Vic Firth Pvf Pe3 Baguettes Batterie Serie Signature Peter Erskine Big Band
Designed for big band music, the Vic Firth Signature Wand Peter Erskine SPE3 combines the ...(+) Designed for big band music, the Vic Firth Signature Wand Peter Erskine SPE3 combines the dimensions of the 5A and 5B with a longer neck for more bounce and better sound control! Signature models, designed with the best drummers in the world. Signature models that you find at Vic Firth each have different characteristics. Indeed, each drummer has brought his personal touch, whether it is the length of the baguette, its diameter, the size and type of the olive and finally the color. And big names in the drums were able to create their model: Steve Gadd, Jojo Mayer, Gavin Harrison, Aaron Spears, Carmine Appice, Dave Weckl, Peter Erskine ... Like the other Vic Firth models, each baguette Signature takes the characteristics dear to the brand: a handle that holds well in hand, a balanced weight, a profile cut for all electrical and acoustic music and an olive that is suitable for all types of cymbals and skins. An extremely successful production. Needless to say that with Vic Firth, we are dealing with an extremely successful production. In fact, the quality of the wood is never lacking, the chopsticks are perfectly straight, and most importantly, they are paired with criteria of precision and non-negotiable precision! A series for all musicians. Before leading the brand that still bears his name today, the late Vic Firth was above all an accomplished percussionist who practiced his art under the auspices of the greatest conductors in the Boston Symphony Orchestra. His first pair was designed to meet the needs of a musical piece for which he wanted a particular sound and touch. Assisted by the greatest drummers on the planet, the designers of the brand have retained this requirement to market baguettes with undeniable prestige. Signature chopsticks have been designed with the best drummers in the world. Made of hickory, they offer a wide variety of sounds, balance, feel and look. Whatever your musical style, you will find the pair of your dreams. Combines the dimensions of a 5A and 5B handle, with an elongated neck for effortless rebounding. - Category: Signature series - Length: 40,64 cm - Diameter: 1.49 cm - Type of olive: drop of water - Material: hickory - Color: natural Category: baguette Instrument: battery Signature: yes Material: hickory Olive material: wood Grip: no Olive: drop of water Coll: long Color: natural Length: 40.64 Diameter: 1.49 | |
Vox Stomplab Mvo Sl2g Multi-effect Pedal For Guitar With Expression (8 comments)
StompLab IG / IB / IIG / IIBModeling Guitar/Bass Effect ProcessorsPowerful sounds and a so...(+) StompLab IG / IB / IIG / IIBModeling Guitar/Bass Effect ProcessorsPowerful sounds and a sophisticated appearance!The new StompLab series - shattering expectations for compact multi-effect unitsFeaturesA total of 100 preset programs are categorized into styles such as rock, blues, metal, and popEasy to use interface; even novice users can instantly access the sounds they want!StompLab IG provides 103 types of modeling effects, StompLab IIG provides 104 types, StompLab IB provides 60 types, and StompLab IIB provides 61 typesEach effect model boasts a sound engine that has been distilled from the worldwide best-selling VT series of modeling amps as well as the ToneLab series of multi-effect units.Edit and save 20 of your own user programsUp to 8 effect models can be used simultaneouslySophisticated appearance that was unimaginable for older effect units.The StompLab IIG and IIB provide an expression pedal that lets you control a variety of effect parameters including wah and volumeTwo-way power; works on batteries or on the AC adapter (separately sold)Built-in auto chromatic tuner with bypass and mute functionsThe StompLab series of effect pedals are impressive new contenders that pack powerful sounds into compact and sophisticated looking metal bodies. Sound variations are categorized by style, such as rock, blues, and ballad, making it easy for even novice users to recall the desired sound. In addition to the StompLab IG s dedicated guitar modeling and the StompLab IB dedicated bass modeling, the lineup also includes the StompLab IIG and IIB which provide an expression pedal. With high-quality looks, plus its high quality sound, the StompLab series will be a great companion for the guitarist or bassist for years to comeFirst check out the sounds!Multi-effects units contain an incredibly diverse array of sounds that range from distorted to clean, and the sheer number of these sounds can be staggering. Although having a large number of sounds is a great advantage, it can also overwhelm the novice user, causing difficulty or confusion. The StompLab series is designed to be easily usable, even by novice players. Since each program is named with a musical style, such as rock, blues, or metal. You ll be able to find the perfect sound without being concerned with specific effect names. The musical styles are categorized into ten types, and cover everything from straight-ahead traditional styles to quirky, unusual sounds. There are ten variations for each category, so you're sure to find sounds you like.Create your own original sounds!Simply playing the preset sounds is a lot of fun, but you'll definitely want to create some of your own original sounds as well. The StompLab IG contains 103 types of modeling effects, the StompLab IIG has 104, the StompLab IB has 60, and the StompLab IIB has 61. These effects are categorized as pedal, amp, drive, cabinet, modulation, delay, and reverb effects. When noise reduction is included, you can use up to 8 of them simultaneously. Each effect type provides multiple parameters that you can deeply edit to create your perfect sound. Since the sound engine is equivalent to those featured on the worldwide best-selling VT series of modeling amps and the ToneLab series of multi-effect units, you need no further guarantee of quality. Sounds you create can be saved as 20 user programs.It looks great!The StompLab series was designed with great care, not only for its sounds, but also for its superb aesthetic. You'll never get tired of the cool metallic exterior. The pedal design is reminiscent of the vintage VOX wah pedals, which is sure to boost inspiration. One of the attractions of the StompLab series is the high-quality appearance, which is unheard of among other compact multi-effect units. It sounds excellent, it looks great and it s compact enough to fit into a gig bag, so you can take it along with you anywhere your music takes you, quickly and easily.Use the expression pedal for realtime control!The StompLab IIG and IIB are equipped with an expression pedal that can be used to control wah and volume, and also the parameters of each effect. You'll be free to create unique original sounds that you've never heard before.Packed with convenient functions including a tuner!The StompLab series has a built-in chromatic tuner, so you won't need to provide one separately. The three-LED indicator makes tuning easy. For convenience on stage, there's a mute function that lets you tune without being heard by others. Headphones can also be connected, so you'll be able to play at home late into the night without disturbing anyone. Battery operation makes these units easily portable, letting you enjoy serious sound from your guitar or bass wherever you go. VOX StompLab SpecificaitonsEffect Type - StompLab IG/IIGPedal (8): COMP, FIX WAH or WAH *IG=FIX WAH, IIG=WAH , AUTO WAH, BRN OCTAVE, ACOUSTIC, U-VIBE, TONE, RING MODAmp(44) : BTQ CLEAN, PURE CLEAN, JAZZ CLEAN 1, JAZZ CLEAN 2, CALI CLEAN 1, CALI CLEAN 2, CALI CLEAN 3, CALI CLEAN 4, VOX AC4, VOX AC15TB, VOX AC15, VOX AC30TB, VOX AC30HH, VOX CRUNCH, US BLUES 1, US BLUES 2, US BLUES 3, US BLUES 4, US 2x12 1, US 2x12 2, US 2x12 3, US 2x12 4, UK ROCK 1, UK ROCK 2, UK ROCK 3, UK ROCK 4, BTQ OD, VOX NT15, VOX AC30BM, UK METAL 1, UK METAL 2, UK METAL 3, UK METAL 4, US HIGAIN 1, US HIGAIN 2, US HIGAIN 3, US HIGAIN 4, US METAL 1, US METAL 2, US METAL 3, US METAL 4, BTQ METAL 1, BTQ METAL 2, BTQ METAL 3Drive (18): TONE DRIVE, BLUE DRIVE, TREBLE BOOST, GOLD DRIVE, TUBE OD, BRIT LEAD, FAT, METAL DIST, ROCK PLANET, TUBE DX, ORANGE DIST, CLASSIC , GERMANIUM FUZZ, BIG FUZZ, VOX TONE BENDER, OCTA FUZZ, TECHNO FUZZ, CRUSHERCabinet (12): TWEED 1x8, TWEED 1x12, TWEED 4x10, BLACK 2x10, BLACK 2x12, VOX AC15, VOX AC30, VOX AD120VTX, UK H30 4x12, UK T75 4x12, US V30 4x12, CUSTOMModulation (9): CE CHORUS, MULTI CHORUS, FLANGER, ORG PHASE, TWIN TREM, G4 ROTARY, PITCH SHIFT, FILTRON1 (AUTO), FILTRON2 (MANUAL)Display (8): ANALOG DELAY 1, ANALOG DELAY 2, ANALOG DELAY 3, ANALOG DELAY 4, ECHO 1, ECHO 2, ECHO 3, ECHO 4Reverb (3): ROOM, SPRING, HALLNoise Reduction (1)Volume (*IG Only) Effect Type - StompLab IB/IIBPedal (9): COMP, EXCITER, FIX WAH or WAH *IB=FIX WAH, IIB=WAH , AUTO WAH, BRN OCTAVE, ACOUSTIC, U-VIBE, TONE, RING MODAmp (10): VALVE 1, VALVE 2, CLASSIC, SCOOPED, LA STUDIO, GOLD PANEL, JAZZ, STUDIO, AC100, UK MAJORDrive (8): TUBE OD, FAT DIST, ORANGE DIST, SHRED DIST, FUZZ, OCTA FUZZ, TECHNO FUZZ, CRUSHERCabinet (12): LA 4x10, LA 1x18, METAL 4x10, UK 4x12, UK 4x15, CLASSIC 8x10, MODERN 4x10, STUDIO 1x15, JAZZ 1x15, AC 2x15, COMBI, CUSTOMModulation (9): CE CHORUS, MULTI CHORUS, FLANGER, ORG PHASE, TWIN TREM, G4 ROTARY, PITCH SHIFT, FILTRON1 (AUTO), FILTRON2 (MANUAL)Delay (8): ANALOG DELAY 1, ANALOG DELAY 2, ANALOG DELAY 3, ANALOG DELAY 4, ECHO 1, ECHO 2, ECHO 3, ECHO 4Reverb (3): ROOM, SPRING, HALLNoise Reduction (1)Volume (*IIB Only) Program CategoryStomLab IG / IIG BALLAD 0, JAZZ/FUSION 0, POP 0, BLUES 0, ROCK and ROLL 0, ROCK 0, HARD ROCK 0, METAL 0, HARD CORE 0, OTHER 0, USER 0StompLab IB / IIBJAZZ/FUSION 0, POP1 0, POP2 0, ROCK1 0, ROCK2 0, HEAVY 0, FUNK1 0, FUNK2 0, DANCE 0, OTHER 0, USER 0Technical SpecificationsThe number of Effect:StompLab IG=103StompLab IIG=104StompLab IB=60StompLab IIB=61 The number of Program: 120 (User = 20 / Preset = 100)Audio Input: 1 (Monaural Standard)Audio Output: OUTPUT/PHONES (Stereo Standard)Signal processing: A/D conversion: 24-bit / D/A conversion: 24-bitTuner: Measurement Range: A0 - E6Calibration Range: A=438 Hz - 445 HzPower: AA battery x 4 DC 9V (Option: AC Adapter)Battery Life: 7.5 hours (Alkaline battery)Dimensions (W x D x H): StompLab IG / IB = 145 x 125 x 57 / mm, 5.7 x 4.92 x 2.24 / inchStompLab IIG / IIB = tbcWeight:StompLab IG / IB = 590 g / 20.8 ozStompLab IIG / IIB = tbcIncluded items: AA battery x 4 for verifying proper operationOptions: AC Adapter | |
