB Type A Phones jacks (usable as output jack) x 2: Stereo miniature phone type, Stereo 1/4-inch phone type Rated Power Output 11 W x 2 Speakers 12 cm (4-3/4 inches) x 2 Volume Level (Spl) 12 dB (This value was measured according to the method that is based on Roland's technical standard.) Language English Control Volume (with the speaker volume and the headphones volume automatically select function) Other Functions Panel Lock Tone Demo Auto Off Power Supply AC adaptor Power Consumption 8 W (3--22 W) 8 W: Average power consumption while piano is played with volume at center position 3 W: Power consumption immediately after power-up; nothing being played 22 W: Rated power consumption Accessories Owner's Manual Music Rest AC Adaptor Power Cord (for connecting AC Adaptor) Damper pedal Options (Sold Separately) Dedicated Stand: KSC-7 Dedicated Pedal Board: KPD-7 Keyboard Stand: KS-12 Damper Pedal: DP-1 Headphones USB Flash Memory * * Use USB Flash Memory sold by Roland. We cannot guarantee operation if other products are used. Size And Weight (With Music Rest Detached) Width 1,3 mm 51-3/16 inches Depth 284 mm 11-7/8 inches Height 15 mm 5-7/8 inches Weight 14.1 kg 31 lbs 2 oz Size And Weight (With Music Rest And Dedicated Stand Ksc-7) Width 1,3 mm 51-3/16 inches Depth 324 mm 12-13/16 inches Height 925 mm 36-3/8 inches Weight 23 kg 5 lbs 12 oz  |
| |
 | Digital Stage Piano Roland Fp30 Black Namm 2016
If you ve dreamed of having a piano in your home but don t have the space or budget for a ...(+) If you ve dreamed of having a piano in your home but don t have the space or budget for a full-sized instrument, your wait is over. The affordable FP-30 offers Roland s acclaimed sound, feel, and modern features in a top-quality 88-note instrument that fits any space with ease. Light and portable, it s a great fit for performing players and music classrooms as well. Adding in numerous sounds beyond the piano, built-in practice and recording functions, and Bluetooth® wireless support for working with popular music apps, the FP-30 delivers a premium musical experience previously unattainable in such a streamlined package. Specifications Keyboard Keyboard 88 keys (PHA-4 Standard Keyboard: with Escapement and Ivory Feel) Touch Sensitivity Key Touch: 5 types, fixed touch Keyboard Mode Whole Dual (volume balance adjustable) Split (split point adjustable, volume balance adjustable) Twin Piano Pedals Accessory pedal Damper Optional pedals Damper (capable of continuous detection) Soft (capable of continuous detection) Sostenuto (function assignable) Sound Generator Piano Sound SuperNATURAL Piano Sound MIDI Format Conforms to GM2, GS Max. Polyphony 128 voices Tones Piano: 6 Tones E.Piano: 7 Tones Other: 22 Tones Stretched Tuning (only for piano tones) Always On Master Tuning 415.3 Hz--466.2 Hz (adjustable in increments of .1 Hz) Transpose -6-- 5 (in semitones) Effects Ambience (Off, 1--4) Brilliance (Mellow, Normal, Bright) Only for Piano Tones: String Resonance (Always On) Damper Resonance (Always On) Key Off Resonance (Always On) Metronome Tempo Quarter note = 2--25 Beat /4, 2/4, 3/4, 4/4, 5/4, 6/4 Smf Recorder Parts 1 part Save Format Standard MIDI Files (Format ) Note Storage Approx. 3, notes Controls Song Select Play/Stop Rec Tempo Count-in Mix Balance All Song Play Tempo Quarter note = 2--25 Resolution 12 ticks per quarter note Rhythm Rhythms 8 types Controls Rhythm Select Start/Stop Tempo Tempo Quarter note = 2--25 Audio Playback File Format: Audio File (WAV 44.1 kHz, 16-bit linear format) Controls Song Select Play/Stop Internal Memory Save Song Standard MIDI Files (Format ) Songs Max. 1 song External Memory External Storage USB Flash Memory Playable Song Format Standard MIDI Files (Format , 1) Audio File (WAV, 44.1 kHz, 16-bit linear format) Save Format Standard MIDI Files (Format ) Bluetooth MIDI, Turning music sheet Bluetooth Ver 4. Other Internal Songs 3 songs Connectors DC In jack USB COMPUTER port: USB Type B USB MEMORY port: USB Type A Phones jacks (usable as output jack) x 2: Stereo miniature phone type, Stereo 1/4-inch phone type Rated Power Output 11 W x 2 Speakers 12 cm (4-3/4 inches) x 2 Volume Level (Spl) 12 dB (This value was measured according to the method that is based on Roland's technical standard.) Language English Control Volume (with the speaker volume and the headphones volume automatically select function) Other Functions Panel Lock Tone Demo Auto Off Power Supply AC adaptor Power Consumption 8 W (3--22 W) 8 W: Average power consumption while piano is played with volume at center position 3 W: Power consumption immediately after power-up; nothing being played 22 W: Rated power consumption Accessories Owner's Manual Music Rest AC Adaptor Power Cord (for connecting AC Adaptor) Damper pedal Options (Sold Separately) Dedicated Stand: KSC-7 Dedicated Pedal Board: KPD-7 Keyboard Stand: KS-12 Damper Pedal: DP-1 Headphones USB Flash Memory * * Use USB Flash Memory sold by Roland. We cannot guarantee operation if other products are used. Size And Weight (With Music Rest Detached) Width 1,3 mm 51-3/16 inches Depth 284 mm 11-7/8 inches Height 15 mm 5-7/8 inches Weight 14.1 kg 31 lbs 2 oz Size And Weight (With Music Rest And Dedicated Stand Ksc-7) Width 1,3 mm 51-3/16 inches Depth 324 mm 12-13/16 inches Height 925 mm 36-3/8 inches Weight 23 kg 5 lbs 12 oz |
| |
 | Digital Piano Roland Fp-90-wh Fp90 White News
Roland FP-90: Digital Piano Sound Generator Piano Sound Piano Sound: SuperNATURAL P...(+) Roland FP-90: Digital Piano Sound Generator Piano Sound Piano Sound: SuperNATURAL Piano Modeling Max. Polyphony Piano: Limitless (solo playing using Concert Piano, Ballad Piano, Mellow Piano, and Bright Piano tones) Other: 384 Tones Piano: 15 tones E.Piano: 16 tones Strings: 11 tones Organ: 15 tones Pad: 15 tones Other: 278 tones (including 8 drum sets, 1 SFX set) Keyboard PHA-50 Keyboard: Wood and Plastic Hybrid Structure, with Escapement and Ebony/Ivory Feel (88 keys) Touch Sensitivity Key Touch: 100 types, fixed touch Hammer Response Keyboard Modes Whole Dual Split (split point adjustable) Speakers Speakers: 8 x 12 cm (3-3/16 x 4-3/4 inches) x 2 (with speaker box) Dome Tweeters: 2.5 cm (1 inches) x 2 Headphones capable of Headphones 3D Ambience Tuning, Voicing -Master Tuning 415.3--466.2 Hz (adjustable in increments of 0.1 Hz) Temperament 10 types (Equal, Just Major, Just Minor, Pythagorean, Kirnberger I, Kirnberger II, Kirnberger III, Meantone, Werckmeister, Arabic), selectable temperament key Effects Ambience Equalizer (3-band digital equalizer) Only for organ tones: Rotary Speaker Effect Only for E.Piano tones: Modulation Speed Piano Designer (Only for Concert Piano, Ballad Piano, Mellow Piano, and Bright Piano tones) Lid Key Off Noise Hammer Noise Duplex Scale Full Scale String Resonance Damper Resonance Key Off Resonance Cabinet Resonance Soundboard Type Damper Noise Single Note Tuning Single Note Volume Single Note Character Rated Power Output 25 W x 2 5 W x 2 Volume Level (SPL) 107 dB (This value was measured according to the method that is based on Roland's technical standard.) Bluetooth Audio: Bluetooth Ver. 3.0 (Supports SCMS-T content protection) MIDI, Turning music sheet: Bluetooth Ver. 4.0 Mic Effects Compressor Doubling Echo Controls Mic Gain knob Mic Volume slider Data Playback Playable Software Standard MIDI Files (Format 0, 1) Audio File (WAV, 44.1 kHz, 16-bit linear format, MP3, 44.1kHz, 64kbps - 320kbps, require USB Flash Memory) Internal Songs Total 10 songs Recorder Recordable Software Standard MIDI Files (Format 0, Approx. 70,000 notes memory) Audio File (WAV, 44.1 kHz, 16-bit linear format, require USB Flash Memory) Convenient Functions Metronome (adjustable Tempo/Beat/Down beat/Pattern/Volume/Tone) Transpose (Keyboard/Song: in semitones) Registration (30 registrations, capable of pedal shift) Registration Set Tone Demo Auto Off Other Display Graphic LCD 132 x 32 dots Connectors Volume slider Equalizer sliders (Low/Mid/High) Part sliders (Lower/Upper) Song Vol. slider Speaker switch Connectors DC In jack Pedal (Damper/R, Sostenuto/C *1, Soft/L *1) jacks: TRS 1/4-inch phone type Input jacks: Stereo miniature phone type Output (L/Mono, R) jacks: 1/4-inch phone type Mic Input jack: 1/4-inch phone type MIDI (Out/In) connectors USB Computer port: USB B type USB Memory port: USB A type Phones jack x 2: Stereo miniature phone type, Stereo 1/4-inch phone type *1: Assignable Power Supply AC adaptor Power Consumption 12 W Dimensions Detached music rest: 1,340 (W) x 390 (D) x 136 (H) mm 52-13/16 (W) x 15-3/8 (D) x 5-3/8 (H) inches FP-90 with KSC-90 and music rest: 1,340 (W) x 418 (D) x 932 (H) mm 52-13/16 (W) x 16-1/2 (D) x 36-3/4 (H) inches Weight 23.6 kg, 52 lbs 1 oz (FP-90 with music rest) 37.8 kg, 83 lbs 6 oz (FP-90 with KSC-90, KPD-90, and music rest) Accessories Owner's Manual Leaflet USING THE UNIT SAFELY AC adaptor Power cord Music rest Damper pedal (DP-10; capable of continuous detection) Option (sold separately) Dedicated stand: KSC-90 Dedicated pedal board: KPD-90 Keyboard stand: KS-G8B, KS-18Z, KS-12 Pedal unit: RPU-3 Damper pedal: DP series Pedal switch: DP-2 (*2) Expression pedal: EV-5 USB Flash Memory *2 Cannot use for Damper/R. |
