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 | WA-84 Small Diaphragm Condenser Microphone
Stereo Pair - Nickel Color. Warm Audio. General Merchandise. Hal Leonard #WA-84-C-N-S. Pub...(+) Stereo Pair - Nickel Color. Warm Audio. General Merchandise. Hal Leonard #WA-84-C-N-S. Published by Hal Leonard (HL.323641).
Item Number: HL.323641
11x13.5 inches.
Sound Like a Legend
The WA-84 is a small diaphragm condenser microphone based on classic microphone circuitry. The WA-84 is a fully discrete Class A design that utilizes a CineMag USA transformer, polystyrene and Wima capacitors and a Fairchild FET. The WA-84 is designed for pro studio, home studio, live, and broadcast applications and sounds great on a variety of instruments and sources, such as; acoustic/electric guitars, acoustic/electric bass, drums, piano, strings, brass & woodwind instruments, and an array of other sources.
Large Sound, Small Size
The WA-84 has a very LARGE sound for its small size and uniquely uses a heavy Nickel CineMag transformer in its signal path to warm up and ENLARGE sound sources. Small diaphragm condenser microphones have widely moved to transformer-less technology in recent years for ease of design and a lower-cost manufacturing process. When designing the WA-84 we chose to go the extra mile and tackle a more boutique design known for its crystal clear, yet smooth, LARGE sound.
Boutique Tone
Warm is proud to offer something special to the market-place by using large core transformer technology (CineMag USA) in a small diaphragm condenser microphone package. The result is a circuit that we feel sounds absolutely gorgeous and goes the extra mile in terms of signal integrity and smooth boutique tone.
Includes: 48v powered, cardioid capsule, shock mount, hard mount, windscreen, carrying case, nickel color.  |
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 | WA-84 Small Diaphragm Condenser Microphone
Single - Nickel Color. Warm Audio. General Merchandise. Hal Leonard #WA-84-C-N. Published ...(+) Single - Nickel Color. Warm Audio. General Merchandise. Hal Leonard #WA-84-C-N. Published by Hal Leonard (HL.323640).
Item Number: HL.323640
4x12 inches.
Sound Like a Legend
The WA-84 is a small diaphragm condenser microphone based on classic microphone circuitry. The WA-84 is a fully discrete Class A design that utilizes a CineMag USA transformer, polystyrene and Wima capacitors and a Fairchild FET. The WA-84 is designed for pro studio, home studio, live, and broadcast applications and sounds great on a variety of instruments and sources, such as; acoustic/electric guitars, acoustic/electric bass, drums, piano, strings, brass & woodwind instruments, and an array of other sources.
Large Sound, Small Size
The WA-84 has a very LARGE sound for its small size and uniquely uses a heavy Nickel CineMag transformer in its signal path to warm up and ENLARGE sound sources. Small diaphragm condenser microphones have widely moved to transformer-less technology in recent years for ease of design and a lower-cost manufacturing process. When designing the WA-84 we chose to go the extra mile and tackle a more boutique design known for its crystal clear, yet smooth, LARGE sound.
Boutique Tone
Warm is proud to offer something special to the market-place by using large core transformer technology (CineMag USA) in a small diaphragm condenser microphone package. The result is a circuit that we feel sounds absolutely gorgeous and goes the extra mile in terms of signal integrity and smooth boutique tone.
Includes: 48v powered, cardioid capsule, shock mount, hard mount, windscreen, carrying case, nickel color. |
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 | WA-84 Small Diaphragm Condenser Microphone
Stereo Pair - Black Color. Warm Audio. General Merchandise. Hal Leonard #WA-84-C-B-S. Publ...(+) Stereo Pair - Black Color. Warm Audio. General Merchandise. Hal Leonard #WA-84-C-B-S. Published by Hal Leonard (HL.323643).
Item Number: HL.323643
11x14 inches.
Sound Like a Legend
The WA-84 is a small diaphragm condenser microphone based on classic microphone circuitry. The WA-84 is a fully discrete Class A design that utilizes a CineMag USA transformer, polystyrene and Wima capacitors and a Fairchild FET. The WA-84 is designed for pro studio, home studio, live, and broadcast applications and sounds great on a variety of instruments and sources, such as; acoustic/electric guitars, acoustic/electric bass, drums, piano, strings, brass & woodwind instruments, and an array of other sources.
Large Sound, Small Size
The WA-84 has a very LARGE sound for its small size and uniquely uses a heavy Nickel CineMag transformer in its signal path to warm up and ENLARGE sound sources. Small diaphragm condenser microphones have widely moved to transformer-less technology in recent years for ease of design and a lower-cost manufacturing process. When designing the WA-84 we chose to go the extra mile and tackle a more boutique design known for its crystal clear, yet smooth, LARGE sound.
