The pan plate supports the handpan on a flat surface on a very low cross-section- The round support plate acts as a sound mirror and throws a certain frequency spectrum back into the room- The stand is therefore very suitable for playing on the floor with a full sound spectrum, whereas when playing on the lap the sound is always muffled by the clothing.- The handpan rests on three points without pressure on the body, so no resonance is swallowed due to tension- Suitable for all commercially available handpans

These are easy do travel with. They fit in a purse and are convenient to use wherever I go. Colour:black Dimensions: Black bag: 37 x 31 cm handle: 25 cm 100% polyester Bag closed with zipper: 12 x 12 cm 100% cotton / [Sac Pliable Shopping] / Sac /

Bodo Vosshenrich Electrola Standard Electric Viola 40,5cm/16", electric viola featuring a swinging and completely feedback-resistant body, made by master luthier Bodo Vosshenrich in Southern France, top, back and sides are made of perforated high quality aluminium, the instrument features soundpost, bassbar and a wooden bridge, wooden parts and aluminium elements are assembled by the use of epoxy-glue, scale length and body-length equal those of the acoustic viola whereas the weight of the Electrola is approx. 15% higher than the weight of an acoustic viola, the Electrola features an ebony fingerboard, ebony pegs and a finetuning tailpiece, 3 passive PDVF-foil pickups, 6,3mm mono output socket. The Electrola shows the same scale-length and dimensions as the acoustic viola, the body shape results in an enlarged swinging top that enhances the lower frequencies of the low C-string, caused by the shape of the model and the arching of the top the overall sound is characteristically viola-like.

Bodo Vosshenrich Electroloncello Ergo E-Cello 4/4, electric cello featuring a swinging and completely feedback-resistant body, made by master luthier Bodo Vosshenrich in Southern France, top, back and sides are made of perforated high quality aluminium, the instrument features soundpost, bassbar and a wooden bridge, wooden parts and aluminium elements are assembled by the use of epoxy-glue, scale length equals the acoustic cello whereas the body length has been reduced to 64cm, the Electroloncello Ergo features a spruce fingerboard laminated with a 2mm ebony layer, Wittner finetuning pegs and an ebony tailpiece, 3 passive PDVF-foil pickups, 6,3mm mono output socket, shoulder strap system for playing in upright position is included.

Bodo Vosshenrich Electrolin Standard Electric Violin 4/4, electric violin featuring a swinging and completely feedback-resistant body, made by master luthier Bodo Vosshenrich in Southern France, top, back and sides are made of perforated high quality aluminium, the instrument features soundpost, bassbar and a wooden bridge, wooden parts and aluminium elements are assembled by the use of epoxy-glue, scale length and body-length equal those of the acoustic violin whereas the weight of the Electrolin is approx. 15% higher than the weight of an acoustic violin, the Electrolin features an ebony fingerboard, ebony pegs and a finetuning tailpiece, 3 passive PDVF-foil pickups, 6,3mm mono output socket.

Peter Hess phKS9-G-p, Peter Hess® Therapy Singing Bowls - joint/universal singing bowl, permanent coating, Ø ca. 21 - 22 cm, height ca. 8 cm, The joints bowl, also named all-purpose bowl, is thin-walled and has a weight of 900 to 1,000 grammes. It has a wide range of sounds and is therefore suited for the whole body - especially for the reflex zones of hands and feet. It is characterized by an intense vibration and is thus especially suited for the use at joints. If this singing bowl is used with different mallets is it possible to vary the sound character: with a small, hard mallet the overtones become more dominant (the fair sounds become more evident), whereas a thick, soft mallet enhances the low frequencies. With this variation of mallets, this bowl can be used all over the body, therefore its name "all-purpose bowl". If you want to start with one bowl only, we recommend this one. Mallet recommendation: hkFS-2h / hkFS-2w / hkGS-5a / hkGS-5KKS / hkGS-d1

Breslmair rim for tuba 8-F NG; for 2-piece modular system; nominal size: 31.978mm; mild but accentuated inner shape; comfortable on the lip for soft bindings; outwards gently sloping towards the outer diameter, whereby the inner form is strikingly emphasized; Wide F supports play at higher range; silver plated

TV Jones EM1 Humbucker Ring Tall BK; Pickup Mounting Ring for TV Jones Universal Mount Pickups; 1 piece; allows the mounting our Universal Mount (Filter'Tron size) pickups in a standard humbucker cavity; Material: Plastic; Ring height: Tall, for use at the Bridge position on instruments with a high (T.O.M.-Style) Bridge. Not suitable for instruments with a low (F-Style) Bridge or Tremolo; Height: 7,6 - 9,7 mm (0,3" - 0,38"); Outer Dimensions (L x W): 88,9 x 44,5 mm (3,5" x 1,75"); Inner Dimensions (L x W): 71,5 x 34,5 mm (2,82" x 1,36"); Fixing Screws distance (L x W): 36,5 x 80,9 mm (1,44" x 3,19"); Pickup Screw distance: 78,5 mm (3,09"); Colour: Black; Made in USA; Note: These rings will not fit standard humbucker pickups. Original Gretsch and TV Jones Filter'Trons have a 1/4 inch corner radius, whereas some modern Filter'Trons are made with more square-like corners and may not fit this ring.

TV Jones EM2 Gretsch-Style Ring GO; Pickup Mounting Ring for TV Jones Universal Mount Pickups; 1 piece; Gretsch-style Pickup Ring for Universal Mount (Filter'Tron size) pickups; Material: Plastic; Height: 3,30 mm (0,13"; Outer Dimensions (L x W): 95,3 x 49,8 mm (3,75" x 1,96"); Inner Dimensions (L x W): 71,8 x 34,9 mm (2,83" x 1,38"); Fixing Screws distance (L x W): 83,5 x 34,7 mm (3,29" x 1,37"); Pickup Screw distance: 78,5 mm (3,09"); Colour: Gold; Made in USA; Note: These rings will not fit standard humbucker pickups; Original Gretsch and TV Jones Filter'Trons have a 1/4 inch corner radius, whereas some modern Filter'Trons are made with more square-like corners and may not fit this ring; If installing on a Gretsch 5120 or 5122 Ring Risers are necessary due to the higher neck angle of the guitar (Item No. # 265706)

Careful emulation of the legendary three Pultec EQs EQP-1A, MEQ-5 and HLF-3C from the early 1950s- Exact replica of the tube circuits, transformers and coils including the resulting non-linear distortions- Pultec EQP-1A with three bands, whereby bass and treble can also be simultaneously boosted and cut by separate controls for boost and attenuation for special processing- Pultec MEQ-5 offers three EQ bands dedicated to processing the mid-range frequencies- Pultec HLF-3C is a simple passive low and high pass filter with selectable corner frequencies- Numerous artist presets