Cherry Audio Chroma (ESD); virtual synthesizer; exactingly faithful virtual analog emulation of a rare analog polyphonic synthesizer released in 1982; every aspect precisely modeled in exacting detail with 16 Oscillators, Filters, VCAs, and LFOs as well as 32 Envelope Generators; 16 distinct preconfigured signal paths, ranging from straightforward VCO-VCF-VCA setups to intricate configurations featuring oscillator sync, filter FM, ring modulation, and variable or serial filter paths; intuitive menus and real-time displays simplify the programming process; all of the original modulation capabilities have been precisely replicated to create a powerfully flexible modular synthesizer-like programming experience; includes the Chroma Expander module to add an entire second Chroma synthesizer to the mix, running in layer or split modes for expanded creative possibilities; SysEx Import allows to directly transfer banks and individual patches from a MIDI-retrofitted Chroma or Expander hardware to Cherry Audio Chroma via SysEx dump; internal effect section featuring distortion, phaser, flanger / chorus, delay and reverb as well as a global EQ and limiter; full MIDI control and DAW automation for all controls with easy-to-use MIDI Learn and mapping; 700 presets including the original 250 Chroma factory presets; scalable user interface with Focus zoom-in feature, as well as standard UI zoom and resize with drag

Cherry Audio PS-3300 (ESD); virtual synthesizer; authentic software recreation of a legendary and extemely rare 48-voice polyphonic hardware synthesizer from 1977; every aspect precisely modeled in exacting detail; semi-modular synthesizer with virtual jack and cable system; three independent signal generator panels, each with an oscillator, lowpass filter, three-peak resonators, a velocity sensitive envelope, amp section, two mod generator LFOs, and per-note tuning; each oscillator features the waveforms triangle, saw, rectangle (square), two preset pulse waves with different widths, and PWM (variable-width pulse); resonant lowpass filters wtih 12 dB / oct slope and the option to select between the original clean PS filter or the crunchier MS-style filter; three modulatable resonators featuring 12 dB/oct bandpass filters to produce vowel and phasing tones; ADSR-type envelope modulators with velocity control enable filter and amplitude modulation; two syncable Mod Generators (LFOs) with output jacks; LFO 1 delivers triangle, saw, ramp, rectangle, pink noise, and white noise, and LFO 2 triangle waveform; temperament section with individual tuning knobs for the 12 chromatic notes, and temperament presets for Equal Tempered, Mean Tone System, Hepatonal System, and Just Intonation; copy & paste settings from one signal generator panel to another; up to 24 voices of polyphony and three monophonic modes; master signal mixer panel with sample & hold, general envelope generator, and two control voltage processors; integrated effect section featuring chorus, echo with sync, and three types of reverb; full MIDI control and DAW automation for all controls; advanced one-click UI magnification; more than 360 presets

Réplique logicielle authentique du synthétiseur monophonique à pédale de basse le plus connu- Reproduction précise de tous les détails de l'instrument original, y compris l'interface utilisateur- Large spectre sonore allant des basses les plus profondes aux sons de lead entraînants- Double oscillateur et filtre classique avec pente de 24 dB / octave- Boutons séparés pour les présélections Bull, Tuba et Bass ainsi que le mode variable pour l'utilisation des paramètres sonores- Boutons pour le réglage de Tune, Beat, Glide, Octave, Mix et fréquence OSC B- Boutons pour l'activation de Glide, Decay et Octave- Pédales reproduites pour le contrôle du Loudness et du filtre- Contrôle MIDI complet et automatisation DAW- Plus de 40 présélections