Boutique Tone
Warm is proud to offer something special to the market-place by using large core transformer technology (CineMag USA) in a small diaphragm condenser microphone package. The result is a circuit that we feel sounds absolutely gorgeous and goes the extra mile in terms of signal integrity and smooth boutique tone.
Includes: 48v powered, cardioid capsule, shock mount, hard mount, windscreen, carrying case, nickel color. |
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 | WA-84 Small Diaphragm Condenser Microphone
Single - Black Color. Warm Audio. General Merchandise. Hal Leonard #WA-84-C-B. Published b...(+) Single - Black Color. Warm Audio. General Merchandise. Hal Leonard #WA-84-C-B. Published by Hal Leonard (HL.323642).
Item Number: HL.323642
4x12 inches.
Sound Like a Legend
The WA-84 is a small diaphragm condenser microphone based on classic microphone circuitry. The WA-84 is a fully discrete Class A design that utilizes a CineMag USA transformer, polystyrene and Wima capacitors and a Fairchild FET. The WA-84 is designed for pro studio, home studio, live, and broadcast applications and sounds great on a variety of instruments and sources, such as; acoustic/electric guitars, acoustic/electric bass, drums, piano, strings, brass & woodwind instruments, and an array of other sources.
Large Sound, Small Size
The WA-84 has a very LARGE sound for its small size and uniquely uses a heavy Nickel CineMag transformer in its signal path to warm up and ENLARGE sound sources. Small diaphragm condenser microphones have widely moved to transformer-less technology in recent years for ease of design and a lower-cost manufacturing process. When designing the WA-84 we chose to go the extra mile and tackle a more boutique design known for its crystal clear, yet smooth, LARGE sound.
Boutique Tone
Warm is proud to offer something special to the market-place by using large core transformer technology (CineMag USA) in a small diaphragm condenser microphone package. The result is a circuit that we feel sounds absolutely gorgeous and goes the extra mile in terms of signal integrity and smooth boutique tone.
Includes: 48v powered, cardioid capsule, shock mount, hard mount, windscreen, carrying case, nickel color. |
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 | Heritage Audio Dtt-73 Preampli Micro / Di
Standing for DUAL TABLETOP 73, it is in essence a reformatted DMA73.The DTT-73 widens the ...(+) Standing for DUAL TABLETOP 73, it is in essence a reformatted DMA73.The DTT-73 widens the range of application to On Stage use, portable systems, hotel rooms, On Location recordings, etc.Now musicians are able to give 1073-driven line levels to FOH engineers, using the front panel DI inputs. While on the road they are able to record at the same studio quality level from hotel rooms, etc. Stage microphones can be brought up to line level without using long cable runs. These are just some of the possibilities.Special care has been taken with the internal worldwide power supply, which has been custom engineered to operate close to audio transformers with no noise induced.New to the range of tabletop units is the implementation of DI THRU jacks for simultaneous use of instrument amplifiers. A ground lift switch prevents any ground loops introducing hum in the audio when using these.The combination of wood and RAF blue grey steel makes the tabletop units aesthetically stand out in any professional recording environment and will bring your semi pro facility the touch of class you´re looking for.Specifications:• Microphone input impedance: HI, 1200 Ohm minimum, LO, 300 Ohm minimum. Higher gain positions gradually have greater impedances, optimum for lo gain ribbon mics. Input is Carnhill transformer balanced and floating.• Line input impedance: 10K Ohms bridging, Carnhill transformer balanced and floating.• DI input impedance: Greater than 2 Megohms, unbalanced.• Output impedance: Less than 75 Ohms, Carnhill transformer balanced and floating, to drive a load of 600 ohms (factory terminated).• Maximum output: Greater than +26dBm into 600 ohms.• THD: Less than 0.025% at 1 Khz, less than 0.05% at 100Hz.• Frequency response: 20Hz ( +0.3dB ) to 20Khz (-0.2dB)• Maximum gain: Slightly greater than 80dB• Noise: Less than -100dBm.  |
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 | Heritage Audio Tt73 Preampli Micro / Di
Standing for TABLETOP 73, it is in essence a reformatted single channel DMA73.The TT-73, w...(+) Standing for TABLETOP 73, it is in essence a reformatted single channel DMA73.The TT-73, widens the range of application to On Stage use, portable systems, hotel rooms, On Location recordings, etc.Now musicians are able to give 1073-driven line levels to FOH engineers, using the front panel DI inputs. While on the road they are able to record at the same studio quality level from hotel rooms, etc. Stage microphones can be brought up to line level without using long cable runs. These are just some of the possibilities.Special care has been taken with the internal worldwide power supply, which has been custom engineered to operate close to audio transformers with no noise induced.New to the range of tabletop units is the implementation of DI THRU jacks for simultaneous use of instrument amplifiers. A ground lift switch prevents any ground loops introducing hum in the audio when using these.The combination of wood and RAF blue gray steel makes the tabletop units aesthetically stand out in any professional recording environment and will bring your pro or semi pro facility the touch of class your customers are looking for.Specifications:• Microphone input impedance: HI, 1200 Ohm minimum, LO, 300 Ohm minimum. Higher gain positions gradually have greater impedances, optimum for lo gain ribbon mics. Input is Carnhill transformer balanced and floating.• Line input impedance: 10K Ohms bridging, Carnhill transformer balanced and floating.• DI input impedance: Greater than 2 Megohms, unbalanced.• Output impedance: Less than 75 Ohms, Carnhill transformer balanced and floating, to drive a load of 600 ohms (factory terminated).• Maximum output: Greater than +26dBm into 600 ohms.• THD: Less than 0.025% at 1 Khz, less than 0.05% at 100Hz.• Frequency response: 20Hz ( +0.3dB ) to 20Khz (-0.2dB)• Maximum gain: Slightly greater than 80dB• Noise: Less than -100dBm. |
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 | TB12 Black Tone Beast - Tone Shaping Mic Pre
Same Original Tone Beast, Now in Black!. Warm Audio. General Merchandise. Hal Leonard #TB1...(+) Same Original Tone Beast, Now in Black!. Warm Audio. General Merchandise. Hal Leonard #TB12-B. Published by Hal Leonard (HL.323649).
