Introduit pour la première fois en 1968 en tant que modèle haut de gamme sur commande spéciale, le D-55 a été si bien reçu que Guild l'a ajouté à la chaîne de production de série en 1974. Célèbre jouée par Tommy Smothers sur le Smothers Brothers Show à dans les années 1960, le D-55 a gagné en popularité et en longévité au fil des décennies, trouvant son bonheur entre les mains d'artistes plus contemporains comme Waylon Jennings, Billie Joe Armstrong et David Nail. Le retour le plus attendu d'une acoustique Guild à ce jour, la Guild D-55 est de retour et meilleur que jamais.Elle reste fidèle à toutes les nominations haut de gamme de son prédécesseur de 1968, notamment une table en épicéa Sitka AAA, un dos et des éclisses en palissandre indien massif, une touche et un chevalet en ébène et une finition en nitrocellulose. Les raffinements internes incluent un barrage en Adirondack festonné ainsi qu'une articulation du manche en queue d'aronde , ajustée à la main pour faire de cette génération de D-55 la plus légère, la plus sonore et la plus intense à ce jour. Le D-55 présente la tête la plus reconnaissable de Guild qui est entièrement liée et présente la combinaison d'incrustationsPeak and Shieldde Guild sur une superposition ébène. La touche en ébène assortie est également entièrement reliée et incrustée des emblématiques «V-Blocks» ormeau / Nacre de Guild et les mécaniques de typevoie de chemin de fer. La touche du D-55 repose sur un manche tout en acajou avec une belle couture centrale en noyer sur toute la longueur du talon à la tête. La finition nitro Antique Burst de la D-55 est aposé à la main pour une épaisseur minimale et une résonance maximale qui ne feront que s'améliorer avec l'âge. Chaque guitare comprend un certificat d'authenticité signé à la main et est livrée avec un étui rigide humidifié Premium Guild.

Style: Grand Auditorium- With cutaway- Ergonomic Bevel Duo (bevel on top and back for more comfortable handling while playing)- Top: solid Master Grade Sitka spruce- Back and sides: solid rosewood- Neck: Mahogany- Fingerboard and bridge: Ziricote- Fingerboard inlays: Roman numerals in Mother-of-Pearl (top) and linear position markers in Mother-of-Pearl (sides)- Fingerboard and headstock binding: Koa with white line- Nut width: 45 mm- Pickup: LR Baggs Stage Pro Anthem- Rosette made of solid koa and abalone- Ebony end pins with Mother-of-Pearl inlay- Machine heads: Gotoh 510 Silver/Patina/Ebony knobs- Transparent anti-scratch pickguard- Colour: Natural, high-gloss- Incl. case- Made in Europe (Czech Republic)

Martin Guitars D-10E-01, Sapele LH; left-handed acoustic guitar with pickup; shape: Dreadnought; Top: Sapele; Back & sides: Sapele; Neck: Select Hardwood; Fingerboard: Richlite; Inlay: Mother-of-Pearl; Rosette: Mother-of-Pearl with Multi-Stripe; Pickguard: Tortoise; 20 frets; nut: White Corian; nut width: 44,5 mm (1,75"); scale length: 633 mm (24,9"); bridge material: Richlite; bridge inlay: Compensated White Tusq; electronics: Fishman MX-T; tuners: Chrome Enclosed Gear; incl. Gig Bag; Color: Natural; Original Strings: Martin Guitars MA540T Authentic Treated Phosphor Bronze - Light (469771).

Martin Guitars DX2EL-03 Rosewood; Shape:Lefthand Dreadnought Western guitar; Top: Spruce; Back & sides: Rosewood High Pressure Laminate (HPL); Neck: Select Hardwood; Fingerboard: Katalox; Inlay: Mother-of-Pearl; Rosette: Mother-of-Pearl with Multi-Stripe; Pickguard: Tortoise or black (may vary); 20 frets; nut: White Corian; nut width: 44,5 mm (1,75"); scale length: 645 mm (25,4"); bridge material: Katalox; bridge inlay: Compensated White Tusq; electronics: Martin E1; tuners: Chrome Enclosed Gear; incl. Gig Bag; Color: Natural; Original Strings: MA540T Authentic Treated Light (469771).