Cherry Audio Novachord + Solovox (ESD); virtual synthesizer bundle; authentic software recreation of two rare and historical hardware synthesizer from 1939 eg. 1940; Novachord: exact reproduction of the analogue circuit based on 163 tubes and over 1000 capacitors featuring an early subtractive synthesis with divide-down oscillator architecture and filters; 32 polyphonic voices wihtout samples; Tones routed in parallel to all of the filters, processed and then summed together to create a composite tone; three Resonators provide a resonant bandpass filter network operating consecutively at 400, 800 and 2000 Hz frequency ranges; Deep Tone setting with a 6dB / oct. lowpass filter with a fixed frequency of 160 Hz and Brilliant Tone setting featuring a 6 dB / oct. highpass filter with a fixed frequency of 2000 Hz; Full Tone setting controls the amplitude of the non-processed tone generator signal; Attack knob with seven Attack/Decay/Sustain envelope options, from Slow to Fast, with sustain-pedal controlled release; Vibrato with adjustable depth and two different character options; integrated reverb effect as well as speaker emulation to replicate the built-in amp and speakers in an acoustic space; 56 Presets; Solovox: faithful emulation of the monophonic piano attachment instrument based on oscillator and divider circuits with 18 vacuum tubes; combinable Bass / Tenor / Contralto / Soprano switches to set note range in octaves; First Voice and Second Voice two-pole bandpass filters with level controls and variable center frequencies of 400 Hz and 800 Hz, respectively; Deep Tone setting with a 6dB / oct. lowpass filter with a fixed frequency of 160 Hz and Brilliant Tone setting featuring a 6 dB / oct. highpass filter with a fixed frequency of 2000 Hz; Full Tone setting controls the amplitude of the non-processed tone generator signal; Mute control to filter harmonics from the oscillator voice; adjustable Glide and fixed-rate Vibrato; envelope with Attack and Release controls; full MIDI control and DAW automation for all controls; advanced one-click UI magnification

Synthétiseur virtuel- Recréation logicielle authentique d'un synthétiseur matériel légendaire- Polyphonique jusqu'à 16 voix- Divers modes d'affectation des voix- Unisono-Detune pour des sons de lead bien gras et de basses- Section LFO étendue avec six formes d'onde et synchronisation au tempo- Section d'effets avec un large chorus stéréo, une réverbération dense et un délai synchronisé avec le tempo- Entièrement compatible avec les messages SysEx originaux- Support MPE- Contrôle MIDI complet et automatisation DAW- Plus de 330 préréglages, y compris les sons du 106 original

Cherry Audio Pro Soloist Synthesizer (ESD); virtual synthesizer; based upon a well known, preset-based monophonic analog synthesizer from 1972; every aspect precisely modeled in exacting detail incl. the the panel interface and the 30 presets; different user interfaces for Performance, Edit as well aa Arpeggio and Effect Mode; all Pro Soloist voicing parameters reproduced and exposed, including the five parallel 2-pole bandpass filters of the Resonator Bank, expanded with individual frequency curves; dual-layer voicing architecture with 16 polyphonic voices per layer to create split and stack combinations; Panel Control for selecting layer controls, including utility functions for duplicating and exchanging synthesis and effects parameters between layers and presets; Touch Sensor Effects controls to apply aftertouch to volume, brilliance (filter), and portamento, with adjustable touch sensitivity; monophonic and polyphonice voice modes with different trigger options; VCO with sawtooth and pulse waves, plus a Super Wave option for fatter tones; VCO modulation with ADSR PWM, AR PWM, LFO PWM, and LFO FM; four-pole filter with filter invert and many modulation options; resonant highpass filter with cutoff frequency from 20 Hz to 1300 Hz; Resonator Bank with five parallel bandpass filters with continuously variable and modulatable frequency and resonance controls; VCA with modulation by ADSR, AR, LFO, and velocity, and independent per-layer control over volume and panning for stereo tones; ADSR and AR envelope generators; Modulation Matrix with six slots, 22 sources and 58 destinations; Arpeggiator with four modes and MIDI tempo sync; internal effect section featuring distortion, phaser, flanger / chorus, echo and reverb with five algorithms; full MIDI control and DAW automation for all controls; more than 400 presets; scalable user interface with Focus zoom-in feature, as well as standard UI zoom and resize with drag