Item Number: HL.323649
9.5x24 inches.
Unleash the Beast!
The TB12 Tone Beast Black is a fully professional preamp design with loads of gain that can effortlessly capture an array of sources very well. It is a swiss army knife full of options and tones. With top notch CineMag transformers and multiple discrete signal paths, it's hard to beat the Tone Beast's big, bold, fully-professional sound at this price.
The Tone Beast Black is a mic pre that likes to be pushed and when pushed will colorize your signal ever so sweetly. The 2 opamps and 2 output transformers at the flip of their switches won't appear to be much different, but as one drives the pre into harmonic distortion, the unique character of each of these components becomes apparent. The Tone Beast Black is customizable and allows users to source and swap in their own opamps. The output control on the TB12 allows you to limit the signal exiting the preamp even when pushing the gain to really hot levels, giving you maximum control.
When designing the TB12 Tone Beast Black, Warm's goal was to make a microphone preamplifier affordable and jam packed full of options, without compromising the quality and design parameters that make this type of microphone preamplifier so desirable.
Premium Components:
The TB12 Tone Beast Black is a fully discrete, high-voltage microphone preamplifier, utilzing CineMag USA Transformers. Have no fear of hurting the Beast, you can push it very hard into full-on distortion if you wish, and these can sound quite nice on electric guitar, bass or anything else that likes some grit.
The different component options in the TB12 are subtle, but when driven into saturation are noticeable and can make a big difference to the way your final mix will sound. Home-based musicians and professional studios alike will find the Tone Beast Black to be an extremely powerful and fully professional piece of gear that is capable of warming and shaping signals/mixes in a way that is very pleasing to the ear. |
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 | TB12 500 Tone Beast Tone Shaping Mic Pre
Warm Audio. General Merchandise. Hal Leonard #TB12-500. Published by Hal Leonard (HL.32365...(+) Warm Audio. General Merchandise. Hal Leonard #TB12-500. Published by Hal Leonard (HL.323651).
Item Number: HL.323651
10x8 inches.
Unleash the Beast
The Tone Beast is a great mic pre with loads of gain that can effortlessly capture an array of sources very well. With top notch CineMag transformers and multiple discrete signal paths, it's hard to beat its big, bold, fully-professional sound ad its price.
The Tone Beast is a mic pre that likes to be pushed and when pushed will colorize your signal ever so sweetly. The 2 opamps and 2 output transformers at the flip of their switches won't appear to be much different, but as one drives the pre into harmonic distortion, the unique character of each of these components becomes apparent. Additionally the Tone Beast is customizable and allows for other opamps to be sourced and easily swapped into the unit. Warm has pulled its best tones from this pre right at the saturation point (as loud as you can push the gain before clipping). The output control on the TB12 allows you to limit the signal exiting the preamp even when pushing the gain to really hot levels, giving you maximum control.
Affordable Tone Shaping Mic Preamp
Warm's goal was to make a microphone preamplifier affordable for the first time, without compromising the quality and design parameters that make this type of microphone preamplifier so desirable. Home-based musicians and professional studios alike will find the Tone Beast to be an extremely powerful and fully professional piece of gear that is capable of warming and shaping signals/mixes in a way that is very pleasing to the ear.
Premium Components
The TB12 Tone Beast 500 is a high-voltage microphone preamplifier, utilzing CineMag USA Transformers. Our own reproduction of the legendary original 2520-style discrete opamp found in the classic american consoles of yesteryear. These op-amps will work in any preamplifier or other device which conforms to the 2520-style footprint and +/-16 voltage standard. Have no fear of hurting the Beast, you can push it very hard into full-on distortions if you wish, and these can sound quite nice on electric guitar, bass or anything else that likes some nice grit. |
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 | WA12 MKII Discrete Mic Pre
Warm Audio. General Merchandise. Hal Leonard #WA12 MKII. Published by Hal Leonard (HL.3236...(+) Warm Audio. General Merchandise. Hal Leonard #WA12 MKII. Published by Hal Leonard (HL.323650).