| |
 | Tama Hpds1 Dyna-sync Direct Drive Single Bass Drum Pedal Topshopping Namm2019 New Product
Optimized Transmission Design / By precisely positioning and aligning the contact point...(+) Optimized Transmission Design / By precisely positioning and aligning the contact point transmission angles between the cam, direct link and footboard, we achieved the perfect overall balance of power-speed-feel. Dual Linkage To convert rotational motion force from footboard to cam, we developed a sturdy double-link cam connection system that holds the rotation axis bearings equally from both sides. This produces almost perfect energy transfer from the footboard-to-cam and creates phenomenal reaction speed and power. Slidable Cam The upper cam section slides back and forth in a non-step action to adjust the cam-turning radius. A larger turning radius provides for a more linear motion between footboard and beater and results in a high-degree of sensitivity for nuanced performance. The smaller turning radius results in a more dynamic (non-linear) motion. The Slidable Cam promotes a highly personalized and connected feel tailored to widely diverse playing styles. Footboard Angle Adjustment Drummers have come to recognize and appreciate independent bass drum footboard angle adjustment as an important function to help customize a personal feel. This inspired us to focus on the Dyna-Sync design and create a completely new and unique footboard angle adjustment. The Dyna-Sync footboard angle design integrates into the clam-shaped connection point between linkage and footboard and is fully adjustable to deliver a totally personalized pedal angle adjustment. Sync-Coil The Sync-Coil is a 1.5x heavier gauge steel spring compared to our established Cobra Coil. The Sync-Coil assists the return of the footboard to the original position to provide an extra element of quickness to the pedal and slides on the bass plate so drummers can customize their own level of pedal return assistance. Dyna Beater Featuring black felt and a slightly tapered shape, this traditional style beater provides impact to the bass drum head surface evenly to maximize clear, dynamic articulation. Hinge Guard Block We've changed the construction of the Bearing Hinge on the footplate from a one-piece assembly to two pieces, which holds the bearing more evenly - minimizing stress, and maximizing smoothness, while adding to the pedal's sense of power. Swivel Spring Tight (US.PAT.NO.9236038) The conventional approach to the spring assembly (including previous Iron Cobra Pedals) has been to anchor the bottom of the spring while the top of the spring is being pulled from various angles throughout the pedal's cycle. But a spring being pulled on at an angle represents wasted energy and causes turbulence. The Swivel Spring Tight assembly solves this problem, recapturing that lost energy and optimizing smoothness through the use of a contoured assembly that allows the base to swivel freely with the spring. This enables a straight spring pull during the pedal's entire cycle, resulting in the smoothest, lightest action ever found on a bass drum pedal. Speedo-Ring TAMA eliminated another source of friction by replacing the traditional nylon rocker cam with the Speedo-Ring, a rocker cam with a high quality built-in ball bearing rocker. The Quick-Hook not only allows for easy set up and tear down but provides a compact pedal that you can place in the hard case without taking off the beater. Para-Clamp II Pro (US. PAT.NO.6011208) TAMA now introduces Para-Clamp II -an even more clever and useful version of the popular original. The Para-Clamp II is capable of gripping the widest variety of bass drum hoops ever. The improvement is largely due to its newly designed three-dimensional rubber grip. Holding power is increased and the possibility of scratching the hoop is eliminated. Furthermore, set-up and breakdown are easily facilitated, while sitting on a throne because the T-bolt of the Para-Clamp II Pro is on the side of the footboard, rather than under it. Oiles® Bearing Hinge (US. PAT.NO.6100460) Offering even less friction than standard ball bearing, Oiles® bearings also eliminate side-to-side motion and provide superior durability (which is why they're used in the aerospace industry). (Oiles® bearings is a registered trademark of the Oiles Co.,Ltd.)  |
| |
 | Vox - Mvo Adio-air-gt - Enceinte Active Guitare 2x25w Bt New Product
Adio Air BS 50W amp that outperforms its size Though it is compact and lightweight, the ...(+) Adio Air BS 50W amp that outperforms its size Though it is compact and lightweight, the Adio is equipped with a high-wattage power amp boasting 50W of stereo output. It delivers a startling sense of volume that outperforms other amps in its class. The 2 x 3 stereo speaker system makes for an incredible playing and listening experience. Because it is capable of such high-output, the Adio is equally effective as an at-home practice amp as it is a full-fledged performing amp. Proprietary chassis design ensures powerful and clear sound Adio provides both the hard-hitting cabinet resonance of a guitar/bass amp, and the high fidelity of home audio speakers. Thanks to new concepts used in its cabinet structure, the multi-purpose Adio excels in both scenarios. It features a bass reflex structure that delivers a sound density far exceeding the unit's size, and an inner box that emanates the sense of spatiality and depth you expect from stereo speakers. The speakers are contained in a sophisticated slant-body design, creating powerful and high-quality sound that shines for both performance and listening. A divided cabinet design To prevent unwanted cabinet resonance, the inner box that secures the speakers is completely separated from the rear cabinet. Additionally, the inner box separates L and R into independent spaces to produce stereo playback with an enhanced sense of spatiality. Rigidity is enhanced by a chassis design that minimizes parallel surfaces, suppressing unwanted vibration that would adversely affect the quality of the sound. Honeycomb-structure speaker frame The front grille uses a honeycomb structure that perforates the speaker area with a set of hexagons. This efficiently maintains strength, yet ensures maximum space. The high ratio of openness means that the speaker is not obstructed, allowing the sound to be clear and direct. Ported design further enhances low-frequency playback The bass reflex section uses a flair component that creates a smooth widening at the entry and exit of the cabinet s port. This minimizes unwanted noise and also enhances the bass reflex efficiency to further boost the low-frequency playback. Unique shape allows for enhanced listening experience The unique slanted design of the Adio allows you to position it with the speakers pointing diagonally upward so that the output reaches your ears directly even at short distances. This means that you can enjoy always performing or listening in