Vox Stomplab Mvo Sl1g Multi-effect Pedal For Guitar (9 comments)
StompLab IG / IB / IIG / IIBModeling Guitar/Bass Effect ProcessorsPowerful sounds and a so...(+) StompLab IG / IB / IIG / IIBModeling Guitar/Bass Effect ProcessorsPowerful sounds and a sophisticated appearance!The new StompLab series - shattering expectations for compact multi-effect unitsFeaturesA total of 100 preset programs are categorized into styles such as rock, blues, metal, and popEasy to use interface; even novice users can instantly access the sounds they want!StompLab IG provides 103 types of modeling effects, StompLab IIG provides 104 types, StompLab IB provides 60 types, and StompLab IIB provides 61 typesEach effect model boasts a sound engine that has been distilled from the worldwide best-selling VT series of modeling amps as well as the ToneLab series of multi-effect units.Edit and save 20 of your own user programsUp to 8 effect models can be used simultaneouslySophisticated appearance that was unimaginable for older effect units.The StompLab IIG and IIB provide an expression pedal that lets you control a variety of effect parameters including wah and volumeTwo-way power; works on batteries or on the AC adapter (separately sold)Built-in auto chromatic tuner with bypass and mute functionsThe StompLab series of effect pedals are impressive new contenders that pack powerful sounds into compact and sophisticated looking metal bodies. Sound variations are categorized by style, such as rock, blues, and ballad, making it easy for even novice users to recall the desired sound. In addition to the StompLab IG s dedicated guitar modeling and the StompLab IB dedicated bass modeling, the lineup also includes the StompLab IIG and IIB which provide an expression pedal. With high-quality looks, plus its high quality sound, the StompLab series will be a great companion for the guitarist or bassist for years to comeFirst check out the sounds!Multi-effects units contain an incredibly diverse array of sounds that range from distorted to clean, and the sheer number of these sounds can be staggering. Although having a large number of sounds is a great advantage, it can also overwhelm the novice user, causing difficulty or confusion. The StompLab series is designed to be easily usable, even by novice players. Since each program is named with a musical style, such as rock, blues, or metal. You ll be able to find the perfect sound without being concerned with specific effect names. The musical styles are categorized into ten types, and cover everything from straight-ahead traditional styles to quirky, unusual sounds. There are ten variations for each category, so you're sure to find sounds you like.Create your own original sounds!Simply playing the preset sounds is a lot of fun, but you'll definitely want to create some of your own original sounds as well. The StompLab IG contains 103 types of modeling effects, the StompLab IIG has 104, the StompLab IB has 60, and the StompLab IIB has 61. These effects are categorized as pedal, amp, drive, cabinet, modulation, delay, and reverb effects. When noise reduction is included, you can use up to 8 of them simultaneously. Each effect type provides multiple parameters that you can deeply edit to create your perfect sound. Since the sound engine is equivalent to those featured on the worldwide best-selling VT series of modeling amps and the ToneLab series of multi-effect units, you need no further guarantee of quality. Sounds you create can be saved as 20 user programs.It looks great!The StompLab series was designed with great care, not only for its sounds, but also for its superb aesthetic. You'll never get tired of the cool metallic exterior. The pedal design is reminiscent of the vintage VOX wah pedals, which is sure to boost inspiration. One of the attractions of the StompLab series is the high-quality appearance, which is unheard of among other compact multi-effect units. It sounds excellent, it looks great and it s compact enough to fit into a gig bag, so you can take it along with you anywhere your music takes you, quickly and easily.Use the expression pedal for realtime control!The StompLab IIG and IIB are equipped with an expression pedal that can be used to control wah and volume, and also the parameters of each effect. You'll be free to create unique original sounds that you've never heard before.Packed with convenient functions including a tuner!The StompLab series has a built-in chromatic tuner, so you won't need to provide one separately. The three-LED indicator makes tuning easy. For convenience on stage, there's a mute function that lets you tune without being heard by others. Headphones can also be connected, so you'll be able to play at home late into the night without disturbing anyone. Battery operation makes these units easily portable, letting you enjoy serious sound from your guitar or bass wherever you go. VOX StompLab SpecificaitonsEffect Type - StompLab IG/IIGPedal (8): COMP, FIX WAH or WAH *IG=FIX WAH, IIG=WAH , AUTO WAH, BRN OCTAVE, ACOUSTIC, U-VIBE, TONE, RING MODAmp(44) : BTQ CLEAN, PURE CLEAN, JAZZ CLEAN 1, JAZZ CLEAN 2, CALI CLEAN 1, CALI CLEAN 2, CALI CLEAN 3, CALI CLEAN 4, VOX AC4, VOX AC15TB, VOX AC15, VOX AC30TB, VOX AC30HH, VOX CRUNCH, US BLUES 1, US BLUES 2, US BLUES 3, US BLUES 4, US 2x12 1, US 2x12 2, US 2x12 3, US 2x12 4, UK ROCK 1, UK ROCK 2, UK ROCK 3, UK ROCK 4, BTQ OD, VOX NT15, VOX AC30BM, UK METAL 1, UK METAL 2, UK METAL 3, UK METAL 4, US HIGAIN 1, US HIGAIN 2, US HIGAIN 3, US HIGAIN 4, US METAL 1, US METAL 2, US METAL 3, US METAL 4, BTQ METAL 1, BTQ METAL 2, BTQ METAL 3Drive (18): TONE DRIVE, BLUE DRIVE, TREBLE BOOST, GOLD DRIVE, TUBE OD, BRIT LEAD, FAT, METAL DIST, ROCK PLANET, TUBE DX, ORANGE DIST, CLASSIC , GERMANIUM FUZZ, BIG FUZZ, VOX TONE BENDER, OCTA FUZZ, TECHNO FUZZ, CRUSHERCabinet (12): TWEED 1x8, TWEED 1x12, TWEED 4x10, BLACK 2x10, BLACK 2x12, VOX AC15, VOX AC30, VOX AD120VTX, UK H30 4x12, UK T75 4x12, US V30 4x12, CUSTOMModulation (9): CE CHORUS, MULTI CHORUS, FLANGER, ORG PHASE, TWIN TREM, G4 ROTARY, PITCH SHIFT, FILTRON1 (AUTO), FILTRON2 (MANUAL)Display (8): ANALOG DELAY 1, ANALOG DELAY 2, ANALOG DELAY 3, ANALOG DELAY 4, ECHO 1, ECHO 2, ECHO 3, ECHO 4Reverb (3): ROOM, SPRING, HALLNoise Reduction (1)Volume (*IG Only) Effect Type - StompLab IB/IIBPedal (9): COMP, EXCITER, FIX WAH or WAH *IB=FIX WAH, IIB=WAH , AUTO WAH, BRN OCTAVE, ACOUSTIC, U-VIBE, TONE, RING MODAmp (10): VALVE 1, VALVE 2, CLASSIC, SCOOPED, LA STUDIO, GOLD PANEL, JAZZ, STUDIO, AC100, UK MAJORDrive (8): TUBE OD, FAT DIST, ORANGE DIST, SHRED DIST, FUZZ, OCTA FUZZ, TECHNO FUZZ, CRUSHERCabinet (12): LA 4x10, LA 1x18, METAL 4x10, UK 4x12, UK 4x15, CLASSIC 8x10, MODERN 4x10, STUDIO 1x15, JAZZ 1x15, AC 2x15, COMBI, CUSTOMModulation (9): CE CHORUS, MULTI CHORUS, FLANGER, ORG PHASE, TWIN TREM, G4 ROTARY, PITCH SHIFT, FILTRON1 (AUTO), FILTRON2 (MANUAL)Delay (8): ANALOG DELAY 1, ANALOG DELAY 2, ANALOG DELAY 3, ANALOG DELAY 4, ECHO 1, ECHO 2, ECHO 3, ECHO 4Reverb (3): ROOM, SPRING, HALLNoise Reduction (1)Volume (*IIB Only) Program CategoryStomLab IG / IIG BALLAD 0, JAZZ/FUSION 0, POP 0, BLUES 0, ROCK and ROLL 0, ROCK 0, HARD ROCK 0, METAL 0, HARD CORE 0, OTHER 0, USER 0StompLab IB / IIBJAZZ/FUSION 0, POP1 0, POP2 0, ROCK1 0, ROCK2 0, HEAVY 0, FUNK1 0, FUNK2 0, DANCE 0, OTHER 0, USER 0Technical SpecificationsThe number of Effect:StompLab IG=103StompLab IIG=104StompLab IB=60StompLab IIB=61 The number of Program: 120 (User = 20 / Preset = 100)Audio Input: 1 (Monaural Standard)Audio Output: OUTPUT/PHONES (Stereo Standard)Signal processing: A/D conversion: 24-bit / D/A conversion: 24-bitTuner: Measurement Range: A0 - E6Calibration Range: A=438 Hz - 445 HzPower: AA battery x 4 DC 9V (Option: AC Adapter)Battery Life: 7.5 hours (Alkaline battery)Dimensions (W x D x H): StompLab IG / IB = 145 x 125 x 57 / mm, 5.7 x 4.92 x 2.24 / inchStompLab IIG / IIB = tbcWeight:StompLab IG / IB = 590 g / 20.8 ozStompLab IIG / IIB = tbcIncluded items: AA battery x 4 for verifying proper operationOptions: AC Adapter | |
Vox Stomplab Mvo Sl1b Multi-effect Pedal For Bass (2 comments)