Item Number: HL.323650
13x14 inches.
Raising the Volume
A lot of preamps on the market do a good job of raising the volume of mics and instruments. Unfortunately, many pres are doing only that, raising volume. The super clean designs of today often leave the signal exiting the preamp sounding much the same as it did entering it.
If you are looking for a preamp to improve and shape your signal you will most definitely love the WA12 MKII. The WA12 MKII is designed to transform plain instruments and vocals into exciting tone. If your mixes lack depth, struggle to sound alive, or are just missing that professional touch you've always wanted, there is a good chance you will love the WA12 MKII.
Packed with Performance
The WA12 MKII is a completely discrete, high voltage, dual-transformer microphone preamplifier design with high gain (+71dB), high headroom, low noise, and an exciting sonic performance great for all types of recording applications. A high quality mic preamp is one of the most critical pieces needed to achieve the elusive 'larger than life' sound, and the WA12 MKII is more than capable of delivering.
Premium Components
The WA12 MKII is based around a discrete op-amp, the X731, which is Warm's own reproduction of the vintage classic Melcor 1731, considered by some to be the warmer predecessor to the modern 2520-style op-amp. The X731 can achieve vibrant, clean and lifelike tones; but can also be driven into mild saturation at much higher gain levels. The effects can be subtle, but very pleasing to the ear. The WA12 MKII can also accept any discrete op-amp on the market which conforms to the +/-16v, 2520 pinout standard.
When developing the WA12 MKII our ears played a big part in the design process. Using CineMag USA transformers and an all discrete signal path ensured that the WA12 MKII would have the building blocks to compete with the best sounding preamps on the market. We are very proud to offer such a robust/professional design in a small and affordable package. |
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 | Chameleon Labs : 7603 Microphone Preamp & EQ
hameleon Labs 7603 Microphone Preamp & EQ; Mono microphone preamp and EQ; Chameleon microp...(+) hameleon Labs 7603 Microphone Preamp & EQ; Mono microphone preamp and EQ; Chameleon microphone and line input transformers as well as Chameleon output transformer; High impedance instrument input; Discrete Class A topology; reamp with 70 dB gain; Three-band induction-based EQ; Switchable high-pass filter at 40, 80, 160 or 320 HZ; 48 V phantom power for the microphone input; switchable phase inversion; selectable microphone input impedance of 300 O or 1200 O; switchable VU meter (input/output) with calibrated ballistics; relay based selection of line/mic and DI inputs; overload indicator for input and output; dimensions (WDH): 480 x 295 x 440 mm; Weight: 5kg  |
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 | Focusrite Isa Two Classic Dual Mono Transformer-based Microphone Preamplifier Fopc
Vous pouvez avoir seulement besoin d'un couple de préamplis micro, mais il faut les meill...(+) Vous pouvez avoir seulement besoin d'un couple de préamplis micro, mais il faut les meilleurs. L'ISA Two est un double préampli micro mono et constitue la solution idéale pour ceux désireux de faire des prises stéréo sans compromis : deux canaux indépendants haute qualité du plus pur jus classique Focusrite, avec des entrées ligne et instrument en face avant - pas de boîte DI nécessaire. Comme tous les préamplis de la série ISA, l'ISA Two emploie une paire de transformateurs dentrée LL1538 Lundahl qui confèrent une large bande passante et soyeux dans le rendu sonore. Un circuit à impédance variable a été ajoutée, permettant à l'utilisateur de basculer entre quatre réglages d'impédance d'entrée soigneusement sélectionnés. En plus de l'impédance de lISA110, trois autres paramètres permettent d'adapter ou non limpédance dentrée du préampli avec n'importe quel microphone sur chacune des 2 entrées de lISA Two. De plus, les deux côtés bénéficient également d'un point d'insertion qui permet de placer un traitement supplémentaire entre le préampli ou DI et la sortie. Un gain de souplesse non négligeable qui permet ladjonction dEQ, compresseurs/ gates ou limiters à la prise.Sur la base des conceptions légendaires que