the sweet spot. The chassis is designed to minimize parallel surfaces, delivering a smooth sound that suppresses any internal resonances. A handle that's integrated with the cabinet With a recessed slot built into the back of the cabinet, the Adio combines sleek looks with convenient portability. Battery-powered with eight hours of continuous operation Lightweight body is only 2.9 kg / 6.39 lb. In spite of its high output power, the Adio can also operate on batteries. Eight AA batteries allow up to eight hours of continuous operation. At a mere 2.9 kg / 6.39 lb. in weight, the Adio is also highly portable. You can take it with you to enjoy performing or listening anywhere. VOX's proprietary VET (Virtual Element Technology) modeling technology The Adio uses VET (Virtual Elements Technology). Instead of simply imitating the output sound of the original amp, VET meticulously models even its components and circuit design. Without relying on the ears of individual engineers, and without being influenced by the condition of a specific amp unit, VET perfectly reproduces the characteristics of the original amp. And it's equipped with a high-performance DSP to ensure high sound quality. In addition, the distortion algorithms on the Adio Air GT have been refined, allowing you to enjoy the ultimate touch response that reflects your finest picking nuances without obscuring them. Up to 17 types of realistic and wide-ranging amp models The total of 11 amp models includes not only classic amps, but also slap, rock, and modern. We have included only truly usable amp models that have been tuned to maximize the potential of the compact Adio. By using the Tone Room software, you can choose from a total of 17 types of amp model. From a bass synthesizer to guitar amp models that you can enjoy when playing guitars, this single unit lets you enjoy a variety of amp sounds. A full complement of effects is also provided: four types of effects such as compressor and auto-wah (FX1) and four ambience-type effects such as delay and reverb (FX2). Appropriately for the Adio with its stereo speakers, it is also equipped with high-quality effects, and you can simultaneously use a total of three effects including noise reduction. As with the amp models, using the Tone Room software lets you choose from a total of 19 types of effect: 11 for FX1 and 8 for FX2. Via Bluetooth, via USB Tone Room software draws out the essence of the Adio Tone Room editor/librarian software is provided, which lets you choose from an even richer selection of amp models and effects, and also lets you take advantage of the Adio's full potential by customizing detailed parameters and audio EQ settings. Up to eight customized amps and effects can be saved in the Adio. Tone Room runs on multiple platforms: Windows, Mac, iOS, and Android. The Adio Air additionally supports Bluetooth MIDI, so you can control parameters wirelessly, allowing you to effortlessly design your sound using your favorite device. Via Bluetooth, via AUX Superb performance as a speaker for listening The Adio performs equally as well as an audio speaker, delivering pure, analog-quality sound. With a high output of 50W, the Adio gives you an extremely clear sound that's well balanced from the low to the high ranges The Adio Air also supports Bluetooth audio. You can connect it to your computer or smartphone via Bluetooth, and use it to play back your favorite music from either device. Whether for personal enjoyment in your living room or bedroom, for playing background music in a store, or for outdoor use, you can enjoy the ultimate listening experience in a variety of situations that take advantage of this unit's high output power, battery operation, and compact size. Of course, an AUX input jack is also provided. This is a convenient way to enjoy jam sessions while you listen to your favorite songs. Experience virtual surround with Acoustage The Adio is equipped with Acoustage virtual surround technology. Simply by turning on this function, you can obtain a startlingly wide stereo effect. This function is particularly impressive when used in conjunction with a stereo effect, giving you a guitar/bass amp that lets you feel as though you're on a wide stage, or experience an unmatched surround space as if you're inside a lavish multi-channel audio speaker setup. * What is Acoustage (Virtual Surround Technology by KORG) This is revolutionary virtual surround technology developed by KORG, allowing the creation of a unique personal acoustic space. Using just front stereo speakers, it can produce an unprecedented three-dimensional acoustic experience. It provides the best possible result because it performs an acoustical analysis of the actual playback system, and optimizes various aspects of the system accordingly. Multiple functions to support the player Audio equalizer The unit provides four preset EQ settings for you to select as desired. Additionally, you can use the Tone Room software to make detailed adjustments to each frequency band of the parametric equalizer. Furthermore, you can use Tone Room to make settings for VOX's original Bassilator circuit which covers the low-frequency range not reached by the EQ, letting you enjoy ultra-low sounds that you would not expect from a unit of this size. Up to four of the EQ settings you've made can be stored onboard. Noise reduction A noise reduction function is provided to reduce unwanted noise when using high-gain sounds. This can be adjusted in five steps. Auto tuner that also supports dropped tunings The Adio also provides a tuning function that's indispensable for guitar/bass playing. The tuner also supports half-down tuning mode. USB audio interface Since the Adio is equipped with a USB port, you can connect it to your computer or tablet and use Tone Room software, or use the Adio as a USB audio interface to record and play back your performance. The Tone Room software lets you switch between three types of routing: monaural/stereo recording or re-amp. JamVOX III modeling software is bundled Since JamVOX III modeling software is bundled, you can take advantage of the GXT function that lets you cancel or extract/emphasize a specific part from an existing song; you can also use the music player function to play back a loop from a song that you're learning or practicing, and even change its tempo. Although this software is designed for guitar, the bassist will also find it convenient. Number of Amp Models 11 (17 when using Tone Room) Number of Effects Effects 1 types: 4 (11 when using Tone Room) Effects 2 types Delay/Reverb: 4 (8 when using Tone Room) Number of User Programs 8 (two banks x four programs) Wide Stereo Effect (Virtual Surround) Off, On Noise Reduction Off, 1 - 4 steps Audio Equalizer Off, Loud, Bass Boost, Mid Boost, Treble Boost Input/Output Jacks INPUT Jack, AUX IN Jack, PHONES Jack, USB (Type B) Port Wireless Method Bluetooth (A2DP Sink) Bluetooth low energy (MIDI) Power Amp Output Maximum approx. 25 W x 2 RMS @ 8 ohms When Using Batteries: Maximum approx. 2.5 W x 2 @ 8 ohms Speakers 3, 8 ohms x 2 Signal Processing Sample Rate: 44.1 kHz A/D Conversion: 24-bit D/A Conversion: 24-bit Power Supply AA batteries (alkaline batteries or nickel hydride batteries): 8 batteries Or the included AC adapter (DC 19V) Current Consumption 3.42 A When Using Batteries: 200 mA Battery Life Maximum 8 hours (when using alkaline batteries) Dimensions (W x D x H) 360 x 165 x 163 mm / 14.17 x 6.50 x 6.42 Weight 2.9 kg / 6.39 lb. (excluding batteries) Included Items AC adapter, Power cord, JamVOX III download card Amp Models (Total 17 types) When Using Alone (11 types): CLASSIC (NORMAL), SLAP, ROCK (1), MODERN, DEEP, TIGHT SYNTH, DIRTY SYNTH, DELUXE CL, AC30TB, DOUBLE REC, FLAT When Using Tone Room (6 types added): CLASSIC BRIGHT, ROCK 2, PUNCHY SYNTH, AC30, BRIT 800, ERUPT III CH3 Effect 1 Types (Total 11 types) When Using Alone (4 types): COMPRESSOR, T.WAH, FUZZ, CHORUS (STEREO CHORUS) When Using Tone Room (7 types added): CE CHORUS, BLACK FLANGER, STEREO FLANGER, ORG PHASER, SMALL PHASE, TWIN TREM, HARMONIC TREM Effect 2 Types Delay/Reverb (Total 8 types) When Using Alone (4 types): ANALOG DELAY, WIDE DELAY, SPRING, HALL When Using Tone Room (4 types added): TAPE, CROSS DELAY, ROOM, PLATE * Bluetooth is a registered trademark of Bluetooth SIG, Inc. * Apple, Mac, iPad, iPhone, iPod touch, iTunes and Mac are registered trademarks of Apple Inc. * Android and Google Play are registered trademarks of Google Inc. * All product, company, and standard names are trademarks or registered trademarks of their respective holders. * Appearance and specifications of products are subject to change without notice. |
