| Steinberg : Cubase Elements 13 EDU (1 commentaires)
Steinberg Cubase Elements 13 EDU (Box); audio MIDI sequencer (DAW); Educational version: r...(+) Steinberg Cubase Elements 13 EDU (Box); audio MIDI sequencer (DAW); Educational version: requires proof of eligibility; classical software sequencer and audio workstation for homerecording, small projects and introduction to the world of music production; support for up to 48 audio and 64 MIDI tracks as well as 24 instrument tracks, 16 group channels and 8 send and return channels; max. 24 physical inputs and outputs; up to 8 insert effects per channel as well as 16 VST instrument slots; audio engine with internal 64-bit floating point processing and up to 192 kHz sample rate; contains the virtual instruments Iconica Sketch with orchestral sounds, Sampler Track, Flux, HALion Sonic SE and Groove Agent SE with more than 1000 presets as well as 18 sample and loop packs from Beat Butcha & Sharooz among others; effect suite with 45 audio effects included; Channel Tab in project window allows to tweak mixer channel settings without leaving the arrangement window; Chord Pads make it easy to find creative chord progressions; Sampler Track enables extreme manipulation and powerful envelope creation thanks to Spectral Warp modes; Range tool available in Key Editor as well as the Drum Editor; advanced MIDI Remote integration; Audio to MIDI chord recognition with drag and drop support; sample accurate volume automation; MixConsole with integrated basic Channel Strip; real-time pitch shifting and time-stretching (playback only); numerous tools like Chord track, chord pads and sampler track; key, score and drum editor as well as basic functions for score layout and note printing; supported languages: Chinese, German, English, French, Italian, Japanese, Portoguese, Russian, Spanish; Attention: license only, no data carrier, download required - no installation medium included |
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| Steinberg : Cubase Pro 13 (2 commentaires)
Steinberg Cubase Pro 13 (Box); Audio MIDI sequencer (DAW); classical sequencer software an...(+) Steinberg Cubase Pro 13 (Box); Audio MIDI sequencer (DAW); classical sequencer software and audio workstation for professional studio applications and post-production, for composing and arranging as well as advanced music production; unlimited number of audio channels and MIDI tracks as well as instrument tracks, 256 group channels, 8 send and 64 return channels; max. 256 physical inputs and outputs; up to 16 insert effects per channel as well as 64 VST instrument slots; audio engine with internal 64-bit floating point processing and up to 192 kHz sample rate; contains the virtual instruments Iconica Sketch with orchestral sounds, Sampler Track, Flux, HALion Sonic, Groove Agent SE, Retrologue, Padshop, Verve and Trip with more than 3000 presets as well as 18 sample and loop packs from Beat Butcha & Sharooz among others; effect suite with 87 audio effects like VocalChain, Vocoder, Black Valve, EQ-P1A and EQ-M5, VoxComp and many more included; Channel Tab in project window allows to tweak mixer channel settings without leaving the arrangement window; Chord Pads make it easy to find creative chord progressions; Sampler Track enables extreme manipulation and powerful envelope creation thanks to Spectral Warp mode; Range tool and Track Display available in Key Editor as well as the Drum Editor; Audio to MIDI chord recognition with drag and drop support; sample accurate volume automation; phase-coherent AudioWarp function with direct editing in the project window; VariAudio with Scale Assistant simplifies pitch corrections; ADM Authoring and Renderer for Dolby Atmos; FX Modulator to create vivid multi-effects; customizable MixConsole with own history, snapshots, direct routing, up to three different views and integrated Channel Strip; Control Room section to setup and control the monitor speakers and the cue mixes; various metering options including loudness metering; real-time pitch shifting and time-stretching; comping feature and Audio Warp with quantization capabilities; numerous tools like Project Browser, Track Archive, Chord track, chord pads, tempo track and signature track, Time Warp, TrackVersions, Note Expressions and many more; logical, key, score, list and drum editors available as well as MPE support and professional features for score layout and note printing; support of Music XML, AAF and OMF files; supported languages: Chinese, German, English, French, Italian, Japanese, Portoguese, Russian, Spanish; Attention: license only, no data carrier, download required - no installation media included |