lon trouve dans la console historique Forte de Focusrite et des consoles de studio de lépoque, lISA Two est le duo idéal pour votre rack.Face avant:Chaque canal de l'ISA Two dispose de: - Potentiomètre de gain et Sélecteur de plage de gain- Sélecteur d'impédanceSélecteur d'entréePotentiomètre de filtre (glissant de 16 Hz à 420 Hz)- Switch phase, insert, 48V, HPF (18dB/ octave à 75Hz), Gain 30-60- 2 entrées haute impédance pour instrumentUn double vu-mètre LEDFace arrière:- 2 entrées MIC- 2 entrées ligne en jack TRS- 2 sorties au format XLR- 2 Send/ Return au format jack TRS,Entrée micro:- Plage de gain: 0dB à 60dB par pas de 10dB- Sélection d'impédance: 600 O, 1k4 kO, 2k4 kO, 6k8 kO- EIN: -126dB mesuré à 60dB de gain avec une terminaison à 150 Ohm sur une bande filtrée de 20Hz/22kHz- Bruit en sortie à (0dB): -97dBu mesuré sur une bande filtrée de 20Hz/22kHz- Rapport signal sur bruit relatif au headroom maximal (9dBu): 106dB- THD à gain médium (30dB): 0.0008% mesuré à 1kHz -20dBu de signal d'entrée sur une bande filtrée de 20Hz/22kHz- Réponse en fréquences à (0dB): -0.5dB jusqu'à 10Hz et 3dB jusqu'à 110kHz- Réponse en fréquences à gain maximum (60dB): 3dB jusqu'à 16Hz et 3dB jusqu'à 85kHz,Entrée ligne:- Plage de gain: -20dB à +10dB par pas de 10dB- Impédance d'entrée: 10k de 10Hz à 200kHz,Entrée instrument:- Plage de gain: 10dB à 40dB- Impédance d'entrée: 1M ou 300k,Vu-mètre:LED 8 segments pour contrôler le niveau de sortie des préamplis,Poids:3.7 kg,Dimmensions:480mm x 280mm x 44mmCatégorie : préampli micro Nbre canaux : 2 Nbre entrées micro : 2 Nbre entrées instrument : 2 Lampes : non Compresseur : non EQ : filtre passe-haut Gain : 80 Alimentation fantôme : ouiOpposition de phase : oui Sélecteur d'impédance : oui Insert : oui Remote : non Sorties audio : XLR Vumètre : indicateur de niveau à Led Unité rack : 1 Dimensions (mm) : 480 x 280 x 44 Poids (kg) : 3,70  |
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 | Sonic Farm : Xcalibur JC
A 2-channel microphone preamplifier and saturator for processing line and instrument signa...(+) A 2-channel microphone preamplifier and saturator for processing line and instrument signals- Class-A tube circuit with EF86 tubes- Input transformers for microphone and line inputs available- Up to +68 dB gain for the microphone input and +48 dB for the line and instrument signals- A switchable saturation stage consisting of an EF86 tube and a FET transistor- Switchable high-pass and low-pass filters for the saturation stage- Separate controls for clean and drive level as well as blend control- The output level is separately adjustable- Cinemag output transformer (solid-state stage alternatively selectable)- Phantom power: +48 V- Pad switch: 15 dB- DI input for instruments (input impedance: 2.2 MOhm)- Phase reverse switch- A switchable bass and treble boost (with two stages each)- The input impedance is switchable between 10 kOhm, 900 Ohm and 2400 Ohm- Switchable high-pass filter (80 Hz or 160 Hz)- Frequency response: 10 Hz - 50 kHz (+/- 3 dB)- Maximum output level: +32 dBu- 2x Microphone input (XLR)- 2x Line input (XLR)- 2x Line/instrument input (6.3mm jack)- 2x Line output (XLR)- Ground lift switch- Dimensions: 19" / 1HE- Weight: 6.9 kg  |
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| Black Lion Audio : Auteur DT
Combinaison d'une boîte de direct et d'un préamplificateur- Préamplificateur 60 dB- Ré...(+) Combinaison d'une boîte de direct et d'un préamplificateur- Préamplificateur 60 dB- Réponse en fréquence: 10 - 30000 Hz- Etage de sortie couplé par transformateur- Condensateurs Nichicon & Vishay- Contrôles du panneau avant pour alimentation fantôme, inversion de phase, atténuateur -10 dB et Hi-Z- VU-mètre rétro-éclairé- Entrées/sorties analogiques: 1x entrée Hi-Z (Jack 6,3 mm), 1x entrée microphone (XLR 3 broches), 1x sortie (Jack symétrique 6,3 mm)- Design de bureau compact- Panneaux latéraux en érable- Alimentation: 24V AC, 500 mA- Dimensions (L x l x H): 100 x 260 x 210 mm- Poids: 1,25 kg  | |
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 | WA-87 FET Condenser Microphone
Nickel Color. Warm Audio. General Merchandise. Hal Leonard #WA-87. Published by Hal Leonar...(+) Nickel Color. Warm Audio. General Merchandise. Hal Leonard #WA-87. Published by Hal Leonard (HL.323638).
Item Number: HL.323638
12x16 inches.
