Modèle Antonius Stradivarius 1714- Très bon violon de concert- Fond 2 pièces en érable flammé- Table en épicéa massif- Garniture en ébène- Chevalet allemand- Ame fabrication maison- Mentonnière modèle Guarneri- Cordes Pirastro Evah Pirazzi- Vernis brun âgé ombragé- Fabriqué à Bubenreuth en Allemagne

Modèle Antonius Stradivarius 1700- Très bon violon de concert- Fond 2 pièces en érable flammé- Table en épicéa massif- Garniture en ébène- Chevalet allemand E.H. Roth- Mentonnière modèle Guarneri- Cordes Pirastro Evah Pirazzi- Vernis brun rougeâtre légèrement ombragé- Fabriqué à Bubenreuth en Allemagne

Modèle Josef Guarneri 1732- Très bon violon de concert- Fond 2 pièces en érable flammé- Table en épicéa- Garniture en ébène- Chevilles avec double boule dorée- Chevalet allemand E.H. Roth- Mentonnière modèle Guarneri- Cordes Pirastro Evah Pirazzi- Vernis brun doré style italien- Fabriqué à Bubenreuth en Allemagne

Taille: 4/4- Modèle "Stradivarius"- Fond divisé en érable magnifiquement flammé- Table en épicéa stocké depuis plusieurs années- Vernis fin style italien- Garniture en ébène avec double insert- Chevalet français fabriqué par E.H. Roth- Ame de production propre- Mentonnière modèle Guarnerius- Cordes Pirastro Obligato- Fabriqué à Bubenreuth / Allemagne

Modèle Stradivari 1724- Très bon violon solo- Fond 2 pièces en érable flammé- Table en épicéa- Garniture en ébène- Chevilles et cordier avec pastille parisienne- Chevalet allemand E.H. Roth- Mentonnière modèle Guarneri- Cordes Pirastro Evah Pirazzi- Vernis or rougeâtre style italien- Fabriqué à Bubenreuth en Allemagne

Baguette angulaire en pernambouc de très bonne qualité- Garniture en argent- Bouton en 3 parties- Pastille parisienne- Plaque de la tête en argent- Enroulement de fil métallique- Hausse en ébène- Fabriqué en Allemagne

Conrad Götz Signature Metropol 115 Violin 4/4, made in Germany, the Signature Series features 10-15% less weight, optimized weight balance, thinner fingerboard design, modern scroll design, Signature F-holes, optimized resonance, perfectly balanced in tone, back, sides and neck made of Euopean maple, top made of European spruce, ebony pegs an ebony tailpiece with Parisian eye, E-string fine-adjuster with gold-plated screw, Feinstimmer for die E-Saite mit vergoldeter Schraube, Götz bridge, Götz Stradivari chinrest with goldplated screws, Thomastik Dominant strings, very beautiful narrow and aligned flamed back and sides, beautifully flamed neck and scroll, envenly distributed gradient of annual rings on the top, thoroughly crafted surface topography of top and back, thoroughly crafted ribs, neck, scroll and purfling.

Conrad Götz Cantonate 125F Violin 4/4, violin for the highest demands, processing of the highest quality with the finest flaming, reddish-yellow handvarnish, boxwood fittings, the violin is equipped with original premium Götz boxwood fittings, perfectly detailed heart-shaped pegs, original Götz Guarneri boxwood chinrest with titanium screws, best quality genuine Götz German model bridge, boxwood Hill model tailpiece with E-String fine tuner with gold screw, Thomastik Dominant Strings, bright primer with reddish-yellow main layer, 100% traditional manually processed hand.varnish, high gloss finish featuring a highly transparent appearance and visual depth,thoroughly selected one-piece back with approx. 10-20° angle flamed maple, evenily distributed gradient of annual rings on the top, fine flames on neck, sides and scroll, solid spruce top, solid maple back, maple sides and maple neck, ebony fingerboard.

Conrad Götz Heritage Contemporary 125F Violin 4/4, made in Germany, reduced best quality modern design, wide and open sound with high response,modern black and silver design, custom made Götz flat Chinrest made of ebony, Götz bridge with ebony-support for the E-string, custom made Götz bean-shaped ebony pegs, highly responsive, black Götz fine adjuster for the E-string, with silver screw, varnish: evenly hand-varnished Coated reddish-brown surface, shaded varnish with matt finish, resistant and easy to prevent, thoroughly selected one-piece back with approx. 10-20° angle flamed maple, evenily distributed gradient of annual rings on the top, fine flames on neck, sides and scroll, thoroughly graduated top and bottom for optimized tone and resonance, diligently crafted surface topography including thoroughly carved f-hole contour and surrounding surface, spotless top with evenly enlarging annual rings, fine flames on back, neck, side ansd scroll. Strings: E-string: Dominant 129SN (carbon) medium, A-string: Dominant 131 (aluminium-wound) medium, D-string: Dominant 132 (aluminium-wound) medium, G-string: Dominant 133 (silver-wound) medium.

Bodo Vosshenrich Electrola Standard Electric Viola 40,5cm/16", electric viola featuring a swinging and completely feedback-resistant body, made by master luthier Bodo Vosshenrich in Southern France, top, back and sides are made of perforated high quality aluminium, the instrument features soundpost, bassbar and a wooden bridge, wooden parts and aluminium elements are assembled by the use of epoxy-glue, scale length and body-length equal those of the acoustic viola whereas the weight of the Electrola is approx. 15% higher than the weight of an acoustic viola, the Electrola features an ebony fingerboard, ebony pegs and a finetuning tailpiece, 3 passive PDVF-foil pickups, 6,3mm mono output socket. The Electrola shows the same scale-length and dimensions as the acoustic viola, the body shape results in an enlarged swinging top that enhances the lower frequencies of the low C-string, caused by the shape of the model and the arching of the top the overall sound is characteristically viola-like.