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| Buffet Crampon R13 Green Line
checkPrêt à jouerInstrument réglé par un luthier.C’est en 1825 qu’un luthier FranÃ...(+) checkPrêt à jouerInstrument réglé par un luthier.C’est en 1825 qu’un luthier Français, Denis Buffet-Auger, installe son atelier en plein cÅ“ur de Paris. Il se fait connaître très vite dans le monde musical en fabriquant d’excellentes clarinettes à 13 clés. À cette époque, la fabrication des clarinettes est entièrement manuelle et requiert une expérience et une dextérité exceptionnelles.C’est en 1825 qu’un luthier Français, Denis Buffet-Auger, installe son atelier en plein cÅ“ur de Paris. Il se fait connaître très vite dans le monde musical en fabriquant d’excellentes clarinettes à 13 clés. À cette époque, la fabrication des clarinettes est entièrement manuelle et requiert une expérience et une dextérité exceptionnelles. En 1830, Jean-Louis Buffet, fils de Denis, reprend l’affaire. Il épouse Zoé Crampon en 1836 et crée la célèbre marque BUFFET CRAMPON. Le logo dans sa forme actuelle apparaît en 1844. Son oncle Louis-Auguste Buffet fait la connaissance du clarinettiste Hyacinthe Klosé, musicien virtuose et professeur au Conservatoire de Paris. Les deux hommes, le technicien et l’artiste, vont travailler ensemble et adaptent à la clarinette le principe des anneaux mobiles que l’Allemand Theobald Boehm avait imaginé pour la flûte. Exposé en 1839 et breveté en 1843 pour la clarinette et le hautbois, ce nouveau système connaît un rapide succès. Pour faire face à la demande, la facture BUFFET CRAMPON installe ses ateliers en 1850 à Mantes-la-Ville (Yvelines). La gamme s’étend aussi aux hautbois et aux bassons. Dès 1866, BUFFET CRAMPON fabrique ses premiers saxophones, 20 ans après l’invention du Belge Adolphe Sax. De nombreux prix sont attribués à BUFFET CRAMPON pour la qualité de ses instruments et tout particulièrement en 1889 lors de l’Exposition Universelle de Paris au pied de la Tour Eiffel. BUFFET CRAMPON devient le fournisseur exclusif et officiel du Conservatoire de Paris, des Concerts Lamoureux, du célébrissime Orchestre de Toscanini à New York, tandis que les solistes de l’Opéra de Paris ou de l’Opéra Comique lui donnent la préférence. En 1918, BUFFET CRAMPON bénéficie de l’extension du marché américain et conforte sa place de leader dans le monde de la clarinette professionnelle. En 1921, un jeune apprenti, Robert Carrée, est engagé dans la société. Talentueux acousticien, il créera les clarinettes R13 en 1950 et RC en 1975, qui par la suite donneront naissance aux modèles Festival et Prestige. Les ateliers se modernisent au fil du temps et adoptent une technologie plus moderne, sans s’éloigner de la qualité de finition d’origine. En 1981, BUFFET CRAMPON est racheté par le célèbre groupe d’éditions musicales Boosey & Hawkes de Londres, dont l’origine remonte à 1760. L’innovation est toujours au cÅ“ur de la manufacture. Ainsi naît en 1994 une nouvelle gamme appelée Green Line. Ce matériau révolutionnaire, constitué de 95% de poudre d’ébène et 5% de fibres de carbone, supprime le risque de fente tout en présentant des qualités acoustiques identiques à celles du bois. Aujourd’hui, la gamme Green LinE (Dalbergia Melanoxylon composite) est mondialement reconnue par les plus grands professionnels de la clarinette et du hautbois. En 2003, Boosey & Hawkes se sépare du fleuron de la manufacture française des instruments à vent au profit de The Music Group et c’est en 2005 que BUFFET CRAMPON retrouve son indépendance sur l’initiative de son Président Paul Baronnat, acteur engagé dans l’accompagnement des artistes et la sauvegarde de la marque. BUFFET CRAMPON acquiert en 2006 deux célèbres marques de cuivres : Antoine Courtois Paris et Besson. Depuis sa création, BUFFET CRAMPON se place au premier rang des fabricants de clarinettes, grâce à un savoir-faire inégalé et une capacité d'innovation permanente, qui profitent également aux autres instruments de la marque tels que les hautbois, bassons et saxophones. La tradition et un esprit d’entreprise fort sont depuis 1825 plus que jamais au cÅ“ur de la dynamique BUFFET CRAMPON. |
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| Legere : French Cut Alto Sax 2.75