| |
 | Digital Stage Piano Roland Fp30 Black Namm 2016
If you ve dreamed of having a piano in your home but don t have the space or budget for a ...(+) If you ve dreamed of having a piano in your home but don t have the space or budget for a full-sized instrument, your wait is over. The affordable FP-30 offers Roland s acclaimed sound, feel, and modern features in a top-quality 88-note instrument that fits any space with ease. Light and portable, it s a great fit for performing players and music classrooms as well. Adding in numerous sounds beyond the piano, built-in practice and recording functions, and Bluetooth® wireless support for working with popular music apps, the FP-30 delivers a premium musical experience previously unattainable in such a streamlined package. Specifications Keyboard Keyboard 88 keys (PHA-4 Standard Keyboard: with Escapement and Ivory Feel) Touch Sensitivity Key Touch: 5 types, fixed touch Keyboard Mode Whole Dual (volume balance adjustable) Split (split point adjustable, volume balance adjustable) Twin Piano Pedals Accessory pedal Damper Optional pedals Damper (capable of continuous detection) Soft (capable of continuous detection) Sostenuto (function assignable) Sound Generator Piano Sound SuperNATURAL Piano Sound MIDI Format Conforms to GM2, GS Max. Polyphony 128 voices Tones Piano: 6 Tones E.Piano: 7 Tones Other: 22 Tones Stretched Tuning (only for piano tones) Always On Master Tuning 415.3 Hz--466.2 Hz (adjustable in increments of .1 Hz) Transpose -6-- 5 (in semitones) Effects Ambience (Off, 1--4) Brilliance (Mellow, Normal, Bright) Only for Piano Tones: String Resonance (Always On) Damper Resonance (Always On) Key Off Resonance (Always On) Metronome Tempo Quarter note = 2--25 Beat /4, 2/4, 3/4, 4/4, 5/4, 6/4 Smf Recorder Parts 1 part Save Format Standard MIDI Files (Format ) Note Storage Approx. 3, notes Controls Song Select Play/Stop Rec Tempo Count-in Mix Balance All Song Play Tempo Quarter note = 2--25 Resolution 12 ticks per quarter note Rhythm Rhythms 8 types Controls Rhythm Select Start/Stop Tempo Tempo Quarter note = 2--25 Audio Playback File Format: Audio File (WAV 44.1 kHz, 16-bit linear format) Controls Song Select Play/Stop Internal Memory Save Song Standard MIDI Files (Format ) Songs Max. 1 song External Memory External Storage USB Flash Memory Playable Song Format Standard MIDI Files (Format , 1) Audio File (WAV, 44.1 kHz, 16-bit linear format) Save Format Standard MIDI Files (Format ) Bluetooth MIDI, Turning music sheet Bluetooth Ver 4. Other Internal Songs 3 songs Connectors DC In jack USB COMPUTER port: USB Type B USB MEMORY port: USB Type A Phones jacks (usable as output jack) x 2: Stereo miniature phone type, Stereo 1/4-inch phone type Rated Power Output 11 W x 2 Speakers 12 cm (4-3/4 inches) x 2 Volume Level (Spl) 12 dB (This value was measured according to the method that is based on Roland's technical standard.) Language English Control Volume (with the speaker volume and the headphones volume automatically select function) Other Functions Panel Lock Tone Demo Auto Off Power Supply AC adaptor Power Consumption 8 W (3--22 W) 8 W: Average power consumption while piano is played with volume at center position 3 W: Power consumption immediately after power-up; nothing being played 22 W: Rated power consumption Accessories Owner's Manual Music Rest AC Adaptor Power Cord (for connecting AC Adaptor) Damper pedal Options (Sold Separately) Dedicated Stand: KSC-7 Dedicated Pedal Board: KPD-7 Keyboard Stand: KS-12 Damper Pedal: DP-1 Headphones USB Flash Memory * * Use USB Flash Memory sold by Roland. We cannot guarantee operation if other products are used. Size And Weight (With Music Rest Detached) Width 1,3 mm 51-3/16 inches Depth 284 mm 11-7/8 inches Height 15 mm 5-7/8 inches Weight 14.1 kg 31 lbs 2 oz Size And Weight (With Music Rest And Dedicated Stand Ksc-7) Width 1,3 mm 51-3/16 inches Depth 324 mm 12-13/16 inches Height 925 mm 36-3/8 inches Weight 23 kg 5 lbs 12 oz |
| |
 | Digital Stage Piano Roland Fp30 White Namm 2016 News
If you ve dreamed of having a piano in your home but don t have the space or budget for a ...(+) If you ve dreamed of having a piano in your home but don t have the space or budget for a full-sized instrument, your wait is over. The affordable FP-30 offers Roland s acclaimed sound, feel, and modern features in a top-quality 88-note instrument that fits any space with ease. Light and portable, it s a great fit for performing players and music classrooms as well. Adding in numerous sounds beyond the piano, built-in practice and recording functions, and Bluetooth® wireless support for working with popular music apps, the FP-30 delivers a premium musical experience previously unattainable in such a streamlined package. Specifications Keyboard Keyboard 88 keys (PHA-4 Standard Keyboard: with Escapement and Ivory Feel) Touch Sensitivity Key Touch: 5 types, fixed touch Keyboard Mode Whole Dual (volume balance adjustable) Split (split point adjustable, volume balance adjustable) Twin Piano Pedals Accessory pedal Damper Optional pedals Damper (capable of continuous detection) Soft (capable of continuous detection) Sostenuto (function assignable) Sound Generator Piano Sound SuperNATURAL Piano Sound MIDI Format Conforms to GM2, GS Max. Polyphony 128 voices Tones Piano: 6 Tones E.Piano: 7 Tones Other: 22 Tones Stretched Tuning (only for piano tones) Always On Master Tuning 415.3 Hz--466.2 Hz (adjustable in increments of .1 Hz) Transpose -6-- 5 (in semitones) Effects Ambience (Off, 1--4) Brilliance (Mellow, Normal, Bright) Only for Piano Tones: String Resonance (Always On) Damper Resonance (Always On) Key Off Resonance (Always On) Metronome Tempo Quarter note = 2--25 Beat /4, 2/4, 3/4, 4/4, 5/4, 6/4 Smf Recorder Parts 1 part Save Format Standard MIDI Files (Format ) Note Storage Approx. 3, notes Controls Song Select Play/Stop Rec Tempo Count-in Mix Balance All Song Play Tempo Quarter note = 2--25 Resolution 12 ticks per quarter note Rhythm Rhythms 8 types Controls Rhythm Select Start/Stop Tempo Tempo Quarter note = 2--25 Audio Playback File Format: Audio File (WAV 44.1 kHz, 16-bit linear format) Controls Song Select Play/Stop Internal Memory Save Song Standard MIDI Files (Format ) Songs Max. 1 song External Memory External Storage USB Flash Memory Playable Song Format Standard MIDI Files (Format , 1) Audio File (WAV, 44.1 kHz, 16-bit linear format) Save Format Standard MIDI Files (Format ) Bluetooth MIDI, Turning music sheet Bluetooth Ver 4. Other Internal Songs 3 songs Connectors DC In jack USB COMPUTER port: USB Type B USB MEMORY port: USB Type A Phones jacks (usable as output jack) x 2: Stereo miniature phone type, Stereo 1/4-inch phone type Rated Power Output 11 W x 2 Speakers 12 cm (4-3/4 inches) x 2 Volume Level (Spl) 12 dB (This value was measured according to the method that is based on Roland's technical standard.) Language English Control Volume (with the speaker volume and the headphones volume automatically select function) Other Functions Panel Lock Tone Demo Auto Off Power Supply AC adaptor Power Consumption 8 W (3--22 W) 8 W: Average power consumption while piano is played with volume at center position 3 W: Power consumption immediately after power-up; nothing being played 22 W: Rated power consumption Accessories Owner's Manual Music Rest AC Adaptor Power Cord (for connecting AC Adaptor) Damper pedal Options (Sold Separately) Dedicated Stand: KSC-7 Dedicated Pedal Board: KPD-7 Keyboard Stand: KS-12 Damper Pedal: DP-1 Headphones USB Flash Memory * * Use USB Flash Memory sold by Roland. We cannot guarantee operation if other products are used. Size And Weight (With Music Rest Detached) Width 1,3 mm 51-3/16 inches Depth 284 mm 11-7/8 inches Height 15 mm 5-7/8 inches Weight 14.1 kg 31 lbs 2 oz Size And Weight (With Music Rest And Dedicated Stand Ksc-7) Width 1,3 mm 51-3/16 inches Depth 324 mm 12-13/16 inches Height 925 mm 36-3/8 inches Weight 23 kg 5 lbs 12 oz |
