Émulation soigneuse du Eventide Clockwork Instant Phaser de 1971- Son authentique du caractère de l'original- Offre trois versions différentes de phaseurs : Shallow, Deep et Wide- Quatre sources de modulation différentes : Manuel, Oscillateur, Enveloppe et Télécommande- Entrée Sidechain sur le déclencheur des suiveurs d'enveloppe- Contrôle de l'oscillateur avec Sync et Retrig- Contrôle du Larsen pour un son plus distinctif- Le contrôleur d'âge simule le comportement de dérive des composants- Formats de plug-in pris en charge : VST2 / AU / AAXnative- Configuration requise : Win7 ou supérieur, Mac OSX 10.7 ou supérieur, connexion Internet, iLok License Manager

Careful emulation of a legendary Japanese analog chorus effect from 1976- Detailed modelling of the bucket brigade delay- Suitable for many different signals such as guitars, basses, but also vocals or drums and much more- Wide tonal range from subtle thickening to broad 1970s chorus guitars- Various configurations for mono and stereo applications to choose from

Émulation soignée du légendaire compresseur radio / Limiter allemand U73b- Circuit à lampe modélisé pour un son authentique- Trois temps de retour dépendants du programme et trois temps de retour fixes au choix- Niveaux d'entrée et de sortie réglables- Contrôle automatique du niveau de sortie en option- Gestion des basses avec filtre passe-haut supplémentaire pour passer d'un son original à un son moderne- Sidechain externe- Formats pris en charge : VST2 / VST3 / AU / AAXnative- Configuration requise : Win7 ou supérieur, Mac OSX 10.9 ou supérieur, connexion Internet, iLok License Manager

Careful emulation of the legendary Teletronix LA-2 / LA-2A Leveling Amplifier in three different historical versions LA-2A Silver, LA-2A Gray and LA-2- Exact replica of the optical compressor circuit as well as the tube amplifier- Teletronix LA-2 from the early 1960s with slow response and a uniquely muffled sound due to its aged T4 module- Teletronix LA-2A Gray offers common response times for a wide range of applications- Teletronix LA-2A Silver from the late 1960s with T4B module and fast response times is suitable for a wide range of applications- VU meter with selectable display of output level or gain reduction- Contemporary additions such as mix controls for parallel compression and sidechain filters- Numerous artist presets

Careful emulation of a plate reverb device- Universally usable reverberation with up to 5.5 seconds reverberation time- Adjustable high-pass filter in the input and pre-delay up to 250 ms- Two-band EQ and balance control for processing the reverberation signal- Numerous artist presets

Effect Pedal for Electric Guitar Amp-in-a-box preamp with germanium gain stage The unrivalled feel of germanium with the careful tone control of the preamp pedal Overdrive/boost/fuzz/thousand-dollar pedal with slightly less gain, but a richer sound and more feel Controls: Gain (distortion), Treble (low pass filter), Bass (high pass filter), Volume Footswitch: Effect Bypass LED: Effect on Input and output: 6.3 mm jack Power supply via 9 V battery or 9 V DC mains adapter (2.1 x 5.5 mm barrel connector, centre negative - both not included in the scope of delivery) Dimensions (W x D x H): 140 x 100 x 70 mm Weight: 410 g Made in USA

Careful emulation of the legendary 1176 compressor / limiter in the three different versions Rev A, Rev E and Rev AE- Replication of the entire circuit layout including transformers, FET and other transistor stages for lively sound- All-buttons and no-ratio modes for varied, overdriven sound structures- 1176 Rev A "Bluestripe" represents the original Putnam FET limiter design, complete with its higher distortion and unique FET gain amplifier characteristics- 1176 Rev E "Blackface" corresponds to the low-noise era of the 1176 circuit from the early 1970s with more straightforward compression behaviour, transistor gain and changed program dependency- 1176AE "Anniversary Edition" is the same as the rare 1176 40th- Anniversary Edition with the "Hot-Rod" modifications including 2:1 compression ratio and additional 10ms attack mode- In comparison to the hardware extended possibilities with parallel compression- Sidechain filter and adjustable headroom- Numerous artist presets

Careful emulation of the well-known 24-track tape machine from 1978- Exact circuit modelling based on precise measurements as well as precise tape emulations ensure sound implementation that is true to the original- Selectable tape speeds 7.5, 15 or 30 IPS- +3 dB, +6 dB, +7.5 dB or +9 dB reference level to choose from- Signal path switchable between Thru, Input, Sync and Repro- Switchable tape types 250, 456, 900 and GP9- Adjustable input level enables a targeted effect from subtle to overdriven circuit and tape saturation- Detailed additional settings such as switchable noise and automatic calibration, BIAS, EQs for the various signal paths and more- Presets for different use cases help you get started

Careful emulations of the legendary and probably most wanted tube limiters Fairchild 660 and 670 as well as 670 Legacy for UAD-2- Separate replicas of the circuit layouts of the 660 and 670, complete with all tubes and transformers for a silky-warm sound- Suitable for vocal tracks, drums, instruments but also complete mixes- The Fairchild 670 features the Lateral / Vertical mode, originally intended for creating Vinylmaster records, which allows separate processing of the mono center and stereo sides- Compared to the hardware, more possibilities with parallel compression, sidechain filter and adjustable headroom- Numerous artist presets

Careful emulation of the legendary 1978 Lexicon 224 digital reverb, with its eight classic reverb programs and complementary chorus- Uses the same algorithms and source code of the Lexicon hardware for the typical 1980s sound- Exact replica of the original circuit with its sound-defining 12-bit AD/DA converters and input transformers- Original typical user interface supplemented with hidden contemporary functions and advanced settings such as input and output levels, pitch shift, bug fix mode, etc.- Numerous artist presets