| Edgar Russ : Linea Macchi Cello Stradivari
Fabriqué dans l'atelier d'Edgar Russ à Crémone- Table en épicéa massif- Fond en érab...(+) Fabriqué dans l'atelier d'Edgar Russ à Crémone- Table en épicéa massif- Fond en érable flammé massif- Chevilles en blackwood- Touche en blackwood- Cordes de Do et Sol: Thomastik Spirocore- Cordes de Ré et La: Larsen- Pique Bender- Finition: Vernis à l'alcool |
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| Edgar Russ : Scala Perfetta Cello
Fabriqué dans l'atelier d'Edgar Russ à Crémone- Table en épicéa massif- Fond en érab...(+) Fabriqué dans l'atelier d'Edgar Russ à Crémone- Table en épicéa massif- Fond en érable flammé massif- Chevilles en buis- Touche en ébène- Cordes de Do et Sol: Thomastik Spirocore- Cordes de Ré et La: Larsen |
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| Edgar Russ : Linea Mauro Macchi Violin Str.
Modèle Stradivari- Fabriqué à l'atelier de maître de Edgar Russ à Crémone- Construit...(+) Modèle Stradivari- Fabriqué à l'atelier de maître de Edgar Russ à Crémone- Construit entièrement sans bois tropicaux- Table en épicéa massif- Fond en érable massif flammé- Chevilles, cordier et mentonnière en bois noir (pin durci)- Touche et sillets supérieur et inférieur en bois noir (pin durci)- Le bois noir est du sapin condensé en usine pour ressembler à l'ébène et ainsi protéger les forêts tropicales- Cordes Pirastro Evah Pirazzi fournies |
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| Edgar Russ : Linea Mauro Macchi Testore
Fabriqué selon le modèle historique de Carlo Antonio Testore- Table en épicéa massif- ...(+) Fabriqué selon le modèle historique de Carlo Antonio Testore- Table en épicéa massif- Fond en érable flammé massif- Chevilles, cordier et mentonnière Bogaro Clemente en blackwood- Touche en blackwood- Cordes Pirastro Evah Pirazzi |
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| Edgar Russ : Linea Mauro Macchi Violin Gua.
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Modèle Guarneri- Réplique du modèle "The Ole Bull" de Giuseppe Guarneri del Gesu 1744- ...(+) Modèle Guarneri- Réplique du modèle "The Ole Bull" de Giuseppe Guarneri del Gesu 1744- Fabriqué à l'atelier de maître de Edgar Russ à Crémone- Construit entièrement sans bois tropicaux- Table en épicéa massif- Fond en érable massif flammé- Chevilles, cordier et mentonnière en bois noir (pin durci)- Touche et sillets supérieur et inférieur en bois noir (sapin durci)- Le bois noir est du sapin industriel (Pinus Radiata) condensé en usine pour ressembler à l'ébène et ainsi protéger les forêts tropicales. Il possède les mêmes caractéristiques que l'ébène en termes de son, d'apparence, de toucher, de jouabilité et de durabilité- Cordes Pirastro Evah Pirazzi fournies |
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| Edgar Russ : Linea Macchi Cello Montagnana
Fabriqué dans l'atelier d'Edgar Russ à Crémone- Table en épicéa massif- Fond en érab...(+) Fabriqué dans l'atelier d'Edgar Russ à Crémone- Table en épicéa massif- Fond en érable flammé massif- Chevilles en blackwood- Touche en blackwood- Cordes de Do et Sol: Thomastik Spirocore- Cordes de Ré et La: Larsen- Pique Bender- Finition: Vernis à l'alcool |
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| Edgar Russ - Sound of Cremona : Marco Dotti ex David - Heifetz
