| Yellow Parts Adi Ez1394c Pieces Detachees Serie Jacks Simple Solid Body Jack traversant pour guitare solid body. |
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| Harley Benton : Parts Bigsby Lic. B70 Alu
(37 comments)
Licence Bigsby- Oiginal Lightning série 1- Pour guitares Archtop, Solid Body et Hollow Bo...(+) Licence Bigsby- Oiginal Lightning série 1- Pour guitares Archtop, Solid Body et Hollow Body- Système de vibrato facilement montable- Bras de vibrato réglable- Longueur: 220,7 mm- Largeur: 95,3 mm- Poids: 358 g- Finition: Aluminium poli- Ressort, feutre de protection et 4 vis de fixation incl. |
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| Harley Benton : Parts Bigsby Lic. B70 Gold
(7 comments)
Licence Bigsby- Oiginal Lightning série 1- Pour guitares Archtop, Solid Body et Hollow Bo...(+) Licence Bigsby- Oiginal Lightning série 1- Pour guitares Archtop, Solid Body et Hollow Body- Système de vibrato facilement montable- Bras de vibrato réglable- Longueur: 220,7 mm- Largeur: 95,3 mm- Poids: 358 g- Finition: Doré- Ressort avec bague d'espacement, 4 vis de fixation et fil pour aligner le guide cordes incl. |
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| Peter Hess : phKS9-02/GÃâ₠¬â€œ-High
Peter Hess phKS9-02/GÖ-High, large heart bowl with loop and handle. The large heart bo...(+) Peter Hess phKS9-02/GÖ-High, large heart bowl with loop and handle. The large heart bowl weighs about 1300 grams.The diameter of the bowl is around 21-22 cm, the height around 8,5cm. The sound of this bowl varies depending on the mallet used. Its frequencies especially appeal to the upper body parts. The large heart bowl was developed with professional use in mind. This bowl is made out of 12 metals., Mallet recommendation: phFS-2h / phFS-2w / phGS-5a / phGS-5KKS / phGS-d1 |
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| Harley Benton : Parts Stop Bar Tailpiece Ch
(54 comments)
Adapté à la plupart des guitares standard Solid Body- Espacement des cordes: 51,4 mm- Fi...(+) Adapté à la plupart des guitares standard Solid Body- Espacement des cordes: 51,4 mm- Finition: Chrome |
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| Squierj Mascis Jazzmaster - Vintage White Electric Guitar
(10 comments)
Squier honors alt-rock godfather and Dinosaur Jr. leader J Mascis with a striking new Jazz...(+) Squier honors alt-rock godfather and Dinosaur Jr. leader J Mascis with a striking new Jazzmaster guitar model that delivers as much massive sound and performance as its namesake. The pickups, hardware and finish
are all specified by Mascis himself for tremendous tone and value.The J Mascis Jazzmaster features a
basswood body, C-shaped Maple Neck, Rosewood Fingerboard with 9.5" radius and 21 jumbo Frets, two single-coil Jazzmaster pickups with three-position switching and dual tone circuits, gold anodized aluminum
pickguard, aged white plastic parts (knobs, switch tip, pickup covers), Adjusto-Matic Bridge with vintage-style floating Tremolo Tailpiece, vintage-style tuners, chrome hardware, Vintage White finish and J Mascis
signature on the Back of the large '60s-style Headstock.
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| Edgar Russ - Sound of Cremona : "Scala Perfetta Viola 16"""
Edgar Russ - Sound of Cremona Scala Perfetta Viola 16", Scala Perfetta Viola 16'' / 40,5cm...(+) Edgar Russ - Sound of Cremona Scala Perfetta Viola 16", Scala Perfetta Viola 16'' / 40,5cm, made in Europe, adjusted, varnished and set-up at the Edgar Russ violin workshop in Cremona, an instrument with outstanding Italian sound qualities, body length 40,5cm / 16", two-parts spruce top, two-parts flamed maple back, sides and neck made from the same piece of wood as the back, ebony fingerboard, reddish-brown Italian style shaded spirit varnish, Aubert bridge, boxwood pegs, boxwood tailpiece with one fine adjuster, boxwood endbutton, Pirastro Evah Pirazzi strings, comes with certificate including photos and dimensions. |
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| Edgar Russ - Sound of Cremona : Scala Perfetta Viola 15,5''
Edgar Russ - Sound of Cremona Scala Perfetta Viola 15,5'', Scala Perfetta Viola 15,5'' / 3...(+) Edgar Russ - Sound of Cremona Scala Perfetta Viola 15,5'', Scala Perfetta Viola 15,5'' / 39,5cm, made in Europe, adjusted, varnished and set-up at the Edgar Russ violin workshop in Cremona, an instrument with outstanding Italian sound qualities, body length 39,5cm / 15,5", two-parts spruce top, two-parts flamed maple back, sides and neck made from the same piece of wood as the back, ebony fingerboard, reddish-brown Italian style shaded spirit varnish, Aubert bridge, boxwood pegs, boxwood tailpiece with one fine adjuster, boxwood endbutton, Pirastro Evah Pirazzi strings, comes with certificate including photos and dimensions. |
