Edgar Russ - Sound of Cremona, Marco Dotti, Giuseppe Guarneri "ex David - Heifetz", handcrafted by master luthier Marco Dotti at the Edgar Russ violin workshop in Cremona, built in the pattern of a violin built in 1742 by Guarneri del Gesu which had been pre-owned by Ferdinand David von Leipzig and Jascha Heifetz (among others), spalted spruce top from Val di Fiemme, flamed back made from Bosnian maple, air-dried tonewoods, sides and back made from the same piece of wood as the back, finest ebony fingerboard, the instrument has been varnished in the stayle of the old Italian 17th century masters, primer based on casein and calcium, the laquer has been home-brewn by Edgar Russ using amber and linseed-oil coloured with pigments in order to come as close as possible to the original`s appearance, Aubert De Luxe bridge, boxwood pegs, boxwood tailpiece with one fine-adjuster, boxwood endbutton, model "Dresden" chinrest with titanium screws, Pirastro Evah Pirazzi Gold strings.

Edgar Russ - Sound of Cremona Edgar Russ Cremonese 1715, Edgar Russ, Antonio Stradivari Cremonese 1715, personally handcrafted by master luthier Edgar Russ in Cremona, built in the pattern of Antonio Stradivari`s "Cremonese 1715" violin, spalted Italian spruce top from Val di Fiemme, airdried wood that has been seasoned for at least 20 years, flamed back made from Bosnian maple, sides and back made from the same piece of wood as the back, finest ebony fingerboard, the instrument has been varnished in the stayle of the old Italian 17th century masters, primer based on casein and calcium, the laquer has been home-brewn by Edgar Russ using amber and linseed-oil coloured with pigments in order to come as close as possible to the original`s appearance, Aubert De Luxe bridge, boxwood pegs, boxwood tailpiece with one fine-adjuster, boxwood endbutton, model "Dresden" ebony chinrest with titanium screws, strings will be individually chosen in order to achieve the best sound-quality possible.

Scala Vilagio R.O. Guarneri del Gesu "Lord Wilton" 1742 Violin 4/4, handcrafted in the pattern of the Guarneri Del Gesu "Lord Wilton ex Yehudi Menuhin" by Ryszard Osowski in Franconia / Bavaria / Germany, hand-varnished by his son Dawid Osowsky in Nowy Targ / Poland, slightly changed arching of top and back, scroll carved in the pattern of the original Lord Wilton, rib cage built on an inside mould following the Cremonese tradition, home-brewn Italian oil-varnish based on baltic amber, firy close to the original orange golden hand varnish, selected and long-seasoned tone-woods from Bavaria, Austria, Switzerland and Bosnia, selected narrowly grained spruce top, body made of beautifully flamed maple, one piece back, precisely fitted Milo Stamm bridge and home-made spalted soundpost, mighty and assertive sound with strong projection, broad spectrum of sound-colours featuring characteristic basses and mids combined with plenty of harmonizing over-tones, comes with Thomastik Infeld Dynamo G & D and Thomastik Infeld Rondo Gold A & E, precious pernambuco outfit (chinrest, tailpiece and pegs), light ebony fingerboard, comfortable playability, comes with certificate of authenticity, body length 353mm, neck stop 130mm, belly stop 195mm, upper bout width 168mm, center bout width 112mm, lower bout width 207mm.

Fabriqué à la main en Allemagne par le maître luthier Florian Hertzsch- Inspiré du modèle "Carrodus" de Guarneri del Gesu de 1743- Le frère du célèbre "Il Cannone", le modèle créé en 1743 est un joyau absolu de la phase tardive populaire del Gesus- Table en épicéa alpin- Fond une pièce, éclisses et volute en érable- Touche en ébène- Garniture en ébène- Vernis à l'huile antique ambré Custom basé sur un modèle italien- Fine couche de vernis pour une vibration sans entrave du bois- Copie avec signes d'usure de l'instrument d'origine- Réglage fin du son effectué à l'aide du chevalet et de l'âme- Longueur du fond: 353 mm- Cordes Pirastro Evah Pirazzi- Certificat d'authenticité étui Gewa Bio (gris/noir) incl.