StompLab IG / IB / IIG / IIBModeling Guitar/Bass Effect ProcessorsPowerful sounds and a so...(+) StompLab IG / IB / IIG / IIBModeling Guitar/Bass Effect ProcessorsPowerful sounds and a sophisticated appearance!The new StompLab series - shattering expectations for compact multi-effect unitsFeaturesA total of 100 preset programs are categorized into styles such as rock, blues, metal, and popEasy to use interface; even novice users can instantly access the sounds they want!StompLab IG provides 103 types of modeling effects, StompLab IIG provides 104 types, StompLab IB provides 60 types, and StompLab IIB provides 61 typesEach effect model boasts a sound engine that has been distilled from the worldwide best-selling VT series of modeling amps as well as the ToneLab series of multi-effect units.Edit and save 20 of your own user programsUp to 8 effect models can be used simultaneouslySophisticated appearance that was unimaginable for older effect units.The StompLab IIG and IIB provide an expression pedal that lets you control a variety of effect parameters including wah and volumeTwo-way power; works on batteries or on the AC adapter (separately sold)Built-in auto chromatic tuner with bypass and mute functionsThe StompLab series of effect pedals are impressive new contenders that pack powerful sounds into compact and sophisticated looking metal bodies. Sound variations are categorized by style, such as rock, blues, and ballad, making it easy for even novice users to recall the desired sound. In addition to the StompLab IG s dedicated guitar modeling and the StompLab IB dedicated bass modeling, the lineup also includes the StompLab IIG and IIB which provide an expression pedal. With high-quality looks, plus its high quality sound, the StompLab series will be a great companion for the guitarist or bassist for years to comeFirst check out the sounds!Multi-effects units contain an incredibly diverse array of sounds that range from distorted to clean, and the sheer number of these sounds can be staggering. Although having a large number of sounds is a great advantage, it can also overwhelm the novice user, causing difficulty or confusion. The StompLab series is designed to be easily usable, even by novice players. Since each program is named with a musical style, such as rock, blues, or metal. You ll be able to find the perfect sound without being concerned with specific effect names. The musical styles are categorized into ten types, and cover everything from straight-ahead traditional styles to quirky, unusual sounds. There are ten variations for each category, so you're sure to find sounds you like.Create your own original sounds!Simply playing the preset sounds is a lot of fun, but you'll definitely want to create some of your own original sounds as well. The StompLab IG contains 103 types of modeling effects, the StompLab IIG has 104, the StompLab IB has 60, and the StompLab IIB has 61. These effects are categorized as pedal, amp, drive, cabinet, modulation, delay, and reverb effects. When noise reduction is included, you can use up to 8 of them simultaneously. Each effect type provides multiple parameters that you can deeply edit to create your perfect sound. Since the sound engine is equivalent to those featured on the worldwide best-selling VT series of modeling amps and the ToneLab series of multi-effect units, you need no further guarantee of quality. Sounds you create can be saved as 20 user programs.It looks great!The StompLab series was designed with great care, not only for its sounds, but also for its superb aesthetic. You'll never get tired of the cool metallic exterior. The pedal design is reminiscent of the vintage VOX wah pedals, which is sure to boost inspiration. One of the attractions of the StompLab series is the high-quality appearance, which is unheard of among other compact multi-effect units. It sounds excellent, it looks great and it s compact enough to fit into a gig bag, so you can take it along with you anywhere your music takes you, quickly and easily.Use the expression pedal for realtime control!The StompLab IIG and IIB are equipped with an expression pedal that can be used to control wah and volume, and also the parameters of each effect. You'll be free to create unique original sounds that you've never heard before.Packed with convenient functions including a tuner!The StompLab series has a built-in chromatic tuner, so you won't need to provide one separately. The three-LED indicator makes tuning easy. For convenience on stage, there's a mute function that lets you tune without being heard by others. Headphones can also be connected, so you'll be able to play at home late into the night without disturbing anyone. Battery operation makes these units easily portable, letting you enjoy serious sound from your guitar or bass wherever you go. VOX StompLab SpecificaitonsEffect Type - StompLab IG/IIGPedal (8): COMP, FIX WAH or WAH *IG=FIX WAH, IIG=WAH , AUTO WAH, BRN OCTAVE, ACOUSTIC, U-VIBE, TONE, RING MODAmp(44) : BTQ CLEAN, PURE CLEAN, JAZZ CLEAN 1, JAZZ CLEAN 2, CALI CLEAN 1, CALI CLEAN 2, CALI CLEAN 3, CALI CLEAN 4, VOX AC4, VOX AC15TB, VOX AC15, VOX AC30TB, VOX AC30HH, VOX CRUNCH, US BLUES 1, US BLUES 2, US BLUES 3, US BLUES 4, US 2x12 1, US 2x12 2, US 2x12 3, US 2x12 4, UK ROCK 1, UK ROCK 2, UK ROCK 3, UK ROCK 4, BTQ OD, VOX NT15, VOX AC30BM, UK METAL 1, UK METAL 2, UK METAL 3, UK METAL 4, US HIGAIN 1, US HIGAIN 2, US HIGAIN 3, US HIGAIN 4, US METAL 1, US METAL 2, US METAL 3, US METAL 4, BTQ METAL 1, BTQ METAL 2, BTQ METAL 3Drive (18): TONE DRIVE, BLUE DRIVE, TREBLE BOOST, GOLD DRIVE, TUBE OD, BRIT LEAD, FAT, METAL DIST, ROCK PLANET, TUBE DX, ORANGE DIST, CLASSIC , GERMANIUM FUZZ, BIG FUZZ, VOX TONE BENDER, OCTA FUZZ, TECHNO FUZZ, CRUSHERCabinet (12): TWEED 1x8, TWEED 1x12, TWEED 4x10, BLACK 2x10, BLACK 2x12, VOX AC15, VOX AC30, VOX AD120VTX, UK H30 4x12, UK T75 4x12, US V30 4x12, CUSTOMModulation (9): CE CHORUS, MULTI CHORUS, FLANGER, ORG PHASE, TWIN TREM, G4 ROTARY, PITCH SHIFT, FILTRON1 (AUTO), FILTRON2 (MANUAL)Display (8): ANALOG DELAY 1, ANALOG DELAY 2, ANALOG DELAY 3, ANALOG DELAY 4, ECHO 1, ECHO 2, ECHO 3, ECHO 4Reverb (3): ROOM, SPRING, HALLNoise Reduction (1)Volume (*IG Only) Effect Type - StompLab IB/IIBPedal (9): COMP, EXCITER, FIX WAH or WAH *IB=FIX WAH, IIB=WAH , AUTO WAH, BRN OCTAVE, ACOUSTIC, U-VIBE, TONE, RING MODAmp (10): VALVE 1, VALVE 2, CLASSIC, SCOOPED, LA STUDIO, GOLD PANEL, JAZZ, STUDIO, AC100, UK MAJORDrive (8): TUBE OD, FAT DIST, ORANGE DIST, SHRED DIST, FUZZ, OCTA FUZZ, TECHNO FUZZ, CRUSHERCabinet (12): LA 4x10, LA 1x18, METAL 4x10, UK 4x12, UK 4x15, CLASSIC 8x10, MODERN 4x10, STUDIO 1x15, JAZZ 1x15, AC 2x15, COMBI, CUSTOMModulation (9): CE CHORUS, MULTI CHORUS, FLANGER, ORG PHASE, TWIN TREM, G4 ROTARY, PITCH SHIFT, FILTRON1 (AUTO), FILTRON2 (MANUAL)Delay (8): ANALOG DELAY 1, ANALOG DELAY 2, ANALOG DELAY 3, ANALOG DELAY 4, ECHO 1, ECHO 2, ECHO 3, ECHO 4Reverb (3): ROOM, SPRING, HALLNoise Reduction (1)Volume (*IIB Only) Program CategoryStomLab IG / IIG BALLAD 0, JAZZ/FUSION 0, POP 0, BLUES 0, ROCK and ROLL 0, ROCK 0, HARD ROCK 0, METAL 0, HARD CORE 0, OTHER 0, USER 0StompLab IB / IIBJAZZ/FUSION 0, POP1 0, POP2 0, ROCK1 0, ROCK2 0, HEAVY 0, FUNK1 0, FUNK2 0, DANCE 0, OTHER 0, USER 0Technical SpecificationsThe number of Effect:StompLab IG=103StompLab IIG=104StompLab IB=60StompLab IIB=61 The number of Program: 120 (User = 20 / Preset = 100)Audio Input: 1 (Monaural Standard)Audio Output: OUTPUT/PHONES (Stereo Standard)Signal processing: A/D conversion: 24-bit / D/A conversion: 24-bitTuner: Measurement Range: A0 - E6Calibration Range: A=438 Hz - 445 HzPower: AA battery x 4 DC 9V (Option: AC Adapter)Battery Life: 7.5 hours (Alkaline battery)Dimensions (W x D x H): StompLab IG / IB = 145 x 125 x 57 / mm, 5.7 x 4.92 x 2.24 / inchStompLab IIG / IIB = tbcWeight:StompLab IG / IB = 590 g / 20.8 ozStompLab IIG / IIB = tbcIncluded items: AA battery x 4 for verifying proper operationOptions: AC Adapter | |
Vox Stomplab Mvo Sl2b Multi-effect Pedal For Bass With Expression (2 comments)
StompLab IG / IB / IIG / IIBModeling Guitar/Bass Effect ProcessorsPowerful sounds and a so...(+) StompLab IG / IB / IIG / IIBModeling Guitar/Bass Effect ProcessorsPowerful sounds and a sophisticated appearance!The new StompLab series - shattering expectations for compact multi-effect unitsFeaturesA total of 100 preset programs are categorized into styles such as rock, blues, metal, and popEasy to use interface; even novice users can instantly access the sounds they want!StompLab IG provides 103 types of modeling effects, StompLab IIG provides 104 types, StompLab IB provides 60 types, and StompLab IIB provides 61 typesEach effect model boasts a sound engine that has been distilled from the worldwide best-selling VT series of modeling amps as well as the ToneLab series of multi-effect units.Edit and save 20 of your own user programsUp to 8 effect models can be used simultaneouslySophisticated appearance that was unimaginable for older effect units.The StompLab IIG and IIB provide an expression pedal that lets you control a variety of effect parameters including wah and volumeTwo-way power; works on batteries or on the AC adapter (separately sold)Built-in auto chromatic tuner with bypass and mute functionsThe StompLab series of effect pedals are impressive new contenders that pack powerful sounds into compact and sophisticated looking metal bodies. Sound variations are categorized by style, such as rock, blues, and ballad, making it easy for even novice users to recall the desired sound. In addition to the StompLab IG s dedicated guitar modeling and the StompLab IB dedicated bass modeling, the lineup also includes the StompLab IIG and IIB which provide an expression pedal. With high-quality looks, plus its high quality sound, the StompLab series will be a great companion for the guitarist or bassist for years to comeFirst check out the sounds!Multi-effects units contain an incredibly diverse array of sounds that range from distorted to clean, and the sheer number of these sounds can be staggering. Although having a large number of