A Classic Made Affordable
The classic '87 is arguably the most widely-used large diaphragm condenser microphone in popular recording history. Rather than base our WA-87 circuit on current incarnations of this mic, we decided to closely follow the early circuit designs that date back nearly half a century. As is true with many classic microphones, engineers who have worked with different versions of these microphones often prefer the warmer, more forgiving nature of the earlier commercially available models. The desire to re-introduce the warm tone of this classic mic at an affordable price to an all new generation of recording artists was the inspiration behind the WA-87.
It All Starts with the Microphone
The importance of a good microphone cannot be overstated; but unfortunately, finding a truly great microphone within a budget has always been challenging for aspiring engineers. There are very usable microphones available for those on a budget; but top shelf, classic studio microphones are financially out of reach for most people. Warm applied all that they know about bridging this barrier into crafting a microphone that reaches the level of quality and sonics mostly found only in top shelf products, yet sells for a price that is down to earth.
Quality Components Make a Better Mic
The WA-87 features all discrete, premium components such as Fairchild FETs, tantalum, polystyrene, and WIMA film capacitors, and is rounded off with a CineMag USA output transformer.
The WA-87 proudly uses our own Warm Audio WA-87-B-50V custom capsule reproduction stylized after the classic K87 dual backplate/dual diaphragm capsule found in the early '87 microphones.
The WA (Warm Audio) brand of capsule is the result of several years of research, a lifetime of listening, and a passion for great sound. Above all else, Warm Audio capsules came from the desire to give customers far more quality/value than what they are used to getting in an affordable microphone. Every Warm Audio capsule is made in the same small assembly house in a clean-room environment, and packaged in its own protective jewel case until the moment it is loaded into the microphone. Every capsule visually inspected and electrically tested for imperfections. Every capsule is also made with all brass parts (no teflon or other cost saving material), and is carefully skinned from the same supply of high purity NOS Mylar (PET film). We are confident that you will be just as pleased with Warm microphone capsules as we are to offer them, and that they will give you a lifetime of great recordings and enjoyment. |
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 | WA-14 Condenser Microphone
Introducing an Affordable FET Condenser Microphone. Warm Audio. General Merchandise. Hal L...(+) Introducing an Affordable FET Condenser Microphone. Warm Audio. General Merchandise. Hal Leonard #WA-14. Published by Hal Leonard (HL.323634).
Item Number: HL.323634
8.5x11.5 inches.
Blast from the Past
The WA-14 is a classic condenser microphone based on the early 1970's microphone used on countless hit records. The WA-14 utilizes a custom all-brass CK12-style capsule, CineMag USA transformer, and a fully discrete signal path. The WA-14 can be used on an array of sources, such as; punchy/warm intimate lead vocals, acoustic/electric guitars, bass, drums/percussion, strings/orchestral material, and many other sources. The WA-14 provides a realism and thickness that is true to the vintage microphone, but now at an affordable price.
All Brass Capsule
The WA-12-B-60V is an all-brass, edge-terminated capsule that captures all the smoothness, rich top end, and warm vintage sonics of the original CK12 capsule. The WA-12-B-60V uses a variant CEK-12 back plate as a basis, which overcomes manufacturing limitations of the original CK12 capsule. The o-ring and housing of the WA-12-B-60V are all made from brass (no teflon parts), and the diaphragm is 24k gold sputtered 6 micron, NOS PET film (mylar). The end result is a very consistent, reliable capsule which matches the frequency response and tonality of the classic 1970's classic capsule.
Born Out of Need
The WA (Warm Audio) brand of capsule is the result of several years of research, a lifetime of listening, and a passion for great sound. Above all else, Warm Audio capsules came from the desire to give customers far more quality/value than what they are used to getting in an affordable microphone. Every Warm Audio capsule is made in the same small assembly house in a clean-room environment, and packaged in its own protective jewel case until the moment it is loaded into the microphone. Every capsule visually inspected and electrically tested for imperfections. Every capsule is also made with all brass parts (no teflon or other cost saving material), and is carefully skinned from the same supply of high purity NOS Mylar (PET film). We are confident that you will be just as pleased with our microphone capsules as we are to offer them, and that they will give you a lifetime of great recordings and enjoyment.