Legere French Cut Alto Sax 2.75; synthetic reed for alto saxophone; strength: 2.75; French...(+) Legere French Cut Alto Sax 2.75; synthetic reed for alto saxophone; strength: 2.75; French cut; dark, centered and resonant sound; high overtone suppression for intense body and depth of sound; fast response with subtle resistance; even material distribution with thin tip; well suited for classical and symphonic players |
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| Legere : French Cut Tenor Sax 2.0 (2 commentaires)
Legere French Cut Tenor Sax 2.0; synthetic reed for tenor saxophone; strength: 2.0; French...(+) Legere French Cut Tenor Sax 2.0; synthetic reed for tenor saxophone; strength: 2.0; French cut; dark, centered and resonant sound; high overtone suppression for intense body and depth of sound; fast response with subtle resistance; even material distribution with thin tip; well suited for classical and symphonic players |
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| Legere : French Cut Alto Sax 3.25 (1 commentaires)
Legere French Cut Alto Sax 3.25; synthetic reed for alto saxophone; strength: 3.25; French...(+) Legere French Cut Alto Sax 3.25; synthetic reed for alto saxophone; strength: 3.25; French cut; dark, centered and resonant sound; high overtone suppression for intense body and depth of sound; fast response with subtle resistance; even material distribution with thin tip; well suited for classical and symphonic players |
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| Legere : French Cut Alto Sax 4.0 (1 commentaires)
Legere French Cut Alto Sax 4.0; synthetic reed for alto saxophone; strength: 4.0; French c...(+) Legere French Cut Alto Sax 4.0; synthetic reed for alto saxophone; strength: 4.0; French cut; dark, centered and resonant sound; high overtone suppression for intense body and depth of sound; fast response with subtle resistance; even material distribution with thin tip; well suited for classical and symphonic players |
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| Legere : French Cut Alto Sax 2.25 (1 commentaires)
Legere French Cut Alto Sax 2.25; synthetic reed for alto saxophone; strength: 2.25; French...(+) Legere French Cut Alto Sax 2.25; synthetic reed for alto saxophone; strength: 2.25; French cut; dark, centered and resonant sound; high overtone suppression for intense body and depth of sound; fast response with subtle resistance; even material distribution with thin tip; well suited for classical and symphonic players |
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| Legere : French Cut Tenor Sax 3.75
Legere French Cut Tenor Sax 3.75; synthetic reed for tenor saxophone; strength: 3.75; Fren...(+) Legere French Cut Tenor Sax 3.75; synthetic reed for tenor saxophone; strength: 3.75; French cut; dark, centered and resonant sound; high overtone suppression for intense body and depth of sound; fast response with subtle resistance; even material distribution with thin tip; well suited for classical and symphonic players |
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| Legere : French Cut Bb-Clarinet 3.75
Legere French Cut Bb Clarinet 3.75; synthetic reed for Bb clarinet (Boehm system); strengt...(+) Legere French Cut Bb Clarinet 3.75; synthetic reed for Bb clarinet (Boehm system); strength: 3.75; French cut; dark, centered and resonant sound; high overtone suppression for intense body and depth of sound; fast response with subtle resistance; even material distribution with thin tip; well suited for classical and symphonic players |
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| Legere : French Cut Bb-Clarinet 3.5 (2 commentaires)
Legere French Cut Bb Clarinet 3.5; synthetic reed for Bb clarinet (Boehm system); strength...(+) Legere French Cut Bb Clarinet 3.5; synthetic reed for Bb clarinet (Boehm system); strength: 3.5; French cut; dark, centered and resonant sound; high overtone suppression for intense body and depth of sound; fast response with subtle resistance; even material distribution with thin tip; well suited for classical and symphonic players |
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| Legere : French Cut Alto Sax 3.75 (1 commentaires)
Legere French Cut Alto Sax 3.75; synthetic reed for alto saxophone; strength: 3.75; French...(+) Legere French Cut Alto Sax 3.75; synthetic reed for alto saxophone; strength: 3.75; French cut; dark, centered and resonant sound; high overtone suppression for intense body and depth of sound; fast response with subtle resistance; even material distribution with thin tip; well suited for classical and symphonic players |
