t.akustik WDS-7 GR Diffuser 8pcs Set Ensemble de panneaux acoustiques - 8 pièces- Permet d'optimiser l'acoustique de la pièce- Profil du diffuseur : escaliers- Le diagramme d'absorption/diffusion a été optimisé par une conception spéciale- Une utilisation correcte du WDS-7 optimise l'acoustique de la pièce et lui donne une atmosphère professionnelle- Grâce à son poids léger, il peut être installé facilement et à faible coût- Matériau : EPS (polystyrène expansé)- Couleur : graphite- Comportement au feu des matériaux de construction classe B1 selon la norme DIN 4102 - 1 et EN 13 50 - 1- Densité : 20 kg²- Dimensions : 600 x 600 x 70 mm- L'ensemble contient 8 pièces- Colle non fournie disponible en option, article n° : 481723 2x t.akustik WAS-7 Absorber 8pcs Set Ensemble de panneaux acoustiques absorbeurs- Convient pour l'optimisation de l'acoustique des pièces- Profil de l'absorbeur : Cales (marches)- Les panneaux découpés avec précision permettent la combinaison et l'assemblage de différents modèles t.akustik (par ex. WAS-7)- Performances d'absorption optimisées par une conception spéciale- L'utilisation correcte du WAW-7 réduit les échos parasites, optimise l'acoustique de la pièce et lui donne une atmosphère professionnelle.- Matériau : mousse polyuréthane souple- Densité : 25,0 ± 5,0 kg / m³.- Comportement au feu : vitesse de combustion

The 5051 combines a classic three band EQ based on Rupert’s vintage designs with the power and flexibility of the Portico II compressor. Utilizing a fully-discrete, class-A signal path and high performance input and output transformers, the 5051 delivers the performance and musicality expected from a Rupert Neve Design.The EqualizerThe EQ design on the 5051 evokes sonic similarities with some of Rupert’s classic EQs. The 5051 uses a custom tapped inductor with selected capacitors to form the mid range equalizer band, and the shelf curves are based on Rupert’s vintage modules, including very similar frequency choices. Each EQ section also uses low feedback class-A discrete electronics to prevent low level artifacts and harshness from detracting from the tonal shaping. The EQ, however, is a modern design with advantages offered by techniques that were not possible 35 years ago along with improvements in electronic components currently available, and should not be considered a clone – it just has heritage.Both the High and Low Band can be switched from Shelf to Peak curves and offer 15 dB of boost or cut. The High can be switched from 8 kHz to 16 kHz and the Low Band selected at 35 Hz, 60 Hz, 100 Hz or 220 Hz. The inductor based Mid Band offers 6 center frequencies; 200 Hz, 350 Hz, 700 Hz, 1.5 kHz, 3 kHz and 6 kHz. The Mid Band also has a High Peak switch to narrow the bandwidth or increase the Q of the filter. The 5051 includes an 18 dB/octave High Pass Filter with two corner frequencies on a lit button that toggles through “OFF, 60 Hz then 120 Hz indicated by a blue or red LED respectively. Additionally, the EQ can be switched Pre or Post the compressor. Normally the EQ precedes the compressor but the order can be selected so that the EQ follows after the Compressor. The 5051 also has two XLR balanced inputs that can be switched from the front panel. This allows the user, for example, to have a mic preamplifier and line input from a DAW to be pre-patched and easily selectable.The CompressorThe 5051 Compressor also features a discrete class A signal path proven used in the Portico Series, withindividually controllable threshold, attack, release, makeup gain, ratio, side chain HPF, Feed-Forward / Feed-back selection and Peak/RMS detection modes. With the compressor inactive, the 5051 may be used as a transformer-coupled, high-performance line amplifier, and two 5051′s may be linked for stereo operation as well.How the Compressor WorksIn order to control gain, a V.C.A. or Voltage Controlled Amplifier (or Attenuator) is used. There are many types of V.C. including the use of tubes, discrete and integrated solid state circuits and naturally non-linear devices, each one having its characteristic behavior that reflects sonically on the final performance, and gives it a character or signature that can be musically attractive or not! The Portico 5051 compressor makes use of a very accurate, low noise, low distortion V.C.A. having, essentially, no signature of its own.A part of the audio signal is rectified and smoothed to produce a suitable control voltage for the V.C.A. which has to respond very quickly and have low distortion. If the response is too fast, low frequency signals will themselves, be gain controlled! If the response is too slow, the signal will overshoot and the first few cycles will not get