sounds is a great advantage, it can also overwhelm the novice user, causing difficulty or confusion. The StompLab series is designed to be easily usable, even by novice players. Since each program is named with a musical style, such as rock, blues, or metal. You ll be able to find the perfect sound without being concerned with specific effect names. The musical styles are categorized into ten types, and cover everything from straight-ahead traditional styles to quirky, unusual sounds. There are ten variations for each category, so you're sure to find sounds you like.Create your own original sounds!Simply playing the preset sounds is a lot of fun, but you'll definitely want to create some of your own original sounds as well. The StompLab IG contains 103 types of modeling effects, the StompLab IIG has 104, the StompLab IB has 60, and the StompLab IIB has 61. These effects are categorized as pedal, amp, drive, cabinet, modulation, delay, and reverb effects. When noise reduction is included, you can use up to 8 of them simultaneously. Each effect type provides multiple parameters that you can deeply edit to create your perfect sound. Since the sound engine is equivalent to those featured on the worldwide best-selling VT series of modeling amps and the ToneLab series of multi-effect units, you need no further guarantee of quality. Sounds you create can be saved as 20 user programs.It looks great!The StompLab series was designed with great care, not only for its sounds, but also for its superb aesthetic. You'll never get tired of the cool metallic exterior. The pedal design is reminiscent of the vintage VOX wah pedals, which is sure to boost inspiration. One of the attractions of the StompLab series is the high-quality appearance, which is unheard of among other compact multi-effect units. It sounds excellent, it looks great and it s compact enough to fit into a gig bag, so you can take it along with you anywhere your music takes you, quickly and easily.Use the expression pedal for realtime control!The StompLab IIG and IIB are equipped with an expression pedal that can be used to control wah and volume, and also the parameters of each effect. You'll be free to create unique original sounds that you've never heard before.Packed with convenient functions including a tuner!The StompLab series has a built-in chromatic tuner, so you won't need to provide one separately. The three-LED indicator makes tuning easy. For convenience on stage, there's a mute function that lets you tune without being heard by others. Headphones can also be connected, so you'll be able to play at home late into the night without disturbing anyone. Battery operation makes these units easily portable, letting you enjoy serious sound from your guitar or bass wherever you go. VOX StompLab SpecificaitonsEffect Type - StompLab IG/IIGPedal (8): COMP, FIX WAH or WAH *IG=FIX WAH, IIG=WAH , AUTO WAH, BRN OCTAVE, ACOUSTIC, U-VIBE, TONE, RING MODAmp(44) : BTQ CLEAN, PURE CLEAN, JAZZ CLEAN 1, JAZZ CLEAN 2, CALI CLEAN 1, CALI CLEAN 2, CALI CLEAN 3, CALI CLEAN 4, VOX AC4, VOX AC15TB, VOX AC15, VOX AC30TB, VOX AC30HH, VOX CRUNCH, US BLUES 1, US BLUES 2, US BLUES 3, US BLUES 4, US 2x12 1, US 2x12 2, US 2x12 3, US 2x12 4, UK ROCK 1, UK ROCK 2, UK ROCK 3, UK ROCK 4, BTQ OD, VOX NT15, VOX AC30BM, UK METAL 1, UK METAL 2, UK METAL 3, UK METAL 4, US HIGAIN 1, US HIGAIN 2, US HIGAIN 3, US HIGAIN 4, US METAL 1, US METAL 2, US METAL 3, US METAL 4, BTQ METAL 1, BTQ METAL 2, BTQ METAL 3Drive (18): TONE DRIVE, BLUE DRIVE, TREBLE BOOST, GOLD DRIVE, TUBE OD, BRIT LEAD, FAT, METAL DIST, ROCK PLANET, TUBE DX, ORANGE DIST, CLASSIC , GERMANIUM FUZZ, BIG FUZZ, VOX TONE BENDER, OCTA FUZZ, TECHNO FUZZ, CRUSHERCabinet (12): TWEED 1x8, TWEED 1x12, TWEED 4x10, BLACK 2x10, BLACK 2x12, VOX AC15, VOX AC30, VOX AD120VTX, UK H30 4x12, UK T75 4x12, US V30 4x12, CUSTOMModulation (9): CE CHORUS, MULTI CHORUS, FLANGER, ORG PHASE, TWIN TREM, G4 ROTARY, PITCH SHIFT, FILTRON1 (AUTO), FILTRON2 (MANUAL)Display (8): ANALOG DELAY 1, ANALOG DELAY 2, ANALOG DELAY 3, ANALOG DELAY 4, ECHO 1, ECHO 2, ECHO 3, ECHO 4Reverb (3): ROOM, SPRING, HALLNoise Reduction (1)Volume (*IG Only) Effect Type - StompLab IB/IIBPedal (9): COMP, EXCITER, FIX WAH or WAH *IB=FIX WAH, IIB=WAH , AUTO WAH, BRN OCTAVE, ACOUSTIC, U-VIBE, TONE, RING MODAmp (10): VALVE 1, VALVE 2, CLASSIC, SCOOPED, LA STUDIO, GOLD PANEL, JAZZ, STUDIO, AC100, UK MAJORDrive (8): TUBE OD, FAT DIST, ORANGE DIST, SHRED DIST, FUZZ, OCTA FUZZ, TECHNO FUZZ, CRUSHERCabinet (12): LA 4x10, LA 1x18, METAL 4x10, UK 4x12, UK 4x15, CLASSIC 8x10, MODERN 4x10, STUDIO 1x15, JAZZ 1x15, AC 2x15, COMBI, CUSTOMModulation (9): CE CHORUS, MULTI CHORUS, FLANGER, ORG PHASE, TWIN TREM, G4 ROTARY, PITCH SHIFT, FILTRON1 (AUTO), FILTRON2 (MANUAL)Delay (8): ANALOG DELAY 1, ANALOG DELAY 2, ANALOG DELAY 3, ANALOG DELAY 4, ECHO 1, ECHO 2, ECHO 3, ECHO 4Reverb (3): ROOM, SPRING, HALLNoise Reduction (1)Volume (*IIB Only) Program CategoryStomLab IG / IIG BALLAD 0, JAZZ/FUSION 0, POP 0, BLUES 0, ROCK and ROLL 0, ROCK 0, HARD ROCK 0, METAL 0, HARD CORE 0, OTHER 0, USER 0StompLab IB / IIBJAZZ/FUSION 0, POP1 0, POP2 0, ROCK1 0, ROCK2 0, HEAVY 0, FUNK1 0, FUNK2 0, DANCE 0, OTHER 0, USER 0Technical SpecificationsThe number of Effect:StompLab IG=103StompLab IIG=104StompLab IB=60StompLab IIB=61 The number of Program: 120 (User = 20 / Preset = 100)Audio Input: 1 (Monaural Standard)Audio Output: OUTPUT/PHONES (Stereo Standard)Signal processing: A/D conversion: 24-bit / D/A conversion: 24-bitTuner: Measurement Range: A0 - E6Calibration Range: A=438 Hz - 445 HzPower: AA battery x 4 DC 9V (Option: AC Adapter)Battery Life: 7.5 hours (Alkaline battery)Dimensions (W x D x H): StompLab IG / IB = 145 x 125 x 57 / mm, 5.7 x 4.92 x 2.24 / inchStompLab IIG / IIB = tbcWeight:StompLab IG / IB = 590 g / 20.8 ozStompLab IIG / IIB = tbcIncluded items: AA battery x 4 for verifying proper operationOptions: AC Adapter | |
Amplifier Tube Guitar Heads Dv Markdv Little Gh 250 Tube New Product
The DV Little 250 is a series of top-selling amps from the DV brand because it balances an...(+) The DV Little 250 is a series of top-selling amps from the DV brand because it balances an extremely portable size with enormous power, reserve and dynamics. At DV Mark, we have created a new standard for powerful, portable and remarkably loud amps, as we did in the Markbass bass market. main Features > TWO COMPLETELY INDEPENDENT CHANNELS The DV Little GH 250 Tube features two completely independent channels with separate gain, low, mid, high and level controls. From super-clean tones to hot, punchy riffs, this head is an incredibly versatile tool for any guitarist. > PREAMINATION BY TUBE Thanks to a 6205 micro tube in the preamp section, the Little GH 250 DV Tube adds an extra touch to the Clean and Lead channels, satisfying any player who says tubes or nothing! > REVERB AND FX LOOP ON BOARD A high-quality reverb gives a great dimension to all the sounds you can get on the DV GH 250 Little Tube and the FX Loop on the back panel allows you to use all your favorite pedals you need to connect after the preamp section. > CONTROL OF SUSTAINER The DV Little GH 250 Tube features a very efficient Sustainer control on the Lead channel, providing endless support for solo parts and increasing sound thickness. > MPT POWER AMP A 250-watt MPT (Mark Proprietary Technology) power amp makes this ultra-portable amplifier an incredibly powerful device that will serve as your bedroom for any big stage. > CLEAR WEIGHT / MARKWORLD S BAG (optional) If you play a lot or carry your own equipment, weight is a real factor. The DV Little GH 250 tube is incredibly lightweight and weighs only 2.6 kg. You can wear your head with the optional MARKWORLD BAG S backpack and you do not need to remove your amp during performance because it has a double-sided zip. Characteristics - Output power: 250W to 4ohm / 150W to 8ohm - Preamp: TUBE (single tube microphone 6205) - Power Amp: MPT (Mark Proprietary Technology) - Channels: two (clean / lead) - Controls (clean channel): Gain - Level / EQ: low-medium-high - Lead Ch: Gain - Level - Sustainer / EQ: Low-Medium-High - Effect: Reverb - speaker outputs: minimum load of 4 ohms Other features: - Pre Out (with switch -6 / 0 db) - FX loop - Footswitch input (dual) for switch / rev channels - Dimensions (l / h / ft): 8.86 / 22.5cm 3.15 / 8cm 9.84 / 25cm - Weight: 2.6 kg / 5.73 lbs | |
Boss Od-3 Overdrive Effect Pedal (2 comments)
OD-3 OVERDRIVE PEDALNewly developed Dual-Stage Overdrive Circuit offers a level of sustai...(+) OD-3 OVERDRIVE PEDALNewly developed Dual-Stage Overdrive Circuit offers a level of sustain and compression unmatched by any overdrive pedal in history. Dramatically increased full bass response and improved dynamics yield a ''bigger'' sound than any previous BOSS overdrive PedalDynamic, non-muffled tones reminiscent of classic overdriven ''stack'' amps. Straightforward Drive, Tone and Level controls. A New Level of Rich, Dynamic Overdrive from the Company that Started it All! In 1977, BOSS introduced the now-legendary OD-1~the world's first compact overdrive pedal for guitarists. The rich, warm tones that this stompbox produced immediately set it apart from the harsh distortion boxes that had come before it. On the 20th anniversary of BOSS compact pedals, we proudly introduce the OD-3 OverDrive, giving guitarists a greatly expanded range of smooth overdrive tones and improved response while staying true to the original. | |
326ce Grand Symphony Urban Ash Guitar: Acoustic Guitar
IMPORTANT INFORMATION. This item can only be delivered to UK addresses.
