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Zoom	TB12 Black Tone Beast - Tone Shaping Mic Pre Same Original Tone Beast, Now in Black!. Warm Audio. General Merchandise. Hal Leonard #TB1...(+) Same Original Tone Beast, Now in Black!. Warm Audio. General Merchandise. Hal Leonard #TB12-B. Published by Hal Leonard (HL.323649). Item Number: HL.323649 9.5x24 inches. Unleash the Beast! The TB12 Tone Beast Black is a fully professional preamp design with loads of gain that can effortlessly capture an array of sources very well. It is a swiss army knife full of options and tones. With top notch CineMag transformers and multiple discrete signal paths, it's hard to beat the Tone Beast's big, bold, fully-professional sound at this price. The Tone Beast Black is a mic pre that likes to be pushed and when pushed will colorize your signal ever so sweetly. The 2 opamps and 2 output transformers at the flip of their switches won't appear to be much different, but as one drives the pre into harmonic distortion, the unique character of each of these components becomes apparent. The Tone Beast Black is customizable and allows users to source and swap in their own opamps. The output control on the TB12 allows you to limit the signal exiting the preamp even when pushing the gain to really hot levels, giving you maximum control. When designing the TB12 Tone Beast Black, Warm's goal was to make a microphone preamplifier affordable and jam packed full of options, without compromising the quality and design parameters that make this type of microphone preamplifier so desirable. Premium Components: The TB12 Tone Beast Black is a fully discrete, high-voltage microphone preamplifier, utilzing CineMag USA Transformers. Have no fear of hurting the Beast, you can push it very hard into full-on distortion if you wish, and these can sound quite nice on electric guitar, bass or anything else that likes some grit. The different component options in the TB12 are subtle, but when driven into saturation are noticeable and can make a big difference to the way your final mix will sound. Home-based musicians and professional studios alike will find the Tone Beast Black to be an extremely powerful and fully professional piece of gear that is capable of warming and shaping signals/mixes in a way that is very pleasing to the ear. - Sold by SheetMusicPlus In Stock (24 hours) Similar Items

Zoom	TB12 500 Tone Beast Tone Shaping Mic Pre Warm Audio. General Merchandise. Hal Leonard #TB12-500. Published by Hal Leonard (HL.32365...(+) Warm Audio. General Merchandise. Hal Leonard #TB12-500. Published by Hal Leonard (HL.323651). Item Number: HL.323651 10x8 inches. Unleash the Beast The Tone Beast is a great mic pre with loads of gain that can effortlessly capture an array of sources very well. With top notch CineMag transformers and multiple discrete signal paths, it's hard to beat its big, bold, fully-professional sound ad its price. The Tone Beast is a mic pre that likes to be pushed and when pushed will colorize your signal ever so sweetly. The 2 opamps and 2 output transformers at the flip of their switches won't appear to be much different, but as one drives the pre into harmonic distortion, the unique character of each of these components becomes apparent. Additionally the Tone Beast is customizable and allows for other opamps to be sourced and easily swapped into the unit. Warm has pulled its best tones from this pre right at the saturation point (as loud as you can push the gain before clipping). The output control on the TB12 allows you to limit the signal exiting the preamp even when pushing the gain to really hot levels, giving you maximum control. Affordable Tone Shaping Mic Preamp Warm's goal was to make a microphone preamplifier affordable for the first time, without compromising the quality and design parameters that make this type of microphone preamplifier so desirable. Home-based musicians and professional studios alike will find the Tone Beast to be an extremely powerful and fully professional piece of gear that is capable of warming and shaping signals/mixes in a way that is very pleasing to the ear. Premium Components The TB12 Tone Beast 500 is a high-voltage microphone preamplifier, utilzing CineMag USA Transformers. Our own reproduction of the legendary original 2520-style discrete opamp found in the classic american consoles of yesteryear. These op-amps will work in any preamplifier or other device which conforms to the 2520-style footprint and +/-16 voltage standard. Have no fear of hurting the Beast, you can push it very hard into full-on distortions if you wish, and these can sound quite nice on electric guitar, bass or anything else that likes some nice grit. - Sold by SheetMusicPlus In Stock (24 hours) Similar Items