compressed. The speed and accuracy of the response, known as the “attack”, and the time frame that gain remains under the initial control, known as “release” or “recovery” and plays a large part in the way a compressor sounds.Feed-Forward or Feed-Back The 5051 also has the ability to switch between feed-forward and feed-back modes. If the V.C.A. Control voltage is taken from the 5051 output, (i.e. after the V.C.A.) it cannot act immediately on the V.C.A. because it has already been modified by settings of the V.C.A. and circuits through which it has passed. This is known as a “Feed-Back” compressor. The two compression characteristics are quite different; there is more “Overshoot” and both the attack and recovery ramps are changed, providing the user with powerful choices. In most of Mr. Rupert Neve earliest designs, feed-back detection controlling the VCA with a rectified voltage from the unit output was intrinsic to the musical dynamic response. However, the very nature of a feedback compressor limits the attack time of the compression circuit. To offer faster, more technically accurate response times, feed-forward detection was implemented on Mr. Rupert Neve’s more modern designs. With the FF / FB switch, both classic and modern VCA responses are available. Ratio and ThresholdAbove a given “THRESHOLD” signals are reduced by an adjustable amount ranging from 1:1, (which is linear, or no reduction at all), to more than 40:1 which is a very high ratio, equivalent to that of a Limiter. RATIO is sometimes referred to as “Slope” because when depicted on a graph, the slope of the graph representing Output versus Input, is what changes.Ratio and Threshold are closely inter-dependent. If a RATIO as high as 40:1 has been set, then if the THRESHOLD is set at 0 dBu, even when a massive signal of +40 dBu (unlikely!) is presented to the input, the output signal will only be +1 dBu. RATIOS as high as this would normally be set somewhere above 0 dBu – say at +14 dBu, in order to prevent the output signal level exceeding just over +14 dBu to protect, for example, a digital recorder. Similarly, if a RATIO of 5:1 has been set, an input signal which is 10dB above THRESHOLD will only rise by 2dB above that THRESHOLD at the output.THRESHOLD control covers the Range from below -30dB to +22dBu. When THRESHOLD set at a low level, with a fairly high RATIO the amount of gain reduction will be considerable and it may be necessary to use some GAIN after the compressor to restore the apparent signal level.Attack TimeThe ATTACK time is the time taken for the compression circuits to start compressing. A long ATTACK time allows short duration peaks to “escape” and go through uncompressed. This may cause overload on subsequent digital circuits. A very short attack time sounds un-natural and robs the signal of “life” by removing transients. Some transients are extremely fast and have little effect on the sound quality. Setting a long attack time often means that almost no gain reduction occurs because the transient is history (!) before compression has had time to operate. However, even the fastest circuits take time to operate which means that there is always some “Overshoot”. Small amounts of “Overshoot” are musically desirable – there are exceptions, of course.Setting the right values of RELEASE and ATTACK is what compression is all about! Once the principles are understood a Compressor-Limiter such as the 5051 provides a powerful tool that actually appears to enhance the dynamic range of a recording and so provide greater musical enjoyment.Release / RecoveryThe notes above explain how the 5051 handles signals of constant amplitude such as pure tones. Real program signals, however, are continually changing in level. The way in which a compressor deals with actual program material depends upon the magnitude and duration of peaks in the program level.If the RELEASE TIME is set to be very short, a short duration signal will be compressed but the gain will return to normal very quickly, giving a fluctuating and un-natural sound known as “Pumping” when the background, or other signals, are forced up and down. The gain will also tend to follow the wave form of low frequency signals. RELEASE TIME should be set long enough for the gain to remain reasonably constant between each bass note or between speech syllables.The Power SupplyThe 5051 is intended for 5088 consoles or 5285 vertical frames. There are two +/- 24V power supply options; The 5-way supply is designed to sit in the bottom of a rack, and the 25-way supply is a 2U enclosure. The external +/- 24V supply provides exceptionally clean power, and reduces heat build-up within modules associated with DC-DC up-conversion.