| |
| Manley Variable Mu Stereo Limiter Compressor
The MANLEY VARIABLE MU® LIMITER COMPRESSOR has been our best selling product for many yea...(+) The MANLEY VARIABLE MU® LIMITER COMPRESSOR has been our best selling product for many years. It is one of the very few compressors that has become a real standard in Mastering studios and contributed to most hit records over the last decade and probably the next. Mu is tube-speak for gain, and Variable Mu® is our registered trademark for this limiter compressor. It works by using the remote cut-off or re-biasing of a vacuum tube to achieve compression. The precious vintage Fairchild 670 also uses this technique and is one of few all-tube compressor to do so, that we know of. Even the side-chain has glowing rectifier bottles. How s it work The unique 5670 dual triode is at the center of the peak-reducing and compression action constantly being re-biased by the vacuum tube rectified side-chain control voltages which cause this tube to smoothly change its gain. Just like that. The COMPRESS mode is soft-knee 1.5 to 1 ratio while the sharper knee LIMIT mode starts at 4 to 1 and moves to a more dramatic ratio of 20 to 1 when limiting over 12dB. Interestingly, the knee actually softens as more limiting is used. Distortion can be creatively used by turning up the Input and turning down the Output while using very little or no compression. See the gain reduction curves here! You might notice that the Variable Mu® Limiter Compressor has a ganged input control, but do not jump to conclusions that it is mono-unfriendly. Track away! There are separate threshold and output controls to make compensations with plus you can always adjust your individual source levels elsewhere, right The advantage of the stereo input control becomes dramatically clear when you switch to LINK mode, and that s what our Variable Mu® Limiter Compressor does better than anything else: final mix, 2-track, or mastering limiting and compression. - MANLEY input and output transformers with nickel laminations in mu-metal cases with flat frequency response from 20Hz-25KHz - BALANCED INPUTS and OUTPUTS (600 Ohms) - Fully differential ALL-TUBE circuitry using one each 5670, 5751 (or 12AX7), 7044 (or 5687), and 12AL5 per channel - Independently regulated B and Heater supplies - Hard-wire BYPASS switch - Stepped switch INPUT attenuator as of 10/2011. (older units use Silent dual-ganged potentiometer) - RECOVERY 5 steps: 0.2s, 0.4s, 0.6s, 4sec., 8sec. - Variable ATTACK: 25msec-70msec - Continuously variable THRESHOLD - LIMIT (4:1 to 20:1) or COMPRESS (1.5 to 1) - HP SC: High Pass Side Chain Filter -3dB @ 100Hz Large ILLUMINATED Sifam METERS (older units before serial number MSLC61642 shipped before 12/2003 use: 26V 1.2W FESTOON LAMPS; Manley's Part Number: VAR016B) Order spare bulbs using our parts order form. (newest units after serial number MSLC61642 shipped after 12/2003 use white LED lighting) - STEREO LINK SWITCH - Several units can be linked for Surround (custom order ) - Maximum gain: 35dB - Max. output: 30dBu (26Vrms) 26dB Headroom  | |
| |
 | Tama Hpds1tw Dyna-sync Direct Drive Double Bass Drum Pedal Topshopping Namm2019 New Product
Optimized Transmission Design / By precisely positioning and aligning the contact point...(+) Optimized Transmission Design / By precisely positioning and aligning the contact point transmission angles between the cam, direct link and footboard, we achieved the perfect overall balance of power-speed-feel. Dual Linkage To convert rotational motion force from footboard to cam, we developed a sturdy double-link cam connection system that holds the rotation axis bearings equally from both sides. This produces almost perfect energy transfer from the footboard-to-cam and creates phenomenal reaction speed and power. Slidable Cam The upper cam section slides back and forth in a non-step action to adjust the cam-turning radius. A larger turning radius provides for a more linear motion between footboard and beater and results in a high-degree of sensitivity for nuanced performance. The smaller turning radius results in a more dynamic (non-linear) motion. The Slidable Cam promotes a highly personalized and connected feel tailored to widely diverse playing styles. Footboard Angle Adjustment Drummers have come to recognize and appreciate independent bass drum footboard angle adjustment as an important function to help customize a personal feel. This inspired us to focus on the Dyna-Sync design and create a completely new and unique footboard angle adjustment. The Dyna-Sync footboard angle design integrates into the clam-shaped connection point between linkage and footboard and is fully adjustable to deliver a totally personalized pedal angle adjustment. Sync-Coil The Sync-Coil is a 1.5x heavier gauge steel spring compared to our established Cobra Coil. The Sync-Coil assists the return of the footboard to the original position to provide an extra element of quickness to the pedal and slides on the bass plate so drummers can customize their own level of pedal return assistance. Dyna Beater Featuring black felt and a slightly tapered shape, this traditional style beater provides impact to the bass drum head surface evenly to maximize clear, dynamic articulation. Hinge Guard Block We've changed the construction of the Bearing Hinge on the footplate from a one-piece assembly to two pieces, which holds the bearing more evenly - minimizing stress, and maximizing smoothness, while adding to the pedal's sense of power. Swivel Spring Tight (US.PAT.NO.9236038) The conventional approach to the spring assembly (including previous Iron Cobra Pedals) has been to anchor the bottom of the spring while the top of the spring is being pulled from various angles throughout the pedal's cycle. But a spring being pulled on at an angle represents wasted energy and causes turbulence. The Swivel Spring Tight assembly solves this problem, recapturing that lost energy and optimizing smoothness through the use of a contoured assembly that allows the base to swivel freely with the spring. This enables a straight spring pull during the pedal's entire cycle, resulting in the smoothest, lightest action ever found on a bass drum pedal. Speedo-Ring TAMA eliminated another source of friction by replacing the traditional nylon rocker cam with the Speedo-Ring, a rocker cam with a high quality built-in ball bearing rocker. The Quick-Hook not only allows for easy set up and tear down but provides a compact pedal that you can place in the hard case without taking off the beater. Para-Clamp II Pro (US. PAT.NO.6011208) TAMA now introduces Para-Clamp II -an even more clever and useful version of the popular original. The Para-Clamp II is capable of gripping the widest variety of bass drum hoops ever. The improvement is largely due to its newly designed three-dimensional rubber grip. Holding power is increased and the possibility of scratching the hoop is eliminated. Furthermore, set-up and breakdown are easily facilitated, while sitting on a throne because the T-bolt of the Para-Clamp II Pro is on the side of the footboard, rather than under it. Oiles® Bearing Hinge (US. PAT.NO.6100460) Offering even less friction than standard ball bearing, Oiles® bearings also eliminate side-to-side motion and provide superior durability (which is why they're used in the aerospace industry). (Oiles® bearings is a registered trademark of the Oiles Co.,Ltd.) |
| |
 | Behringer Xenyx Qx1832usb Usb Mixer 18 Inputs Klark Teknik Effects News