Taylor are world r...(+) IMPORTANT INFORMATION. This item can only be delivered to UK addresses.
Taylor are world renowned for their ability to craft beautiful guitars perfect for the working musician. With their effortless playability and stunning design, they are considered one of the very best acoustic manufacturers around. One of the latest models off the line that features Taylor's revolutionary new soundport cutaway is the V-Class 326ce Urban Ash. The V-Class balances the flexibility and stability of the top while producing unmatched sustain, volume and intonation. With a Tropical Mahogany Urban Sienna finish top and Urban Ash back and sides, the Taylor 326ce is equally at home fingerpicking or strumming big, brash chords. With its rich tonal variation and lovely organic feel, it's the perfect partner for players who need a guitar that can compete right across the board. The neck features a shorter 24-7/8" scale length and 1-3/4" nut width. Great for forming chords and bending strings, it doesn't compromise on tone, with the Taylor retaining all the warmth, sustain and natural resonance you expect. The classic Taylor Ebony fingerboard offers a smooth and comfortable playing surface that is perfect for beginners and professionals alike. The super dynamic Taylor ES2 expression system offers crystal clean clarity and a true sweet, bright sound. Housed in a deluxe Taylor hardcase, the 326ce is ready to hit the stage. | |
Brancher Abr E29tg Bec Serie Tenor Metal Or 24k E29
Brancher's mouthpieces are the result of meticulous French manufacture at the service of d...(+) Brancher's mouthpieces are the result of meticulous French manufacture at the service of demanding saxophonists.
Balance, the right room, whatever the style.
This room combines the benefits of two other models of plug-in spouts. A brighter sound than the Jazz room, but rounder and warmer than the Bright room, for a mix and ease of emission that will delight the musicians of big band, Latin music, R and B or electro music.
Precision machines, the guarantee of flawless quality.
By choosing to work with metal bars or raw wood, Brancher avoids any air bubbles that could slip into a mold during manufacture, or cracks in the wood. The polishing is nevertheless artisanal and allows the workers to control each beak once before sending them to the veneer. Once finished, each spout is equipped with a flexible ligation with a nylon frame and a metal pressure plate, a cap, before being packaged in an elegant wooden box to be shipped to the four corners of the world. In a word, exceptional mouthpieces for musicians who are no less so.
24k Gold plated metal mouthpiece.
Its Balanced, Hot and Shiny for Pop, R and B, Latin, Jazz Big Band ...
Brancher® nozzles are cut from harmonic-rich metal bars, premium ebonite or stability-free ebony. Extremely precise, computer-assisted machining and careful finishing by manual polishing offer great ease of emission, power and richness of sound in all registers.All metal beakers are guaranteed nickel free. Brancher® nozzles are delivered with a semi-rigid ligature and a cap.
Category: Tenor saxophone
Style: big band / latin / electro
Material: 24k gold plated
Opening: 2.90 mm
Beak without nickel: yes
Ligature: semi-rigid with metal pressure plate
Cover: plastic | |
Yamaha Pack Hs7 White + Speaker Stand + Cable Bi-amplified Studio Monitor With 6.5 Cone Woofer And 1...
This pack includes: - 2 x HS7 WHITE - 2 x SPEAKER STAND - 2 x XLR/XLR CABLE 2-way bass...(+) This pack includes: - 2 x HS7 WHITE - 2 x SPEAKER STAND - 2 x XLR/XLR CABLE 2-way bass-reflex bi-amplified nearfield studio monitor with 6.5 cone woofer and 1 dome tweeter. When choosing reference monitors for mixing and music production, accuracy is the prime consideration. Speakers that sound good on first impression may not necessarily be accurate. What you really need is an honest reference for your mix, rather than monitors that have been tweaked or colored to deceptively sound impressive.The new HS series reference monitors have been created by Yamaha's studio monitor engineering team to deliver exceptionally flat, accurate response that you can trust. Unlike monitor speakers with exaggerated bass and treble that make a good first impression but can't be relied on for accuracy, the HS series were designed to be true studio reference monitors in the tradition of the legendary Yamaha NS10M.Whether you're mixing for stereo or 5.1 surround, mixes that sound good on Yamaha HS series reference monitors will translate accurately to the widest possible range of reproduction systems ... which is engineer-speak that simply means they'll sound good on anything. And that is the ultimate goal of any reference monitor. We should also mention that the HS-series monitors not only sound great, they look great, too. High-performance Speakers and Mounting System The elegant white-cone speakers used in the HS-series monitors deliver superlative audio performance that is further enhanced by a carefully engineered mounting system. A system of screws and a specially designed mounting ring eliminates spurious vibration and resonance, allowing the speaker to deliver its full sonic potential. Another feature that boosts woofer performance is a magnet selected to produce accurate, solid low-end response. The tweeter frames employ an advanced smooth-contour design that minimizes losses so that high-frequency details come through with remarkable accuracy. The extra thickness of the tweeter frame also minimizes resonance that can interfere with high-end clarity. The overall result is extraordinarily smooth, accurate response throughout the audio spectrum. The Benefits of Built-in Power and Bi-amplification Powered, bi-amplified monitor speakers simply make the most electrical and sonic sense, and that's why they have become the first choice of sound professionals the world over for near- and mid-field monitoring applications. In addition to the obvious advantage that you don't need separate power amplifiers, the fact that power and speakers are integrated in one unit means that the amplifiers can be perfectly matched to the characteristics of the speaker units used so you get consistently superior performance with any source in just about any listening environment. Bi-amplification means that separate power amplifiers are used to drive the low-mid and high-frequency speaker units, and this eliminates interaction between the units as well as the response and phase anomalies introduced by passive crossover networks. Both speaker units can function at optimum performance levels for correspondingly high overall sonic quality. Large Magnets in an Advanced Magnetic Circuit Design One feature of the HS-series monitors that you'll hear but are not likely to see is the extra large magnets. In combination with an advanced magnetic circuit design these magnets provide a powerful, uniform, tightly controlled flux field that results in exceptionally smooth response and dynamic capability over a wider frequency range. Portable, Versatile Monitoring for Your Audio Workstation All you really need for top-class stereo production capability is a good audio workstation and a pair of HS-series monitors. A system like this is not only portable and extremely easy to set up anywhere you need it, it can deliver outstanding monitoring performance that will let you get your mixes just right. The response-control features of these monitors let you tweak them for the best response no matter where you set them up. Serious Surround Production Although stereo is still the most common format for basic music listening, 5.1 surround has become the audio format of choice for today's advanced visual media, and is beginning to be recognized as a superior vehicle for pure musical enjoyment as well. But to properly mix and produce surround sound you need a good 5.1 monitoring system. The HS-series speakers and subwoofer are the perfect choice if you want competitive surround-monitoring performance without having to spend big-studio megabucks to get it. Combine five HS50M or HS80M powered near-field reference monitors with one or more HS10W subwoofers, and you're ready to produce and deliver state-of-the-art surround sound. Optimum Response In Any Room Speaker response can vary greatly depending on the size, shape, and surface acoustics of the room in which they're used, as well as how they're placed within that environment. The HS50M and HS80M give you extra room-matching and speaker placement versatility with ROOM CONTROL, MID EQ, and HIGH TRIM response control switches that are specifically designed to compensate for common acoustic deficiencies and monitoring needs. The ROOM CONTROL switch, for example, can be used to compensate for the unnatural low-end exaggeration that usually occurs when speakers are placed close to walls or in corners. The MID EQ switch gives you subtle midrange boost and cut options in addition to flat response, while the HIGH TRIM switch offer the same type of response-tailoring capability for the high frequencies. - 2-way bass-reflex bi-amplified nearfield studio monitor with 6.5 cone woofer and 1 dome tweeter - 43Hz - 30kHz frequency response - 60W LF plus 35W HF bi-amp system for high-performance 95W power amplification - ROOM CONTROL and HIGH TRIM response controls - XLR and TRS phone jack inputs accept balanced or unbalanced signals | |
Yamaha Pack Hs7 Black Speaker Stand Cable Bi-amplified Studio Monitor With 6.5 Cone Woofer And 1 Dom...