2x t.akustik WDS-7 GR Diffuser 8pcs Set Ensemble de panneaux acoustiques - 8 pièces- Permet d'optimiser l'acoustique de la pièce- Profil du diffuseur : escaliers- Le diagramme d'absorption/diffusion a été optimisé par une conception spéciale- Une utilisation correcte du WDS-7 optimise l'acoustique de la pièce et lui donne une atmosphère professionnelle- Grâce à son poids léger, il peut être installé facilement et à faible coût- Matériau : EPS (polystyrène expansé)- Couleur : graphite- Comportement au feu des matériaux de construction classe B1 selon la norme DIN 4102 - 1 et EN 13 50 - 1- Densité : 20 kg²- Dimensions : 600 x 600 x 70 mm- L'ensemble contient 8 pièces- Colle non fournie disponible en option, article n° : 481723 4x t.akustik WAS-7 Absorber 8pcs Set Ensemble de panneaux acoustiques absorbeurs- Convient pour l'optimisation de l'acoustique des pièces- Profil de l'absorbeur : Cales (marches)- Les panneaux découpés avec précision permettent la combinaison et l'assemblage de différents modèles t.akustik (par ex. WAS-7)- Performances d'absorption optimisées par une conception spéciale- L'utilisation correcte du WAW-7 réduit les échos parasites, optimise l'acoustique de la pièce et lui donne une atmosphère professionnelle.- Matériau : mousse polyuréthane souple- Densité : 25,0 ± 5,0 kg / m³.- Comportement au feu : vitesse de combustion

2x t.akustik WDS-7 GR Diffuser 8pcs Set Ensemble de panneaux acoustiques - 8 pièces- Permet d'optimiser l'acoustique de la pièce- Profil du diffuseur : escaliers- Le diagramme d'absorption/diffusion a été optimisé par une conception spéciale- Une utilisation correcte du WDS-7 optimise l'acoustique de la pièce et lui donne une atmosphère professionnelle- Grâce à son poids léger, il peut être installé facilement et à faible coût- Matériau : EPS (polystyrène expansé)- Couleur : graphite- Comportement au feu des matériaux de construction classe B1 selon la norme DIN 4102 - 1 et EN 13 50 - 1- Densité : 20 kg²- Dimensions : 600 x 600 x 70 mm- L'ensemble contient 8 pièces- Colle non fournie disponible en option, article n° : 481723 3x t.akustik WAS-7 Absorber 8pcs Set Ensemble de panneaux acoustiques absorbeurs- Convient pour l'optimisation de l'acoustique des pièces- Profil de l'absorbeur : Cales (marches)- Les panneaux découpés avec précision permettent la combinaison et l'assemblage de différents modèles t.akustik (par ex. WAS-7)- Performances d'absorption optimisées par une conception spéciale- L'utilisation correcte du WAW-7 réduit les échos parasites, optimise l'acoustique de la pièce et lui donne une atmosphère professionnelle.- Matériau : mousse polyuréthane souple- Densité : 25,0 ± 5,0 kg / m³.- Comportement au feu : vitesse de combustion

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Table de mixage Rotary 4 canaux, isolateur de fréquences 3 voies pour DJ Omnitronic TRM-422OMNITRONIC TRM-422: THE ROTARY MIXER ON A NEW LEVELOmnitronic\'s popular TRM series has been expanded: the TRM-422 combines all the proven features of the previous models, but additionally offers functions that numerous fans had wished for. During the development of the mixer, the focus was on the demands and suggestions of the community.FULL CONTROLEach of the 4 input channels has 2 line inputs, one of which can become a phono input at the touch of a button. The channels are each equipped with a volume as well as a gain control. In addition to the master isolator (bass, mid & high), the DJ has the option to activate a filter with HPF, BPF, LPF, resonance and sweep controls in each of the 4 input channels.The master output is available to the DJ in both XLR and RCA versions.EFFECT WAYSThe use of external effect devices is possible through an FX-In and FX-Out via 6.3 mm jack. The mixer\'s master insert is also equipped with a send & return (unbalanced) path. This allows additional external effects to be looped into the mixer.DVS INTEGRATIONThe mixer\'s timecode outputs allow easy integration of a DVS system (Digital Vinyl System) such as Traktor or Serato.MONITOR SECTIONThe booth output of the TRM-422 is provided with one XLR and one RCA connector. The signal of the booth output can be easily adjusted to the conditions in the DJ booth with the help of an EQ (High & Low).MICROPHONE INPUTSThe TRM-422 offers 2 microphone inputs. The first mic input gives the DJ the ability to modify the mic signal with EQ (high & low).BACKUP SOURCEWith the help of the AUX input on the front panel, players such as smartphones, tablets or MP3 players can easily be connected via mini-jack (3.5 mm) and thus serve as a backup solution.ACTIVATABLE CROSSFADERIf you don\'t want to do without a crossfader during your DJ set, you have the option to assign each of the 4 channels to the integrated crossfader. If the crossfader is not used, it can easily be switched off.SET RECORDINGThe RCA record-out makes it easy to record your own DJ set.FEATURES :- 4-channel rotary mixer with 3-band frequency isolator