Five-Two Pour Strat Ssl-52-1- Applications : Country, Pop, Blues, Classic Rock Et Heavy Rock.- Aimant : Alnico Ii Et V- Nombre Conducteurs : 1- Résistance : 6.7 K- Pic: 8.2 Khz

Five-Two Pour Tele Str52-1- Applications : Country, Pop, Blues, Classic Rock Et Heavy Rock.- Position : Manche- Aimant : Alnico Ii Et V- Nombre Conducteurs : 1- Résistance : 7.9 K- Pic: 10 Khz- Finition : Noir

Le Custom 5 peut être défini comme un ’59 avec des basses plus profondes et un niveau de sortie plus élevé. En réponse à la demande des guitaristes qui voulaient un son plus vintage avec moins de distortion, Seymour Duncan a développé le Custom 5 en remplaçant l’aimant Alnico II d’un Custom Custom par un Alnico V. Le son reste puissant et riche avec une présence accrue. Il convient particulièrement aux guitares équipées d’une touche palissandre. Version 7 cordes.Custom 5 SH-14-7STR- Applications : Pop, country, blues, classic rock et heavy rock. - Position : Chevalet- Aimant : Alnico V- Split : Oui- Actif : Non- Nombre conducteurs : 4- Résistance : 14.4 k- Pic: 5.4 KHz- Finition : Noir- Autres : Anti interférences

Sound Particles SkyDust 3D (ESD); virtual synthesizer; innovative, large-scale 3D synthesizer for spatial sound synthesis with 8 oscillators, 256-voice polyphony, stereo FM matrix, countless modulation options, arpeggiator and polyphonic sequencer, sophisticated preset system and much more; each oscillator features several basic waveforms along with Waveform Modifiers, five envelopes with up to six stages and five LFOs for pitch, filter, spatial and amp and many more; all oscillators feature their own multimode filter with adjustable key tracking, velocity control etc.; each of the eight oscillators can act as an FM operator and be freely connected using a FM Matrix; integrated Arpeggiator with seven pattern and and the ability to add additional octaves; polyphonic sequencer featuring 128 steps, a Force Scale feature, various play modes as well as many options to control and manipulate the sound including spatial control; extensive options for positioning and moving the oscillators in the 3D audio field using envelopes, LFOs, the sequencer, controller and more; macro controls and modulation matrix enable more sound tweaking options; internal effect section with four slots for Bit Crush, Delay, Distortion, EQ and Reverb; support of many different output formats from Mono to Stereo and Binaural to 5.1, 7.1.2, Auro 11.1 and 13.1, 22.2 to Ambisonics up to 6th order; five HRTF datasets, with more than 100 HRTF profiles as well as Support for SOFA files for personalized HRTFs; clever preset management with hundreds of factory sound for an instant start, sub-presets for different parts of the synthesis, search filters and randomizing options; scalable user interface

Cherry Audio Pro Soloist Synthesizer (ESD); virtual synthesizer; based upon a well known, preset-based monophonic analog synthesizer from 1972; every aspect precisely modeled in exacting detail incl. the the panel interface and the 30 presets; different user interfaces for Performance, Edit as well aa Arpeggio and Effect Mode; all Pro Soloist voicing parameters reproduced and exposed, including the five parallel 2-pole bandpass filters of the Resonator Bank, expanded with individual frequency curves; dual-layer voicing architecture with 16 polyphonic voices per layer to create split and stack combinations; Panel Control for selecting layer controls, including utility functions for duplicating and exchanging synthesis and effects parameters between layers and presets; Touch Sensor Effects controls to apply aftertouch to volume, brilliance (filter), and portamento, with adjustable touch sensitivity; monophonic and polyphonice voice modes with different trigger options; VCO with sawtooth and pulse waves, plus a Super Wave option for fatter tones; VCO modulation with ADSR PWM, AR PWM, LFO PWM, and LFO FM; four-pole filter with filter invert and many modulation options; resonant highpass filter with cutoff frequency from 20 Hz to 1300 Hz; Resonator Bank with five parallel bandpass filters with continuously variable and modulatable frequency and resonance controls; VCA with modulation by ADSR, AR, LFO, and velocity, and independent per-layer control over volume and panning for stereo tones; ADSR and AR envelope generators; Modulation Matrix with six slots, 22 sources and 58 destinations; Arpeggiator with four modes and MIDI tempo sync; internal effect section featuring distortion, phaser, flanger / chorus, echo and reverb with five algorithms; full MIDI control and DAW automation for all controls; more than 400 presets; scalable user interface with Focus zoom-in feature, as well as standard UI zoom and resize with drag