With millions of loyal and happy customers, BEHRINGER XENYX mixers stand alone at the top ...(+) With millions of loyal and happy customers, BEHRINGER XENYX mixers stand alone at the top of their class. Armed with premium microphone preamps and robust feature sets typically reserved for more expensive consoles, next-generation XENYX Q Series USB mixers can handle your live gigs and provide the state-of-the-art tools to make stunning, professional-quality recordings. Select models feature dedicated, wireless-ready integration for our new ULM Series USB microphones, making them the first of their kind in the industry. Along with their built-in USB/audio interfaces, one-knob mono channel compressors and KLARK TEKNIK FX engines (available on select models), XENYX Q Series USB mixers come with all the recording and editing software you'll need to turn your computer into a complete, high-performance recording studio.Product Features:- Premium ultra-low noise, high headroom mixer- 6 state-of-the-art, phantom-powered XENYX Mic Preamps comparable to stand-alone boutique preamps- 6 studio-grade compressors with super-easy one-knob functionality and control LED for professional vocal and instrumental sound- Ultra-high quality KLARK TEKNIK FX processor with LCD display, dual-parameters, Tap function and storable user parameter settings- Wireless-ready for high-quality BEHRINGER digital wireless system (not included)- Built-in stereo USB/Audio Interface to connect directly to your computer. Free audio recording, editing and podcasting software plus 150 instrument/effect plug-ins downloadable at behringer.com- Neo-classic British 3-band EQs with semi-parametric mid band for warm and musical sound- 9-band stereo graphic EQ allows precise frequency correction of monitor or main mixes- Revolutionary FBQ Feedback Detection System instantly reveals critical frequencies- Breathtaking XPQ 3D stereo surround effect for more vitality and enhanced stereo image- Voice Canceller function for easy-to-use sing-along applications- Channel inserts on each mono channel for flexible connection of outboard equipment- 3 aux sends per channel: 1 pre fader for monitoring, 1 pre/post fader switchable for monitoring/FX applications, 1 post fader (for internal FX or as external send)- Clip LEDs, mute, main mix and subgroup routing switches, solo and PFL functions on all channels- 2 subgroups with separate outputs for added routing flexibility and 2 multi-functional stereo aux returns with flexible routing- Balanced main mix outputs with gold-plated XLR connectors, headphone/control room output and stereo rec outputs- Long-wearing 60-mm logarithmic-taper faders and sealed rotary controls- Planet Earth switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving- High-quality components and exceptionally rugged construction ensure long life- Conceived and designed by BEHRINGER GermanyKLARK TEKNIK FX on All QX ModelsNothing adds the finishing touch to a live or recorded performance like really good effects, so we equipped a select group of these mixers with one of the best FX engines in the industry. Designed by the world-renowned KLARK TEKNIK engineering team, these high-end FX processors feature 32 studio-grade presets with dual addressable parameters, Tap function and storable user parameter settings. Complete with its own dedicated level meter, these effects provide a wide range of enhancement options, from sweet and mild to absolutely wild! Wireless Ready PerformanceQX1204USB - QX2442USB mixers are wireless-ready right out of the box. Our new ULTRALINK ULM200USB (sold separately) features two high-quality 2.4 GHz wireless mics, plus a special 2-channel receiver dongle that connects directly to a dedicated input port on the top of the mixers. This technologic breakthrough makes for seamless wireless integration that is easier and more affordable than ever. What's a Compressor Ask professional sound engineers what their favorite piece of external processing gear is and the response will be virtually unanimous - dynamic compression. What's compression Glad you asked. Compression limits the dynamic range of a signal, lowering the level of loud sounds and turning up softer sounds to achieve sonic balance. But applying compression is a delicate art that many novice, and even intermediate sound techs have difficulty mastering. Our one-knob compression is available on all mono channels and is easy to operate, even for entry-level users. Now you can easily dial in the perfect amount of compression for instruments and vocals, creating powerful mixes with punch and clarity. Our one-knob compressors come standard on each and every XENYX Q Series USB mixer. Sonically Superior Mic PreampsAll XENYX mixers have one thing in common; great-sounding, high headroom XENYX mic preamps. These state-of-the-art mic preamps are a tremendous step in the evolution of audio technology- and they can easily hold their own, even when compared to expensive, boutique-style mic preamps. XENYX preamps offer a staggering 130 dB of dynamic range with a bandwidth that extends from below 10 Hz to well above 200 kHz. As a result, XENYX mixers provide such transparent, crystal-clear performance that you just might think someone upgraded your microphones while you weren't looking. Sweet British EQThe British consoles of the 1960s and '70s changed the sound of rock and roll. Without them, the British Invasion might not have even happened. Those legendary mixing desks soon became the envy of engineers and producers all over the world. The channel EQ on our XENYX mixers is based on that very same circuitry, allowing you to imbue signals with incredible warmth and detailed musical character. Even when applied generously, these equalizers exhibit sweet forgiveness and superb audio quality. Recording ReadyThere was a time when the recording process called for lots of specialized gear, which meant the average musician had to buy time at a recording studio-and that time was expensive! But modern technology has put personal recording well within the reach of virtually anyone with access to a computer. But how do you get all that music flying around your brain into a computer That's where XENYX Q Series mixers come in. Thanks to the built-in, bi-directional stereo USB audio interface, you can connect directly to your PC or Mac computer via a single USB cable. Now any signal source connected to the mixer can be recorded straight to your hard drive. Which brings us to software... How About Some Free Software!Because you'll want to take full advantage of your XENYX QX Series mixers' recording and podcasting potential, we've put together a massive software download at www.behringer. com that includes Audacity (the most popular open source audio editor), Podifier, Juice, Podnova and Golden Ear (a great selection of podcasting software). You're ready to go live on your PC or Mac right out of the box! You also get more than 100 virtual instruments and 50 FX plug-ins, turning your computer into a complete home-based or mobile recording studio. XENYX QX1832USBBuilding on the feature set of the X1622USB, the X1832USB comes with two additional mic strips (including channel inserts), for a total of six XENYX mic preamps. Thanks to the built-in ULM receiver port you also get our seamless wireless mic capability. The onboard stereo 9-band graphic equalizer, which can be assigned to the main or monitor buses, provides superb system EQ and works in conjunction with the FBQ feedback detection circuitry to eliminate annoying mic squeals. Other features include full-sized faders for Mon and FX Sends, along with our proprietary XPQ 3D stereo surround effect and Voice Canceller. The ultra-versatile X1832USB also has an additional Aux Send (switchable pre/post), for a total of three, and two assignable subgroups. Outstanding ValueNo matter what your audio mixing needs are, BEHRINGER QX Series USB mixers provide the performance and features to take your talent to the next level, at a price sure to amaze you. Try one on today-we've got one in your size!  |
| |
 | Ik Multimedia Irig Blueturn Blue Turn Bluetooth Page Turner Music Score Sheet Music Pedalboard Wirel...