Edgar Russ - Sound of Cremona, Marco Dotti, Giuseppe Guarneri "ex David - Heifetz", handcr...(+) Edgar Russ - Sound of Cremona, Marco Dotti, Giuseppe Guarneri "ex David - Heifetz", handcrafted by master luthier Marco Dotti at the Edgar Russ violin workshop in Cremona, built in the pattern of a violin built in 1742 by Guarneri del Gesu which had been pre-owned by Ferdinand David von Leipzig and Jascha Heifetz (among others), spalted spruce top from Val di Fiemme, flamed back made from Bosnian maple, air-dried tonewoods, sides and back made from the same piece of wood as the back, finest ebony fingerboard, the instrument has been varnished in the stayle of the old Italian 17th century masters, primer based on casein and calcium, the laquer has been home-brewn by Edgar Russ using amber and linseed-oil coloured with pigments in order to come as close as possible to the original`s appearance, Aubert De Luxe bridge, boxwood pegs, boxwood tailpiece with one fine-adjuster, boxwood endbutton, model "Dresden" chinrest with titanium screws, Pirastro Evah Pirazzi Gold strings. |
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| Edgar Russ - Sound of Cremona : "Scala Perfetta Viola 16"""
Edgar Russ - Sound of Cremona Scala Perfetta Viola 16", Scala Perfetta Viola 16'' / 40,5cm...(+) Edgar Russ - Sound of Cremona Scala Perfetta Viola 16", Scala Perfetta Viola 16'' / 40,5cm, made in Europe, adjusted, varnished and set-up at the Edgar Russ violin workshop in Cremona, an instrument with outstanding Italian sound qualities, body length 40,5cm / 16", two-parts spruce top, two-parts flamed maple back, sides and neck made from the same piece of wood as the back, ebony fingerboard, reddish-brown Italian style shaded spirit varnish, Aubert bridge, boxwood pegs, boxwood tailpiece with one fine adjuster, boxwood endbutton, Pirastro Evah Pirazzi strings, comes with certificate including photos and dimensions. |
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| Edgar Russ - Sound of Cremona : Scala Perfetta Viola 15,5''
Edgar Russ - Sound of Cremona Scala Perfetta Viola 15,5'', Scala Perfetta Viola 15,5'' / 3...(+) Edgar Russ - Sound of Cremona Scala Perfetta Viola 15,5'', Scala Perfetta Viola 15,5'' / 39,5cm, made in Europe, adjusted, varnished and set-up at the Edgar Russ violin workshop in Cremona, an instrument with outstanding Italian sound qualities, body length 39,5cm / 15,5", two-parts spruce top, two-parts flamed maple back, sides and neck made from the same piece of wood as the back, ebony fingerboard, reddish-brown Italian style shaded spirit varnish, Aubert bridge, boxwood pegs, boxwood tailpiece with one fine adjuster, boxwood endbutton, Pirastro Evah Pirazzi strings, comes with certificate including photos and dimensions. |
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| Edgar Russ - Sound of Cremona : Edgar Russ Ysaye Guarneri 1740
Edgar Russ - Sound of Cremona, Edgar Russ, Giuseppe Guarneri Ysaye 1740, personally handcr...(+) Edgar Russ - Sound of Cremona, Edgar Russ, Giuseppe Guarneri Ysaye 1740, personally handcrafted by master luthier Edgar Russ in Cremona, built in the pattern of Giuseppe Guarneri`s "Ysaye" violin, once owned by the famous violin-virtuoso Eugene Ysaye, spalted Italian spruce top from Val di Fiemme, airdried wood that has been seasoned for at least 20 years, flamed back made from Bosnian maple, sides and back made from the same piece of wood as the back, finest ebony fingerboard, the instrument has been varnished in the stayle of the old Italian 17th century masters, primer based on casein and calcium, the laquer has been home-brewn by Edgar Russ using amber and linseed-oil coloured with pigments in order to come as close as possible to the original`s appearance, Aubert De Luxe bridge, boxwood pegs, boxwood tailpiece with one fine-adjuster, boxwood endbutton, model "Dresden" ebony chinrest with titanium screws, strings will be individually chosen in order to achieve the best sound-quality possible. |
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Edgar-Russ