Harley Benton HB-35Plus LH Cherry Guitare électrique- Série Vintage- Version gaucher- Semi-Hollow- Corps en érable- Bloc de sustain en acajou- Table bombée en érable flammé AAAA- Manche collé en érable- Touche en laurier- Rayon de la touche: 305 mm- Repères blocs- 22 frettes- Diapason: 628 mm- Largeur au sillet: 42 mm- 2 micros double bobinage Roswell LAF Alnico-5 style Vintage- 2 réglages de volume Push/Pull (Coil-Split)- 2 réglages de tonalité- Sélecteur 3 positions- Accastillage Deluxe chromé- Chevalet Deluxe TOM- Cordes 010 - 046- Couleur: Cherry Thomann Semihollow Guitar Gigbag Housse de transport- Pour guitare Semi-Hollow- Rembourrage en mousse de 20 mm- Sangles sac à dos- 2 poches extérieures- Dimensions intérieures: 1130 x 450 x 75 mm Millenium GS-2001 E Support robuste pour guitare électrique- Poids: 1,3 kg- Couleur: Noir the sssnake IPP1030 Câble instrument- Longueur: 3 m- Jack 6,3 mm - Jack 6,3 mm- Section de câble: 0,22 mm² / AWG 24- Diamètre extérieur: 6 mm- Couleur: Noir

Power: 140 Watt- Speaker configuration: 1x 8" woofer and 1x 1" dome tweeter- Frequency range: 40 - 20.000 Hz- 3 Channels with inputs for mic or instrument- Separate controls per channel for gain (-12 db to +15 db) and volume- 3-Band push/pull EQ (-15 db to +15 db) per channel with separately adjustable highs, mids and basses- FX Send to the effects section- Compressor on channel 1 with controls for threshold and ratio, 3 compressor styles (flat, bass, jazz)- Aux channel with 3 controls for volume and 2-band EQ- FX section with adjustable FX return and FX length- Master volume control with standby function- 3 Mic inputs: XLR 1 kOhm- 3 Instrument inputs: TRS jack 110 kOhm- Footswitch input- XLR Direct output- TRRS input- TRRS output- Bluetooth audio input- USB-C for separately available power bank (not included)- Housing: Plywood (cherry)- Dimensions (W x H x D): 277 x 384 x 310 mm- Weight: 10.4 kg- Colour: Cherrywood- Includes power supply unit

EC-201FT See Thru Black CherryCaractéristiquesAccastillage : Noir Catégorie : Électrique 6-cordes Chevalet/cordier : Tune-o-Matic Coloris : See Thru Black Cherry Sunburst Corps : Acajou Couleur : Rouge Diapason (mm) : 628 mm Électronique : Passive Finition : Vernis brillant Format : Les Paul Largeur au sillet : 43 mm Manche : Acajou collé Micro chevalet : LH-150 Nombre de cordes : 6 Nombre de frettes : 22 Nombre micros : 1 Radius : 350 mm Réglages : 1 x Volume Push/Pull Split Touche : Jatoba grillé

Power: 70 Watt- Speaker configuration: 1x 5" woofer and 1x 1" dome tweeter- Frequency range: 50 - 20,000 Hz- 3 Channels with inputs for mic or instrument- Separate controls per channel for gain (-12 db to +15 db) and volume- 3-Band push/pull EQ (-15 db to +15 db) per channel with separately adjustable highs, mids and basses- FX Send to the effects section- Compressor on channel 1 with controls for threshold and ratio, 3 compressor styles (flat, bass, jazz)- Aux channel with 3 controls for volume and 2-band EQ- FX section with adjustable FX return and FX length- Master volume control with standby function- 3 Mic inputs: XLR 1 kOhm- 3 Instrument inputs: TRS jack 110 kOhm- Footswitch input- XLR Direct output- TRRS input- TRRS output- Bluetooth audio input- USB-C for separately available power bank (not included)- Housing: Plywood (cherry)- Dimensions (W x H x D): 253 x 305 x 280 mm- Weight: 7.4 kg- Colour: Cherrywood- Includes power supply