This pack includes: - 2 x HS7 BLACK - 2 x SPEAKER STAND - 2 x XLR/XLR CABLE 2-way bass...(+) This pack includes: - 2 x HS7 BLACK - 2 x SPEAKER STAND - 2 x XLR/XLR CABLE 2-way bass-reflex bi-amplified nearfield studio monitor with 6.5 cone woofer and 1 dome tweeter. When choosing reference monitors for mixing and music production, accuracy is the prime consideration. Speakers that sound good on first impression may not necessarily be accurate. What you really need is an honest reference for your mix, rather than monitors that have been tweaked or colored to deceptively sound impressive.The new HS series reference monitors have been created by Yamaha's studio monitor engineering team to deliver exceptionally flat, accurate response that you can trust. Unlike monitor speakers with exaggerated bass and treble that make a good first impression but can't be relied on for accuracy, the HS series were designed to be true studio reference monitors in the tradition of the legendary Yamaha NS10M.Whether you're mixing for stereo or 5.1 surround, mixes that sound good on Yamaha HS series reference monitors will translate accurately to the widest possible range of reproduction systems ... which is engineer-speak that simply means they'll sound good on anything. And that is the ultimate goal of any reference monitor. We should also mention that the HS-series monitors not only sound great, they look great, too. High-performance Speakers and Mounting System The elegant white-cone speakers used in the HS-series monitors deliver superlative audio performance that is further enhanced by a carefully engineered mounting system. A system of screws and a specially designed mounting ring eliminates spurious vibration and resonance, allowing the speaker to deliver its full sonic potential. Another feature that boosts woofer performance is a magnet selected to produce accurate, solid low-end response. The tweeter frames employ an advanced smooth-contour design that minimizes losses so that high-frequency details come through with remarkable accuracy. The extra thickness of the tweeter frame also minimizes resonance that can interfere with high-end clarity. The overall result is extraordinarily smooth, accurate response throughout the audio spectrum. The Benefits of Built-in Power and Bi-amplification Powered, bi-amplified monitor speakers simply make the most electrical and sonic sense, and that's why they have become the first choice of sound professionals the world over for near- and mid-field monitoring applications. In addition to the obvious advantage that you don't need separate power amplifiers, the fact that power and speakers are integrated in one unit means that the amplifiers can be perfectly matched to the characteristics of the speaker units used so you get consistently superior performance with any source in just about any listening environment. Bi-amplification means that separate power amplifiers are used to drive the low-mid and high-frequency speaker units, and this eliminates interaction between the units as well as the response and phase anomalies introduced by passive crossover networks. Both speaker units can function at optimum performance levels for correspondingly high overall sonic quality. Large Magnets in an Advanced Magnetic Circuit Design One feature of the HS-series monitors that you'll hear but are not likely to see is the extra large magnets. In combination with an advanced magnetic circuit design these magnets provide a powerful, uniform, tightly controlled flux field that results in exceptionally smooth response and dynamic capability over a wider frequency range. Portable, Versatile Monitoring for Your Audio Workstation All you really need for top-class stereo production capability is a good audio workstation and a pair of HS-series monitors. A system like this is not only portable and extremely easy to set up anywhere you need it, it can deliver outstanding monitoring performance that will let you get your mixes just right. The response-control features of these monitors let you tweak them for the best response no matter where you set them up. Serious Surround Production Although stereo is still the most common format for basic music listening, 5.1 surround has become the audio format of choice for today's advanced visual media, and is beginning to be recognized as a superior vehicle for pure musical enjoyment as well. But to properly mix and produce surround sound you need a good 5.1 monitoring system. The HS-series speakers and subwoofer are the perfect choice if you want competitive surround-monitoring performance without having to spend big-studio megabucks to get it. Combine five HS50M or HS80M powered near-field reference monitors with one or more HS10W subwoofers, and you're ready to produce and deliver state-of-the-art surround sound. Optimum Response In Any Room Speaker response can vary greatly depending on the size, shape, and surface acoustics of the room in which they're used, as well as how they're placed within that environment. The HS50M and HS80M give you extra room-matching and speaker placement versatility with ROOM CONTROL, MID EQ, and HIGH TRIM response control switches that are specifically designed to compensate for common acoustic deficiencies and monitoring needs. The ROOM CONTROL switch, for example, can be used to compensate for the unnatural low-end exaggeration that usually occurs when speakers are placed close to walls or in corners. The MID EQ switch gives you subtle midrange boost and cut options in addition to flat response, while the HIGH TRIM switch offer the same type of response-tailoring capability for the high frequencies. - 2-way bass-reflex bi-amplified nearfield studio monitor with 6.5 cone woofer and 1 dome tweeter - 43Hz - 30kHz frequency response - 60W LF plus 35W HF bi-amp system for high-performance 95W power amplification - ROOM CONTROL and HIGH TRIM response controls - XLR and TRS phone jack inputs accept balanced or unbalanced signals | |
Yamaha Hs8s 150w Powered Subwoofer News (1 comments)
8 bass-reflex powered subwoofer delivers low frequencies down to 22Hz. When choosing ref...(+) 8 bass-reflex powered subwoofer delivers low frequencies down to 22Hz. When choosing reference monitors for mixing and music production, accuracy is the prime consideration. Speakers that sound good on first impression may not necessarily be accurate. What you really need is an honest reference for your mix, rather than monitors that have been tweaked or colored to deceptively sound impressive.The new HS series reference monitors have been created by Yamaha's studio monitor engineering team to deliver exceptionally flat, accurate response that you can trust. Unlike monitor speakers with exaggerated bass and treble that make a good first impression but can't be relied on for accuracy, the HS series were designed to be true studio reference monitors in the tradition of the legendary Yamaha NS10M.Whether you're mixing for stereo or 5.1 surround, mixes that sound good on Yamaha HS series reference monitors will translate accurately to the widest possible range of reproduction systems ... which is engineer-speak that simply means they'll sound good on anything. And that is the ultimate goal of any reference monitor. We should also mention that the HS-series monitors not only sound great, they look great, too. High-performance Speakers and Mounting System The elegant white-cone speakers used in the HS-series monitors deliver superlative audio performance that is further enhanced by a carefully engineered mounting system. A system of screws and a specially designed mounting ring eliminates spurious vibration and resonance, allowing the speaker to deliver its full sonic potential. Another feature that boosts woofer performance is a magnet selected to produce accurate, solid low-end response. The tweeter frames employ an advanced smooth-contour design that minimizes losses so that high-frequency details come through with remarkable accuracy. The extra thickness of the tweeter frame also minimizes resonance that can interfere with high-end clarity. The overall result is extraordinarily smooth, accurate response throughout the audio spectrum. The Benefits of Built-in Power and Bi-amplification Powered, bi-amplified monitor speakers simply make the most electrical and sonic sense, and that's why they have become the first choice of sound professionals the world over for near- and mid-field monitoring applications. In addition to the obvious advantage that you don't need separate power amplifiers, the fact that power and speakers are integrated in one unit means that the amplifiers can be perfectly matched to the characteristics of the speaker units used so you get consistently superior performance with any source in just about any listening environment. Bi-amplification means that separate power amplifiers are used to drive the low-mid and high-frequency speaker units, and this eliminates interaction between the units as well as the response and phase anomalies introduced by passive crossover networks. Both speaker units can function at optimum performance levels for correspondingly high overall sonic quality. Large Magnets in an Advanced Magnetic Circuit Design One feature of the HS-series monitors that you'll hear but are not likely to see is the extra large magnets. In combination with an advanced magnetic circuit design these magnets provide a powerful, uniform, tightly controlled flux field that results in exceptionally smooth response and dynamic capability over a wider frequency range. Portable, Versatile Monitoring for Your Audio Workstation All you really need for top-class stereo production capability is a good audio workstation and a pair of HS-series monitors. A system like this is not only portable and extremely easy to set up anywhere you need it, it can deliver outstanding monitoring performance that will let you get your mixes just right. The response-control features of these monitors let you tweak them for the best response no matter where you set them up. Serious Surround Production Although stereo is still the most common format for basic music listening, 5.1 surround has become the audio format of choice for today's advanced visual media, and is beginning to be recognized as a superior vehicle for pure musical enjoyment as well. But to properly mix and produce surround sound you need a good 5.1 monitoring system. The HS-series speakers and subwoofer are the perfect choice if you want competitive surround-monitoring performance without having to spend big-studio megabucks to get it. Combine five HS50M or HS80M powered near-field reference monitors with one or more HS10W subwoofers, and you're ready to produce and deliver state-of-the-art surround sound. Optimum Response In Any Room Speaker response can vary greatly depending on the size, shape, and surface acoustics of the room in which they're used, as well as how they're placed within that environment. The HS50M and HS80M give you extra room-matching and speaker placement versatility with ROOM CONTROL, MID EQ, and HIGH TRIM response control switches that are specifically designed to compensate for common acoustic deficiencies and monitoring needs. The ROOM CONTROL switch, for example, can be used to compensate for the unnatural low-end exaggeration that usually occurs when speakers are placed close to walls or in corners. The MID EQ switch gives you subtle midrange boost and cut options in addition to flat response, while the HIGH TRIM switch offer the same type of response-tailoring capability for the high frequencies. - 8 bass-reflex powered subwoofer delivers low frequencies down to 22Hz - 22Hz - 150Hz frequency response - High-power 150W amplifier exclusively designed for low frequencies - LOW CUT switch, LOW CUT control (80-120Hz) HIGH CUT control (80-120 Hz) - PHASE switch allow users to set up a subwoofer system with simple connections and no additional equipment - XLR and TRS phone for outputs and XLR for L and R and EXT SUB | |
Yamaha Hs8 Bi-amplified Studio Monitor With 8 Cone Woofer And 1 Dome Tweeter News (4 comments)
2-way bass-reflex bi-amplified nearfield studio monitor with 8 cone woofer and 1 dome twee...(+) 2-way bass-reflex bi-amplified nearfield studio monitor with 8 cone woofer and 1 dome tweeter. When choosing reference monitors for mixing and music production, accuracy is the prime consideration. Speakers that sound good on first impression may not necessarily be accurate. What you really need is an honest reference for your mix, rather than monitors that have been tweaked or colored to deceptively sound impressive.The new HS series reference monitors have been created by Yamaha's studio monitor engineering team to deliver exceptionally flat, accurate response that you can trust. Unlike monitor speakers with exaggerated bass and treble that make a good first impression but can't be relied on for accuracy, the HS series were designed to be true studio reference monitors in the tradition of the legendary Yamaha NS10M.Whether you're mixing for stereo or 5.1 surround, mixes that sound good on Yamaha HS series reference monitors will translate accurately to the widest possible range of reproduction systems ... which is engineer-speak that simply means they'll sound good on anything. And that is the ultimate goal of any reference monitor. We should also mention that the HS-series monitors not only sound great, they look great, too. High-performance Speakers and Mounting System The elegant white-cone speakers used in the HS-series monitors deliver superlative audio performance that is further enhanced by a carefully engineered mounting system. A system of screws and a specially designed mounting ring eliminates spurious vibration and resonance, allowing the speaker to deliver its full sonic potential. Another feature that boosts woofer performance is a magnet selected to produce accurate, solid low-end response. The tweeter frames employ an advanced smooth-contour design that minimizes losses so that high-frequency details come through with remarkable accuracy. The extra thickness of the tweeter frame also minimizes resonance that can interfere with high-end clarity. The overall result is extraordinarily smooth, accurate response throughout the audio spectrum. The Benefits of Built-in Power and Bi-amplification Powered, bi-amplified monitor speakers simply make the most electrical and sonic sense, and that's why they have become the first choice of sound professionals the world over for near- and mid-field monitoring applications. In addition to the obvious advantage that you don't need separate power amplifiers, the fact that power and speakers are integrated in one unit means that the amplifiers can be perfectly matched to the characteristics of the speaker units used so you get consistently superior performance with any source in just about any listening environment. Bi-amplification means that separate power amplifiers are used to drive the low-mid and high-frequency speaker units, and this eliminates interaction between the units as well as the response and phase anomalies introduced by passive crossover networks. Both speaker units can function at optimum performance levels for correspondingly high overall sonic quality. Large Magnets in an Advanced Magnetic Circuit Design One feature of the HS-series monitors that you'll hear but are not likely to see is the extra large magnets. In combination with an advanced magnetic circuit design these magnets provide a powerful, uniform, tightly controlled flux field that results in exceptionally smooth response and dynamic capability over a wider frequency range. Portable, Versatile Monitoring for Your Audio Workstation All you really need for top-class stereo production capability is a good audio workstation and a pair of HS-series monitors. A system like this is not only portable and extremely easy to set up anywhere you need it, it can deliver outstanding monitoring performance that will let you get your mixes just right. The response-control features of these monitors let you tweak them for the best response no matter where you set them up. Serious Surround Production Although stereo is still the most common format for basic music listening, 5.1 surround has become the audio format of choice for today's advanced visual media, and is beginning to be recognized as a superior vehicle for pure musical enjoyment as well. But to properly mix and produce surround sound you need a good 5.1 monitoring system. The HS-series speakers and subwoofer are the perfect choice if you want competitive surround-monitoring performance without having to spend big-studio megabucks to get it. Combine five HS50M or HS80M powered near-field reference monitors with one or more HS10W subwoofers, and you're ready to produce and deliver state-of-the-art surround sound. Optimum Response In Any Room Speaker response can vary greatly depending on the size, shape, and surface acoustics of the room in which they're used, as well as how they're placed within that environment. The HS50M and HS80M give you extra room-matching and speaker placement versatility with ROOM CONTROL, MID EQ, and HIGH TRIM response control switches that are specifically designed to compensate for common acoustic deficiencies and monitoring needs. The ROOM CONTROL switch, for example, can be used to compensate for the unnatural low-end exaggeration that usually occurs when speakers are placed close to walls or in corners. The MID EQ switch gives you subtle midrange boost and cut options in addition to flat response, while the HIGH TRIM switch offer the same type of response-tailoring capability for the high frequencies. - 2-way bass-reflex bi-amplified nearfield studio monitor with 8 cone woofer and 1 dome tweeter - 38Hz - 30kHz frequency response - 75W LF plus 45W HF bi-amp system for high-performance 120W power -amplification - ROOM CONTROL and HIGH TRIM response controls - XLR and TRS phone jack inputs accept balanced or unbalanced signals | |
Yamaha Pack Hs5 + Speaker Stand + Cable Hs5 Bi-amplified Studio Monitor With 5 Cone Woofer And 1 Dom...