Includes: 48v powered, shock mount, hard mount, zipper pouch. |
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| Lewitt : PURE TUBE Studio Set (5 comments)
Tube microphone with gold-coated 1" true condenser capsule- Optimised for professional spe...(+) Tube microphone with gold-coated 1" true condenser capsule- Optimised for professional speech and vocal recordings- Polar pattern: cardioid- Hand-selected 12AU7/ECC82 tube- Transformer-based filter to compensate for proximity effect- Inherent noise: 7 db (A)- Sensitivity: 28.2 mV/Pa, -31 dBV/Pa- Max. SPL: 132 dB- Dynamic range: 125 dB- Metal housing made of die-cast zinc- Dimensions (W x H x D): 65 x 196 x 45 mm- Weight: 692 g- Set consisting of: power supply, microphone shock mount, magnetic pop filter, 7-pin XLR cable 5 m and Mil-Spec carrying case- 10 years Lewitt warranty  | |
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| ALTO PROFESSIONAL BLUETOOTH ULTIMATE - RÉCEPTEUR BLUETOOTH STÉRÉO (UNITÉ)
Récepteur bluetooth stéréo à deux prises XLR Alto Pro BluetoothultimateLe Bluetooth Ut...(+) Récepteur bluetooth stéréo à deux prises XLR Alto Pro BluetoothultimateLe Bluetooth Utimate est un récepteur Bluetooth stéréo compact à deux prises XLR qui, une fois connecté à votre enceinte active ou à votre console de mixage, vous permettra de transmettre un signal audio stéréo sans fil depuis tout support mobile compatible avec la norme Bluetooth. Connectez, appairez, et c'est parti !Ne trébuchez plus sur vos câbles !Vous êtes fatigué de tous ces câbles qui traînent au sol Vous avez besoin de réaliser une prestation où la présence de câble n'est pas désirable Le récepteur Bluetooth Ultimate est l'accessoire qu'il vous faut ! Ce petit boîtier simple à mettre en œuvre et à utiliser, vous fera gagner un temps précieux et vous affranchira de bien des problématiques dans les environnements où les passages de câbles s'avèrent délicats. Employant la technologie Bluetooth 5.0, il garantit une qualité de restitution audio exceptionnelle.Diffusez directement en stéréoAvec son format ultra compact et son poids plume, le Bluetooth Ultimate se connecte directement à votre équipement professionnel via deux prises XLR. Connectez simplement le Bluetooth Ultimate sur une première enceinte ou un canal de console, connectez la seconde sortie sur le second canal de la table de mixage ou sur une seconde enceinte à proximité via un câble XLR (non fourni), et le tour est joué ! Un commutateur Mono/Stéréo permet de choisir le mode de diffusion via les sorties XLR : une sommation des canaux droite/gauche sur les deux sorties lorsque le commutateur est sur Mono, ou une diffusion du canal audio gauche via la sortie XLR principale et du canal audio droit via la sortie XLR secondaire lorsque le commutateur est sur Mono. Ce commutateur est sans effet lorsque deux Bluetooth Total sont appairés en Stereo Link : dans ce cas, les deux sorties XLR du premier Bluetooth Total transmettent le canal audio gauche, tandis que les deux sorties XLR du second Bluetooth Total transmettent le canal audio droit.Une mise en service enfantineLe Bluetooth Ultimate dispose d'une batterie rechargeable intégrée offrant plus de 6 heures d'autonomie, et se recharge via un port micro USB. Il ne vous reste plus qu'à presser le bouton d'appairage pour vous connecter à votre source audio compatible Bluetooth, et ainsi transformer votre enceinte active en enceinte Bluetooth, ou bien envoyer un signal audio Bluetooth sur votre console de mixage, sans pour autant altérer la qualité du son. L'usage d'un second récepteur Bluetooth Ultimate vous permettra d'appairer encore plus d'enceintes actives et de profiter ainsi d'un signal audio stéréo à large diffusion. CARACTÉRISTIQUES TECHNIQUES : - Type : récepteur Bluetooth- Catégorie : pour enceinte- Quantité : 1- Specs complémentaires : - Ajoute le Bluetooth à n'importe quelle enceinte ou table de mixage.- Permet de relier deux récepteurs Bluetooth Ultimate en Bluetooth afin de garantir une diffusion stéréo- Double sortie XLR pour une diffusion stéréo- Commutateur Mono/Stéréo- Prises XLR à l'avant et à l'arrière- Batterie rechargeable via connexion micro USB (plus de 6 heures d’autonomie)- Format compact et léger- Dimensions (mm) : 38,1 x 137,2 x 22,9- Poids (kg) : 0,11 kg  | |
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 | Telefunken : ELA M 251E
Telefunken ELA M 251E; tube large-diaphragm condenser microphone; 1-inch gold-plated doubl...(+) Telefunken ELA M 251E; tube large-diaphragm condenser microphone; 1-inch gold-plated double-diaphragm capsule CK 12; polar pattern: cardioid, omnidirectional and figure-of-eight; frequency range: 20 Hz - 20 kHz, ± 3 dB; tube type: dual triode JAN-GE 6072a; Haufe T14/1 output transformer; THD: less than 0.2% at 1 kHz and 1 Pa; sensitivity: 17 mV/Pa, ± 1 dB; impedance: 200 ohms; max. SPL (for 1% THD): 130 dB; S/N ratio: 85 dBA; Scope of delivery: power supply, microphone cable; shockmount; wooden microphone box; flightcase; Dimensions (HD): 216 x 50; Weight (microphone): 0.59 kg  |