Now, using an iPhone, iPad, Mac or Android on stage for set lists and sheet music just got...(+) Now, using an iPhone, iPad, Mac or Android on stage for set lists and sheet music just got a lot easier! iRig BlueTurn is a Bluetooth page turner with backlit pads that easily lets you turn pages and scroll through material hands-free. If you d like to streamline the page turning process for your sheet music, lyrics, slides, tabs and other documents, iRig BlueTurn is the answer. iRig BlueTurn is a compact Bluetooth page turning solution for iPhone/iPad, Mac and Android that lets you use your feet to set your hands free while performing. It comes with two highly visible backlit soft-touch buttons that you can trigger with your feet to turn pages, leaf through lyrics, scroll slides and more in your favorite apps and software. Now, with iRig BlueTurn, you'll be ready to perform at your best no matter whether you're conducting an orchestra, playing music from a score, shredding through some guitar or bass tabs, giving a major presentation, lecturing, or making a speech. With iRig BlueTurn, it's your turn. Cross-platform compatible iRig BlueTurn can be used with an iPhone, iPod touch, iPad, Mac or any Android device with OS 4.3 and above that supports Bluetooth LE. Features - Turn pages and scroll sheets wirelessly over Bluetooth LE - 2 highly visible backlit soft-touch footswitch buttons - Sends HID messages over Bluetooth LE - Compatible with iKlip Stage and a wide variety of apps and software - 3 different mode configurations Arrow up/down, Page up/down or Arrow left/right - Compact size can be carried anywhere - Durable road-ready enclosure - Runs on 2 standard AAA batteries Package includes - iRig BlueTurn foot controller - 2 x AAA batteries Dimensions - Size: 126mm/7.72 x 93mm/3.66 x 25mm/0.984 - Weight: 125g/4.41oz  |
| |
 | Digital Piano Roland F-140r-cb Black 88 Keys F140 F130 News
Top Piano Performance for Modern Living The F-140R is a digital piano built for modern ...(+) Top Piano Performance for Modern Living The F-140R is a digital piano built for modern life. With a contemporary, compact design perfect for smaller apartments, it s also packed with useful technology from the leader in digital piano innovation. First, you ll experience an authentic, expressive piano tone that s nothing short of remarkable for such a compact and affordable instrument. The built-in stereo speakers project rich, full sound, while the Headphones 3D Ambience effect completely immerses you in your performance during private practice. Onboard rhythm accompaniments make playing even more fun, giving you control of a backing band that automatically follows the chords you play. The F-140R can help improve your playing and composition too, with onboard recording, Bluetooth® connectivity for using with music score apps and a USB port for hooking up to a computer. Specifications KEYBOARD Keyboard 88 keys (PHA-4 Standard Keyboard: with Escapement and Ivory Feel) Touch Sensitivity Key Touch: 5 types, fixed touch Keyboard Mode Whole Dual (volume balance adjustable) Split (split point adjustable, volume balance adjustable) Twin Piano Pedals Damper (capable of continuous detection) Soft (capable of continuous detection) Sostenuto (function assignable) SOUND GENERATOR Piano Sound SuperNATURAL Piano Sound MIDI Format Conforms to GM2, GS, XGlite Max. Polyphony 128 voices Tones Grand Piano: 11 tones Other: 305 tones (including 8 drum sets, 1 SFX set) Stretched Tuning 2 types (Always On) Master Tuning 415.3 - 466.2 Hz (adjustable in increments of 0.1 Hz) Transpose Key Transpose: -6 - 5 (in semitones) Effects Ambience (Off, 10 levels) Brilliance (21 levels) Only for Piano Tones: Damper Resonance (Always On) String Resonance (Always On) Key Off Resonance (Always On) METRONOME Tempo Quarter note = 10 - 500 (When rhythm function turns on: Quarter note = 20 - 250) Beat 2/2, 0/4, 2/4, 3/4, 4/4, 5/4, 6/4, 7/4, 3/8, 6/8, 9/8, 12/8 SMF RECORDER Parts 1 part Save Song Standard MIDI Files (Format 0) Note Storage Approx. 30,000 notes Control Song Select Play/Stop Rec Rewinding Fast-forwarding Top of song Part Mute Tempo All Songs Play Count-in Song Balance Tempo Quarter note = 10 - 500 (When rhythm function turns on: Quarter note = 20 - 250) Resolution 120 ticks per quarter note RHYTHM Rhythms 72 types x 2 variations Controls Rhythm Select Start/Stop Sync Start Intro/Ending Fill In Variation Bass Inversion Auto Fill Rhythm Part AUDIO Playback File Format: Audio File (WAV 44.1 kHz, 16-bit linear format) Control Song Select Play/Stop Rewinding Fast-forwarding Top of song All Songs Play Song Balance Center Cancel INTERNAL MEMORY Save Song Standard MIDI Files (Format 0) Songs Max. 10 songs EXTERNAL MEMORY External Storage USB Flash Memory Playable Software Standard MIDI Files (Format 0, 1) Audio File (WAV, 44.1 kHz, 16-bit linear format) Save Song Standard MIDI Files (Format 0) BLUETOOTH FUNCTION Bluetooth Function MIDI, Turning music sheet: Bluetooth Ver 4.0 OTHER Internal Songs Piano Masterpieces: 69 songs Czerny: 100 songs Hanon: 20 songs Display 7 segments x 3 LED Keyboard Lid Folding type Other Functions Panel Lock Auto Off Connectors DC In jack Input jack: Stereo miniature phone type Output jack: Stereo miniature phone type USB COMPUTER port: USB Type B USB MEMORY port: USB Type A Phones jacks x 2: Stereo miniature phone type, Stereo 1/4-inch phone type Rated Power Output 12 W x 2 Volume Level (SPL) 103 dB (This value was measured according to the method that is based on Roland s technical standard.) Speakers 12 cm (4-3/4 inches) x 2 Headphones Effects: Headphones 3D Ambience Controls Volume (with the speaker volume and the headphones volume automatically select function, with the volume limit function) Power Consumption 9 W (3 - 22 W) 9 W: Average power consumption while piano is played with volume at center position 3 W: Power consumption immediately after power-up; nothing being played 22 W: Rated power consumption Accessories Owner s manual Leaflet USING THE UNIT SAFELY Assembly manual AC Adaptor Power Cord (for AC Adaptor) Headphone hook Screw set Stabilizer Options (sold separately) Headphones USB Flash Memory (*1) Audio Cable USB Cable SIZE AND WEIGHT (INCLUDING PIANO STAND, WITH LID CLOSED, STABILIZERS MOUNTED) Width 1361 mm 53-5/8 inches Depth 345 mm 13-5/8 inches Height 778 mm 30-11/16 inches Weight 34.5 kg 76 lbs. 1 oz. SIZE AND WEIGHT (INCLUDING PIANO STAND, WITH LID OPEN, STABILIZERS MOUNTED) Width 1361 mm 53-5/8 inches Depth 345 mm 13-5/8 inches Height 910 mm 35-7/8 inches Weight 34.5 kg 76 lbs. 1 oz. |
| |
 | Footswitches Anasounds Spinner
Express yourself! Until now, you could get more from your pedals by adding a tap tempo foo...(+) Express yourself! Until now, you could get more from your pedals by adding a tap tempo footswitch or an expression pedal. Truthfully, what was called an expression pedal was more of a control pedal that would have the exact same effect as turning a knob with your foot. Very handy obviously, but not too creative. With the introduction of the Spinner, here comes the first expression pedal worthy of the name. Turn, turn, turn The traditional expression pedal came along because of a simple fact, which is that its extremely difficult to change your settings with both hands already busy playing the guitar. Many of us have already found themselves waiting impatiently for the next silence in the song to finally get a chance to turn a knob. In those situations, a control pedal is a precious tool, and effect manufacturers have been catering to that demand from the Uni-Vibe and its pedal in 1969 to Line 6s Helix and its three control pedals. But until now, no one had designed a pedal that really extended the possibilities of the main effect, allowing you to express yourself artistically. Until the Spinner came along. The idea came to us while working on the Sliver pedal, looking for ways to make the simple tremolo effect more lively and exciting. It took us months of research to come up with the magnetic system, and we had to track down a local French craftsman to build the made-to-measure metallic part. Heres how the Spinner works: the metallic boomerang-like metallic star with three blades is mounted on a screw inspired by a skateboard. It has a magnet under each blade which gets detected by the Sensor to send your rotation rate to the circuit. Therefore, the effect gets affected every time your kick the star in a manner that you have previously chosen thanks to the switch on the back of the pedal (placed there for it not to get in the way of your kicks!) You can choose to make the effect faster until the Spinner stops turning, at which point the rate goes back to the one that has been entered through the regular tap tempo footswitch. On the contrary, the effect can be slowed down following the same pattern. Finally, a killswitch mode makes a stuttering sound synchronized with the rate of the Spinner. In the first two modes, you can even kick the star when your main pedal is switched off, and the Spinner will trigger the effect for a limited time until it stops turning. Holding a chord at the end of a bridge and looking to give it a dramatic intensity A nice dose of harmonic tremolo kicking in at full speed and then stopping suddenly should do the trick! Since the rotation of the Spinner is the source of expression, you can stop the effect or go back to the original speed just by stopping the star with your foot. Weve also designed a magnet that you can use to make the Spinner slow down earlier: its effect is now shorter, and you dont even need to stop it with your foot anymore. There are no knobs on the surface to avoid accidents, but youll find three trimpots inside in order to control the speed threshold that activates the effect if it was turned off, the threshold that deactivates that effect and the acceleration or deceleration rate of the effect. For now, the Spinner is compatible with the Sliver tremolo pedal and the Ages harmonic tremolo pedal, taking their possibilities so far that it becomes inseparable. But you know how Anasounds work, were already working on more compatible pedals to come, since theres a strong possibility that youre gonna want to use the Spinner with every pedal you own once you get hip to its magic! |