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| Legere : French Cut Bb-Clarinet 2.75 (3 commentaires)
Legere French Cut Bb Clarinet 2.75; synthetic reed for Bb clarinet (Boehm system); strengt...(+) Legere French Cut Bb Clarinet 2.75; synthetic reed for Bb clarinet (Boehm system); strength: 2.75; French cut; dark, centered and resonant sound; high overtone suppression for intense body and depth of sound; fast response with subtle resistance; even material distribution with thin tip; well suited for classical and symphonic players |
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| Legere : French Cut Tenor Sax 2.25 (1 commentaires)
Legere French Cut Tenor Sax 2.25; synthetic reed for tenor saxophone; strength: 2.25; Fren...(+) Legere French Cut Tenor Sax 2.25; synthetic reed for tenor saxophone; strength: 2.25; French cut; dark, centered and resonant sound; high overtone suppression for intense body and depth of sound; fast response with subtle resistance; even material distribution with thin tip; well suited for classical and symphonic players |
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| Legere : French Cut Tenor Sax 2.5
Legere French Cut Tenor Sax 2.5; synthetic reed for tenor saxophone; strength: 2.5; French...(+) Legere French Cut Tenor Sax 2.5; synthetic reed for tenor saxophone; strength: 2.5; French cut; dark, centered and resonant sound; high overtone suppression for intense body and depth of sound; fast response with subtle resistance; even material distribution with thin tip; well suited for classical and symphonic players |
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| Legere : French Cut Alto Sax 3.0 (2 commentaires)
Legere French Cut Alto Sax 3.0; synthetic reed for alto saxophone; strength: 3.0; French c...(+) Legere French Cut Alto Sax 3.0; synthetic reed for alto saxophone; strength: 3.0; French cut; dark, centered and resonant sound; high overtone suppression for intense body and depth of sound; fast response with subtle resistance; even material distribution with thin tip; well suited for classical and symphonic players |
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| Legere : French Cut Bb-Clarinet 4.25
Legere French Cut Bb Clarinet 4.25; synthetic reed for Bb clarinet (Boehm system); strengt...(+) Legere French Cut Bb Clarinet 4.25; synthetic reed for Bb clarinet (Boehm system); strength: 4.25; French cut; dark, centered and resonant sound; high overtone suppression for intense body and depth of sound; fast response with subtle resistance; even material distribution with thin tip; well suited for classical and symphonic players |
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| Legere : French Cut Alto Sax 3.5
Legere French Cut Alto Sax 3.5; synthetic reed for alto saxophone; strength: 3.5; French c...(+) Legere French Cut Alto Sax 3.5; synthetic reed for alto saxophone; strength: 3.5; French cut; dark, centered and resonant sound; high overtone suppression for intense body and depth of sound; fast response with subtle resistance; even material distribution with thin tip; well suited for classical and symphonic players |
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| Legere : French Cut Alto Sax 2.0 (2 commentaires)
Legere French Cut Alto Sax 2.0; synthetic reed for alto saxophone; strength: 2.0; French c...(+) Legere French Cut Alto Sax 2.0; synthetic reed for alto saxophone; strength: 2.0; French cut; dark, centered and resonant sound; high overtone suppression for intense body and depth of sound; fast response with subtle resistance; even material distribution with thin tip; well suited for classical and symphonic players |
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| Legere : French Cut Bb-Clarinet 3.25
Legere French Cut Bb Clarinet 3.25; synthetic reed for Bb clarinet (Boehm system); strengt...(+) Legere French Cut Bb Clarinet 3.25; synthetic reed for Bb clarinet (Boehm system); strength: 3.25; French cut; dark, centered and resonant sound; high overtone suppression for intense body and depth of sound; fast response with subtle resistance; even material distribution with thin tip; well suited for classical and symphonic players |
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