Zoom	Converter Dangerous Music Dm23 Convert-8 Digital Analog Da D/a Converter Multichannel 8 Channels Aes... Le Nouveau Dangerous Music CONVERT-8 est un convertisseur 8 canaux D/A audiophile de réf�...(+) Le Nouveau Dangerous Music CONVERT-8 est un convertisseur 8 canaux D/A audiophile de référence. Il est la version 8 canaux du Convert-2 et possède ainsi des fonctions légèrement différentes. Fournit avec une connectivité d'entrée en ADAT et AES sur D-Sub ainsi que de l'AES Thru, il sera le parfait remplacement ou extension d'un système D/A déjà existant. Le Convert-8 a été pensé pour les ingénieurs de mix utilisant des systèmes de sommation analogique tels que les légendaires D-Box ou 2-Bus(+), ainsi que ceux ayant besoin d'un convertisseur de référence pour des configurations de mix ou mastering surround (jusqu'à 7.1). Il est de plus compatible avec les Monitor ST/SR (choix des sources via la télécommande). La série CONVERT a été développée en repartant de zéro sans qu'aucun compromis ne soit autorisé. Des dizaines d'années d'expérience combinées à une éthique fondée sur l'idée detransparence et musicalitépermettent aujourd'hui d'aboutir à un convertisseur véritablement exceptionnel : un très grand détail, un grave très précis et riche et une clarté parfaite sur l'ensemble du spectre audio. Caractéristiques:- Conversion Audiophile de Mastering D/A- 5 formats d'entrée Digitaux : USB, AES, SPDIF, ADAT, Optical SPDIF (Toslink)- Fréquences d'échantillonnage de 44.1 à 192 kHz avec détection automatique de la fréquence- Monitoring de Référence Haute Définition stéréo jusqu'à 7.1- Horloge à très faible Jitter qui enverra en retraite bon nombre d'horloges dédiées- Entrée USB pour Connexion Direct à un DAW - Compatible avec les fonctions télécommandées du Monitor ST/SR - LEDs de présence du signal (vert: -40dB ou plus, rouge: 3 samples consécutifs ont clippés)- Digital thru pour connecter un Metering externeSpécificités:Note: Dangerous Music, Inc. publie ses propres mesures et non celles des fabricants de puces.- Rapport Signal/Bruit, pondéré-A, 20Hz à 20KHz: < 114dB- Rapport Signal/Bruit, non-pondéré, 20Hz à 20KHz: < 113dB- Plage Dynamique, pondérée-A, 20Hz à 20KHz: < 114dB- Plage Dynamique, non-pondérée, 20Hz à 20KHz: < 113dB- THD+N: THD+N, 1kHz, non-pondéré, 20Hz à 20kHz, +4dBu sortie: < 94.5dB (0.00188%) THD+N, 1kHz, non-pondéré, 20Hz à 20kHz, +22dBu sortie: < 106.5dB (0.00048%)- Réponse fréquentielle @ 96KHz: DC à 20KHz: +0, -0.25dB DC à 30KHz: +0, -0.5dB DC à 40KHz: +0, -1.0dB- Jitter: 16ps (100Hz à 40KHz), 18ps (100Hz à 1MHz)- Crosstalk rejection: > 114dBu @ 1kHz- Fusibles de Remplacement: USA 2 amp slo-blow pour 120V Europe 1 amp slo-blow pour 240VJetPLL: JET and Jitter Elimination Technology are trademarks of TC Applied Technologies Ltd. JET is patented technology used under sublicense from TC Applied Technologies, and is the intellectual property of Sonopsis Ltd. 4539.00€* - Sold by Woodbrass On order Similar Items

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