and filter section for DJs- 3-band master frequency isolator with vintage ALPS potentiometers (Blue Velvet RK27)- Kill cut feature allows DJs to completely remove low, mid and high frequencies for amazing mixing- Filter section with HPF, BPF, LPF, resonance and sweep control for creative sound shaping- 4 stereo input channels with gain control, clip LED, 3-way equalizer and phono/line switching- 2 microphone input channels with gain control, 2-way equalizer on air switch- High-grade components ensure long life and excellent sound quality- 16-digit stereo LED level meter, switchable between master and booth outputs- Booth output with separate 2-way equalizer and level control- PFL section with 16-digit stereo LED level meter, level control, PFL/master mix control and cue mix/split option- Fully assignable VCA crossfader with adjustable curve- 2 effects send/return paths- 4 direct outputs for Timecode applications- Inputs: 8 x line and 4 x phono (RCA L/R), 1 x front aux (mini jack)- Outputs: master and booth (XLR/RCA L/R), record (RCA L/R), master insert send/return (RCA L/R), FX in/out (stereo jack)483 mm rack installation possible with supplied mounting brackets- Desktop console housingTECHNICAL SPECIFICATIONS :- Power supply: 100-240 V AC, 50/60 Hz- Power consumption: 24 W- Protection class: Class I- Power connection: Mains input IEC connector (M) mounting version Power supply cord with safety plug (provided)- Frequency range: Microphone 20 - 20000 Hz- Line 20 - 20000 Hz- Phono 40 - 18000 HzS/N ratio: >97,2 dB line>91,7 dB MicrophoneTHD: Line

3x t.akustik WAS-7 Melamine GR Mousses de traitement acoustique- Panneax absorbeur pour optimiser l'acoustique d'une pièce- Les panneaux découpés avec précision en triangle permettent de combiner et d'assembler différents modèles t.akustik (par exemple avec WAW-7)- La performance d'absorption a été optimisée avec une conception spéciale- Une utilisation appropriée permet à l'absorbeur de réduire les échos de flottement dans la pièce- Optimise l'acoustique de la pièce et lui donne une atmosphère professionnelle- Matériau: mousse de résine de mélamine- Comportement au feu selon B1-DIN 4102-1 difficilement inflammable- Coefficient d'absorption acoustique: >0,9 (à partir d'environ 600 Hz)- Dimensions par panneau (L x l x H): 600 x 600 x 70 mm- Couleur: gris- L'ensemble contient 8 panneaux 14x t.akustik CBT-37 Melamine GR Ensemble de panneaux absorbeur- Absorbeurs pour optimiser l'acoustique d'une pièce- Particulièrement adapté pour l'absorption des ondes sonores de basses fréquences- Matériau : mousse de résine de mélamine- Comportement au feu selon la norme EN13501-1, Euroclasse B s-1,d-0 résistant aux flammes- Coefficient d'absorption acoustique : >0,9 à partir d'environ 600 Hz- Dimensions (L x l x H): 370 x 370 x 600 mm- Couleur : gris- L'ensemble contient 2 panneaux individuels 3x t.akustik WDS-7 Diffuser Set 4pcs Ensemble de panneaux acoustiques - 4 pièces- Permet d'optimiser l'acoustique d'une salle- Profil du diffuseur : crénelé, le diagramme d'absorption/diffusion a été optimisé par une conception spéciale- Une utilisation correcte du WDS-7 optimise l'acoustique d'une salle et lui donne une atmosphère professionnelle- Grâce à son poids léger, ils peuvent être installés facilement- Un autre point fort est la possibilité de choisir ses propres couleurs, le WDS-7 peut être peint ou vernis avec des peintures à base d'eau (n'utilisez que des peintures sans solvants ! )- Matériau : EPS (polystyrène expansé)- Couleur : blanc- Comportement au feu des matériaux de construction classe B1 selon la norme DIN 4102 - 1- Densité 20 kg/m3- Classe feu E selon la norme EN 13 50 - 1- Dimensions : 600 x 600 x 70 mm- Cet ensemble contient 4 pièces Thomann Hand-Kartuschenpistole Pistolet pour cartouche- Convient pour adhésif acoustique t.akustik cartouches de 310 ml (non fournies)- Poussoir hexagonal- Peint 12x t.akustik Contact Glue Colle acoustique- Convient pour mousse acoustique, mousse en pyramide et basotec- Sans solvant- Élastoplastique- Adhésif monocomposant à base de polymères spéciaux- Durcissement rapide et universellement applicable comme adhésif de construction et d'assemblage- Particulièrement adapté pour le collage ponctuel et sur toute la surface d'éléments d'isolation acoustique et d'éléments acoustiques en mousse, notamment en mélamine et en mousse PUR- Adhère aux supports couramment utilisés dans la construction tels que le béton, le plâtre, la maçonnerie, le ciment et le bois- Cartouche de 310 ml / 490 g- Convient pour 0,5 m² à 3 m² selon le support et la technique de collage (point/surface)- Remarque : Température de traitement +5° C à +50° C- Stockage : au frais et au sec entre +5° C et +25° C- Prise : 10 - 15 min.- Couleur : blanc- Colle pâteuse- Base : Dispersion de polymères- Poids spéc. : environ 1,58 g/cm- À protéger du gel et de la chaleur- Pistolet à main pour cartouche approprié disponible en option, article n° : 417630 (non inclus)