Taylor - Koa 700 Series - 724ceHawaiian koa s seductive charms are legendary. With the new all-koa 700 Series, Taylor masterdesigner Andy Powers has embraced koa s natural beauty and sonic virtues in a fresh way thatreveals a distinctive musical personality compared to Taylor s Koa Series. Where the Koa Seriesshowcases an ultra-refined look and sound, with figured wood, rich appointments, gloss finishand a smooth voice, the new 700 Series channels more of koa s natural character in look, feeland sound. Select-grade koa boasts rich color variegation and straight grain structure.A newback bracing pattern, together with ultra-thin matte finish, coaxes a livelier, punchier, moredirect response from the guitar, making it exceptionally player-reflective. The thin finish alsocreates a warm and inviting tactile sensation with the natural wood texture, making players feeleven more connected to the guitar. A new suite of appointments includes mother-of-pearlFountain fretboard/inlays, rosewood binding (including soundhole), maple/rosewood top edgetrim, a paua/rosewood rosette, a dark-stained maple pickguard and Taylor polished bronzetuners. Model offerings include the Grand Auditorium 724ce and Grand Concert 722ce.Timeless koa appeal reimagined with a vibrant new voice.With the new, all-solid-koa 700 Series, Taylor master designer Andy Powers has embraced Hawaiian koa s natural beauty and sonic virtues in a fresh way that brings a distinctive musical personality to the Taylor line.Compared to our established Koa Series, which showcases an ultra-refined look and sound, featuringfigured koa, rich appointments, gloss finish and a smooth voice, the koa 700 Series channels more of koa s natural character in look, feel and sound.How the Series Was BornBack in 2015, Taylor formed a Hawaii-based partnership with tonewood supplier Pacific Rim Tonewoods to supply and grow Hawaiian koa for the future. (The company is called Siglo Tonewoods.)Part of our commitment is to contribute to current forest restoration efforts in Hawaii on a project basis through contracts with Hawaiian landowners.As specified in these stewardship agreements, Siglo is permitted to cut a select number of designated koa trees, and in exchange, we invest dollar for dollar in a host of forest improvement projects.These arrangements have enabled us to cut into more koa logs ourselves and discover far more varieties of koa wood, featuring a rich palette of colors with beautiful striping. (We hadn t previously been exposed to this type of koa in dealing with suppliers.) We gave this wood its own classification as Select-grade.Taylor master builder Andy Powers was excited by the new opportunities this wood presented. It inspired him to design what became the Koa 700 Series. He wanted to honor the unique characteristics of this wood by offering players another compelling koa playing experience.Unique Design FeaturesSelect-grade koa: Boasts rich color variegation and straight grain structureUltra-thin matte finish :Feel: The thin open-pore finish creates a warm and inviting tactile sensation; you can feel the natural wood texture, creating a more intimate connection to the guitarSound: Together with slightly altered back bracing, the voicing is different from our KoaSeries: a livelier, punchier, more direct response, making it exceptionally player-reflectiveAppointmentsFretboard/Peghead Inlay: New Fountain design in mother-of-pearlBody Edge Treatment: Indian rosewood binding (including soundhole)Rosette: Single ring, paua and rosewoodTuners: Taylor polished bronzeOther Unique Features: Maple/black/rosewood top edge trim, dark-stained maple pickguard I wanted to offer traditional appointments, with a focus on natural materials like wood and shell. I wanted the inlay to be unobtrusive and not too heavy in its ornamentation. Andy Powers These guitars retain the unique sweetness we associate with a koa guitar especially that beautiful midrange but with a more direct, punchier attack. Andy PowersAn expanded family of koa beauty. An expanded palette of koa sound.Players can choose from an array of koa models offered across the Taylor line, from the all-solid-wood Koa and 700 Series to select models within the 200 and 200 Deluxe Series to GS Mini and Baby Taylor models.Specifications : Body Wood:Solid Select-Grade Hawaiian KoaTop Wood:Solid Select-Grade Hawaiian KoaNeck:Neo-Tropical MahoganyFretboard:West African EbonyNut Width:1-3/4 Scale Length:25-1/2 (724ce), 24-7/8 (722ce)Electronics:ES2Case:Taylor Deluxe Hardshell Case

Lakewood D-44 acoustic guitar, Dreadnought; Top wood: AAAA European spruce; Back & sides: Granadillo; Neck: Cedro; Soundhole trim: Premium design with 2 woods & abalone; Head: Flat top; Headstock: Analogous to the wood type of the back (Granadillo); Body edges: Pear; Body shavings: Decorative shavings made of precious woods; Fingerboard: Ebony; Headstock inlays: white mother-of-pearl Lakewood logo; Fretboard inlays: none; Butt cap: analogous to wood type of back (granadillo); Nut: bone; Neck width at nut: 44 mm; Neck width at neck-to-body junction: 56 mm; Neck thickness: 20mm to 22mm; Neck profile: C-profile; Neck-to-body joint: at 14th fret; Scale length: 650 mm; Fret length: 650 mm; Neck thickness: 20mm to 22mm; Neck profile: C-profile; Neck-to-body joint: at 14th fret. Fret; Scale length: 650 mm; Number of frets: 20 frets; Bridge: Ebony; Bridge inlay: Bone; String spacing at bridge: 55mm; Bridge plug: Ebony with mother-of-pearl eye, Tuners: Gotoh SGL-510Z Gold 21:1; Machine heads: ebony; Body finish: high gloss polished; Strings: D'Addario XS Phosphor Bronze .012 - .053; Case & Gigbag: Hiscox Lakewood case

Type: Dreadnought- Top: Spruce- Top and sides: Rosewood high-pressure laminate- Neck: selected hardwood- Fingerboard: selected hardwood- Fingerboard inlays: Mother-of-Pearl- Mother-of-Pearl rosette with multi-stripe- Scale: 645 mm (25.4")- White Corian nut- Nut width: 47.6 mm (1.875")- 20 Frets- Pickup: Martin E1- Brown tortoise pickguard- Brigde material: selected hardwood- White, compensated TUSQ saddle- Chrome-plated encapsulated machine heads- Original strings: MA500T Authentic Treated Extra Light- Colour: Natural- Includes gig bag