This pack includes: - 2 x HS5 BLACK - 2 x SPEAKER STAND - 2 x XLR/XLR CABLE 2-way bas...(+) This pack includes: - 2 x HS5 BLACK - 2 x SPEAKER STAND - 2 x XLR/XLR CABLE 2-way bass-reflex bi-amplified nearfield studio monitor with 5 cone woofer and 1 dome tweeter. When choosing reference monitors for mixing and music production, accuracy is the prime consideration. Speakers that sound good on first impression may not necessarily be accurate. What you really need is an honest reference for your mix, rather than monitors that have been tweaked or colored to deceptively sound impressive.The new HS series reference monitors have been created by Yamaha's studio monitor engineering team to deliver exceptionally flat, accurate response that you can trust. Unlike monitor speakers with exaggerated bass and treble that make a good first impression but can't be relied on for accuracy, the HS series were designed to be true studio reference monitors in the tradition of the legendary Yamaha NS10M.Whether you're mixing for stereo or 5.1 surround, mixes that sound good on Yamaha HS series reference monitors will translate accurately to the widest possible range of reproduction systems ... which is engineer-speak that simply means they'll sound good on anything. And that is the ultimate goal of any reference monitor. We should also mention that the HS-series monitors not only sound great, they look great, too. High-performance Speakers and Mounting System The elegant white-cone speakers used in the HS-series monitors deliver superlative audio performance that is further enhanced by a carefully engineered mounting system. A system of screws and a specially designed mounting ring eliminates spurious vibration and resonance, allowing the speaker to deliver its full sonic potential. Another feature that boosts woofer performance is a magnet selected to produce accurate, solid low-end response. The tweeter frames employ an advanced smooth-contour design that minimizes losses so that high-frequency details come through with remarkable accuracy. The extra thickness of the tweeter frame also minimizes resonance that can interfere with high-end clarity. The overall result is extraordinarily smooth, accurate response throughout the audio spectrum. The Benefits of Built-in Power and Bi-amplification Powered, bi-amplified monitor speakers simply make the most electrical and sonic sense, and that's why they have become the first choice of sound professionals the world over for near- and mid-field monitoring applications. In addition to the obvious advantage that you don't need separate power amplifiers, the fact that power and speakers are integrated in one unit means that the amplifiers can be perfectly matched to the characteristics of the speaker units used so you get consistently superior performance with any source in just about any listening environment. Bi-amplification means that separate power amplifiers are used to drive the low-mid and high-frequency speaker units, and this eliminates interaction between the units as well as the response and phase anomalies introduced by passive crossover networks. Both speaker units can function at optimum performance levels for correspondingly high overall sonic quality. Large Magnets in an Advanced Magnetic Circuit Design One feature of the HS-series monitors that you'll hear but are not likely to see is the extra large magnets. In combination with an advanced magnetic circuit design these magnets provide a powerful, uniform, tightly controlled flux field that results in exceptionally smooth response and dynamic capability over a wider frequency range. Portable, Versatile Monitoring for Your Audio Workstation All you really need for top-class stereo production capability is a good audio workstation and a pair of HS-series monitors. A system like this is not only portable and extremely easy to set up anywhere you need it, it can deliver outstanding monitoring performance that will let you get your mixes just right. The response-control features of these monitors let you tweak them for the best response no matter where you set them up. Serious Surround Production Although stereo is still the most common format for basic music listening, 5.1 surround has become the audio format of choice for today's advanced visual media, and is beginning to be recognized as a superior vehicle for pure musical enjoyment as well. But to properly mix and produce surround sound you need a good 5.1 monitoring system. The HS-series speakers and subwoofer are the perfect choice if you want competitive surround-monitoring performance without having to spend big-studio megabucks to get it. Combine five HS50M or HS80M powered near-field reference monitors with one or more HS10W subwoofers, and you're ready to produce and deliver state-of-the-art surround sound. Optimum Response In Any Room Speaker response can vary greatly depending on the size, shape, and surface acoustics of the room in which they're used, as well as how they're placed within that environment. The HS50M and HS80M give you extra room-matching and speaker placement versatility with ROOM CONTROL, MID EQ, and HIGH TRIM response control switches that are specifically designed to compensate for common acoustic deficiencies and monitoring needs. The ROOM CONTROL switch, for example, can be used to compensate for the unnatural low-end exaggeration that usually occurs when speakers are placed close to walls or in corners. The MID EQ switch gives you subtle midrange boost and cut options in addition to flat response, while the HIGH TRIM switch offer the same type of response-tailoring capability for the high frequencies. - 2-way bass-reflex bi-amplified nearfield studio monitor with 5 cone woofer and 1 dome tweeter - 54Hz - 30kHz frequency response - 45W LF plus 25W HF bi-amp system for high-performance 70W power amplification - ROOM CONTROL and HIGH TRIM response controls - XLR and TRS phone jack inputs accept balanced or unbalanced signals | |
Yamaha Hs5 Bi-amplified Studio Monitor With 5 Cone Woofer And 1 Dome Tweeter News (2 comments)
2-way bass-reflex bi-amplified nearfield studio monitor with 5 cone woofer and 1 dome twee...(+) 2-way bass-reflex bi-amplified nearfield studio monitor with 5 cone woofer and 1 dome tweeter. When choosing reference monitors for mixing and music production, accuracy is the prime consideration. Speakers that sound good on first impression may not necessarily be accurate. What you really need is an honest reference for your mix, rather than monitors that have been tweaked or colored to deceptively sound impressive.The new HS series reference monitors have been created by Yamaha's studio monitor engineering team to deliver exceptionally flat, accurate response that you can trust. Unlike monitor speakers with exaggerated bass and treble that make a good first impression but can't be relied on for accuracy, the HS series were designed to be true studio reference monitors in the tradition of the legendary Yamaha NS10M.Whether you're mixing for stereo or 5.1 surround, mixes that sound good on Yamaha HS series reference monitors will translate accurately to the widest possible range of reproduction systems ... which is engineer-speak that simply means they'll sound good on anything. And that is the ultimate goal of any reference monitor. We should also mention that the HS-series monitors not only sound great, they look great, too. High-performance Speakers and Mounting System The elegant white-cone speakers used in the HS-series monitors deliver superlative audio performance that is further enhanced by a carefully engineered mounting system. A system of screws and a specially designed mounting ring eliminates spurious vibration and resonance, allowing the speaker to deliver its full sonic potential. Another feature that boosts woofer performance is a magnet selected to produce accurate, solid low-end response. The tweeter frames employ an advanced smooth-contour design that minimizes losses so that high-frequency details come through with remarkable accuracy. The extra thickness of the tweeter frame also minimizes resonance that can interfere with high-end clarity. The overall result is extraordinarily smooth, accurate response throughout the audio spectrum. The Benefits of Built-in Power and Bi-amplification Powered, bi-amplified monitor speakers simply make the most electrical and sonic sense, and that's why they have become the first choice of sound professionals the world over for near- and mid-field monitoring applications. In addition to the obvious advantage that you don't need separate power amplifiers, the fact that power and speakers are integrated in one unit means that the amplifiers can be perfectly matched to the characteristics of the speaker units used so you get consistently superior performance with any source in just about any listening environment. Bi-amplification means that separate power amplifiers are used to drive the low-mid and high-frequency speaker units, and this eliminates interaction between the units as well as the response and phase anomalies introduced by passive crossover networks. Both speaker units can function at optimum performance levels for correspondingly high overall sonic quality. Large Magnets in an Advanced Magnetic Circuit Design One feature of the HS-series monitors that you'll hear but are not likely to see is the extra large magnets. In combination with an advanced magnetic circuit design these magnets provide a powerful, uniform, tightly controlled flux field that results in exceptionally smooth response and dynamic capability over a wider frequency range. Portable, Versatile Monitoring for Your Audio Workstation All you really need for top-class stereo production capability is a good audio workstation and a pair of HS-series monitors. A system like this is not only portable and extremely easy to set up anywhere you need it, it can deliver outstanding monitoring performance that will let you get your mixes just right. The response-control features of these monitors let you tweak them for the best response no matter where you set them up. Serious Surround Production Although stereo is still the most common format for basic music listening, 5.1 surround has become the audio format of choice for today's advanced visual media, and is beginning to be recognized as a superior vehicle for pure musical enjoyment as well. But to properly mix and produce surround sound you need a good 5.1 monitoring system. The HS-series speakers and subwoofer are the perfect choice if you want competitive surround-monitoring performance without having to spend big-studio megabucks to get it. Combine five HS50M or HS80M powered near-field reference monitors with one or more HS10W subwoofers, and you're ready to produce and deliver state-of-the-art surround sound. Optimum Response In Any Room Speaker response can vary greatly depending on the size, shape, and surface acoustics of the room in which they're used, as well as how they're placed within that environment. The HS50M and HS80M give you extra room-matching and speaker placement versatility with ROOM CONTROL, MID EQ, and HIGH TRIM response control switches that are specifically designed to compensate for common acoustic deficiencies and monitoring needs. The ROOM CONTROL switch, for example, can be used to compensate for the unnatural low-end exaggeration that usually occurs when speakers are placed close to walls or in corners. The MID EQ switch gives you subtle midrange boost and cut options in addition to flat response, while the HIGH TRIM switch offer the same type of response-tailoring capability for the high frequencies. - 2-way bass-reflex bi-amplified nearfield studio monitor with 5 cone woofer and 1 dome tweeter - 54Hz - 30kHz frequency response - 45W LF plus 25W HF bi-amp system for high-performance 70W power amplification - ROOM CONTROL and HIGH TRIM response controls - XLR and TRS phone jack inputs accept balanced or unbalanced signals | |
Yamaha Pack Hs5 White Speaker Stand Cable Bi-amplified Studio Monitor With 5 Cone Woofer And 1 Dome ...