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| Bodo Vosshenrich : Electrola Standard E-Viola 16
Bodo Vosshenrich Electrola Standard Electric Viola 40,5cm/16", electric viola featuring a ...(+) Bodo Vosshenrich Electrola Standard Electric Viola 40,5cm/16", electric viola featuring a swinging and completely feedback-resistant body, made by master luthier Bodo Vosshenrich in Southern France, top, back and sides are made of perforated high quality aluminium, the instrument features soundpost, bassbar and a wooden bridge, wooden parts and aluminium elements are assembled by the use of epoxy-glue, scale length and body-length equal those of the acoustic viola whereas the weight of the Electrola is approx. 15% higher than the weight of an acoustic viola, the Electrola features an ebony fingerboard, ebony pegs and a finetuning tailpiece, 3 passive PDVF-foil pickups, 6,3mm mono output socket. The Electrola shows the same scale-length and dimensions as the acoustic viola, the body shape results in an enlarged swinging top that enhances the lower frequencies of the low C-string, caused by the shape of the model and the arching of the top the overall sound is characteristically viola-like. |
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| Bodo Vosshenrich : Electrola Ergo E-Viola 16'
Bodo Vosshenrich Electrola Ergo Electric Viola 40,5cm/16", electric viola featuring a swin...(+) Bodo Vosshenrich Electrola Ergo Electric Viola 40,5cm/16", electric viola featuring a swinging and completely feedback-resistant body, made by master luthier Bodo Vosshenrich in Southern France, top, back and sides are made of perforated high quality aluminium, the instrument features soundpost, bassbar and a wooden bridge, wooden parts and aluminium elements are assembled by the use of epoxy-glue, scale length and body-length equal those of the acoustic viola whereas the weight of the Electrola is approx. 15% higher than the weight of an acoustic viola, the Electrola Ergo features a spruce fingerboard laminated with a 2mm ebony layer, Wittner finetuning pegs and an ebony tailpiece, 3 passive PDVF-foil pickups, 6,3mm mono output socket. The Electrola shows the same scale-length and dimensions as the acoustic viola, the body shape results in an enlarged swinging top that enhances the lower frequencies of the low C-string, caused by the shape of the model and the arching of the top the overall sound is characteristically viola-like. |
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| Bodo Vosshenrich : Electroloncello Ergo E-Cello
Bodo Vosshenrich Electroloncello Ergo E-Cello 4/4, electric cello featuring a swinging and...(+) Bodo Vosshenrich Electroloncello Ergo E-Cello 4/4, electric cello featuring a swinging and completely feedback-resistant body, made by master luthier Bodo Vosshenrich in Southern France, top, back and sides are made of perforated high quality aluminium, the instrument features soundpost, bassbar and a wooden bridge, wooden parts and aluminium elements are assembled by the use of epoxy-glue, scale length equals the acoustic cello whereas the body length has been reduced to 64cm, the Electroloncello Ergo features a spruce fingerboard laminated with a 2mm ebony layer, Wittner finetuning pegs and an ebony tailpiece, 3 passive PDVF-foil pickups, 6,3mm mono output socket, shoulder strap system for playing in upright position is included. |
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| Bodo Vosshenrich : Electrolin Standard 4-Str. Vn
Bodo Vosshenrich Electrolin Standard Electric Violin 4/4, electric violin featuring a swin...(+) Bodo Vosshenrich Electrolin Standard Electric Violin 4/4, electric violin featuring a swinging and completely feedback-resistant body, made by master luthier Bodo Vosshenrich in Southern France, top, back and sides are made of perforated high quality aluminium, the instrument features soundpost, bassbar and a wooden bridge, wooden parts and aluminium elements are assembled by the use of epoxy-glue, scale length and body-length equal those of the acoustic violin whereas the weight of the Electrolin is approx. 15% higher than the weight of an acoustic violin, the Electrolin features an ebony fingerboard, ebony pegs and a finetuning tailpiece, 3 passive PDVF-foil pickups, 6,3mm mono output socket. |
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| Epiphone : Les Paul 59 Ice Tea Burst VOS
Inspired by Gibson Custom Shop / Modern Collection- Top: Flamed maple- Body: Solid mahogan...(+) Inspired by Gibson Custom Shop / Modern Collection- Top: Flamed maple- Body: Solid mahogany- One-piece neck: Mahagony- Fingerboard: Rosewood- Trapezoid fingerboard inlays- Neck profile: Authentic '59 medium "C"- 22 Historic medium jumbo frets- Pickups: 2 Custombucker Humbucker- CTS 500k Pots- ABR-style bridge- Alumuinium stopbar- Kluson Single Ring Vintage machine heads- Vintage plastic parts- Nickel hardware- Colour: Iced Tea Burst VOS- Includes Lifton-inspired case |