| |
| Manley Variable Mu Stereo Limiter Compressor V-mu T-bar Option
The MANLEY VARIABLE MU® LIMITER COMPRESSOR has been our best selling product for many yea...(+) The MANLEY VARIABLE MU® LIMITER COMPRESSOR has been our best selling product for many years. It is one of the very few compressors that has become a real standard in Mastering studios and contributed to most hit records over the last decade and probably the next. Mu is tube-speak for gain, and Variable Mu® is our registered trademark for this limiter compressor. It works by using the remote cut-off or re-biasing of a vacuum tube to achieve compression. The precious vintage Fairchild 670 also uses this technique and is one of few all-tube compressor to do so, that we know of. Even the side-chain has glowing rectifier bottles. How s it work The unique 5670 dual triode is at the center of the peak-reducing and compression action constantly being re-biased by the vacuum tube rectified side-chain control voltages which cause this tube to smoothly change its gain. Just like that. The COMPRESS mode is soft-knee 1.5 to 1 ratio while the sharper knee LIMIT mode starts at 4 to 1 and moves to a more dramatic ratio of 20 to 1 when limiting over 12dB. Interestingly, the knee actually softens as more limiting is used. Distortion can be creatively used by turning up the Input and turning down the Output while using very little or no compression. See the gain reduction curves here! You might notice that the Variable Mu® Limiter Compressor has a ganged input control, but do not jump to conclusions that it is mono-unfriendly. Track away! There are separate threshold and output controls to make compensations with plus you can always adjust your individual source levels elsewhere, right The advantage of the stereo input control becomes dramatically clear when you switch to LINK mode, and that s what our Variable Mu® Limiter Compressor does better than anything else: final mix, 2-track, or mastering limiting and compression. - MANLEY input and output transformers with nickel laminations in mu-metal cases with flat frequency response from 20Hz-25KHz - BALANCED INPUTS and OUTPUTS (600 Ohms) - Fully differential ALL-TUBE circuitry using one each 5670, 5751 (or 12AX7), 7044 (or 5687), and 12AL5 per channel - Independently regulated B and Heater supplies - Hard-wire BYPASS switch - Stepped switch INPUT attenuator as of 10/2011. (older units use Silent dual-ganged potentiometer) - RECOVERY 5 steps: 0.2s, 0.4s, 0.6s, 4sec., 8sec. - Variable ATTACK: 25msec-70msec - Continuously variable THRESHOLD - LIMIT (4:1 to 20:1) or COMPRESS (1.5 to 1) - HP SC: High Pass Side Chain Filter -3dB @ 100Hz Large ILLUMINATED Sifam METERS (older units before serial number MSLC61642 shipped before 12/2003 use: 26V 1.2W FESTOON LAMPS; Manley's Part Number: VAR016B) Order spare bulbs using our parts order form. (newest units after serial number MSLC61642 shipped after 12/2003 use white LED lighting) - STEREO LINK SWITCH - Several units can be linked for Surround (custom order ) - Maximum gain: 35dB - Max. output: 30dBu (26Vrms) 26dB Headroom | |
| |
| Behringer 1204 Usb Xenyx - 12 Inputs With Usb Interface (4 comments)
Premium 12-Input 2/2-Bus Mixer with XENYX Mic Preamps and Compressors, British EQs, USB/Au...(+) Premium 12-Input 2/2-Bus Mixer with XENYX Mic Preamps and Compressors, British EQs, USB/Audio Interface and energyXT2.5 Compact BEHRINGER Edition Music Production Software * Premium ultra-low noise, high headroom analog mixer * 4 state-of-the-art XENYX, phantom-powered Mic Preamps comparable to stand-alone boutique preamps * 4 studio-grade compressors with super-easy one-knob functionality and control LED for professional vocal and instrumental sound * Neo-classic British 3-band EQs for warm and musical sound * Built-in stereo USB/Audio Interface to connect directly to your computer. Free audio recording, editing and podcasting software plus 150 instrument/effect plug-ins and ultra-low latency driver included * Revolutionary energyXT2.5 Compact BEHRINGER Edition music production software included with feature-rich audio/MIDI sequencer that loads almost instantaneously on all computer platforms * 2 aux sends per channel: 1 pre fader for monitoring applications, 1 post fader for external FX devices * Clip LEDs and mute/alt 3-4 function on all channels * 2 subgroups with separate outputs for added routing flexibility * 2 multi-functional stereo aux returns with flexible routing * Balanced main mix outputs with gold-plated XLR connectors plus separate control room, headphones and stereo tape outputs * Control room/phones outputs with multi-input source matrix * Long-wearing 60-mm logarithmic-taper faders and sealed rotary controls * Planet Earth switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving * Rack mount brackets included for ultimate flexibility * High-quality components and exceptionally rugged construction ensure long life * Conceived and designed by BEHRINGER GermanyPerfect for a small live-performance mixer, as well as home-based recording setup, the 1204USB provides four mono channels with premium XENYX mic preamps, neo-classic 3-band British-style EQ and two stereo input channels. Far from being a bare-bones mixer, all mono channels feature our one knob studio-grade compressor and two Aux Sends (one each pre- and post-fader). Two stereo Aux Returns are included for use with external FX modules. The built-in USB audio interface provides bi-directional transfer of signals between the mixer and computer.XENYX USB Series mixers are designed to handle your live gigs, and they provide the state-of-the-art tools you need to make stunning, professional-quality recordings. Along with their built-in USB/audio interfaces, XENYX USB mixers come with all the recording and editing software you ll need to turn your computer system into a complete, high-performance home recording studio.All XENYX mixers have one thing in common great-sounding, high headroom XENYX mic preamps. These state-of-the-art mic pres represent a major step in the evolution of audio technology and they can easily hold their own, even when compared to the most expensive stand-alone mic preamps. XENYX preamps offer a staggering 130 dB of dynamic range, with a bandwidth that extends from below 10 Hz to well above 200 kHz. Armed with these outstanding mic preamps, XENYX mixers provide such transparent, crystal-clear performance you just might think someone upgraded your mics while you weren t looking.The British consoles of the 1960s and 70s changed the sound of rock and roll without them the British Invasion might not have happened. Those legendary mixing desks soon became the envy of engineers and producers all over the world. The channel EQ on our XENYX mixers is based on that very same circuitry, allowing you to imbue signals with incredible warmth and detailed musical character. Even when applied generously, these equalizers exhibit sweet forgiveness and superb audio quality.Ask professional sound engineers what their favorite piece of external processing gear is and the majority response will be virtually unanimous dynamic compression. What is compression We re glad you asked. Compression essentially limits the dynamic range of a signal, lowering the level of loud sounds and turning up softer sounds, to achieve sonic balance. But applying compression is a delicate art that many novice, and even intermediate, sound techs have great difficulty mastering. Our one-knob compression is available on all mono channels and is easy to operate, even for entry-level users. With this one knob, you can easily dial in the perfect amount of compression for instruments and vocals, creating powerful mixes with punch and clarity. This is indeed a rare feature for products in this class but standard on all XENYX USB mixers.All XENYX USB Series mixers (except the 1204USB) feature our new 24-bit dual engine FX processor, with 16 editable, studio-grade presets including reverb, chorus, flanger, delay, pitch shifter and multi-effects. Complete with a highly accurate input meter, these effects can be altered to your personal taste via the Parameter control. Time-based functions can be entered manually by pressing the Tap button in tempo with the music.There was a time when the recording process called for lots and lots of expensive gear, which meant the average musician had to buy time at a recording studio and that time was pricey indeed. But modern technology has put personal recording well within the reach of virtually anyone with access to a computer. How do you get all that music flying around your brain into your computer That s where XENYX USB mixers come in. Thanks to the built-in, bi-directional stereo USB audio interface, you can connect any of these mixers directly to your PC or Mac computer via a single USB cable. Now any signal source you connect to the mixer can be recorded directly to your hard drive. Because you ll want to take full advantage of the XENYX USB Series mixers recording and podcasting potential, we ve thrown in a massive software package that includes Audacity (the most popular open source audio editor), Podifier, Juice, Podnova and Golden Ear (a great selection of podcasting software). You re ready to go live on your PC or Mac computer right out of the box! You also get more than 100 virtual instruments and 50 FX plug-ins, turning your computer into a complete home-based or mobile recording studio from input to output.When you re ready to take your recording projects to the next level, XT Software s energyXT is just the trick. This amazing DAW (digital audio workstation) makes it easy to manipulate your audio and MIDI files, turning song ideas into stunning CD or Web-ready recordings. energyXT includes its own multi-FX processor, plus a built-in synthesizer/sampler and a drum machine, both of which can be accessed directly via an external controller (such as our UMA25S) or programmed in step-write mode. To learn more about energyXT2.5 No matter what your audio mixing needs are, BEHRINGER USB Series mixers provide the performance and features that can take your talent to the next level, at a price that is sure to amaze you. Try one on today we have one available in your size! | |
| |
 |
 |
 |
 |