This pack includes: - 2 x HS5 WHITE - 2 x SPEAKER STAND - 2 x XLR/XLR CABLE 2-way bass...(+) This pack includes: - 2 x HS5 WHITE - 2 x SPEAKER STAND - 2 x XLR/XLR CABLE 2-way bass-reflex bi-amplified nearfield studio monitor with 5 cone woofer and 1 dome tweeter. When choosing reference monitors for mixing and music production, accuracy is the prime consideration. Speakers that sound good on first impression may not necessarily be accurate. What you really need is an honest reference for your mix, rather than monitors that have been tweaked or colored to deceptively sound impressive.The new HS series reference monitors have been created by Yamaha's studio monitor engineering team to deliver exceptionally flat, accurate response that you can trust. Unlike monitor speakers with exaggerated bass and treble that make a good first impression but can't be relied on for accuracy, the HS series were designed to be true studio reference monitors in the tradition of the legendary Yamaha NS10M.Whether you're mixing for stereo or 5.1 surround, mixes that sound good on Yamaha HS series reference monitors will translate accurately to the widest possible range of reproduction systems ... which is engineer-speak that simply means they'll sound good on anything. And that is the ultimate goal of any reference monitor. We should also mention that the HS-series monitors not only sound great, they look great, too. High-performance Speakers and Mounting System The elegant white-cone speakers used in the HS-series monitors deliver superlative audio performance that is further enhanced by a carefully engineered mounting system. A system of screws and a specially designed mounting ring eliminates spurious vibration and resonance, allowing the speaker to deliver its full sonic potential. Another feature that boosts woofer performance is a magnet selected to produce accurate, solid low-end response. The tweeter frames employ an advanced smooth-contour design that minimizes losses so that high-frequency details come through with remarkable accuracy. The extra thickness of the tweeter frame also minimizes resonance that can interfere with high-end clarity. The overall result is extraordinarily smooth, accurate response throughout the audio spectrum. The Benefits of Built-in Power and Bi-amplification Powered, bi-amplified monitor speakers simply make the most electrical and sonic sense, and that's why they have become the first choice of sound professionals the world over for near- and mid-field monitoring applications. In addition to the obvious advantage that you don't need separate power amplifiers, the fact that power and speakers are integrated in one unit means that the amplifiers can be perfectly matched to the characteristics of the speaker units used so you get consistently superior performance with any source in just about any listening environment. Bi-amplification means that separate power amplifiers are used to drive the low-mid and high-frequency speaker units, and this eliminates interaction between the units as well as the response and phase anomalies introduced by passive crossover networks. Both speaker units can function at optimum performance levels for correspondingly high overall sonic quality. Large Magnets in an Advanced Magnetic Circuit Design One feature of the HS-series monitors that you'll hear but are not likely to see is the extra large magnets. In combination with an advanced magnetic circuit design these magnets provide a powerful, uniform, tightly controlled flux field that results in exceptionally smooth response and dynamic capability over a wider frequency range. Portable, Versatile Monitoring for Your Audio Workstation All you really need for top-class stereo production capability is a good audio workstation and a pair of HS-series monitors. A system like this is not only portable and extremely easy to set up anywhere you need it, it can deliver outstanding monitoring performance that will let you get your mixes just right. The response-control features of these monitors let you tweak them for the best response no matter where you set them up. Serious Surround Production Although stereo is still the most common format for basic music listening, 5.1 surround has become the audio format of choice for today's advanced visual media, and is beginning to be recognized as a superior vehicle for pure musical enjoyment as well. But to properly mix and produce surround sound you need a good 5.1 monitoring system. The HS-series speakers and subwoofer are the perfect choice if you want competitive surround-monitoring performance without having to spend big-studio megabucks to get it. Combine five HS50M or HS80M powered near-field reference monitors with one or more HS10W subwoofers, and you're ready to produce and deliver state-of-the-art surround sound. Optimum Response In Any Room Speaker response can vary greatly depending on the size, shape, and surface acoustics of the room in which they're used, as well as how they're placed within that environment. The HS50M and HS80M give you extra room-matching and speaker placement versatility with ROOM CONTROL, MID EQ, and HIGH TRIM response control switches that are specifically designed to compensate for common acoustic deficiencies and monitoring needs. The ROOM CONTROL switch, for example, can be used to compensate for the unnatural low-end exaggeration that usually occurs when speakers are placed close to walls or in corners. The MID EQ switch gives you subtle midrange boost and cut options in addition to flat response, while the HIGH TRIM switch offer the same type of response-tailoring capability for the high frequencies. - 2-way bass-reflex bi-amplified nearfield studio monitor with 5 cone woofer and 1 dome tweeter - 54Hz - 30kHz frequency response - 45W LF plus 25W HF bi-amp system for high-performance 70W power amplification - ROOM CONTROL and HIGH TRIM response controls - XLR and TRS phone jack inputs accept balanced or unbalanced signals | |
Yamaha Hs7 Bi-amplified Studio Monitor With 6.5 Cone Woofer And 1 Dome Tweeter News (2 comments)
2-way bass-reflex bi-amplified nearfield studio monitor with 6.5 cone woofer and 1 dome tw...(+) 2-way bass-reflex bi-amplified nearfield studio monitor with 6.5 cone woofer and 1 dome tweeter. When choosing reference monitors for mixing and music production, accuracy is the prime consideration. Speakers that sound good on first impression may not necessarily be accurate. What you really need is an honest reference for your mix, rather than monitors that have been tweaked or colored to deceptively sound impressive.The new HS series reference monitors have been created by Yamaha's studio monitor engineering team to deliver exceptionally flat, accurate response that you can trust. Unlike monitor speakers with exaggerated bass and treble that make a good first impression but can't be relied on for accuracy, the HS series were designed to be true studio reference monitors in the tradition of the legendary Yamaha NS10M.Whether you're mixing for stereo or 5.1 surround, mixes that sound good on Yamaha HS series reference monitors will translate accurately to the widest possible range of reproduction systems ... which is engineer-speak that simply means they'll sound good on anything. And that is the ultimate goal of any reference monitor. We should also mention that the HS-series monitors not only sound great, they look great, too. High-performance Speakers and Mounting System The elegant white-cone speakers used in the HS-series monitors deliver superlative audio performance that is further enhanced by a carefully engineered mounting system. A system of screws and a specially designed mounting ring eliminates spurious vibration and resonance, allowing the speaker to deliver its full sonic potential. Another feature that boosts woofer performance is a magnet selected to produce accurate, solid low-end response. The tweeter frames employ an advanced smooth-contour design that minimizes losses so that high-frequency details come through with remarkable accuracy. The extra thickness of the tweeter frame also minimizes resonance that can interfere with high-end clarity. The overall result is extraordinarily smooth, accurate response throughout the audio spectrum. The Benefits of Built-in Power and Bi-amplification Powered, bi-amplified monitor speakers simply make the most electrical and sonic sense, and that's why they have become the first choice of sound professionals the world over for near- and mid-field monitoring applications. In addition to the obvious advantage that you don't need separate power amplifiers, the fact that power and speakers are integrated in one unit means that the amplifiers can be perfectly matched to the characteristics of the speaker units used so you get consistently superior performance with any source in just about any listening environment. Bi-amplification means that separate power amplifiers are used to drive the low-mid and high-frequency speaker units, and this eliminates interaction between the units as well as the response and phase anomalies introduced by passive crossover networks. Both speaker units can function at optimum performance levels for correspondingly high overall sonic quality. Large Magnets in an Advanced Magnetic Circuit Design One feature of the HS-series monitors that you'll hear but are not likely to see is the extra large magnets. In combination with an advanced magnetic circuit design these magnets provide a powerful, uniform, tightly controlled flux field that results in exceptionally smooth response and dynamic capability over a wider frequency range. Portable, Versatile Monitoring for Your Audio Workstation All you really need for top-class stereo production capability is a good audio workstation and a pair of HS-series monitors. A system like this is not only portable and extremely easy to set up anywhere you need it, it can deliver outstanding monitoring performance that will let you get your mixes just right. The response-control features of these monitors let you tweak them for the best response no matter where you set them up. Serious Surround Production Although stereo is still the most common format for basic music listening, 5.1 surround has become the audio format of choice for today's advanced visual media, and is beginning to be recognized as a superior vehicle for pure musical enjoyment as well. But to properly mix and produce surround sound you need a good 5.1 monitoring system. The HS-series speakers and subwoofer are the perfect choice if you want competitive surround-monitoring performance without having to spend big-studio megabucks to get it. Combine five HS50M or HS80M powered near-field reference monitors with one or more HS10W subwoofers, and you're ready to produce and deliver state-of-the-art surround sound. Optimum Response In Any Room Speaker response can vary greatly depending on the size, shape, and surface acoustics of the room in which they're used, as well as how they're placed within that environment. The HS50M and HS80M give you extra room-matching and speaker placement versatility with ROOM CONTROL, MID EQ, and HIGH TRIM response control switches that are specifically designed to compensate for common acoustic deficiencies and monitoring needs. The ROOM CONTROL switch, for example, can be used to compensate for the unnatural low-end exaggeration that usually occurs when speakers are placed close to walls or in corners. The MID EQ switch gives you subtle midrange boost and cut options in addition to flat response, while the HIGH TRIM switch offer the same type of response-tailoring capability for the high frequencies. - 2-way bass-reflex bi-amplified nearfield studio monitor with 6.5 cone woofer and 1 dome tweeter - 43Hz - 30kHz frequency response - 60W LF plus 35W HF bi-amp system for high-performance 95W power amplification - ROOM CONTROL and HIGH TRIM response controls - XLR and TRS phone jack inputs accept balanced or unbalanced signals | |
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