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 | AKG CBL31WLS - EMBASE CONFÉRENCE POUR BOITIER EMETTEUR UHF SÉRIE WMS40/45
Le  CBL31 WLS est un socle lourd intégrant un microphone de surface équipé de la célÃ...(+) Le  CBL31 WLS est un socle lourd intégrant un microphone de surface équipé de la célèbre capsule cardioïde AKG CK31. La base du socle permet de recevoir différents boîtiers émetteur AKG pour le transformer en une véritable solution sans fil. Un bouton de coupure robuste contrôle la mise en service du microphone, associée à une barre LED permettant d'afficher clairement son activation. Une entrée jack 3,5 mm permet la connexion de 4 microphones de surface CBL410  (voir page 239) pour étendre la zone de captation ou d'un ordinateur portable de manière à transmettre le signal du présentateur au système de sonorisation local. Caractéristiques techniques : - Gamme de Fréquences : 50 Hz - 20 kHz - Diagramme Polaire : Cardioïde - Sensibilité: 20 mV/Pa  - Impédance: 600 - Dimensions : 145 x 107 x 45 mm - Poids : 960 g |
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 | RODE VIDEO MIC GO II
Le RØDE VideoMic GO II est conçu pour rendre incroyablement facile la capture d\'un son ...(+) Le RØDE VideoMic GO II est conçu pour rendre incroyablement facile la capture d\'un son incroyable. Ultra-léger et compact, avec des fonctionnalités puissantes et simples à utiliser, il est parfait pour toutes les formes de création de contenu à l\'aide d\'un appareil photo, d\'un smartphone, d\'une tablette, ou d\'un ordinateur. Faites évoluer votre contenu à un niveau supérieur. Compatible avec les applications RØDE pour accéder aux fonctions avancées, au traitement audio puissant et à l\'enregistrement de qualité studio sur n\'importe quel appareilUn Son Incroyable En Toute Simplicité.Il n\'est pas nécessaire d\'être un expert en audio pour obtenir un son incroyable. Le VideoMic GO II fait tout le travail pour vous. Doté de la même technologie de tube de lignes annulaires que nos microphones VideoMic NTG et NTG5, il offre un son riche et corsé, parfait pour un large éventail d\'applications d\'enregistrement. Il s\'agit d\'un microphone hautement directionnel, ce qui signifie qu\'il se concentre sur la source vers laquelle vous le dirigez tout en réduisant les bruits de fond, ce qui vous permet d\'obtenir facilement un son professionnel d\'une grande clarté. Le VideoMic GO II est également livré avec une bonnette de haute qualité pour capturer des enregistrements propres en extérieur et réduire les plosives, ainsi qu\'un support antichoc professionnel pour une absorption accrue des bruits de manipulation.Petit Mais PuissantAvec un poids de seulement 89 grammes, le VideoMic GO II est suffisamment compact et léger pour être emporté partout avec vous. Il est parfait pour une utilisation avec des appareils photo compacts, des installations d\'enregistrement mobiles ou sur un bureau comme microphone USB pour capturer du son de haute qualité, n\'importe où. Utilisez-le avec votre appareil photo sur le terrain. Utilisez-le avec votre smartphone ou votre tablette pour un enregistrement limpide lors de vos déplacements. Utilisez-le comme un micro USB de bureau pour les podcasts, les jeux, les diffusions en direct, ou les appels vidéo. Une polyvalence incroyable pour une créativité maximale.Aussi Simple Que De Brancher Et De Vous LancerLe VideoMic GO II ne comporte pas de commandes ou d\'interrupteurs compliqués et ne nécessite pas de piles, de sorte que vous pouvez démarrer un enregistrement en quelques secondes. Il se connecte facilement aux caméras, aux ordinateurs, aux smartphones et aux tablettes, et vous offre un son professionnel instantané avec un minimum d\'efforts - il suffit de le prendre, de le brancher et de vous lancer.Un Maximum D\'applications Grâce À Sa Connectique USBEn branchant le VideoMic GO II sur votre ordinateur, vous le transformez en un microphone USB entièrement fonctionnel - parfait pour tout ce qui est podcasts, appels vidéo, voix-off et streaming. Grâce à cette technologie révolutionnaire en instance de brevet, le VideoMic GO II ne ressemble à aucun autre microphone de sa catégorie. Lorsqu\'elle est utilisée en mode USB, la sortie 3,5 mm se transforme en sortie casque pour faciliter le contrôle audio et la lecture de vos enregistrements. Caractéristiques :- Directivité : super-cardioïde- Suspension Rycote- Principe acoustique : gradient linaire.- Électronique : JFET conversion d impédance.- Capsule : 0,50 pouces- Fréquences : 40Hz 20kHz- Impédance de sortie : 200 ohms- Maximum SPL : 134dB SPL- Sensibilité : -38dB re 1 Volt- Équivalence bruit : 20dB-A- Alimentation : pile 9V (non incluse)- Connectique de sortie : mini-jack stéréo 3,5- Dimensions : 65 x 102 x 250 mm- Poids : 176 g  |
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