Tim Armstrong est un artiste célèbre pour avoir fondé le groupe de punk américain Rancid, c'est aussi un directeur artistique et un directeur d'une maison de disques indie très respecté qui a été récompensé par un Grammy Award. Mais à l'heure de trouver l'inspiration et composer, il s'est toujours tourné vers sa vieille guitare acoustique Fender de style Concert. La Tim Armstrong Hellcat est basée sur cet instrument classique de l'artiste et présente des détails modernes tels qu'une électronique intégrée de haute qualité. Cette guitare parfaite pour la pop, le rock, la folk, etc. possède une table en acajou massif qui délivre un son particulièrement agréable, ainsi qu'un manche en érable satiné pour un jeu tout en douceur.  Corps : Plateau en acajou massif avec dos et éclisses en acajou laminé Finition du corps : Polyuréthane Satiné Table de corps : Acajou massif Reliure du corps : Multiple Forme du corps : Concert Fond du corps : Acajou laminé Côtés du corps : Acajou laminé Touche : Noyer Quincaillerie : Chrome Pickguard : Écaille de tortue 4 plis Incrustations : Hellcat et Double Skulls Finition Nech : Uréthane Satiné Rosace : Style F des années 70 Electronique spéciale : Fishman CD Préampli Orientation : Gauche Sillet : Graph Tech NuBone Chevalet : Bois dur laminé Mécaniques : Recouvert de Chrome avec Boutons en Plastique Blanc Cordes : Fender Dura-Tone 880L Coated 80/20 (jauges .012-.052), PN 0730880303 Rayon : 11,81(300 mm) Matière du manche : Erable Matière du manche : Érable Frettes : 19 Matériau de l'écrou : Graph Tech NuBone Largeur de l'écrou : 1.69(43 mm) Échelle : 25,3(643 mm) Truss rod : Double Action

Forme Concert- Modèle Tim Armstrong- Table en acajou massif- Fond et éclisses en acajou laminé- Manche en érable- Profil du manche en C- Touche en blackwood- 19 frettes style Vintage- Largeur au sillet: 43 mm- Diapason: 584 mm- Mécaniques ouvertes style Vintage- Repères Hellcat- Système de micro actif Fishman Isys III avec préamplificateur actif et accordeur- Pickguard noir- Couleur: Graphisme échiquier- Etui adapté optionnel non-fourni (N° d'article 122212)

Pearl Decade Maple Standard Set, DMP925S/C-828, matte laquered in colour Matte Dark Walnut (-828), chrome shell-hardware, thin (even ply) 100% maple shells (6-ply / 5,4mm), shell configuration containing: 22"x18" Bass Drum, 10"x07", 12"x08" Tom Toms, 16"x16" Stand Tom, 14"x5,5" Snare Drum, 1,6 mm triple flanged hoops, Opti-Lock suspension tom mounting system, bass drum mount, 2x TH-900 Tom Arms, Remo UT Ambassador and Remo Powerstroke 3 (bass drum) heads, ported bass drum head, with bass drum muffler, including HWP-834 hardware pack consiting of 2x BC-830 cymbal boom stand, 1x H-830 Hi-Hat, 1x S-830 snare stand, 1x P-930 single pedal, quick responding and open sounding kit with a big tone- and dynamic range