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| Gibson : Les Paul 57 HPT GT DB #3
Gibson Les Paul Standard 1957 HPT Goldtop Darkback Murphy Ultra Light Aged, Custom Shop, E...(+) Gibson Les Paul Standard 1957 HPT Goldtop Darkback Murphy Ultra Light Aged, Custom Shop, E-Guitar, Les Paul 1957, selected maple top (hide glued), solid mahogany body (swietenia macrophylla), one piece mahogany neck (swietenia macrophylla), rosewood fretboard (dalbergia latifolia) (hide glued), ´58 true historic "C" neck shape, 22x historic medium jumbo frets, aged cellulose nitrate trapezoid inlays, 2 x custombucker alnico III unpotted, CTS 500k pots /w paper-in-oil capacitors, Grover kidney tuner, no wire ABR-1 bridge, alumuinium stopbar, cellulose acetate butyrate plasitc parts, nickel hardware, Custom Shop medallion (historically correct backplate in case), color: Goldtop Darkback Ultra Light Aged , incl. GWW aged case and certificate, made in USA, |
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| Gibson : Les Paul 58 Bourbon Burst ULA
Murphy Lab Custom Shop model- Solid mahogany body- Hide glued maple top- One-piece mahogan...(+) Murphy Lab Custom Shop model- Solid mahogany body- Hide glued maple top- One-piece mahogany neck- Hide glued rosewood fingerboard- Aged Cellulose Nitrate trapezoid fingerboard inlays- Neck profile: Authentic Chunky C- Aniline dye back- 22 Historic Medium jumbo frets- Pickups: 2 Custombucker humbucker- CTS 500k pots- Oil-in-Paper capacitors- No-Wire ABR-1 bridge- Aluminium stopbar- Kluson Single Ring Vintage tuners- Cellulose Acetate Butyrate plastic parts- Nickel hardware- Finish: Ultra Light Aged - lacquer cracks- Colour: Bourbon Burst- Incl. Lifton case and certificate- Made in USA |
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| Gibson : Les Paul 59 GLF Heavy Aged
Gibson Les Paul Standard 1959 Green Lemon Fade Murphy Lab Heavy Aged, Electric Guitar, Les...(+) Gibson Les Paul Standard 1959 Green Lemon Fade Murphy Lab Heavy Aged, Electric Guitar, Les Paul 1959, famed maple top (hide glued), solid mahogany body (swietenia macrophylla), one piece mahogany neck (swietenia macrophylla), rosewood fretboard (dalbergia latifolia) (hide glued), authentic ´59 medium "C" neck shape, 22x historic medium jumbo frets, aged cellulose nitrate trapezoid inlays, 2x custombucker pickups, CTS 500k pots /w paper-in-oil capacitors, kluson single ring vintage tuner, no wire ABR-1 bridge, alumuinium stopbar, cellulose acetate butyrate plasitc parts, nickel hardware, 60th anniversary switchblade medallion (historically correct backplate in case), color: Green Lemon Fade - heavy aged (heavy wear and tear), incl. lifton case and certificate, made in USA, |
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| Gibson : Les Paul 59 ULA HPT SF
Gibson Les Paul Standard 1959 Southern Fade Murphy Lab Ultra Light Aged, Custom Shop Elect...(+) Gibson Les Paul Standard 1959 Southern Fade Murphy Lab Ultra Light Aged, Custom Shop Electric Guitar Hand Picked Top, Les Paul 1959, famed maple top (hide glued), solid mahogany body (swietenia macrophylla), one piece mahogany neck (swietenia macrophylla), rosewood fretboard (dalbergia latifolia) (hide glued), authentic ´59 medium "C" neck shape, 22x historic medium jumbo frets, aged cellulose nitrate trapezoid inlays, 2x custombucker pickups, CTS 500k pots /w paper-in-oil capacitors, kluson single ring vintage tuner, no wire ABR-1 bridge, alumuinium stopbar, cellulose acetate butyrate plasitc parts, nickel hardware, color: Southern Fade - ultra light aged (weather checking), incl. lifton case and certificate, made in USA, |
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| Gibson : Les Paul 59 SITF Heavy Aged
Gibson Les Paul Standard 1959 SITF Slow Iced Tea Fade Heavy Aged, Murphy Lab, Electric Gui...(+) Gibson Les Paul Standard 1959 SITF Slow Iced Tea Fade Heavy Aged, Murphy Lab, Electric Guitar, Les Paul 1959, famed maple top (hide glued), solid mahogany body (swietenia macrophylla), one piece mahogany neck (swietenia macrophylla), rosewood fretboard (dalbergia latifolia) (hide glued), authentic ´59 medium "C" neck shape, 22x historic medium jumbo frets, aged cellulose nitrate trapezoid inlays, 2x custombucker pickups, CTS 500k pots /w paper-in-oil capacitors, kluson single ring vintage tuner, no wire ABR-1 bridge, alumuinium stopbar, cellulose acetate butyrate plasitc parts, nickel hardware, 60th anniversary switchblade medallion (historically correct backplate in case), color: Slow Iced Tea Fade - heavy aged (heavy wear and tear), incl. lifton case and certificate, made in USA, |
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Body Parts