Roland VR-6HD; Direct Streaming AV Mixer; Live automation with sequencing, macros and scene memories; Integrated streaming encoders enable the transmission of two live streams, each up to 1080p/60 FPS; Capable of recording directly to an SDXC card for archiving, editing and sharing; Six 1080p HDMI inputs with frame rate conversion and real-time scalers; Cinema and TV framerate support; Five layer video effects engine; a total of five outputs: 3x HDMI, 1x USB-C streaming and an independent direct streaming output; Six selectable output modes: Program, Sub-Program, Aux, Preview, Multiview and Still View; 28-channel digital audio mixer with effects and signal processors; 16 still image storage slots for screen recording or uploading BMP, JPEG and PNG image files via the alpha channel to internal non-volatile memory; Control of six PTZ cameras, compatible with numerous manufacturers and control protocols; 4.3'' touchscreen with graphic menu; Advanced device control via Bluetooth®, USB, RCA and LAN; Remote control software available for iPad, macOS and Windows; Camera tally light: wireless or wired; Technical data:; Power supply: AC adapter; Current consumption: 2.3A; Power consumption: 55W; Dimensions: 370 x 242 x 100mm; Weight: 3.4kg

Caractéristiques techniques : - Matériau : bouleau- Dimensions (mm) : 240 x 240 x 350- Surface de frappe : bouleau- Caisse de résonance : 8 couches de bouleau- Technologie de timbre : fixéSpécialement conçus pour les enfants, les deux Kids Cajons proposent aux jeunes musiciens en herbe des instruments robustes, adaptés à leur taille, avec un véritable son cajon pour leur faire découvrir ce fabuleux instrument.

Tout lampe- Amplificateur pour enregistrement- 2 canaux- Puissance commutable: 10 / 25 Watt- Lampes d'amplification: 2 x EL84- Lampes de préamplification: 6 x 12AX7- Modes canal 1: Clean, Fat et Crunch avec sélecteur de puissance multi-Watt- Contrôles canal 1: Gain, Treble, Mid/Boost, Bass, Presence, Reverb, Master- Modes canal 2: Mark IIC+, Mark IV et Xtreme avec sélecteur de puissance multi-Watt- Contrôles canal 2: Gain, Treble, Middle, Bass Presence, Reverb, Master- EQ graphique 5 bandes- Technologie Mesa Dyna-Watt- CabClone intégré: Simulation de baffle (fermé/ouvert) avec résistance de charge intégrée- Sortie casque- Intérrupteur Speaker On/Off- Intérrupteur de masse- Réverbération à ressort réglable par canal- Boucle d'effets à lampe- Connexion pour footswitch (canal & EQ)- Dimensions: 356 x 222 x 203 mm- Poids: 7,5 kg- Footswitch et housse de protection incl.- Fabriquée aux USA

iZotope RX 11 Elements EDU (ESD); Audio Restoration Software; educational version: requires proof of eligibility; basic audio restoration and repair tools for content creators and home studios; RX Repair Assistant and five other plug-ins with the algorithms of the RX 11 software; includes Voice De-noise, De-clip, De-click, De-hum, De-reverb and Repair Assistant; RX 11 Repair Assistant provides a straightforward solution to the most common restoration needs within a DAW; Repair Assistant for various audio sources automatically detects problems using machine learning and suggests a suitable treatment that can be customised by the user; Voice De-noise plugin reduces background noise in voice recordings; De-Clip plugin is capable of removing distortion from clipped recordings; De-Click plugin offers various algorithms to remove periodic or time-varying impulse noise; De-Hum plugin with Static and Dynamic Mode removes background hum including harmonics with narrow band filters; De-Hum Dynamic Mode automatically cleans up the entire audio spectrum with up to 1024 dynamic notch filters by learning the noise type; De-Reverb plugin attenuates reverbation in audio recordings

Eventide EChannel (ESD); channel strip plugin; versatile and lightweight channel strip that comes with a full set of editing options; FlexiPath routing allows to freely reorder the modules gate, compressor, and EQ; gate and compressor offer a full set of parameters and sidechain functionality; compressor can be used as de-esser; flexible parametric EQ with five bands; output section with modeled transformers for gain depending saturation effects