Taylor - Koa 700 Series - 724ceHawaiian koa s seductive charms are legendary. With the new all-koa 700 Series, Taylor masterdesigner Andy Powers has embraced koa s natural beauty and sonic virtues in a fresh way thatreveals a distinctive musical personality compared to Taylor s Koa Series. Where the Koa Seriesshowcases an ultra-refined look and sound, with figured wood, rich appointments, gloss finishand a smooth voice, the new 700 Series channels more of koa s natural character in look, feeland sound. Select-grade koa boasts rich color variegation and straight grain structure.A newback bracing pattern, together with ultra-thin matte finish, coaxes a livelier, punchier, moredirect response from the guitar, making it exceptionally player-reflective. The thin finish alsocreates a warm and inviting tactile sensation with the natural wood texture, making players feeleven more connected to the guitar. A new suite of appointments includes mother-of-pearlFountain fretboard/inlays, rosewood binding (including soundhole), maple/rosewood top edgetrim, a paua/rosewood rosette, a dark-stained maple pickguard and Taylor polished bronzetuners. Model offerings include the Grand Auditorium 724ce and Grand Concert 722ce.Timeless koa appeal reimagined with a vibrant new voice.With the new, all-solid-koa 700 Series, Taylor master designer Andy Powers has embraced Hawaiian koa s natural beauty and sonic virtues in a fresh way that brings a distinctive musical personality to the Taylor line.Compared to our established Koa Series, which showcases an ultra-refined look and sound, featuringfigured koa, rich appointments, gloss finish and a smooth voice, the koa 700 Series channels more of koa s natural character in look, feel and sound.How the Series Was BornBack in 2015, Taylor formed a Hawaii-based partnership with tonewood supplier Pacific Rim Tonewoods to supply and grow Hawaiian koa for the future. (The company is called Siglo Tonewoods.)Part of our commitment is to contribute to current forest restoration efforts in Hawaii on a project basis through contracts with Hawaiian landowners.As specified in these stewardship agreements, Siglo is permitted to cut a select number of designated koa trees, and in exchange, we invest dollar for dollar in a host of forest improvement projects.These arrangements have enabled us to cut into more koa logs ourselves and discover far more varieties of koa wood, featuring a rich palette of colors with beautiful striping. (We hadn t previously been exposed to this type of koa in dealing with suppliers.) We gave this wood its own classification as Select-grade.Taylor master builder Andy Powers was excited by the new opportunities this wood presented. It inspired him to design what became the Koa 700 Series. He wanted to honor the unique characteristics of this wood by offering players another compelling koa playing experience.Unique Design FeaturesSelect-grade koa: Boasts rich color variegation and straight grain structureUltra-thin matte finish :Feel: The thin open-pore finish creates a warm and inviting tactile sensation; you can feel the natural wood texture, creating a more intimate connection to the guitarSound: Together with slightly altered back bracing, the voicing is different from our KoaSeries: a livelier, punchier, more direct response, making it exceptionally player-reflectiveAppointmentsFretboard/Peghead Inlay: New Fountain design in mother-of-pearlBody Edge Treatment: Indian rosewood binding (including soundhole)Rosette: Single ring, paua and rosewoodTuners: Taylor polished bronzeOther Unique Features: Maple/black/rosewood top edge trim, dark-stained maple pickguard I wanted to offer traditional appointments, with a focus on natural materials like wood and shell. I wanted the inlay to be unobtrusive and not too heavy in its ornamentation. Andy Powers These guitars retain the unique sweetness we associate with a koa guitar especially that beautiful midrange but with a more direct, punchier attack. Andy PowersAn expanded family of koa beauty. An expanded palette of koa sound.Players can choose from an array of koa models offered across the Taylor line, from the all-solid-wood Koa and 700 Series to select models within the 200 and 200 Deluxe Series to GS Mini and Baby Taylor models.Specifications : Body Wood:Solid Select-Grade Hawaiian KoaTop Wood:Solid Select-Grade Hawaiian KoaNeck:Neo-Tropical MahoganyFretboard:West African EbonyNut Width:1-3/4 Scale Length:25-1/2 (724ce), 24-7/8 (722ce)Electronics:ES2Case:Taylor Deluxe Hardshell Case

Pour les produits Triad orbite comme perche de pied de micro, support de tablette et autres accessoires- Ouverture max de la pince: 50 mm- Distance max entre les mâchoires de la pince ouvertes: 30 mm- Longueur totale: 100 mm- Poids: 172 g

Pearl B665RE Quantz Flute LE 2024; flute; Quantz series; limited special model 2024; .958 Britannia silver "Brezza" headjoint; nickel silver-plated body, footjoint and mechanism; special engraving; heavy crown; French pointed arms; open keys; C-foot; offset G; E-mechanism; incl. case, case cover and accessories

Série Decade Maple- DMP926SP/C-262- Grosse caisse 22"x18" avec attache pour supports de tom- Tom 10"x07"- Tom 12"x08"- Stand tom 14"x14"- Stand tom 16"x16"- Caisse claire 14"x5,5"- Fûts 6 plis en érable (5,4 mm)- Accastillage chromé- Cercles triple flange de 1,6 mm- Système de suspension OptiLoc- Peaux Remo Ambassador UT et Remo Powerstroke 3 (grosse caisse)- Peau de résonance de la grosse caisse avec évent de décompression- Grosse caisse avec coussin atténuateur d'harmoniques- 2 supports de tom TH-900 incl.- Finition: Vernis- Couleur: Satin Black Burst (-262)

Plateaux creux- Tête, corps et mécanique en maillechort- Entièrement argentée- Sol décalé- Mi mécanique- Patte d'Ut- Epaisseur de paroi: 0,4 mm- Cheminées non soudées- Mécanique à pointe traditionnelle avec vis de réglage- Bras des clés en Y- Etui avec housse de protection incl.

Taylor 724ce; acoustic guitar; Made In USA, Grand Auditorium acoustic guitar with cutaway; solid select Hawaiian koa top; rosewood binding; solid select Hawaiian koa back and sides; mahogany neck; ebony fingerboard; Mother-of-pearl Fountain fingerboard inlays; 20 frets, 648mm scale, 44.5mm nut width, Tusq nut & Micarta bridge, Expression System 2 pickup; Dark-stained maple pickguard; natural finish; includes. Case; register your Taylor guitar to extend your warranty to 12 years.

Configuration: texture projetée (demi sablage)- Epaisseur: 2 plis (extérieur: 6,5 mil; intérieur: 10 mil).- Cercle en polyesterEdge Controlsur la face interne de la peau pour un contrôle total des harmoniques et les vibrations sans toutefois les éliminer.- Sonorité: chaude et grave- Résonance: mesurée et contrôlée- Applications: générales, scène ou studio, jazz, fusion- Configuration: simple-pli (10 mil), sablée, renfort central perforé (5 mil)- Sonorité: ouverte, brillante, harmoniques grasses- Résonance: bonne tenue de note- Applications: Rock, Fusion, scène ou studio